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Mixed Music
Mixed music is music combining acoustic instruments and fixed-media electronics (e.g ''concrete'' sounds, sound-file playback etc) or more generally, music which combines acoustic-instrumental and electronic sounds sources (to the exclusion of electrically amplified instruments, such as the electric guitar and electronic instruments such as the theremin, electronic organs & keyboards, etc); mixed music is therefore a subcategory of electronic music. While this term could be applied to many genres, the term ''mixed music'' generally refers to contemporary classical music repertoire and is therefore distinct from live electronic music. The term ''Mixed music'' is probably a calque of the French ''musique mixte'' which connotes the same material and stylistic implications. History Significant early works *Edgar Varèse ''Déserts'' (1954) for 14 winds (brass and woodwinds), 5 percussionists, piano & magnetic-tape playback *Iannis Xenakis ''Analogique A et B'' (1959) for three viol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Instrument
A musical instrument is a device created or adapted to make musical sounds. In principle, any object that produces sound can be considered a musical instrument—it is through purpose that the object becomes a musical instrument. A person who plays a musical instrument is known as an instrumentalist. The history of musical instruments dates to the beginnings of human culture. Early musical instruments may have been used for rituals, such as a horn to signal success on the hunt, or a drum in a religious ceremony. Cultures eventually developed composition and performance of melodies for entertainment. Musical instruments evolved in step with changing applications and technologies. The date and origin of the first device considered a musical instrument is disputed. The oldest object that some scholars refer to as a musical instrument, a simple flute, dates back as far as 50,000 - 60,000 years. Some consensus dates early flutes to about 40,000 years ago. However, most historians be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iannis Xenakis
Giannis Klearchou Xenakis (also spelled for professional purposes as Yannis or Iannis Xenakis; el, Γιάννης "Ιωάννης" Κλέαρχου Ξενάκης, ; 29 May 1922 – 4 February 2001) was a Romanian-born Greek-French avant-garde composer, music theorist, architect, performance director and engineer. After 1947, he fled Greece, becoming a naturalised citizen of France eighteen years later. Xenakis pioneered the use of mathematical models in music such as applications of set theory, stochastic processes and game theory and was also an important influence on the development of electronic and computer music. He integrated music with architecture, designing music for pre-existing spaces, and designing spaces to be integrated with specific music compositions and performances. Among his most important works are '' Metastaseis'' (1953–54) for orchestra, which introduced independent parts for every musician of the orchestra; percussion works such as '' Psappha'' (197 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
…explosante-fixe…
''...explosante-fixe...'' (french: ...exploding-fixed...) is a piece of music composed by Pierre Boulez. Initially conceived in 1971 as a memorial for Igor Stravinsky, who died in April of that year, several different versions of the work were composed by Boulez between 1972 and 1993, culminating in a piece for solo MIDI-flute and chamber orchestra. Title The title of the work is taken from the concluding line of the first chapter of André Breton's ''L'amour fou'' (1937): "La beauté convulsive sera érotique-voilée, explosante-fixe, magique-circonstancielle, ou ne sera pas" (Convulsive beauty will be erotic-veiled, exploding-fixed, magical-circumstantial, or it will not be at all). History The first version of ''...explosante-fixe...'' (1971–1972) is a one-page aleatoric work in seven parts entitled, according to one report, ''Originel'' and ''Transitoires II–VII'',Javier Alejandro Garavaglia, "Raising Awareness about Complete Automation of Live-electronics: A Historical Per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Flute
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philippe Manoury
