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Morna (music)
The morna (pronunciation in both Portuguese and Cape Verdean Creole: ) is a music and dance genre from Cape Verde. Lyrics are usually in Cape Verdean Creole, and instrumentation often includes cavaquinho, clarinet, accordion, violin, piano and guitar. Morna is widely considered the national music of Cape Verde, as is the fado for Portugal, the tango for Argentina, the merengue for Dominican Republic, the rumba for Cuba, and so on. The best internationally known morna singer was Cesária Évora. Morna and other genres of Cape Verdean music are also played in Cape Verdean migrant communities abroad, especially in New England in the US, Portugal, the Netherlands, France, West Africa and parts of Latin America. As a music genre As a music genre, the morna is characterized by having a lento tempo, a 2-beat bar (sometimes 4)Brito, M., ''Breves Apontamentos sobre as Formas Musicais existentes em Cabo Verde'' — 1998 and in its most traditional form by having a harmonic structure ...
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Cape Verde
, national_anthem = () , official_languages = Portuguese , national_languages = Cape Verdean Creole , capital = Praia , coordinates = , largest_city = capital , demonym = Cape Verdean or Cabo Verdean , ethnic_groups_year = 2017 , government_type = Unitary semi-presidential republic , leader_title1 = President , leader_name1 = José Maria Neves , leader_title2 = Prime Minister , leader_name2 = Ulisses Correia e Silva , legislature = National Assembly , area_rank = 166th , area_km2 = 4033 , area_sq_mi = 1,557 , percent_water = negligible , population_census = 561,901 , population_census_rank = 172nd , population_census_year = 2021 , population_density_km2 = 123.7 , population_density_sq_mi = 325.0 , population_density_rank = 89th , GDP_PPP ...
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Cuba
Cuba ( , ), officially the Republic of Cuba ( es, República de Cuba, links=no ), is an island country comprising the island of Cuba, as well as Isla de la Juventud and several minor archipelagos. Cuba is located where the northern Caribbean Sea, Gulf of Mexico, and Atlantic Ocean meet. Cuba is located east of the Yucatán Peninsula (Mexico), south of both the American state of Florida and the Bahamas, west of Hispaniola ( Haiti/Dominican Republic), and north of both Jamaica and the Cayman Islands. Havana is the largest city and capital; other major cities include Santiago de Cuba and Camagüey. The official area of the Republic of Cuba is (without the territorial waters) but a total of 350,730 km² (135,418 sq mi) including the exclusive economic zone. Cuba is the second-most populous country in the Caribbean after Haiti, with over 11 million inhabitants. The territory that is now Cuba was inhabited by the Ciboney people from the 4th millennium BC with the Gua ...
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Subdominant
In music, the subdominant is the fourth tonal degree () of the diatonic scale. It is so called because it is the same distance ''below'' the tonic as the dominant is ''above'' the tonicin other words, the tonic is the dominant of the subdominant. It also happens to be the note one step below the dominant. In the movable do solfège system, the subdominant note is sung as ''fa''. The triad built on the subdominant note is called the subdominant chord. In Roman numeral analysis, the subdominant chord is typically symbolized by the Roman numeral "IV" in a major key, indicating that the chord is a major triad. In a minor key, it is symbolized by "iv", indicating that the chord is a minor triad. These chords may also appear as seventh chords: in major, as IVM7, or in minor as iv7 or sometimes IV7: A cadential subdominant chord followed by a tonic chord produces the so-called plagal cadence. As with other chords which often precede the dominant, subdominant chords typically ...
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Tonic (music)
In music, the tonic is the first scale degree () of the diatonic scale (the first note of a scale) and the tonal center or final resolution tone that is commonly used in the final cadence in tonal (musical key-based) classical music, popular music, and traditional music. In the movable do solfège system, the tonic note is sung as ''do''. More generally, the tonic is the note upon which all other notes of a piece are hierarchically referenced. Scales are named after their tonics: for instance, the tonic of the C major scale is the note C. The triad formed on the tonic note, the tonic chord, is thus the most significant chord in these styles of music. In Roman numeral analysis, the tonic chord is typically symbolized by the Roman numeral "I" if it is major and by "i" if it is minor. These chords may also appear as seventh chords: in major, as IM7, or in minor as i7 or rarely iM7: The tonic is distinguished from the root, which is the reference note of a chord, rathe ...
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Chord (music)
A chord, in music, is any harmonic set of pitches/frequencies consisting of multiple notes (also called "pitches") that are heard as if sounding simultaneously. For many practical and theoretical purposes, arpeggios and broken chords (in which the notes of the chord are sounded one after the other, rather than simultaneously), or sequences of chord tones, may also be considered as chords in the right musical context. In tonal Western classical music (music with a tonic key or "home key"), the most frequently encountered chords are triads, so called because they consist of three distinct notes: the root note, and intervals of a third and a fifth above the root note. Chords with more than three notes include added tone chords, extended chords and tone clusters, which are used in contemporary classical music, jazz and almost any other genre. A series of chords is called a chord progression. One example of a widely used chord progression in Western traditional music and blu ...
