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Monte Cazazza
Monte Cazazza is an American artist and composer best known for his seminal role in helping shape industrial music through recordings with the London-based Industrial Records in the mid-1970s. Career Cazazza, based primarily in San Francisco during his early career, is credited with coining the phrase "Industrial Music for Industrial People". This was later used to encapsulate the record label and the artists representing it. Later, the noise collages and experimental sound manipulation coming out of Industrial Records came to be known as industrial music. Cazazza had built up an underground reputation as a particularly volatile performer with a potentially dangerous and antisocial aesthetic. Re/Search Magazine's ''Industrial Culture Handbook'' described his work as "insanity-outbreaks thinly disguised as art events". The Futurist Sintesi show near the end of 1975 was heralded on a promo flier as "Sex - religious show; giant statue of Jesus got chainsawed and gang raped into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Industrial Records
Industrial Records is a record label established in 1976 by industrial music and visual arts group Throbbing Gristle. The group created the label primarily for self-releases but also signed several other groups and artists. The label gave a name to the industrial music genre. Background Artists released through the label included Cabaret Voltaire, Clock DVA, SPK, Thomas Leer & Robert Rental, The Leather Nun, plus ''outrage'' artist Monte Cazazza, the author William S. Burroughs' auditory works, and a solo album by Throbbing Gristle member Chris Carter. A notable departure from the ''industrial'' form of the label was the blues standard " Stormy Weather" sung by Elisabeth Welch, taken from the soundtrack of Derek Jarman's film '' The Tempest''. The label's first LP was Throbbing Gristle's debut LP ''The Second Annual Report'' which was limited to 786 copies. It came in bootleg-like packaging: a plain white card sleeve with glued-on xerox information strips. The Industrial R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shock Value
Shock value is the potential of an image, text, action, or other form of communication, such as a public execution, to provoke a reaction of sharp disgust, shock, anger, fear, or similar negative emotions. In advertising Shock advertising or Shockvertising is a type of advertising generally regarded as one that “deliberately, rather than inadvertently, startles and offends its audience by violating norms for social values and personal ideals.” It is the employment in advertising or public relations of "graphic imagery and blunt slogans to highlight" a public policy issue, goods, or services. Shock advertising is designed principally to break through the advertising “clutter” to capture attention and create buzz, and also to attract an audience to a certain brand or bring awareness to a certain public service issue, health issue, or cause (e.g., urging drivers to use their seatbelts, promoting STD prevention, bringing awareness of racism and other injustices, or discouragi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
COUM Transmissions
COUM Transmissions was a music and performance art collective who operated in the United Kingdom from 1969 through to 1976. The collective was influenced by the Dada and surrealism artistic movements, the writers of the Beat Generation, and underground music. COUM were openly confrontational and subversive, challenging aspects of conventional British society. Founded in Kingston upon Hull, Hull, Yorkshire by Genesis Breyer P-Orridge, Genesis P-Orridge, other prominent early members included Cosey Fanni Tutti and Spydeee Gasmantell (also at school with Genesis P-Orridge). Part-time members included Tim Poston, "Brook" Menzies, Haydn Robb, Les Maull (aka The Reverend Lelli), Ray Harvey, John Smith (aka Jonji Smith), Foxtrot Echo, Fizzy Paet and John Gunni Busck (John Lacey). Later members included Peter Christopherson, Peter "Sleazy" Christopherson and Chris Carter (British musician), Chris Carter, who together with P-Orridge and Fanni Tutti went on to found the pioneering industrial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gary Gilmore
Gary Mark Gilmore (born Faye Robert Coffman; December 4, 1940 – January 17, 1977) was an American criminal who gained international attention for demanding the implementation of his death sentence for two murders he had admitted to committing in Utah. After the U.S. Supreme Court upheld a new series of death penalty statutes in the 1976 decision ''Gregg v. Georgia'', he became the first person in almost ten years to be executed in the United States. These new statutes avoided the problems under the 1972 decision in ''Furman v. Georgia,'' which had resulted in earlier death penalty statutes being deemed "cruel and unusual" punishment, and therefore unconstitutional. (The Supreme Court had previously ordered all states to commute death sentences to life imprisonment after ''Furman''.) Gilmore was executed by a firing squad in 1977. His life and execution were the subject of the 1979 nonfiction novel ''The Executioner's Song'' by Norman Mailer, and 1982 TV film of the novel star ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michelle Handelman
Michelle Handelman (born 1960) is an American video installation artist, filmmaker, photographer, performance artist, writer and professor. She is an associate professor at the Fashion Institute of Technology (FIT) and currently lives in Brooklyn. Work She received her M.F.A. in 2000 from Bard College and her B.F.A. in 1989 from the San Francisco Art Institute. She was an associate professor at the Massachusetts College of Art and Design from 2007–2013. Handelman's 2009 four-channel video installation "Dorian, a cinematic perfume" is based on Oscar Wilde's The Picture of Dorian Gray. It features the bio-fem drag queen Sequinette as Dorian, Armen Ra as Lord Henry, K8 Hardy as Sybl, Quin Charity as Basil and Mother Flawless Sabrina as Dead Dorian. It features music by Lustmord, Armen Ra, Nadia Sirota, Vincent Baker, and Stefan Tcherepnin. "Dorian, a cinematic perfume" has been exhibited at Participant, Inc., NYC; MIT List Visual Arts Center, Cambridge; Arthouse at the Jones ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Survival Research Laboratories
