Medalist
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Medalist
A medalist (or medallist) is an artist who designs medals, plaquettes, badges, metal medallions, coins and similar small works in relief in metal. Historically, medalists were typically also involved in producing their designs, and were usually either sculptors or goldsmiths by background. In modern times, medalists are mostly primarily sculptors of larger works, but in the past the number of medals and coins produced were sufficient to support specialists who spent most of their career producing them. From the 19th century, the education of a medalist often began with time as an engraver, or a formal education in an academy, particularly modeling and portraiture. On coins, a mark or symbol signifying the medalist as the original designer was often included in a hidden location and is not to be mistaken for the symbol of the mint master. Artistic medals and plaquettes are often signed prominently by the artist. Background Artistic medals have been produced since the late Renaissa ...
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List Of Medallists
A medallist or medalist (see spelling differences) is an artist who designs medals, plaquettes, badges, coins and similar small works in relief in metal. Art medals are a well-known and highly collected form of small bronze sculpture, most often in bronze, and are considered a form of exonumia. "Medalist/medallist" is confusingly the same word used in sport and other areas (but not usually in military contexts) for the winner of a medal as an award. Medallists very often also design, or produce the dies for coins as well. In modern times medallists are mostly primarily sculptors of larger works, but in the past the number of medals and coins produced were sufficient to allow specialists who spent most of their career producing them. Medallists are also often confusingly referred to as "engravers" in reference works, referring to the "engraving" of dies, although this is often in fact not the technique used; however many also worked in engraving the technique in printmaking. Ar ...
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Medal
A medal or medallion is a small portable artistic object, a thin disc, normally of metal, carrying a design, usually on both sides. They typically have a commemorative purpose of some kind, and many are presented as awards. They may be intended to be worn, suspended from clothing or jewellery in some way, although this has not always been the case. They may be struck like a coin by dies or die-cast in a mould. A medal may be awarded to a person or organisation as a form of recognition for sporting, military, scientific, cultural, academic, or various other achievements. Military awards and decorations are more precise terms for certain types of state decoration. Medals may also be created for sale to commemorate particular individuals or events, or as works of artistic expression in their own right. In the past, medals commissioned for an individual, typically with their portrait, were often used as a form of diplomatic or personal gift, with no sense of being an award for ...
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Ferdinand II White Mountain Battle Av
Ferdinand is a Germanic name composed of the elements "protection", "peace" (PIE "to love, to make peace") or alternatively "journey, travel", Proto-Germanic , abstract noun from root "to fare, travel" (PIE , "to lead, pass over"), and "courage" or "ready, prepared" related to Old High German "to risk, venture." The name was adopted in Romance languages from its use in the Visigothic Kingdom. It is reconstructed as either Gothic or . It became popular in German-speaking Europe only from the 16th century, with Habsburg rule over Spain. Variants of the name include , , , and in Spanish, in Catalan, and and in Portuguese. The French forms are , '' Fernand'', and , and it is '' Ferdinando'' and in Italian. In Hungarian both and are used equally. The Dutch forms are and ''Ferry''. There are numerous short forms in many languages, such as the Finnish . There is a feminine Spanish, Portuguese and Italian form, . Royalty Aragón/León/Castile/Spain *Ferdina ...
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Numismatics
Numismatics is the study or collection of currency, including coins, tokens, paper money, medals and related objects. Specialists, known as numismatists, are often characterized as students or collectors of coins, but the discipline also includes the broader study of money and other means of payment used to resolve debts and exchange goods. The earliest forms of money used by people are categorised by collectors as "Odd and Curious", but the use of other goods in barter exchange is excluded, even where used as a circulating currency (e.g., cigarettes or instant noodles in prison). As an example, the Kyrgyz people used horses as the principal currency unit, and gave small change in lambskins; the lambskins may be suitable for numismatic study, but the horses are not. Many objects have been used for centuries, such as cowry shells, precious metals, cocoa beans, large stones, and gems. Etymology First attested in English 1829, the word ''numismatics'' comes from the adjective ...
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Mint (coin)
A mint is an industrial facility which manufactures coins that can be used as currency. The history of mints correlates closely with the history of coins. In the beginning, hammered coinage or cast coinage were the chief means of coin minting, with resulting production runs numbering as little as the hundreds or thousands. In modern mints, coin dies are manufactured in large numbers and planchets are made into milled coins by the billions. With the mass production of currency, the production cost is weighed when minting coins. For example, it costs the United States Mint much less than 25 cents to make a quarter (a 25 cent coin), and the difference in production cost and face value (called seigniorage) helps fund the minting body. Conversely, a U.S. penny ($0.01) cost $0.015 to make in 2016. History The first minted coins The earliest metallic money did not consist of coins, but of unminted metal in the form of rings and other ornaments or of weapons, which were used for th ...
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Burin (engraving)
A burin ( ) is a steel cutting tool used in engraving, from the French ''burin'' (cold chisel). Its older English name and synonym is graver. Etymology The term ''burin'' refers to a tool used by engravers that has a thin, pointed blade and it used to etch or cut. The first known use of the word dates back to France in the mid-1600s when the term was coined for the tool we know today. Design The burin consists of a rounded handle shaped like a mushroom, and a tempered steel shaft, coming from the handle at an angle, and ending in a very sharp cutting face. The most ubiquitous types have a square or lozenge face, a high-end repertoire has many others. A tint burin consists of a square face with teeth, to create many fine, closely spaced lines. A stipple tool allows for the creation of fine dots. A flat burin consists of a rectangular face, and is used for cutting away large portions of material at a time. The earliest uses of a burin come from the Lower Paleolithic era, t ...
