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Zyklus
''Zyklus für einen Schlagzeuger'' (English: Cycle for a Percussionist) is a composition by Karlheinz Stockhausen, assigned Number 9 in the composer's catalog of works. It was composed in 1959 at the request of Wolfgang Steinecke as a test piece for a percussion competition at the Darmstadt Summer Courses, where it was premièred on 25 August 1959 by Christoph Caskel. It quickly became the most frequently played solo percussion work, and "inspired a wave of writing for percussion". Instrumentation The work is written for one percussionist playing a marimba, vibraphone (motor off), 4 tom-toms, snare drum, güiro (one or several, if necessary), 2 African log drums (each producing 2 pitches), 2 suspended cymbals of differing sizes, hi-hat, 4 almglocken (suspended, clappers removed), a suspended "bunch of bells" (preferably Indian bells or tambourine mounted on a stand), at least 2 high pitched triangles, gong (with raised boss in center) and tam-tam. Form The title of ''Zyklus'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karlheinz Stockhausen
Karlheinz Stockhausen (; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is known for his groundbreaking work in electronic music, for introducing controlled chance ( aleatory techniques) into serial composition, and for musical spatialization. He was educated at the Hochschule für Musik Köln and the University of Cologne, later studying with Olivier Messiaen in Paris and with Werner Meyer-Eppler at the University of Bonn. One of the leading figures of the Darmstadt School, his compositions and theories were and remain widely influential, not only on composers of art music, but also on jazz and popular music. His works, composed over a period of nearly sixty years, eschew traditional forms. In addition to electronic music—both with and without live performers—they range from miniatures for musical boxes through works for s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Caskel
Christoph Caskel (born 12 January 1932) is a German percussionist and teacher. Life Born in Greifswald, Caskel began learning percussion at an early age, taking lessons at the age of five with a military musician and as a schoolboy with a percussionist from the Berlin State Opera. He studied percussion formally from 1949 to 1953 with Wenzel Pricha at the Staatliche Hochschule für Musik in Cologne. During these years, he began taking an interest in contemporary music under the influence of another lecturer at the Hochschule, the cellist Maurits Frank. After completing his conservatory training, he studied musicology from 1953 to 1955 at the University of Cologne. By the beginning of the 1960s Caskel had become known internationally as a performer of chamber music and solo works by contemporary composers, taking part in the premieres of important works such as Karlheinz Stockhausen's '' Zyklus '' (1959) and ''Kontakte'' (1960), Helmut Lachenmann’s ''Intérieur'' (1966), and Maur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bundesarchiv B 145 Bild-F004561-0004, Darmstadt, Internationaler Kurs Für Neue Musik
, type = Archive , seal = , seal_size = , seal_caption = , seal_alt = , logo = Bundesarchiv-Logo.svg , logo_size = , logo_caption = , logo_alt = , image = Bundesarchiv Koblenz.jpg , image_caption = The Federal Archives in Koblenz , image_alt = , formed = , preceding1 = , preceding2 = , dissolved = , superseding1 = , superseding2 = , agency_type = , jurisdiction = , status = Active , headquarters = PotsdamerStraße156075Koblenz , coordinates = , motto = , employees = , budget = million () , chief1_name = Michael Hollmann , chief1_position = President of the Federal Archives , chief2_name = Dr. Andrea Hänger , chief2_position ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
20th-century Classical Music
20th-century classical music describes art music that was written nominally from 1901 to 2000, inclusive. Musical style diverged during the 20th century as it never had previously. So this century was without a dominant style. Modernism, impressionism, and post-romanticism can all be traced to the decades before the turn of the 20th century, but can be included because they evolved beyond the musical boundaries of the 19th-century styles that were part of the earlier common practice period. Neoclassicism and expressionism came mostly after 1900. Minimalism started much later in the century and can be seen as a change from the modern to post-modern era, although some date post-modernism from as early as about 1930. Aleatory, atonality, serialism, '' musique concrète'', electronic music, and concept music were all developed during the century. Jazz and ethnic folk music became important influences on many composers during this century. History At the turn of the century, music was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1959 Compositions
Events January * January 1 - Cuba: Fulgencio Batista flees Havana when the forces of Fidel Castro advance. * January 2 - Lunar probe Luna 1 was the first man-made object to attain escape velocity from Earth. It reached the vicinity of Earth's Moon, and was also the first spacecraft to be placed in heliocentric orbit. * January 3 ** The three southernmost atolls of the Maldive Islands, Maldive archipelago (Addu Atoll, Huvadhu Atoll and Fuvahmulah island) United Suvadive Republic, declare independence. ** Alaska is admitted as the 49th U.S. state. * January 4 ** In Cuba, rebel troops led by Che Guevara and Camilo Cienfuegos enter the city of Havana. ** Léopoldville riots: At least 49 people are killed during clashes between the police and participants of a meeting of the ABAKO Party in Kinshasa, Léopoldville in the Belgian Congo. * January 6 ** Fidel Castro arrives in Havana. ** The International Maritime Organization is inaugurated. * January 7 – The United States reco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Karlheinz Stockhausen
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungaria ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dieter Schnebel