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Monotony (music)
Monotone refers to a sound, for example music or speech, that has a single unvaried tone. See: monophony. Monotone or monotonicity may also refer to: In economics *Monotone preferences, a property of a consumer's preference ordering. *Monotonicity (mechanism design), a property of a social choice function. *Monotonicity criterion, a property of a voting system. *Resource monotonicity, a property of resource allocation rules and bargaining systems. In mathematics *Monotone class theorem, in measure theory *Monotone convergence theorem, in mathematics *Monotone polygon, a property of a geometric object *Monotonic function, a property of a mathematical function *Monotonicity of entailment, a property of some logical systems *Monotonically increasing, a property of number sequence Other uses *Monotone (software), an open source revision control system *Monotonic orthography, simplified spelling of modern Greek *The Monotones The Monotones were a six-member American doo-wop voca ...
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Refrain
A refrain (from Vulgar Latin ''refringere'', "to repeat", and later from Old French ''refraindre'') is the line or lines that are repeated in music or in poetry — the "chorus" of a song. Poetic fixed forms that feature refrains include the villanelle, the virelay, and the sestina. In popular music, the refrain or chorus may contrast with the verse melodically, rhythmically, and harmonically; it may assume a higher level of dynamics and activity, often with added instrumentation. Chorus form, or strophic form, is a sectional and/or additive way of structuring a piece of music based on the repetition of one formal section or block played repeatedly. Usage in history In music, a refrain has two parts: the lyrics of the song, and the melody. Sometimes refrains vary their words slightly when repeated; recognizability is given to the refrain by the fact that it is always sung to the same tune, and the rhymes, if present, are preserved despite the variations of the words. Such ...
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Musical Strophe
Musical is the adjective of music. Musical may also refer to: * Musical theatre, a performance art that combines songs, spoken dialogue, acting and dance * Musical film and television, a genre of film and television that incorporates into the narrative songs sung by the characters * MusicAL, an Albanian television channel * Musical isomorphism, the canonical isomorphism between the tangent and cotangent bundles See also * Lists of musicals * Music (other) * Musica (other) * Musicality Musicality (''music-al -ity'') is "sensitivity to, knowledge of, or talent for music" or "the quality or state of being musical", and is used to refer to specific if vaguely defined qualities in pieces and/or genres of music, such as melodiousness ...
, the ability to perceive music or to create music * {{Music disambiguation ...
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Vasco Martins
Vasco Martins is a Cape Verdean musician and composer. Born in Queluz, Portugal, in 1956, he lives now in Calhau, Cape Verde. Biography Self-taught, he began his studies in 1974. He was a member of the band Colá in 1976, but then went to Portugal where he studied with Fernando Lopes Graça and later to France to pursue his musical education with Henri-Claude Fantapié. In 1979 he recorded his first LP. He returned to Cape Verde, and it is there that he has created most of his work as a composer and instrumentist, but also as musicologist and producer, he organized and founded the Baía das Gatas Music Festival along with his friends in 1984, the first music festival in the nation. He released more albums including ''Quinto Mundo'' (1989), ''Eternal Cycle'' (1995), ''Memórias Atlânticas'' (''Memories from the Atlantic'') (1998) and ''Lunário Perpétio'' (2001). He released ''4 Sinfonias'' in August 2007 which is related to his first four symphonies he made. His album '' ...
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Cycle Of Fifths
In music theory, the circle of fifths is a way of organizing the 12 chromatic pitches as a sequence of perfect fifths. (This is strictly true in the standard 12-tone equal temperament system — using a different system requires one interval of diminished sixth to be treated as a fifth). If C is chosen as a starting point, the sequence is: C, G, D, A, E, B (=C), F (=G), C (=D), A, E, B, F. Continuing the pattern from F returns the sequence to its starting point of C. This order places the most closely related key signatures adjacent to one another. It is usually illustrated in the form of a circle. Definition The circle of fifths organizes pitches in a sequence of perfect fifths, generally shown as a circle with the pitches (and their corresponding keys) in a clockwise progression. Musicians and composers often use the circle of fifths to describe the musical relationships between pitches. Its design is helpful in composing and harmonizing melodies, building chords, and ...
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Harmony
In music, harmony is the process by which individual sounds are joined together or composed into whole units or compositions. Often, the term harmony refers to simultaneously occurring frequencies, pitches ( tones, notes), or chords. However, harmony is generally understood to involve both vertical harmony (chords) and horizontal harmony ( melody). Harmony is a perceptual property of music, and, along with melody, one of the building blocks of Western music. Its perception is based on consonance, a concept whose definition has changed various times throughout Western music. In a physiological approach, consonance is a continuous variable. Consonant pitch relationships are described as sounding more pleasant, euphonious, and beautiful than dissonant relationships which sound unpleasant, discordant, or rough. The study of harmony involves chords and their construction and chord progressions and the principles of connection that govern them. Counterpoint, which refers to ...
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Bar (music)
In musical notation, a bar (or measure) is a segment of time corresponding to a specific number of beats in which each beat is represented by a particular note value and the boundaries of the bar are indicated by vertical bar lines. Dividing music into bars provides regular reference points to pinpoint locations within a musical composition. It also makes written music easier to follow, since each bar of staff symbols can be read and played as a batch. Typically, a piece consists of several bars of the same length, and in modern musical notation the number of beats in each bar is specified at the beginning of the score by the time signature. In simple time, (such as ), the top figure indicates the number of beats per bar, while the bottom number indicates the note value of the beat (the beat has a quarter note value in the example). The word ''bar'' is more common in British English, and the word ''measure'' is more common in American English, although musicians generally u ...
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