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Mona (opera)
''Mona'' is an opera in three acts by composer Horatio Parker with an English libretto by Brian Hooker. The opera premiered at the Metropolitan Opera The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is oper ... on 14 March 1912 after the work won the Met's composition competition in 1911. Roles Sourcesusopera.com Operas 1912 operas English-language operas Operas by Horatio Parker Opera world premieres at the Metropolitan Opera Operas set in the British Isles {{English-opera-stub ...
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Louise Homer In "Mona"
Louise or Luise may refer to: * Louise (given name) Arts Songs * "Louise" (Bonnie Tyler song), 2005 * "Louise" (The Human League song), 1984 * "Louise" (Jett Rebel song), 2013 * "Louise" (Maurice Chevalier song), 1929 *"Louise", by Clan of Xymox from the album ''Medusa'' *"Louise", by NOFX from the album '' Pump Up the Valuum'' * "Louise", by Paul Revere & the Raiders from '' The Spirit of '67'' * "Louise", by Paul Siebel from '' Woodsmoke and Oranges'', covered by several artists * "Louise", by Taylor Hawkins and the Coattail Riders from ''Taylor Hawkins and the Coattail Riders'' *"Louise", by The Yardbirds from the album ''Five Live Yardbirds'' Other * ''Louise'' (opera), an opera by Charpentier * ''Louise'' (1939 film), a French film based on the opera * ''Louise'' (2003 film), a Canadian animated short film by Anita Lebeau * '' Louise (Take 2)'', a 1998 French film * Louise Cake, part of New Zealand cuisine Royalty * Louise of Savoy (1476–1531), mother to Franci ...
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Bass (vocal Range)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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Operas By Horatio Parker
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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English-language Operas
English is a West Germanic language of the Indo-European language family, with its earliest forms spoken by the inhabitants of early medieval England. It is named after the Angles, one of the ancient Germanic peoples that migrated to the island of Great Britain. Existing on a dialect continuum with Scots, and then closest related to the Low Saxon and Frisian languages, English is genealogically West Germanic. However, its vocabulary is also distinctively influenced by dialects of France (about 29% of Modern English words) and Latin (also about 29%), plus some grammar and a small amount of core vocabulary influenced by Old Norse (a North Germanic language). Speakers of English are called Anglophones. The earliest forms of English, collectively known as Old English, evolved from a group of West Germanic (Ingvaeonic) dialects brought to Great Britain by Anglo-Saxon settlers in the 5th century and further mutated by Norse-speaking Viking settlers starting in the 8th and 9th ...
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1912 Operas
Year 191 (Roman numerals, CXCI) was a common year starting on Friday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Apronianus and Bradua (or, less frequently, year 944 ''Ab urbe condita''). The denomination 191 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Parthia * King Vologases IV of Parthia dies after a 44-year reign, and is succeeded by his son Vologases V of Parthia, Vologases V. China * A coalition of Chinese warlords from the east of Hangu Pass launches a Campaign against Dong Zhuo, punitive campaign against the warlord Dong Zhuo, who seized control of the central government in 189, and held the figurehead Emperor Xian of Han, Emperor Xian hostage. After suffering some defeats against the coalition forces, Dong Zhuo forcefully relocates the imperial capital from Luoyan ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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Basil Ruysdael
Basil Spaulding Millspaugh (July 24, 1878 – October 10, 1960), known as Basil Ruysdael, was an American actor and opera singer. Early life Born in Jersey City, New Jersey, as Basil Spaulding Millspaugh, Ruysdael was the son of Dr and Mrs Charles Millspaugh. He graduated from Waverly High School and attended Cornell University from 1898–99 as a special student in mechanical engineering and sang with the Cornell University Glee Club. He sang secondary roles in the German repertoire at the Metropolitan Opera in New York as a bass-baritone from 1910 to 1918, appearing with such popular opera stars as Leo Slezak and Geraldine Farrar. Stage career Early in his career, Ruysdael appeared on the New York stage. His Broadway credits include ''Enchanted Isle'' (1927), ''The Cocoanuts'' (1925), ''Topsy and Eva'' (1924), and ''Robin Hood'' (1912). Film career Ruysdael was also a prolific character actor in films. He is probably best known to modern audiences as Detective Hennessy in ...
