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Mister Pleasant
"Mister Pleasant" (sometimes written as "Mr. Pleasant") is a song recorded by British rock group the Kinks in 1967, written by Ray Davies. Background "Mister Pleasant" is lyrically somewhat similar to the earlier track "A Well Respected Man", as it satirises the heedless complacency of a ''nouveau riche'' who, for all his newfound worldly success, is but a foolish cuckold. Musically, the song has strong English Music Hall influences and a "trad jazz" backing that features a trombone and ragtime-style piano (played by Nicky Hopkins). ''Billboard'' described the single as "clever novelty material penned by Ray Davies with an easy dance beat in strong support." Chart performance It was released as the A-side of a single in the USA and mainland Europe but not in the UK. It was released in the UK six months later as the B-side to " Autumn Almanac". The song is now available as a bonus track to their album '' Face to Face'', and an alternate version was also released as a bonus track ...
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The Kinks
The Kinks were an English rock band formed in Muswell Hill, north London, in 1963 by brothers Ray and Dave Davies. They are regarded as one of the most influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States. The Kinks' music drew from a wide range of influences, including American R&B and rock and roll initially, and later adopting British music hall, folk, and country. The band gained a reputation for reflecting English culture and lifestyle, fuelled by Ray Davies' wittily observational writing style, and made apparent in albums such as '' Face to Face'' (1966), '' Something Else'' (1967), ''The Village Green Preservation Society'' (1968), ...
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Trad Jazz
Trad jazz, short for "traditional jazz", is a form of jazz in the United States and Britain in the 1930s, 1940s, 1950s and 1960s, played by musicians such as Chris Barber, Acker Bilk, Kenny Ball, Ken Colyer and Monty Sunshine, based on a revival of New Orleans Dixieland jazz, on trumpets, trombones, clarinets, tambourines, banjos, double basses, saxophones, Hammond organs, pipe organs, pianos, electric basses, guitars (typically electric guitars) and drums and cymbals, with a populist repertoire which also included jazz versions of pop songs and nursery rhymes. Beginnings of revival A Dixieland revival began in the United States on the West Coast in the late 1930s as a backlash to the Chicago style, which was close to swing. Lu Watters and the Yerba Buena Jazz Band, and trombonist Turk Murphy, adopted the repertoire of Joe "King" Oliver, Jelly Roll Morton, Louis Armstrong and W. C. Handy: bands included banjo and tuba in the rhythm sections. A New Orleans-based traditional revi ...
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Village Green (song)
"Village Green" is a song by the English rock band the Kinks from their 1968 album '' The Kinks Are the Village Green Preservation Society''. Written and sung by the band's principal songwriter, Ray Davies, the song was first recorded in November1966 during the sessions for '' Something Else by the Kinks'' (1967) but was re-recorded in . Both the composition and instrumentation of "Village Green" evoke Baroque music, especially its prominently featured harpsichord played by session keyboardist Nicky Hopkins. Unlike most of the band's recordings, it employs real orchestral instruments, including oboe, cello, viola and piccolo, as arranged by English composer David Whitaker. Davies composed "Village Green" in after an experience at a pub in Devon, a rural part of England. The song laments the decline of a fictional English community's traditional village green. Retrospective commentators have placed the song in the tradition of English pastoral poetry, particularly in its them ...
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The Kink Kronikles
''The Kink Kronikles'' is a compilation double album by the Kinks, released on Reprise Records in 1972, after the band had signed with RCA Records in 1971. It contains thirteen non-album singles, fourteen tracks taken from five albums released by the band from 1966 to 1971 (including the UK-only ''Percy''), and one track previously unreleased. Designed specifically for the American market, it peaked at No. 94 on the Billboard 200. The single versions and mixes were not necessarily used for each track. Content After the Kinks failed to renew their American distribution contract with Reprise, the label assembled this compilation without input from the band. Instead, Reprise invited rock journalist and noted Kinks fan John Mendelsohn to compile this package, ignoring the band's early trademark hits already appearing on ''The Kinks Greatest Hits!''. Mendelsohn also contributed the liner notes. The album contains all five singles that charted on the Billboard Hot 100 during the ti ...
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Something Else By The Kinks
''Something Else by the Kinks'', often referred to simply as ''Something Else'', is the fifth UK studio album by the Kinks, released in September 1967. The album continued the Kinks' trend toward an eccentric baroque pop and music hall-influenced style defined by Ray Davies' observational and introspective lyrics. It also marks the final involvement of American producer Shel Talmy in the Kinks' 1960s studio recordings; henceforth Ray Davies would produce the group's recordings. Many of the songs feature the keyboard work of Nicky Hopkins and the backing vocals of Davies's wife, Rasa. The album was preceded by the singles "Waterloo Sunset", one of the group's most acclaimed songs, and the Dave Davies solo record "Death of a Clown", both of which charted in the UK top 3. Though it contained two major European hits and earned positive notices from the music press in both the UK and US, ''Something Else'' sold poorly and became the Kinks' lowest-charting album in both countries at th ...
