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Mixxx
Mixxx is free and open-source software for DJing.James, Daniel. "Drafting Digital Media". Apress, 2009, p. 213. It is cross-platform and supports most common music file formats. Mixxx can be controlled with MIDI and HID controllers and timecode vinyl records in addition to computer keyboards and mice. Overview Mixxx is a DJ Automation and digital DJ performance application and includes many features common to digital DJ solutions as well as some unique ones: It natively supports advanced MIDI and HID DJ controllers, is licensed under the GPL-2.0-or-later and runs on all major desktop operating systems. The project was started in early 2001 for a doctoral thesis as one of the first digital DJing systems. Over 1,000,000 downloads of the program occur annually and as of Mixxx 1.10.0, 100 developers and artists have helped create Mixxx. Recent versions support harmonic mixing and beatmatching, both manually and automatically. Format support Mixxx can read most popular audio f ...
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Disk Jockey
A disc jockey, more commonly abbreviated as DJ, is a person who plays recorded music for an audience. Types of DJs include radio DJs (who host programs on music radio stations), club DJs (who work at a nightclub or music festival), mobile DJs (who are hired to work at public and private events such as weddings, parties, or festivals), and turntablists (who use record players, usually turntables, to manipulate sounds on phonograph records). Originally, the "disc" in "disc jockey" referred to shellac and later vinyl records, but nowadays DJ is used as an all-encompassing term to also describe persons who mix music from other recording media such as cassettes, CDs or digital audio files on a CDJ, controller, or even a laptop. DJs may adopt the title "DJ" in front of their real names, adopted pseudonyms, or stage names. DJs commonly use audio equipment that can play at least two sources of recorded music simultaneously. This enables them to blend tracks together to crea ...
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Beatmatching
Beatmatching or pitch cue is a disc jockey technique of pitch shifting or timestretching an upcoming track to match its tempo to that of the currently playing track, and to adjust them such that the beats (and, usually, the bars) are synchronized—e.g. the kicks and snares in two house records hit at the same time when both records are played simultaneously. Beatmatching is a component of beatmixing which employs beatmatching combined with equalization, attention to phrasing and track selection in an attempt to make a single mix that flows together and has a good structure. The technique was developed to keep the people from leaving the dancefloor at the end of the song. These days it is considered basic among disc jockeys (DJs) in electronic dance music genres, and it is standard practice in clubs to keep the constant beat through the night, even if DJs change in the middle. Beatmatching is no longer considered a novelty, and new digital software has made the technique muc ...
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Vorbis
Vorbis is a free and open-source software project headed by the Xiph.Org Foundation. The project produces an audio coding format and software reference encoder/decoder (codec) for lossy audio compression. Vorbis is most commonly used in conjunction with the Ogg container format and it is therefore often referred to as Ogg Vorbis. Vorbis is a continuation of audio compression development started in 1993 by Chris Montgomery. Intensive development began following a September 1998 letter from the Fraunhofer Society announcing plans to charge licensing fees for the MP3 audio format. The Vorbis project started as part of the Xiphophorus company's Ogg project (also known as OggSquish multimedia project). Chris Montgomery began work on the project and was assisted by a growing number of other developers. They continued refining the source code until the Vorbis file format was frozen for 1.0 in May 2000. Originally licensed as LGPL, in 2001 the Vorbis license was changed to the BSD ...
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CoreAudio
Core Audio is a low-level API for dealing with sound in Apple's macOS and iOS operating systems. It includes an implementation of the cross-platform OpenAL. Apple's Core Audio documentation states that "in creating this new architecture on Mac OS X, Apple's objective in the audio space has been twofold. The primary goal is to deliver a high-quality, superior audio experience for Macintosh users. The second objective reflects a shift in emphasis from developers having to establish their own audio and MIDI protocols in their applications to Apple moving ahead to assume responsibility for these services on the Macintosh platform." History It was introduced in Mac OS X 10.0 (Cheetah). See also * Audio Units * PulseAudio PulseAudio is a network-capable sound server program distributed via the freedesktop.org project. It runs mainly on Linux, various BSD distributions such as FreeBSD and OpenBSD, macOS, as well as Illumos distributions and the Solaris operat ... R ...
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JACK Audio Connection Kit
JACK Audio Connection Kit (or JACK; a recursive acronym) is a professional sound server API and pair of daemon implementations to provide real-time, low-latency connections for both audio and MIDI data between applications. JACK was developed by a community of open-source developers led by Paul Davis (who won an Open Source Award in 2004 for this work) and has been a key piece of infrastructure and the de facto standard for professional audio software on Linux since its inception in 2002. The server is free software, licensed under GPL-2.0-or-later, while the library is licensed under LGPL-2.1-or-later. Implementations The JACK API is standardized by consensus, and two compatible implementations exist: jack1, which is implemented in plain C and has been in maintenance mode for a while, and jack2 (originally jackdmp), a re-implementation in C++ originally led by Stéphane Letz, which introduced multi-processor scalability and support for operating systems other than Linux. J ...
