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Mock Trumpet
The mock trumpet is a single-reed woodwind instrument popular during the second half of the seventeenth century, especially in England. By the 1720s, the mock trumpet was documented in use in the New World. The mock trumpet predated the chalumeau and may be one of the primary predecessors of both the chalumeau and clarinet. Thurston Dart wrote that the mock trumpet was the name for the chalumeau in England, and that music was published for it in 1698. Mock trumpets are keyless reed-pipes, closed on one end by the natural joint of the cane and wrapped in leather. The reed is idioglottal, meaning that it is a tongue cut but not detached from the reed itself. The reed was placed on the upper side of the instrument and vibrated against the upper lip; the pipe had six tone holes on top and one in the back. Early chalmeaus used idioglot reeds, as shown in the debate as to whether to install reeds up or down. Rice said the idioglot reed was installed with the split going from t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aerophone
An aerophone () is a musical instrument that produces sound primarily by causing a body of air to vibrate, without the use of strings or membranes (which are respectively chordophones and membranophones), and without the vibration of the instrument itself adding considerably to the sound (or idiophones). According to Sachs, These may be lips, a mechanical reed, or a sharp edge. Also, an aerophone may be excited by percussive acts, such as the slapping of the keys of a flute or of any other woodwing. A free aerophone lacks the enclosed column of air yet, "cause a series of condensations and rarefications by various means." Overview Aerophones are one of the four main classes of instruments in the original Hornbostel–Sachs system of musical instrument classification, which further classifies aerophones by whether or not the vibrating air is contained within the instrument. The first class (41) includes instruments which, when played, do ''not'' contain the vibrating air. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reclam De Xeremies
The ''reclam de xeremies'', also known as the ''xeremia bessona'' or ''xeremieta'', is a double clarinet with two single reeds, traditionally found on the Pityusic Island of Ibiza, off the Mediterranean coast of Spain. It consists of two cane tubes of equal length, bound together by cord and small pieces of lead to stabilise the tubes. On each tube are several finger holes, traditionally four in the front and one on the back, though in modern instruments the back hole is often omitted. At the top end of each cane a smaller piece of cane holding the single reed, or directly cut into the instrument's top end, making it an idioglot single reed instrument. Traditionally the fingerholes gave a pentatonic scale in a tuning varying by instrument. Various researchesGarcía-Matos, Manuel: Instrumentos musicales folklóricos de España. ''Anuario Musical'', 9 (1954), p. 161 believe that the ''reclam'' descends from a similar instrument of Hellenic Egypt. In any case, it does indeed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scientific Pitch Notation
Scientific pitch notation (SPN), also known as American standard pitch notation (ASPN) and international pitch notation (IPN), is a method of specifying musical Pitch (music), pitch by combining a musical Note (music), note name (with accidental (music), accidental if needed) and a number identifying the pitch's octave. Although scientific pitch notation was originally designed as a companion to scientific pitch (see below), the two are not synonymous. Scientific pitch is a pitch standard—a system that defines the specific frequencies of particular pitches (see below). Scientific pitch notation concerns only how pitch names are notated, that is, how they are designated in printed and written text, and does not inherently specify actual frequencies. Thus, the use of scientific pitch notation to distinguish octaves does not depend on the pitch standard used. Nomenclature The notation makes use of the traditional tone names (A to G) which are followed by numbers showing which octa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marin Mersenne
Marin Mersenne, OM (also known as Marinus Mersennus or ''le Père'' Mersenne; ; 8 September 1588 – 1 September 1648) was a French polymath whose works touched a wide variety of fields. He is perhaps best known today among mathematicians for Mersenne prime numbers, those which can be written in the form for some integer . He also developed Mersenne's laws, which describe the harmonics of a vibrating string (such as may be found on guitars and pianos), and his seminal work on music theory, ''Harmonie universelle'', for which he is referred to as the "father of acoustics". Mersenne, an ordained Catholic priest, had many contacts in the scientific world and has been called "the center of the world of science and mathematics during the first half of the 1600s" and, because of his ability to make connections between people and ideas, "the post-box of Europe". He was also a member of the Minim religious order and wrote and lectured on theology and philosophy. Life Mersenne was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zurna
The zurna (Armenian language, Armenian: զուռնա zuṙna; Classical Armenian, Old Armenian: սուռնայ suṙnay; Albanian language, Albanian: surle/surla; Persian language, Persian: karna/Kornay/surnay; Macedonian language, Macedonian: зурла/сурла zurla/surla; Bulgarian language, Bulgarian: ''зурна/зурла''; Serbian language, Serbian: зурла/zurla; Syriac language, Syriac Aramaic: ܙܘܪܢܐ/zurna; Tat language (Caucasus), Tat: zurna; Turkish language, Turkish: zurna; Kurdish Language, Kurdish: zirne; Greek language, Greek : ζουρνας; Azerbaijani language, Azeri: zurna) is a double reed wind instrument played in central Eurasia, Western Asia and parts of North Africa. It is usually accompanied by a davul (bass drum) in Music of Armenia, Armenian, Anatolian and Assyrian folk/pop music, Assyrian folk music. Characteristics and history The zurna, like the duduk and kaval, is a woodwind instrument used to play folk music. The zurna is made from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reeds Kataglott Anaglott