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Coining (mint)
Minting, coining or coinage is the process of manufacturing coins using a kind of stamping, the process used in both hammered coinage and milled coinage. This "stamping" process is different from the method used in cast coinage. A coin die is one of the two metallic pieces that are used to strike a coin, one per each side of the coin. A die contains an inverse version of the image to be ''struck'' on the coin. ''Striking'' a coin refers to pressing an image into the blank metal disc, or planchet, and is a term descended from the days when the dies were struck with hammers to deform the metal into the image of the dies. Modern dies made out of hardened steel are capable of producing many hundreds of thousands of coins before they are retired and defaced. Ancient coin dies Prior to the modern era, coin dies were manufactured individually by hand by artisans known as engravers. In demanding times, such as the crisis of the Roman Empire in the 3rd century, dies were still used ...
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Lost Wax Casting
Lost-wax casting (also called "investment casting", "precision casting", or ''cire perdue'' which has been adopted into English from the French, ) is the process by which a duplicate metal sculpture (often silver, gold, brass, or bronze) is cast from an original sculpture. Intricate works can be achieved by this method. The oldest known examples of this technique are approximately 6,500-year-old (4550–4450 BC) and attributed to gold artefacts found at Bulgaria's Varna Necropolis. A copper amulet from Mehrgarh, Indus Valley civilization, in Pakistan, is dated to circa 4,000 BC. Cast copper objects, found in the Nahal Mishmar hoard in southern Israel, which belong to the Chalcolithic period (4500–3500 BC), are estimated, from carbon-14 dating, to date to circa 3500 BC. In Other examples from somewhat later periods are from Mesopotamia in the third millennium BC. Lost-wax casting was widespread in Europe until the 18th century, when a piece-moulding process came to predo ...
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Cast Coinage
Cast coinage refers to coins made by pouring melted metal into a mold, i.e. casting. It has been used for regular coins, particularly in East Asia, but also other areas on a smaller scale (e.g. the ancient Mediterranean world). The method differs from the current mode of coin production, which is done by striking coin blanks that have been cut out of metal sheets. The method has also been used by forgers. Traditional Far Eastern cast coins—so-called 'cash coins'—are the most famous example of cast coinage, and were issued from the 4th century BC until circa 1912, predominantly in bronze, brass or iron. Traditional Far Eastern coins were generally cast base metal coins, although silver and gold bars were also manufactured, e.g. Chinese sycee, Japanese obans and kobans, and Vietnamese lang and tien. Cast potins circulated in Kent from around 100 BC to around 50 BC. At a point during the first century of the Christian era, cast bronze coins were produced in Dorset with archaeolog ...
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Milled Coinage
In numismatics, the term milled coinage (also known as machine-struck coinage) is used to describe coins which are produced by some form of machine, rather than by manually hammering coin blanks between two dies (hammered coinage) or casting coins from dies. Introduction Until 1550, coinage techniques used in European mints had not progressed from the hammered coinage of Ancient Greece. This was problematic because an increase in the supply of bullion from central Europe and America was overworking mints. That led to low quality coins which were easily forged or clipped, i.e. precious metal was shaved from the edges of the coins. In accordance with Gresham's law, the clipped and forged coins drove good coins out of circulation, depreciating the currency. Leonardo da Vinci's notebooks showed there was a better way and Donato Bramante, the architect who made the initial plans for St. Peter's Basilica, developed a screw press to make the lead bullae attached to Papal document ...
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Hammered Coinage
Hammered coinage is the most common form of coins produced since the invention of coins in the first millennium BC until the early modern period of c. the 15th–17th centuries, contrasting to the cast coinage and the later developed milled coinage. History Hammered coins were produced by placing a blank piece of metal (a ''planchet'' or ''flan'') of the correct weight between two dies, and then striking the upper die with a hammer to produce the required image on both sides. The planchet was usually cast from a mold. The bottom die (sometimes called the ''anvil die'') was usually counter sunk in a log or other sturdy surface and was called a ''pile''. One of the minters held the die for the other side (called the ''trussel''), in his hand while it was struck either by himself or an assistant. Experimental archeology suggests that a lower die could be expected to last for up to 10,000 strikes depending on the level of wear deemed acceptable. Upper dies seem to have a far great ...
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Engraving
Engraving is the practice of incising a design onto a hard, usually flat surface by cutting grooves into it with a Burin (engraving), burin. The result may be a decorated object in itself, as when silver, gold, steel, or Glass engraving, glass are engraved, or may provide an Intaglio (printmaking), intaglio printing plate, of copper or another metal, for printing images on paper as prints or illustrations; these images are also called "engravings". Engraving is one of the oldest and most important techniques in printmaking. Wood engraving is a form of relief printing and is not covered in this article, same with rock engravings like petroglyphs. Engraving was a historically important method of producing images on paper in artistic printmaking, in mapmaking, and also for commercial reproductions and illustrations for books and magazines. It has long been replaced by various photographic processes in its commercial applications and, partly because of the difficulty of learning th ...
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