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Advanced Linux Sound Architecture
Advanced Linux Sound Architecture (ALSA) is a software framework and part of the Linux kernel that provides an application programming interface (API) for sound card device drivers. Some of the goals of the ALSA project at its inception were automatic configuration of sound-card hardware and graceful handling of multiple sound devices in a system. ALSA is released under GPL-2.0-or-later and LGPL-2.1-or-later. On Linux, sound servers, like sndio, PulseAudio, JACK (low-latency professional-grade audio editing and mixing) and PipeWire, and higher-level APIs (e.g OpenAL, SDL audio, etc.) work on top of ALSA and its sound card device drivers. ALSA succeeded the older Linux port of the Open Sound System (OSS). History The project to develop ALSA was led by Jaroslav Kysela, and was based on the Linux device driver for the Gravis Ultrasound sound card. It started in 1998 and was developed separately from the Linux kernel until it was introduced in the 2.5 development serie ...
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Open Sound System
The Open Sound System (OSS) is an interface for making and capturing sound in Unix and Unix-like operating systems. It is based on standard Unix devices system calls (i.e. POSIX read, write, ioctl, etc.). The term also sometimes refers to the software in a Unix kernel that provides the OSS interface; it can be thought of as a device driver (or a collection of device drivers) for sound controller hardware. The goal of OSS is to allow the writing of sound-based applications that are agnostic of the underlying sound hardware. OSS was created by Hannu Savolainen and is distributed under four license options, three of which are free software licences, thus making OSS free software. API The API is designed to use the traditional Unix framework of open(), read(), write(), and ioctl(), via special devices. For instance, the default device for sound input and output is /dev/dsp. Examples using the shell: cat /dev/random > /dev/dsp # plays white noise through the speaker cat ...
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DirectSound
DirectSound is a deprecated software component of the Microsoft DirectX library for the Windows operating system, superseded by XAudio2. It provides a low-latency interface to sound card drivers written for Windows 95 through Windows XP and can handle the mixing and recording of multiple audio streams. DirectSound was originally written for Microsoft by John Miles. Besides providing the essential service of passing audio data to the sound card, DirectSound provides other essential capabilities such as recording and mixing sound, adding effects to sound (e.g., reverb, echo, or flange), using hardware accelerated buffers in Windows 95 through XP, and positioning sounds in 3D space. DirectSound also provides a means to capture sounds from a microphone or other input and controlling capture effects during audio capture. After many years of development, today DirectSound is a mature API, and supplies many other useful capabilities, such as the ability to play multichannel sounds at ...
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WASAPI
Windows Vista (formerly codenamed Windows "Longhorn") has many significant new features compared with previous Microsoft Windows versions, covering most aspects of the operating system. In addition to the new user interface, security capabilities, and developer technologies, several major components of the core operating system were redesigned, most notably the audio, print, display, and networking subsystems; while the results of this work will be visible to software developers, end-users will only see what appear to be evolutionary changes in the user interface. As part of the redesign of the networking architecture, IPv6 has been incorporated into the operating system, and a number of performance improvements have been introduced, such as TCP window scaling. Prior versions of Windows typically needed third-party wireless networking software to work properly; this is no longer the case with Windows Vista, as it includes comprehensive wireless networking support. For graphics, ...
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Audio Stream Input/Output
Audio Stream Input/Output (ASIO) is a computer sound card driver protocol for digital audio specified by Steinberg, providing a low- latency and high fidelity interface between a software application and a computer's sound card. Whereas Microsoft's DirectSound is commonly used as an intermediary signal path for non-professional users, ASIO allows musicians and sound engineers to access external hardware directly. Overview ASIO bypasses the normal audio path from a user application through layers of intermediary Windows operating system software so that an application connects directly to the sound card A sound card (also known as an audio card) is an internal expansion card that provides input and output of audio signals to and from a computer under the control of computer programs. The term ''sound card'' is also applied to external audio ... hardware. Each layer that is bypassed means a reduction in latency (the delay between an application sending audio information ...
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Sound Card
A sound card (also known as an audio card) is an internal expansion card that provides input and output of audio signals to and from a computer under the control of computer programs. The term ''sound card'' is also applied to external audio interfaces used for professional audio applications. Sound functionality can also be integrated onto the motherboard, using components similar to those found on plug-in cards. The integrated sound system is often still referred to as a ''sound card''. Sound processing hardware is also present on modern video cards with HDMI to output sound along with the video using that connector; previously they used a S/PDIF connection to the motherboard or sound card. Typical uses of sound cards or sound card functionality include providing the audio component for multimedia applications such as music composition, editing video or audio, presentation, education and entertainment (games) and video projection. Sound cards are also used for computer-ba ...
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Module File
Module file (MOD music, tracker music) is a family of music file formats originating from the MOD file format on Amiga systems used in the late 1980s. Those who produce these files (using the software called music trackers) and listen to them form the worldwide MOD scene, a part of the demoscene subculture. The mass interchange of "MOD music" or "tracker music" (music stored in module files created with trackers) evolved from early FIDO networks. Many websites host large numbers of these files, the most comprehensive of them being the Mod Archive. Nowadays, most module files, including ones in compressed form, are supported by most popular media players such as VLC, Foobar2000, Exaile and many others (mainly due to inclusion of common playback libraries such as libmodplug for gstreamer). Structure Module files store digitally recorded samples and several "patterns" or "pages" of music data in a form similar to that of a spreadsheet. These patterns contain note numbers, ...
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