Survival Research Laboratories (SRL) is an American performance art group that pioneered the genre of large-scale machine performance. Founded in 1978 by Mark Pauline, the group is known in particular for their performances where custom-built machines, often robotic, compete to destroy each other. The performances, described by one critic as "noisy, violent and destructive", are noted for the visual and aural cacophony created by the often dangerous interactions of the machinery. History SRL was founded in San Francisco in 1978 by Mark Pauline. Critics have drawn parallels between the group's founding and the punk and industrial music scenes of San Francisco at the time. The group's name is a parody of corporate culture. Pauline has said that "the vision for SRL was always about creepy, scary, violent and extreme performances that really captured the feeling of machines as living things". SRL's early collaborators included the machine artists including Matt Heckert and Eric Werne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Worst Of Monte Cazazza
Monte Cazazza is an American artist and composer best known for his seminal role in helping shape industrial music through recordings with the London-based Industrial Records in the mid-1970s. Career Cazazza, based primarily in San Francisco during his early career, is credited with coining the phrase "Industrial Music for Industrial People". This was later used to encapsulate the record label and the artists representing it. Later, the noise collages and experimental sound manipulation coming out of Industrial Records came to be known as industrial music. Cazazza had built up an underground reputation as a particularly volatile performer with a potentially dangerous and antisocial aesthetic. Re/Search Magazine's ''Industrial Culture Handbook'' described his work as "insanity-outbreaks thinly disguised as art events". The Futurist Sintesi show near the end of 1975 was heralded on a promo flier as "Sex - religious show; giant statue of Jesus got chainsawed and gang raped into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mute Records
Mute Records is a British independent record label owned and founded in 1978 by Daniel Miller. It has featured several prominent musical acts on its roster such as Depeche Mode, Erasure, Einstürzende Neubauten, Fad Gadget, Goldfrapp, Grinderman, Inspiral Carpets, Moby, New Order, Laibach, Nitzer Ebb, Yann Tiersen, Wire, Yeasayer, Nick Cave and the Bad Seeds, Yazoo, and M83. History Beginnings During 1978, Daniel Miller began recording music, using synthesisers, under the name The Normal.Mute - Documentary Evidence - Biba Kopf 1986 He recorded the tracks "T.V.O.D." and "Warm Leatherette" and distributed them through Rough Trade Shops under the label name Mute Records. The label was formed initially just to release the one single.Muted Response - Daniel Miller Interview - E&MM 1984 "T.V.O.D."/"Warm Leatherette" became a cult hit ensuring the future of the label. "Warm Leatherette" was later covered by Grace Jones and Chicks on Speed as well as Rose McDowell. After meetin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mail Art
Mail art, also known as postal art and correspondence art, is an artistic movement centered on sending small-scale works through the postal service. It initially developed out of what eventually became Ray Johnson's New York Correspondence School and the Fluxus movements of the 1960s, though it has since developed into a global movement that continues to the present. Characteristics Media commonly used in mail art include postcards, paper, a collage of found or recycled images and objects, rubber stamps, artist-created stamps (called artistamps), and paint, but can also include music, sound art, poetry, or anything that can be put in an envelope and sent via post. Mail art is considered art once it is dispatched. Mail artists regularly call for thematic or topical mail art for use in (often unjuried) exhibition. Mail artists appreciate interconnection with other artists. The artform promotes an egalitarian way of creating that frequently circumvents official art distribution ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound Collage
In music, montage (literally "putting together") or sound collage ("gluing together") is a technique where newly branded sound objects or compositions, including songs, are created from collage, also known as montage. This is often done through the use of sampling, while some playable sound collages were produced by gluing together sectors of different vinyl records. In any case, it may be achieved through the use of previous sound recordings or musical scores. Like its visual cousin, the collage work may have a completely different effect than that of the component parts, even if the original parts are completely recognizable or from only one source. History The origin of sound collage can be traced back to the works of Biber's programmatic sonata ''Battalia'' (1673) and Mozart's ''Don Giovanni'' (1789), and some critics have described certain passages in Mahler symphonies as collage, but the first fully developed collages occur in a few works by Charles Ives, whose piece ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Obscene
An obscenity is any utterance or act that strongly offends the prevalent morality of the time. It is derived from the Latin ''obscēnus'', ''obscaenus'', "boding ill; disgusting; indecent", of uncertain etymology. Such loaded language can be used to indicate strong moral repugnance and outrage, in expressions such as "obscene profits" and "the obscenity of war". As a legal term, it usually refers to graphic depictions of people engaged in sexual and excretory activity, and related utterances of profane speech. United States obscenity law In the United States, issues of obscenity raise issues of limitations on the freedom of speech and of the press, which are otherwise protected by the First Amendment to the Constitution of the United States. Federal obscenity law in the U.S. is unusual in that there is no uniform national standard. Former Justice Potter Stewart of the Supreme Court of the United States, in attempting to classify what material constituted exactly "what is o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Formaldehyde
Formaldehyde ( , ) (systematic name methanal) is a naturally occurring organic compound with the formula and structure . The pure compound is a pungent, colourless gas that polymerises spontaneously into paraformaldehyde (refer to section Forms below), hence it is stored as an aqueous solution (formalin), which is also used to store animal specimens. It is the simplest of the aldehydes (). The common name of this substance comes from its similarity and relation to formic acid. Formaldehyde is an important precursor to many other materials and chemical compounds. In 1996, the installed capacity for the production of formaldehyde was estimated at 8.7 million tons per year. It is mainly used in the production of industrial resins, e.g., for particle board and coatings. Forms Formaldehyde is more complicated than many simple carbon compounds in that it adopts several diverse forms. These compounds can often be used interchangeably and can be interconverted. *Molecular formald ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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