Reed or Reeds may refer to: Science, technology, biology, and medicine * Reed bird (other) * Reed pen, writing implement in use since ancient times * Reed (plant), one of several tall, grass-like wetland plants of the order Poales * Reed reaction, in chemistry * Reed receiver, an outdated form of multi-channel signal decoding * Reed relay, one or more reed switches controlled by an electromagnet * Reed switch, an electrical switch operated by an applied magnetic field * Reed valve, restricts the flow of fluids to a single direction * Reed (weaving), a comb like tool for beating the weft when weaving * Reed's law, describes the utility of large networks, particularly social networks * Reed–Solomon error correction, a systematic way of building codes that can be used to detect and correct multiple random symbol errors * Reed–Sternberg cell, related to Hodgkin's disease Organizations * Reed (company), offering employment-related services (UK) * Reed and Stem, form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thurston Dart
Robert Thurston ("Bob") Dart (3 September 1921 – 6 March 1971), was an English musicologist, conductor and keyboard player. Along with Nigel Fortune, Oliver Neighbour and Stanley Sadie he was one of Britain's leading musicologists of the post-World War II generation. From 1964 until his death he was King Edward Professor of Music at the University of London, based at King's College London. Early life Dart was born on 3 September 1921 in Surbiton, then part of Surrey. His father, Henry Thurston Dart, married his mother, Elisabeth Martha (née Orf) in 1915. Dart attended Hampton Grammar School and he sang in the choir at Hampton Court. Dart studied keyboard instruments at the Royal College of Music in London from 1938 to 1939, and then studied mathematics at University College, Exeter, being awarded his degree in 1942. He served as a Junior Scientific Officer and then as a statistician and researcher for the RAF Strategic Bombing Planning Unit under Air Vice Marshall Basil E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chalumeau
The chalumeau (; ; plural chalumeaux) is a single-reed woodwind instrument of the late baroque and early classical eras. The chalumeau is a folk instrument that is the predecessor to the modern-day clarinet. It has a cylindrical bore with eight tone holes (seven in front and one in back for the thumb) and a broad mouthpiece with a single heteroglot reed (''i.e.'' separate, not a continuous part of the instrument's body) made of cane. Similar to the clarinet, the chalumeau overblows a twelfth. History The word ''chalumeau'' first begins to appear in writing during the 1630s, but may have been in use as early as the twelfth century. Several French dictionaries in the sixteenth century use the word to refer to various types of simple, idioglot reed-pipes all with tone holes. The heteroglot style reed was later adopted in the seventeenth and into the eighteenth centuries. These single-pipe instruments probably evolved from earlier multiple-pipe instruments through the a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodwind Instrument
Woodwind instruments are a family of musical instruments within the greater category of wind instruments. Common examples include flute, clarinet, oboe, bassoon, and saxophone. There are two main types of woodwind instruments: flutes and Reed aerophones, reed instruments (otherwise called reed pipes). The main distinction between these instruments and other wind instruments is the way in which they produce sound. All woodwinds produce sound by splitting the air blown into them on a sharp edge, such as a reed (mouthpiece), reed or a fipple. Despite the name, a woodwind may be made of any material, not just wood. Common examples include brass, silver, cane, as well as other metals such as gold and platinum. The saxophone, for example, though made of brass, is considered a woodwind because it requires a reed to produce sound. Occasionally, woodwinds are made of earthen materials, especially ocarinas. Flutes Flutes produce sound by directing a focused stream of air below the edge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zummara
The term double clarinet refers to any of several woodwind instruments consisting of two parallel pipes made of cane, bird bone, or metal, played simultaneously, with a single reed for each. Commonly, there are five or six tone holes in each pipe, or holes in only one pipe while the other acts as a drone, and the reeds are either cut from the body of the instrument or created by inserting smaller, slit tubes into the ends of the pipes. The player typically uses circular breathing. The double clarinet is not a clarinet in the modern western sense of the term, since it lacks a register key; in this regard it is more closely related to the chalumeau. Varieties Double clarinets are found primarily in Middle Eastern music, but also in India; there are different versions and names in different countries. In Yemen, the double clarinet is called a '' mizmār'' (a word used for other types of instruments in other countries). More common terms are ''zamr'', ''zammāra'', ''arghūl'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sipsi
The sipsi () is a clarinet-like, single-reed instrument used mainly in folk music and native to the Aegean region of Greece and Turkey. The word ''sipsi'' is possibly onomatopoeic. In ancient Greece, it was known as kalamavlos (καλάμαυλος), meaning cane-flute. The sipsi can be made of bone, wood, or reed, though the reed variant is most common. Its size varies from region to region, but it generally contains five finger holes in the front, and one finger hole in the back. The sipsi is one of many reed instruments in Turkey used to play lead melodies in instrumental folk music. It is generally played in the Western part in the Aegean Region of Turkey. Most folk tunes played in this area with the sipsi are in 9/8 time. Playing The timbre of the sipsi is similar to that of the Irish bagpipe. Players of the sipsi employ the circular breathing method, in which air is breathed through the nose while it is being pumped out of stored air in the cheeks. This breathing method i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pilili
Pilili is a reed wind instrument in Adjara, west Georgia. It is a pipe of 25-30cm in length with 5-7 keys. File:Musical Instruments and Musicians. Various Musical Instruments, Including a Koshnai WDL10771.png, Instruments from Russian Turkestan, 1869-1872...from left: nagaras, sorna, bülban, ghoshmeh, tas. The unknown reed tipped pipe bears close resemblance to the Pilili. File:Troupe of Musicians. Group of Musicians and a Batcha, or Dancing Boy WDL11112.png, Troop of Tajik or Uzbek musicians from Russian Turkestan. Musician on far left has pilili-like instrument. Description The main parts of the pilili are: trunk and mouthpiece. The stem or trunk is a tube about 25-30 cm long, on which 5-7 holes are made. The mouthpiece is a small tube, the length of which depends on the desired sound. It has a split it its sidewall, creating a reed that makes sound when a musician blows through the top tip. The stem of the pill is made from Tkemli (Prunus cerasifera plum tree) or Didgu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
