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Morgan Beatus
The Morgan Beatus (New York, Morgan Library & Museum, MS 644) is an illuminated manuscript with miniatures by the artist Magius of the Commentary on the Book of the Apocalypse by the eighth-century Spanish monk Beatus, which described the end of days and the Last Judgment. Having been created at some time in the 10th century, the Morgan Beatus is one of the oldest examples of a revived Spanish apocalypse tradition. According to the style it was created by Mozarabs (Christians in Muslim-Spanish land). The Apocalypse and the commentary on this scripture by Saint Beatus of Liébana became one of the most important religious texts of the Middle Ages, and was often illustrated very fully. Contents The Morgan Beatus contains preliminary material with brilliantly painted Evangelist portraits (ff. 1–9), Beatus's Commentary on the Apocalypse, (ff. 10-233), excerpts from Isidore of Seville's ''De ad finitatibus et gradibus'' and of his Etymologies (ff. 234r-237r), St. Jerome's Co ...
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B Pierpont 112
B, or b, is the second letter of the Latin-script alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is '' bee'' (pronounced ), plural ''bees''. It represents the voiced bilabial stop in many languages, including English. In some other languages, it is used to represent other bilabial consonants. History Old English was originally written in runes, whose equivalent letter was beorc , meaning "birch". Beorc dates to at least the 2nd-century Elder Futhark, which is now thought to have derived from the Old Italic alphabets' either directly or via Latin . The uncial and half-uncial introduced by the Gregorian and Irish missions gradually developed into the Insular scripts' . These Old English Latin alphabets supplanted the earlier runes, whose use was fully banned under King Canute in the early 11th century. The Norman Conquest of England, Norman Conquest popularised the Caroling ...
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Gerona Beatus
The Gerona Beatus is a 10th-century illuminated manuscript currently housed in the museum of Girona Cathedral, Catalonia, Spain. The manuscript contains two separate documents: the Commentary on the Apocalypse by Beatus of Liébana, a late eighth-century manuscript popular in medieval SpainSo popular, that twenty-six illustrated copies have survived, dating from the late 9th to the early 13th centuries. and Jerome's commentary on the Book of Daniel.Daniel is rich in eschatological prophecy, so the inclusion of Jerome’s commentary with Beatus’ work makes sense on a thematic basis. It includes 284 extant folios, each measuring 400 mm by 260 mm, copiously illustrated with 184 surviving miniatures, and has been described as ''one of the most richly decorated of the Beatus Commentaries, and one of the best documented.''Williams, John W. "Commentary on the Apocalypse by Beatus and Commentary on Daniel by Jerome." ''The Art of Medieval Spain, A.D. 500–1200.'' (New York ...
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Mozarabic Art And Architecture
Mozarabic art refers to art of Mozarabs (from ''musta'rab'' meaning “Arabized”), Iberian Christians living in Al-Andalus, the Muslim conquered territories in the period that comprises from the Arab invasion of the Iberian Peninsula (711) to the end of the 11th century, adopted some Arab customs without converting to Islam, preserving their religion and some ecclesiastical and judicial autonomy. Formerly used for the whole of the Iberian peninsula, the term is now usually restricted, at least in architecture, to the south, with Repoblación art and architecture used for the north. Art The Mozarabic communities maintained some of the Visigothic churches that were older than the Arab occupation for the practice of their religious rites and were rarely able to build new ones, because, even though a certain religious tolerance existed, the authorizations for building new churches were very limited. When permitted, new churches were always in rural areas or in the cities' suburbs, ...
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10th-century Christian Texts
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by  2, although by other definitions 1 is the second natural number, following  0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the s ...
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Illuminated Beatus Manuscripts
Illuminated may refer to: * "Illuminated" (song), by Hurts * Illuminated Film Company, a British animation house * ''Illuminated'', alternative title of Black Sheep (Nat & Alex Wolff album) * Illuminated manuscript See also * Illuminate (other) * Illumination (other) * Illuminations (other) * Illuminator (other) Illuminator may refer to: * A light source * Limner, an illustrator of manuscripts * Illuminator radar * The Illuminator, a political art collective based in New York City * Illuminator (Marvel Comics), a Christian superhero appearing in America ...
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10th-century Illuminated Manuscripts
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit (measurement), unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest Positive number, positive integer. It is also sometimes considered the first of the sequence (mathematics), infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally ac ...
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Mozarab
The Mozarabs ( es, mozárabes ; pt, moçárabes ; ca, mossàrabs ; from ar, مستعرب, musta‘rab, lit=Arabized) is a modern historical term for the Iberian Christians, including Christianized Iberian Jews, who lived under Muslim rule in Al-Andalus following the conquest of the Christian Visigothic Kingdom by the Umayyad Caliphate. Initially, the vast majority of Mozarabs kept Christianity and their dialects descended from Latin. Eventually, some converted to Islam and were influenced, in varying degrees, by Arab customs and knowledge, and sometimes acquired greater social status in doing so. The local Romance vernaculars, with an important contribution of Arabic and spoken by Christians and Muslims alike, have also come to be known as the Mozarabic language. Mozarabs were mostly Roman Catholics of the Visigothic or Mozarabic Rite. Due to Sharia and Fiqh being confessional and only applying to Muslims, the Christians paid the jizya tax, the only relevant Islamic Law oblig ...