Dieter Schnebel (14 March 1930 – 20 May 2018) was a German composer, theologian and musicologist. He composed orchestral music, chamber music, vocal music and stage works. From 1976 until his retirement in 1995, Schnebel served as professor of experimental music at the Hochschule der Künste, Berlin. Career Schnebel was born in Lahr/Baden. He began general private music studies with Wilhelm Siebler from 1942 until 1945, when he started piano lessons with Wilhelm Resch, and continued study with him until 1949 at the age of 19. He continued with music history through 1952, under Eric Doflein. Simultaneously he began to study composition, from 1950, with Ernst Krenek, Theodor W. Adorno and Pierre Boulez, among others. He entered formal studies at the University of Tübingen where he took musicology with Walter Gerstenberg, as well as theology, philosophy and further piano studies. In 1955, he left with a degree in theology, but with a dissertation about Arnold Schoenberg. Soon aft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robin Maconie
Robin John Maconie (born 22 October 1942) is a New Zealand composer, pianist, and writer. Born in Auckland, New Zealand, Maconie studied with Frederick Page and Roger Savage at the Victoria University of Wellington, receiving a Master of Arts in the History and Literature of Music in 1964. He studied analysis with Olivier Messiaen in 1963–64 at the Paris Conservatoire, and in 1964–65 studied composition for film and radio under Bernd Alois Zimmermann, and electronic music under Herbert Eimert at the Cologne Conservatory. He also studied composition with Karlheinz Stockhausen, Henri Pousseur, and Luc Ferrari at the Second Cologne Courses for New Music at the , also in Cologne, as well as piano with Aloys Kontarsky, conducting with Herbert Schernus, and information science with Georg Heike. Following a temporary lectureship at the University of Auckland, New Zealand, in 1967–69, Maconie emigrated to England to study for a Ph.D in the Psychology of Music at Southampton Univers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolf-Eberhard Von Lewinski
Wolf-Eberhard Georg Felix von Lewinski (2 June 1927 – 23 March 2003) was a German music and theatre critic. He studied violin, piano, trombone, conducting, theatre and opera direction, but turned to musical criticism early. He was chief critic for papers in the Rhein Main area, and worked for several newspapers and broadcasters. He wrote biographies of singers such as Dietrich Fischer-Dieskau and Brigitte Fassbaender, and created television portraits of pianists such as Claudio Arrau and Wilhelm Kempff. He was also an academic lecturer of musical criticism. Life Youth and study Von Lewinski was born in Berlin, the son of the bank director Ernst-Alfred von Lewinski. He contracted a heart disease after finishing school in 1944 as an Luftwaffenhelfer, which led to his suspension from military service. In autumn 1944, he was therefore able to study music at the Musikhochschule Dresden, with a focus on violin, which he extended after the Second World War to include conductor tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Toop
Richard Toop (1945 – 19 June 2017) was a British-Australian musicologist. Toop was born in Chichester, England, in 1945. He studied at Hull University, where his teachers included Denis Arnold. In 1973 he became Karlheinz Stockhausen's teaching assistant at the Staatliche Hochschule fur Musik in Cologne. In 1975 he moved to Sydney, Australia, where he was head of musicology at the Sydney Conservatorium (University of Sydney). His publications include a monograph on György Ligeti, and the ''New Grove'' entries on Stockhausen and Brian Ferneyhough. Additionally, as a new music pianist, he gave the first documented solo performance of ''Vexations'' by Erik Satie. Toop died on 19 June 2017 at the age of 71."Richard Toop (1945–2017)" |
Max Neuhaus
Max Neuhaus (August 9, 1939 – February 3, 2009) was an American musician, composer and artist who was a noted interpreter of contemporary and experimental percussion music in the 1960s. He went on to create numerous permanent and short-term sound installations in the four decades that followed. Biography Neuhaus was born on August 9, 1939 in Beaumont, Texas and attended high school in Houston. He studied percussion with Paul Price at the Manhattan School of Music, graduating with a master of music degree in 1962. He performed as a percussion soloist on concert tours throughout the United States with Pierre Boulez (1962-1963) and Karlheinz Stockhausen (1963-1964). In 1964 and 1965, he presented solo recitals in Carnegie Hall in New York City and in fiteeen major European cities. In 1966, he published on Mass Art Inc. four live realizations of John Cage's ''Fontana Mix'' (1958), an indeterminate graphic score originally intended for a tape piece, with or without additional instrume ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Klee
Paul Klee (; 18 December 1879 – 29 June 1940) was a Swiss-born German artist. His highly individual style was influenced by movements in art that included expressionism, cubism, and surrealism. Klee was a natural draftsman who experimented with and eventually deeply explored color theory, writing about it extensively; his lectures ''Writings on Form and Design Theory'' (''Schriften zur Form und Gestaltungslehre''), published in English as the ''Paul Klee Notebooks'', are held to be as important for modern art as Leonardo da Vinci's ''A Treatise on Painting'' was for the Renaissance. He and his colleague, Russian painter Wassily Kandinsky, both taught at the Bauhaus school of art, design and architecture in Germany. His works reflect his dry humor and his sometimes childlike perspective, his personal moods and beliefs, and his musicality. Early life and training Paul Klee was born in Münchenbuchsee, Switzerland, as the second child of German music teacher Hans Wilhelm Kle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
