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Moment Form
In music, moment form is defined as "a mosaic of moments", and, in turn, a moment is defined as a "self-contained (quasi-)independent section, set off from other sections by discontinuities". History and definition The concept of moment form, and the specific term, originated with the composition ''Kontakte'' (1958–60) by Karlheinz Stockhausen. A "moment", in Stockhausen's terminology, is any "formal unit in a particular composition that is recognizable by a personal and unmistakable character." It can be either an indivisible ''gestalt'', a structure with clear components, or a mixture of the two; and it can be static, or dynamic, or a combination of the two. "Depending on their characteristics, they can be as long or as short as you like". "Moment ''forming''", on the other hand, is a compositional approach in which a narrative overall line is deliberately avoided. The component moments in such a form are related by a nonlinear principle of proportions. If this system of propor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kontakte (Stockhausen)
''Kontakte'' ("Contacts") is an electronic music work by Karlheinz Stockhausen, realized in 1958–60 at the ''Westdeutscher Rundfunk'' (WDR) electronic-music studio in Cologne with the assistance of Gottfried Michael Koenig. The score is Nr. 12 in the composer's catalogue of works, and is dedicated to . David Stubbs has referred to the 1960 recording as "a classic of early electronics" and a piece of '' musique concrète'' which aimed to disregard all received notions found in musical narrative, adding it was " attempt at a new musical lexicon that was never really followed through." Work history The title of the work "refers both to contacts between instrumental and electronic sound groups and to contacts between self-sufficient, strongly characterized moments. In the case of four-channel loudspeaker reproduction, it also refers to contacts between various forms of spatial movement". The composition exists in two forms: (1) for electronic sounds alone, designated "Nr. 12" in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zyklus
''Zyklus für einen Schlagzeuger'' (English: Cycle for a Percussionist) is a composition by Karlheinz Stockhausen, assigned Number 9 in the composer's catalog of works. It was composed in 1959 at the request of Wolfgang Steinecke as a test piece for a percussion competition at the Darmstadt Summer Courses, where it was premièred on 25 August 1959 by Christoph Caskel. It quickly became the most frequently played solo percussion work, and "inspired a wave of writing for percussion". Instrumentation The work is written for one percussionist playing a marimba, vibraphone (motor off), 4 tom-toms, snare drum, güiro (one or several, if necessary), 2 African log drums (each producing 2 pitches), 2 suspended cymbals of differing sizes, hi-hat, 4 almglocken (suspended, clappers removed), a suspended "bunch of bells" (preferably Indian bells or tambourine mounted on a stand), at least 2 high pitched triangles, gong (with raised boss in center) and tam-tam. Form The title of ''Zyklus'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Schwantner
Joseph Clyde Schwantner (born March 22, 1943, Chicago, Illinois) is a Pulitzer Prize-winning American composer, educator and a member of the American Academy of Arts and Letters since 2002. He was awarded the 1970 Charles Ives Prize. Schwantner is prolific, with many works to his credit. His style is coloristic and eclectic, drawing on such diverse elements as French impressionism, African drumming, and minimalism. His orchestral work '' Aftertones of Infinity'' received the 1979 Pulitzer Prize for Music. Biographical information Schwantner began his musical study at an early age in classical guitar; this study also incorporated the genres of jazz and folk. He also played the tuba in his high school orchestra. His first compositional aspirations were noticed by his guitar teacher who consistently experienced Schwantner elaborating on pieces he would be studying. From this, Schwantner's teacher suggested he collect these ideas and create his own musical composition. One of his e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Reynolds
Roger Lee Reynolds (born July 18, 1934) is a Pulitzer prize-winning American composer. He is known for his capacity to integrate diverse ideas and resources, and for the seamless blending of traditional musical sounds with those newly enabled by technology. Beyond composition, his contributions to musical life include mentorship, algorithmic design, engagement with psychoacoustics, writing books and articles, and festival organization. During his early career, Reynolds worked in Europe and Asia, returning to the US in 1969 to accept an appointment in the music department at the University of California, San Diego. His leadership there established it as a state of the art facility – in parallel with Stanford, IRCAM, and MIT – a center for composition and computer music exploration. Reynolds won early recognition with Fulbright, Guggenheim, National Endowment for the Arts, and National Institute of Arts and Letters awards. In 1989, he was awarded the Pulitzer Prize for a string ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olivier Messiaen
Olivier Eugène Prosper Charles Messiaen (, ; ; 10 December 1908 – 27 April 1992) was a French composer, organist, and ornithologist who was one of the major composers of the 20th century. His music is rhythmically complex; harmonically and melodically he employs a system he called ''modes of limited transposition'', which he abstracted from the systems of material generated by his early compositions and improvisations. He wrote music for chamber ensembles and orchestra, vocal music, as well as for solo organ and piano, and also experimented with the use of novel electronic instruments developed in Europe during his lifetime. Messiaen entered the Paris Conservatoire at the age of 11 and studied with Paul Dukas, Maurice Emmanuel, Charles-Marie Widor and Marcel Dupré, among others. He was appointed organist at the Église de la Sainte-Trinité, Paris, in 1931, a post held for 61 years until his death. He taught at the Schola Cantorum de Paris during the 1930s. After the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Witold Lutosławski