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Arabic
Arabic (, ' ; , ' or ) is a Semitic languages, Semitic language spoken primarily across the Arab world.Semitic languages: an international handbook / edited by Stefan Weninger; in collaboration with Geoffrey Khan, Michael P. Streck, Janet C. E.Watson; Walter de Gruyter GmbH & Co. KG, Berlin/Boston, 2011. Having emerged in the 1st century, it is named after the Arabs, Arab people; the term "Arab" was initially used to describe those living in the Arabian Peninsula, as perceived by geographers from ancient Greece. Since the 7th century, Arabic has been characterized by diglossia, with an opposition between a standard Prestige (sociolinguistics), prestige language—i.e., Literary Arabic: Modern Standard Arabic (MSA) or Classical Arabic—and diverse vernacular varieties, which serve as First language, mother tongues. Colloquial dialects vary significantly from MSA, impeding mutual intelligibility. MSA is only acquired through formal education and is not spoken natively. It is ...
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Roman Numerals
Roman numerals are a numeral system that originated in ancient Rome and remained the usual way of writing numbers throughout Europe well into the Late Middle Ages. Numbers are written with combinations of letters from the Latin alphabet, each letter with a fixed integer value, modern style uses only these seven: The use of Roman numerals continued long after the decline of the Roman Empire. From the 14th century on, Roman numerals began to be replaced by Arabic numerals; however, this process was gradual, and the use of Roman numerals persists in some applications to this day. One place they are often seen is on clock faces. For instance, on the clock of Big Ben (designed in 1852), the hours from 1 to 12 are written as: The notations and can be read as "one less than five" (4) and "one less than ten" (9), although there is a tradition favouring representation of "4" as "" on Roman numeral clocks. Other common uses include year numbers on monuments and buildings and ...
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Catchword
A catchword is a word placed at the foot of a handwritten or printed page that is meant to be bound along with other pages in a book. The word anticipates the first word of the following page. It was meant to help the bookbinder or printer make sure that the leaves were bound in the right order or that the pages were set up in the press in the right order. Catchwords appear in some medieval manuscripts, and appear again in printed books late in the fifteenth century. The practice became widespread in the mid sixteenth century, and prevailed until the arrival of industrial printing techniques late in the eighteenth century. Theodore Low Devinne's 1901 guide on ''Correct Composition'' had this to say: For more than three centuries printers of books appended at the foot of every page the first word or syllable of the next page. This catchword was supposed to be needed by the reader to make clear the connection between the two pages; but the catchword is now out of use, and it is n ...
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Paper Quire
Various measures of paper quantity have been and are in use. Although there are no S.I. units such as quires and bales, there are ISO''ISO 4046-3:2002 Paper, board, pulps and related terms – Vocabulary – Part 3: Paper-making terminology'' (2002), quoted in ''ISO 22414:2004(E) Paper – Cut-size office paper – Measurement of edge quality'' (2004) Geneva:ISO. and DIN''Papier und Pappe: DIN 6730:2011-02: Begriffe'' (''Paper and board: vocabulary'') (2011) (in German). Berlin: Beuth Verlag. standards for the ream. Expressions used here include U.S. Customary Units. Units ; Writing paper measurements : 25 sheets = 1 quire : 500 sheets = 20 quires = 1 ream : 1,000 sheets = 40 quires = 2 reams = 1 bundle : 5,000 sheets = 200 quires = 10 reams = 5 bundles = 1 bale : 200,000 sheets = 8,000 quires = 400 reams = 200 bundles = 40 bales = 1 pallet ; 'Short' paper measurements : 24 sheets = 1 'short' quire : 480 sheets = 20 'short' quires = 1 'short' ream : 960 sheets = 40 'short' quire ...
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Colophon (publishing)
In publishing, a colophon () is a brief statement containing information about the publication of a book such as an "imprint" (the place of publication, the publisher, and the date of publication). A colophon may include the device (logo) of a printer or publisher. Colophons are traditionally printed at the ends of books (see History below for the origin of the word), but sometimes the same information appears elsewhere (when it may still be referred to as colophon) and many modern (post-1800) books bear this information on the title page or on the verso of the title-leaf, which is sometimes called a "biblio-page" or (when bearing copyright data) the " copyright-page". History The term ''colophon'' derives from the Late Latin ''colophōn'', from the Greek κολοφών (meaning "summit" or "finishing touch"). The term colophon was used in 1729 as the bibliographic explication at the end of the book by the English printer Samuel Palmer in his ''The General History of Printing, f ...
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