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Billboard Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky Ne ...
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See My Friends
"See My Friends" (sometimes titled "See My Friend") is a song by the English rock band the Kinks, written by the group's singer and guitarist, Ray Davies. Released in July 1965, it reached number 10 on the UK Singles Chart, ''Record Retailer'' chart. The song incorporates a Drone (music), drone-effect played on guitar, evoking a sound reminiscent of the Indian Tanpura, tambura. "See My Friends" is one of the key early works in the style known as raga rock. Music historian Jonathan Bellman sees it as the first Western rock song to integrate Indian raga sounds, citing its release four months ahead of the Beatles' "Norwegian Wood (This Bird Has Flown)", which includes a sitar part. However, Davies biographer Johnny Rogan comments that a preceding single release ("Heart Full of Soul" by the Yardbirds) was "pre-empting Davies's innovative use of Indian music". Background and inspiration In his interviews at the time of the song's release, Ray Davies told journalists Maureen Cleave an ...
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Sound
In physics, sound is a vibration that propagates as an acoustic wave, through a transmission medium such as a gas, liquid or solid. In human physiology and psychology, sound is the ''reception'' of such waves and their ''perception'' by the brain. Only acoustic waves that have frequencies lying between about 20 Hz and 20 kHz, the audio frequency range, elicit an auditory percept in humans. In air at atmospheric pressure, these represent sound waves with wavelengths of to . Sound waves above 20 kHz are known as ultrasound and are not audible to humans. Sound waves below 20 Hz are known as infrasound. Different animal species have varying hearing ranges. Acoustics Acoustics is the interdisciplinary science that deals with the study of mechanical waves in gasses, liquids, and solids including vibration, sound, ultrasound, and infrasound. A scientist who works in the field of acoustics is an ''acoustician'', while someone working in the field of acoustica ...
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Something Else By The Kinks
''Something Else by the Kinks'', often referred to simply as ''Something Else'', is the fifth UK studio album by the Kinks, released in September 1967. The album continued the Kinks' trend toward an eccentric baroque pop and music hall-influenced style defined by Ray Davies' observational and introspective lyrics. It also marks the final involvement of American producer Shel Talmy in the Kinks' 1960s studio recordings; henceforth Ray Davies would produce the group's recordings. Many of the songs feature the keyboard work of Nicky Hopkins and the backing vocals of Davies's wife, Rasa. The album was preceded by the singles "Waterloo Sunset", one of the group's most acclaimed songs, and the Dave Davies solo record "Death of a Clown", both of which charted in the UK top 3. Though it contained two major European hits and earned positive notices from the music press in both the UK and US, ''Something Else'' sold poorly and became the Kinks' lowest-charting album in both countries at th ...
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Face To Face (The Kinks Album)
''Face to Face'' is the fourth studio album by the English rock band the Kinks, released in October 1966. The album marked a shift from the hard-driving style of beat music that had catapulted the group to international acclaim in 1964, instead drawing heavily from baroque pop and music hall. It is their first album consisting entirely of Ray Davies compositions, and has also been regarded by critics as one of rock's first concept albums. Davies' blossoming songwriting style became increasingly observational and satirical, commenting on English culture, social class and the music industry. Despite containing the hit single, "Sunny Afternoon", the album's initial reception was lukewarm in both the UK and United States compared to the Kinks' previous LPs, charting at No. 12 and No. 135, respectively. ''Face to Face'' eventually earned retrospective critical acclaim, recognized as a pivotal record of the psychedelic era and an important milestone in the Kinks' evolution. T ...
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Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ...
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Nicky Hopkins
Nicholas Christian "Nicky" Hopkins (24 February 1944 – 6 September 1994) was an English pianist and organist. Hopkins performed on many popular and enduring British and American rock music recordings from the 1960s to the 1990s, most notably on songs recorded by the Rolling Stones, the Kinks, the Who, the Beatles, the Steve Miller Band, Jefferson Airplane, Rod Stewart, George Harrison, John Lennon, Paul McCartney, Ringo Starr, The Hollies, Cat Stevens, Carly Simon, Harry Nilsson, Joe Walsh, Peter Frampton, Jerry Garcia, Jeff Beck, Joe Cocker, Art Garfunkel, Badfinger, Graham Parker, Gary Moore, and Donovan. He is widely considered to be one of the greatest studio pianists in the history of popular rock music. Early life Nicholas Christian Hopkins was born in Perivale, Middlesex, England, on 24 February 1944. He began playing the piano at the age of three. He attended Sudbury Primary School in Perrin Road and Wembley County Grammar School, which now forms part of Alperton Comm ...
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