Philippe Manoury (born 19 June 1952) is a French composer. Biography Manoury was born in Tulle and began composition studies at the Ecole Normale de Musique de Paris with Gérard Condé and Max Deutsch. He continued his studies from 1974 to 1978 at the Conservatoire de Paris with Michel Philippot, Ivo Malec, and Claude Ballif.Poirier 2001. In 1975, he undertook studies in computer assisted composition with , and joined IRCAM as a composer and electronic music researcher in 1980. From 2004 until 2012, Manoury served on the composition faculty at the University of California, San Diego, where he taught composition, electronic music, and analysis in the graduate program. After retiring from teaching at UCSD, he currently lives in Strasbourg, France. Music Manoury's work is strongly influenced by Pierre Boulez, Karlheinz Stockhausen, and Iannis Xenakis, and his early work from 1972 to 1976 combines serial punctualism with the densely massed elements characteristic of the music of S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dialogue De L'ombre Double
''Dialogue de l'ombre double'' (Dialogue of the double shadow) is a mixed work by Pierre Boulez for clarinet and electroacoustic device composed in 1985. The play is dedicated to Luciano Berio for his sixtieth birthday. There exists a version for bassoon, for saxophone, for traverse flute and for recorder, each made by the performer themself. ''Dialogue de l'ombre double'' is based on the scene "double shadow" of Paul Claudel's 11-hour play ''The Satin Slipper''.Berio, Boulez, Vincent David, Ensemble Quærendo Invenietis: ''Dialogue, Chemins, Récit...'', æon records AECD 0860, 2008, liner notes The clarinetist dialogues with his/her shadow, represented by a part of clarinet pre-recorded on magnetic tape and spatialized by means of loudspeakers dispersed around the audience. The work was premiered on October 28, 1985, in Florence by Alain Damiens. The version for saxophone was premiered on June 23, 2001, at the Théâtre des Bouffes du Nord, by . The version for traverse f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Boulez
Pierre Louis Joseph Boulez (; 26 March 1925 – 5 January 2016) was a French composer, conductor and writer, and the founder of several musical institutions. He was one of the dominant figures of post-war Western classical music. Born in Montbrison, Loire, Montbrison in the Loire department of France, the son of an engineer, Boulez studied at the Conservatoire de Paris with Olivier Messiaen, and privately with Andrée Vaurabourg and René Leibowitz. He began his professional career in the late 1940s as music director of the Renaud-Barrault theatre company in Paris. He was a leading figure in avant-garde music, playing an important role in the development of integral serialism (in the 1950s), Aleatoric music, controlled chance music (in the 1960s) and the electronic transformation of instrumental music in real time (from the 1970s onwards). His tendency to revise earlier compositions meant that his body of work was relatively small, but it included pieces regarded by many as lan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
IRCAM
IRCAM (French: ''Ircam, '', English: Institute for Research and Coordination in Acoustics/Music) is a French institute dedicated to the research of music and sound, especially in the fields of avant garde and electro-acoustical art music. It is situated next to, and is organisationally linked with, the Centre Pompidou in Paris. The extension of the building was designed by Renzo Piano and Richard Rogers. Much of the institute is located underground, beneath the fountain to the east of the buildings. A centre for musical research Several concepts for electronic music and audio processing have emerged at IRCAM. John Chowning pioneered work on FM synthesis at IRCAM, and Miller Puckette originally wrote Max at IRCAM in the mid-1980s, which would become the real-time audio processing graphical programming environment Max/MSP. Max/MSP has subsequently become a widely used tool in electroacoustic music. Many of the techniques associated with spectralism, such as analyses based on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Nono
Luigi Nono (; 29 January 1924 – 8 May 1990) was an Italian avant-garde composer of classical music. Biography Early years Nono, born in Venice, was a member of a wealthy artistic family; his grandfather was a notable painter. Nono began music lessons with Gian Francesco Malipiero at the Venice Conservatory in 1941, where he acquired knowledge of the Renaissance madrigal tradition, amongst other styles. After graduating with a degree in law from the University of Padua, he was given encouragement in composition by Bruno Maderna. Through Maderna, he became acquainted with Hermann Scherchen—then Maderna's conducting teacher—who gave Nono further tutelage and was an early mentor and advocate of his music. Scherchen presented Nono's first acknowledged work, the ''Variazioni canoniche sulla serie dell'op. 41 di A. Schönberg'' in 1950, at the Internationale Ferienkurse für Neue Musik Darmstadt. The ''Variazioni canoniche'', based on the twelve-tone series of Arnold Sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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