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Mitchell's Olympic Theatre
Olympic Theatre was the name of five former 19th and early 20th-century theatres on Broadway in Manhattan and in Brooklyn, New York. First Olympic Theatre (1800–1821) Although perhaps best known as the Anthony Street Theatre, the first theatre in New York to bear the name Olympic (for only one year, in 1812–1813) was on 79–85 Anthony Street (later renamed Worth Street) in Manhattan. Converted in 1800 from a former circus building, it was named the Olympic Theatre in July 1812 under the management of actor-manager William Twaits along with Alexander Placide and Jean Baptiste Casmiere Breschard. Twaits and Placide had come to New York after the disastrous Richmond Theatre fire in Richmond, Virginia, where they had been co-managers of the Richmond Theatre. The Olympic was due to open with a production led by Charlotte Melmoth and Twaits, but while travelling to fulfil this engagement Melmoth was involved in a carriage accident, resulting in a severe fracture to her a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olympic Theatre, From Robert N
Olympic or Olympics may refer to Sports Competitions * Olympic Games, international multi-sport event held since 1896 ** Summer Olympic Games ** Winter Olympic Games * Ancient Olympic Games, ancient multi-sport event held in Olympia, Greece between 776 BC and 393 AD * Wenlock Olympian Games, a forerunner of the modern Olympic Games, held since 1850 * Olympic (greyhounds), a competition held annually at Brighton & Hove Greyhound Stadium Clubs and teams * Adelaide Olympic FC, a soccer club from Adelaide, South Australia * Fribourg Olympic, a professional basketball club based in Fribourg, Switzerland * Sydney Olympic FC, an Australian soccer club * Olympic Club (Barbacena), a Brazilian football club based in Barbacena, Minas Gerais state * Olympic Mvolyé, a Cameroonian football club based in Mvolyé * Olympic Club (Egypt), a football and sports club based in Alexandria * Blackburn Olympic F.C., an English football club based in Blackburn, Lancashire * Rushall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Internet Broadway Database
The Internet Broadway Database (IBDB) is an online database of Broadway theatre productions and their personnel. It was conceived and created by Karen Hauser in 1996 and is operated by the Research Department of The Broadway League, a trade association for the North American commercial theatre community. This comprehensive history of Broadway provides records of productions from the beginnings of New York theatre in the 18th century up to today. Details include cast and creative lists for opening night and current day, song lists, awards and other interesting facts about every Broadway production. Other features of IBDB include an extensive archive of photos from past and present Broadway productions, headshots, links to cast recordings on iTunes or Amazon, gross and attendance information. Its mission was to be an interactive, user-friendly, searchable database for League members, journalists, researchers, and Broadway fans. The League recently added Broadway Touring shows t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burlesque
A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects."Burlesque" ''Oxford English Dictionary'', Oxford University Press, accessed 16 February 2011 The word derives from the Italian ', which, in turn, is derived from the Italian ' – a joke, ridicule or mockery. Burlesque overlaps in meaning with caricature, parody and travesty, and, in its theatrical sense, with extravaganza, as presented during the Victorian burlesque, Victorian era. "Burlesque" has been used in English in this literary and theatrical sense since the late 17th century. It has been applied retrospectively to works of Geoffrey Chaucer, Chaucer and William Shakespeare, Shakespeare and to the Graeco-Roman classics.Baldick, Chris [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zampa
''Zampa'','' ou La fiancée de marbre'' (''Zampa, or the Marble Bride'') is an opéra comique in three acts by French composer Ferdinand Hérold, with a libretto by Mélesville. The overture to the opera is one of Hérold's most famous works and is a staple of orchestral repertoire. Performance history ''Zampa'' was first performed in Paris on 3 May 1831 at the Opéra-Comique (Salle Ventadour), where it became popular, achieving 500 performances by 1877. In the 20th century however, it faded from the repertoire. It was also popular in Germany and Italy; in the latter the spoken dialogue was replaced by recitatives. It was first performed in the United States on 16 February 1833 at the Théâtre d'Orléans in New Orleans, and in the United Kingdom on 19 April 1833 at the King's Theatre in London. The opera was revived at the Opéra-Comique in March 2008 under William Christie in a production by Macha Makeïeff and Jérôme Deschamps. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Planché
James Robinson Planché (27 February 1796 – 30 May 1880) was a British dramatist, antiquary and officer of arms. Over a period of approximately 60 years he wrote, adapted, or collaborated on 176 plays in a wide range of genres including extravaganza, farce, comedy, burletta, melodrama and opera. Planché was responsible for introducing historically accurate costume into nineteenth century British theatre, and subsequently became an acknowledged expert on historical costume, publishing a number of works on the topic. Planché's interest in historical costume led to other antiquarian research, including heraldry and genealogy. He was elected a Fellow of the Society of Antiquaries in 1829, and was influential in the foundation of the British Archaeological Association in 1843. Appointed Rouge Croix Pursuivant in 1854 and promoted to Somerset Herald in 1866, Planché undertook heraldic and ceremonial duties as a member of the College of Arms. These included proclaiming peace ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Dance (playwright)
Charles Dance (1794–1863) was an English playwright active in the early 19th century. Biography Dance was the son of George Dance, architect. During thirty years he was in the office of the late insolvent debtors' court, in which he was successively registrar, taxing officer, and chief clerk, retiring ultimately upon a superannuation allowance. Alone or in collaboration with James Planché or others he wrote many pieces, chiefly of the lightest description, which were produced at the Olympic or other theatres. So great was his success in supplying Madame Vestris with extravaganzas that he was spoken of as a founder of a new order of burlesque. His pieces, which are mostly printed in Lacy's ‘Acting Edition of Plays,’ John Duncombe's ‘British Theatre,’ Webster's ‘Acting National Drama,’ and John Miller's ‘Modern Acting Drama,’ cover a period of nearly a quarter of a century. Some of his comediettas or farces, as ''The Bengal Tiger'', ''Delicate Ground'', ''A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Christy