Witold Roman Lutosławski (; 25 January 1913 – 7 February 1994) was a Polish composer and conductor. Among the major composers of 20th-century classical music, he is "generally regarded as the most significant Polish composer since Szymanowski, and possibly the greatest Polish composer since Chopin". His compositions—of which he was a notable conductor—include representatives of most traditional genres, aside from opera: symphonies, concertos, orchestral song cycles, other orchestral works, and chamber works. Among his best known works are his four symphonies, the Variations on a Theme by Paganini (1941), the Concerto for Orchestra (1954), and his cello concerto (1970). During his youth, Lutosławski studied piano and composition in Warsaw. His early works were influenced by Polish folk music and demonstrated a wide range of rich atmospheric textures. His folk-inspired music includes the Concerto for Orchestra (1954)—which first brought him international renown ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Ives
Charles Edward Ives (; October 20, 1874May 19, 1954) was an American modernist composer, one of the first American composers of international renown. His music was largely ignored during his early career, and many of his works went unperformed for many years. Later in life, the quality of his music was publicly recognized through the efforts of contemporaries like Henry Cowell and Lou Harrison, and he came to be regarded as an "American original". He was also among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones. His experimentation foreshadowed many musical innovations that were later more widely adopted during the 20th century. Hence, he is often regarded as the leading American composer of art music of the 20th century. Sources of Ives's tonal imagery included hymn tunes and traditional songs; he also incorporated melodies of the tow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Werner Henze
Hans Werner Henze (1 July 1926 – 27 October 2012) was a German composer. His large oeuvre of works is extremely varied in style, having been influenced by serialism, atonality, Stravinsky, Italian music, Arabic music and jazz, as well as traditional schools of German composition. In particular, his stage works reflect "his consistent cultivation of music for the theatre throughout his life". Henze was also known for his political convictions. He left Germany for Italy in 1953 because of a perceived intolerance towards his leftist politics and homosexuality. Late in life he lived in the village of Marino in the central Italian region of Lazio, and in his final years still travelled extensively, in particular to Britain and Germany, as part of his work. An avowed Marxist and member of the Italian Communist Party, Henze produced compositions honoring Ho Chi Minh and Che Guevara. At the 1968 Hamburg premiere of his requiem for Che Guevara, titled ''Das Floß der Medusa'' (' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Gielen
Michael Andreas Gielen (20 July 19278 March 2019) was an Austrian conductor and composer known for promoting contemporary music in opera and concert. Principally active in Europe, his performances are characterized by precision and vivacity, aiding his ability to interpret the complex contemporary music he specialized in. Raised in Argentina, he first worked in Vienna and was Generalmusikdirektor (GMD) of the Royal Swedish Opera. He conducted notable world premieres such as György Ligeti's '' Requièm'', Karlheinz Stockhausen's '' Carré'', and Bernd Alois Zimmermann's opera ''Die Soldaten'' and his '' Requiem für einen jungen Dichter''. He directed the Oper Frankfurt from 1977 to 1987, installing more contemporary operas, winning stage directors such as Hans Neuenfels and Ruth Berghaus, and reviving operas such as Schreker's ''Die Gezeichneten''. During his era, the company became one of the leading operas. Gielen was also principal conductor of the National Orchestra of Belg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roberto Gerhard
Robert Gerhard i Ottenwaelder (; 25 September 1896 – 5 January 1970) was a Spanish Catalan composer and musical scholar and writer, generally known outside Catalonia as Roberto Gerhard.Malcolm MacDonald. 'Gerhard, Roberto' in ''Grove Music Online'' (2001) Life Gerhard was born in Valls, near Tarragona, Spain, the son of a German-Swiss father and an Alsatian mother. He was predisposed to an international, multilingual outlook. He studied piano with Enrique Granados and composition with scholar-composer Felip Pedrell, teacher of Isaac Albéniz, Granados and Manuel de Falla. When Pedrell died in 1922, Gerhard tried unsuccessfully to become a pupil of Falla and considered studying with Charles Koechlin in Paris but then approached Arnold Schoenberg, who on the strength of a few early compositions accepted him as his only Spanish pupil. Gerhard spent several years with Schoenberg in Vienna and Berlin. Returning to Barcelona in 1928, he devoted his energies to new music throug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barney Childs
Barney Sanford Childs (February 13, 1926 – January 11, 2000) was an American composer and teacher. Born in Spokane, Washington, he taught and composed avant-garde music and literature at universities in the United States and United Kingdom. Music He was a musical autodidact till his association in the 1950s with Leonard Ratner and Elliott Carter in New York and with Aaron Copland and Carlos Chavez at Tanglewood . He was associated later with double bass player Bertram Turetzky and clarinet player Phillip Rehfeldt. He wrote several pieces for these and other players, often using extended techniques. Much of his music employs improvisation and indeterminacy (see his "Roachville Project," 1967). However, his influences are diverse and include jazz artists, John Cage, Charles Ives, and Paul Hindemith. Childs won the Koussevitzky Award at Tanglewood in 1954. Education and teaching career Trained originally as a literary scholar, Childs studied at Deep Springs College (1943†... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elliott Carter
Elliott Cook Carter Jr. (December 11, 1908 – November 5, 2012) was an American modernist composer. One of the most respected composers of the second half of the 20th century, he combined elements of European modernism and American "ultra-modernism" into a distinctive style with a personal harmonic and rhythmic language, after an early neoclassical phase. His compositions are performed throughout the world, and include orchestral, chamber music, solo instrumental, and vocal works. The recipient of many awards, Carter was twice awarded the Pulitzer Prize. Born in New York City, Carter had developed an interest in modern music in the 1920s. He was later introduced to Charles Ives, and he soon came to appreciate the American ultra-modernists. After studying at Harvard University with Edward Burlingame Hill, Gustav Holst and Walter Piston, he studied with Nadia Boulanger in Paris in the 1930s, then returned to the United States. Carter was productive in his later years, pub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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