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Putnam Griswold
Putnam Griswold (1875 – February 26, 1914) was an American opera bass singer. Biography Born in Minneapolis, Minnesota, in 1875, Griswold originally followed a business career. At the age of 22 he discovered his voice and began to study with a local teacher in California. In 1900 he went to London, where he was for two years a pupil of Alberto Randegger at the Royal College of Music. During the winter of 1902/03 he studied under Bouhy at Paris, the next winter under Julius Stockhausen at Frankfurt; and finally he completed his studies with Emerich at Berlin in 1905. His operatic début took place at the Royal Opera House, Covent Garden, London, in 1901. During the summer of 1904 he sang at the Royal Opera in Berlin. After having sung the role of Gurnemanz in Savage's production of ''Parsifal'' in America (1904–1905), he became in 1906 a regular member of the Berlin Opera. There he remained, appearing also as guest in various German cities, until he came to the Metropoli ...
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Lambert Murphy
Harry Lambert Murphy (1 April 15, 1885 – July 25, 1954) was an American operatic tenor. Biography He was born as Harry Lambert Murphy in Springfield, Massachusetts on 15 April 1885. While pursuing an academic course at Harvard University, he studied singing under T. L. Cushman in Boston from 1904 to 1908. He graduated from Harvard in 1908 with his younger brother, Ray D. Murphy (1887–1964) (future chairman of the Equitable Life Assurance Society of the United States 19xx-1952), where they were both in the Harvard Glee Club, Harvard Quartet and the Pi Eta Society. Having filled positions in several important churches in Boston, Brookline, and Fairhaven, he went to New York in 1910 as soloist of St. Bartholomew's Episcopal Church (Manhattan). After further study under Isidore Luckstone, he was engaged (1911) as a member of the Metropolitan Opera. Murphy made his reputation chiefly as a concert singer, appearing at many of the great festivals. He was a popular recording ...
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Albert Reiss
Albert Reiss also ''Albert Reiß'' (22 February 1870 – 19 June 1940) was a German operatic tenor who had a prolific career in Europe and the United States. He spent much of his career performing at the Metropolitan Opera where he sang in more than 1,000 performances, including several premieres, between 1901 and 1919. Excelling in the tenor buffo repertoire, Reiss was particularly associated with the roles of David in Wagner's '' Die Meistersinger von Nürnberg'' and Mime in ''Der Ring des Nibelungen'', two roles he sang in numerous houses internationally. Life Early life and career Reiss was born in Berlin and began his career as an actor. He appeared in several plays in Berlin and Strasbourg before deciding to pursue an operatic career under the encouragement of Bernhard Pollini and Ernestine Schumann-Heink. He proceeded to study singing with Wilhelm Vilmar and later Julius Lieben and Benno Stolzenberg. He made his professional operatic debut in 1897 as Peter Ivanov in ...
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William Hinshaw
William is a male given name of Germanic origin.Hanks, Hardcastle and Hodges, ''Oxford Dictionary of First Names'', Oxford University Press, 2nd edition, , p. 276. It became very popular in the English language after the Norman conquest of England in 1066,All Things William"Meaning & Origin of the Name"/ref> and remained so throughout the Middle Ages and into the modern era. It is sometimes abbreviated "Wm." Shortened familiar versions in English include Will, Wills, Willy, Willie, Bill, and Billy. A common Irish form is Liam. Scottish diminutives include Wull, Willie or Wullie (as in Oor Wullie or the play ''Douglas''). Female forms are Willa, Willemina, Wilma and Wilhelmina. Etymology William is related to the given name ''Wilhelm'' (cf. Proto-Germanic ᚹᛁᛚᛃᚨᚺᛖᛚᛗᚨᛉ, ''*Wiljahelmaz'' > German ''Wilhelm'' and Old Norse ᚢᛁᛚᛋᛅᚼᛅᛚᛘᛅᛋ, ''Vilhjálmr''). By regular sound changes, the native, inherited English form of the name shoul ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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