George N. Christy (born George Harrington) (November 6, 1827 – May 12, 1868) was one of the leading blackface performers during the early years of the blackface minstrel show in the 1840s. Born in Palmyra, New York, his career began as a star performer with his stepfather E. P. Christy Edwin Pearce Christy (November 28, 1815 – May 21, 1862) was an American composer, singer, actor and stage producer. He is more commonly known as E. P. Christy, and was the founder of the blackface minstrel group Christy's Minstrels. Biography ...'s troupe Christy's Minstrels; in two and a half years with them he earned $19,680, a fortune for those times. Jim Comer credits him with inventing "the line", the structured grouping that constituted the first act of the standardized 3-act minstrel show, with the interlocutor in the middle and "Mr. Tambo" and "Mr. Bones" on the ends.It is possible that he has him confused with E.P. Christy. He died in New York City from cerebral edema in 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minstrel Show
The minstrel show, also called minstrelsy, was an American form of racist theatrical entertainment developed in the early 19th century. Each show consisted of comic skits, variety acts, dancing, and music performances that depicted people specifically of African descent. The shows were performed by mostly white people wearing blackface make-up for the purpose of playing the role of black people. There were also some African-American performers and black-only minstrel groups that formed and toured. Minstrel shows caricatured black people as dim-witted, lazy, buffoonish, superstitious, and happy-go-lucky.The Coon Character , Jim Crow Museum of Racist Memorabilia, Ferris State University. Retrieved 29 January 2016.John Kenrick [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Kenrick (theatre Writer)
John Kenrick (born October 3, 1959) is an American author, teacher and theatre and film historian. Kenrick is an adjunct teacher of musical theatre history at New York University, Brind School – University of the Arts (Philadelphia) and The New School, and lectures frequently on the subject elsewhere. His 2008 book ''Musical Theatre: A History'' is a comprehensive history of musical theatre from ancient times to the present. Kenrick is the curator of the extensive musical theatre and film website ''Musicals101.com: The Cyber Encyclopedia of Musical Theatre, TV and Film'' Life and career Kenrick was born and raised in Astoria, New York. He attended Monsignor McClancy Memorial High School and then Cathedral College of the Immaculate Conception in Douglaston, New York, studying English and theology.Crimmins, Cathy E. ''How the Homosexuals Saved Civilization'' (2004) Penguin Group (US) In the 1980s and 1990s, Kenrick worked first as a teacher and then in theatrical production and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amilie, Or The Love Test
''Amilie, or the Love Test'' is an opera in three acts by the Irish composer, William Michael Rooke, to a libretto by John Thomas Haines. Background Although written around 1818 in Dublin, the opera was not performed until almost twenty years later, at Covent Garden Theatre, London, on 2 December 1837.Oxford Music Online, ''Rooke, William Michael'' The music critic George Hogarth considered that the work displayed "genius, learning, taste, and a rich vein of melody, flowing, graceful and expressive", whilst the orchestral writing was "skillful and beautiful". The role of Amilie was played by the soprano Jane Shirreff (1811–1883). The ''Musical Review'' was not so complimentary, quoting the London correspondent of the '' New York Mirror'': although conceding that "the music ..is of a superior description", he added that "the plot is almost unintelligible" and that "vocal talent is at a miserably low ebb." The production's success however led to further performances elsewher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victorian Burlesque
Victorian burlesque, sometimes known as travesty or extravaganza, is a genre of theatrical entertainment that was popular in Victorian era, Victorian England and in the New York theatre of the mid-19th century. It is a form of parody music, parody in which a well-known opera or piece of classical theatre or ballet is adapted into a broad comic play, usually a musical play, usually risqué in style, mocking the theatrical and musical conventions and styles of the original work, and often quoting or pastiche, pastiching text or music from the original work. Victorian burlesque is one of several forms of burlesque. Like ballad opera, burlesques featured musical scores drawing on a wide range of music, from popular contemporary songs to operatic arias, although later burlesques, from the 1880s, sometimes featured original scores. Dance played an important part, and great attention was paid to the staging, costumes and other spectacular elements of stagecraft, as many of the pieces we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olympic Theatre
The Olympic Theatre, sometimes known as the Royal Olympic Theatre, was a 19th-century London theatre, opened in 1806 and located at the junction of Drury Lane, Wych Street and Newcastle Street. The theatre specialised in comedies throughout much of its existence. Along with three other Victorian era, Victorian theatres (Opera Comique, Globe Theatre (Newcastle Street), Globe and Gaiety Theatre, London, Gaiety), the Olympic was eventually demolished in 1904 to make way for the development of the Aldwych. Newcastle and Wych streets also vanished. 1806-1849: Early days and Madame Vestris The first Olympic theatre was built in 1806 on the site of Drury House (later Craven House), for the impresario Philip Astley, a retired cavalry officer. The original name of the house was the Olympic Pavilion. It was said to be built from the timbers of the French warship ''French ship Ville de Paris (1764), Ville de Paris''. It opened on 1 December 1806 [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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