Missing Me (Electric Pandas Song)
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Missing Me (Electric Pandas Song)
"Missing Me" is a song written by Lin Buckfield and recorded by the Australian band Electric Pandas. It was released in July 1985 as the second single lifted from the band's debut album, ''Point Blank''. The song peaked at number 41 on the Australian Kent Music Report. In July 1985, Electric Pandas performed "Missing Me" for the Oz for Africa concert (part of the global Live Aid program). It was broadcast in Australia (on both Seven Network and Nine Network) and on MTV MTV (Originally an initialism of Music Television) is an American cable channel that launched on August 1, 1981. Based in New York City, it serves as the flagship property of the MTV Entertainment Group, part of Paramount Media Networks, a di ... in the US. Track listing ; 7" Single (K 9781) * Side A "Missing Me" * Side B "20 Revolutionaries" Charts References 1985 songs 1985 singles {{1980s-pop-song-stub ...
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Electric Pandas
Electric Pandas were an Australian pop rock band, fronted by vocalist, guitarist and songwriter Lin Buckfield, which formed in Sydney in 1983. Fellow founders were Warren Slater on bass guitar, Mark Stinson on drums and Tim Walter on guitar. Their first release was the single " Big Girls" in 1984 on Regular Records, which peaked into the Top 10 on the Sydney charts. It was followed up by an EP, ''Let's Gamble''. Electric Pandas' only album ''Point Blank'' was released in September 1985, which peaked at No. 22 on the Australian Kent Music Report Albums Chart. After Electric Pandas disbanded in 1987, Buckfield worked in television, eventually on Australian Broadcasting Corporation's ''Four Corners'' from 2000. Biography Electric Pandas were formed in Sydney in 1983 and comprised Lin Buckfield on vocals and guitar, Tim 'Pretty Boy' Walter on guitar, Warren Slater on bass guitar and Mark 'Hips' Stinson on drums. Buckfield came up with the name as a reference to the Englis ...
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Point Blank (Electric Pandas Album)
''Point Blank'' is the first and only studio album by Australian band Electric Pandas. The album was released in September 1985 by Regular Records and peaked at No. 22 on the Kent Music Report, Australian Album Charts. Regular Records re-issued the album on CD for release in 1993, however very few copies are known to exist and it is now one of the most collectible albums on CD by an Australian Band, generally fetching over AU$1000 on sites such as ebay on the rare occasion that it has surfaced for sale. The album was also released digitally by Laneway Music in 2016. Track listing ; LP (L 38437) Weekly charts References

{{Authority control 1985 debut albums Electric Pandas albums ...
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Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms ''popular music'' and ''pop music'' are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, ephemeral, and accessible. Although much of the music that appears on record charts is considered to be pop music, the genre is distinguished from chart music. Identifying factors usually include repeated choruses and hooks, short to medium-length songs written in a basic format (often the verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also borrows elements from other styles ...
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Indie Rock
Indie rock is a Music subgenre, subgenre of rock music that originated in the United States, United Kingdom and New Zealand from the 1970s to the 1980s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock or "Pop rock, guitar pop rock". One of the primary scenes of the movement was Dunedin, where Dunedin sound, a cultural scene based around a convergence of noise pop and jangle became popular among the city's University of Otago, large student population. Independent labels such as Flying Nun Records, Flying Nun began to promote the scene across New Zealand, inspiring key college rock bands in the United States such as Pavement (band), Pavement, Pixies (band), Pixies and R.E.M. Other notable scenes grew in Madchester, Manchester and Hamburger Schule, Hamburg, with many others thriving thereafter. In the 1980s, the use of the term "independent music, indie" (or " ...
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Regular Records
Regular Records was an Australian record label based in Sydney that operated from 1978 until the mid-1990s. Regular Records released music by acts including Mental As Anything, Icehouse (band), Icehouse, and The Cockroaches. The Regular Records label was founded in 1978 by Martin Fabinyi and Cameron Allan. The label was associated with music recording and publishing company Festival Records. The act first signed to the label was Mental as Anything. The second act signed to label was "Flowers" who later changed their name to Icehouse (band), Icehouse. Regular signed Brisbane band The Riptides in 1981. In 1986 Regular signed The Cockroaches, who later went on to form the nucleus of The Wiggles. Acts also signed to Regular included I'm Talking, Electric Pandas and The Reels. In the early 1990s, Regular signed Sydney band The Welcome Mat, and distributed the independent label Half a Cow. Cameron Allan died in 2013. Artists signed to label *Mental As Anything *Icehouse (band), ...
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Lin Buckfield
Linda Mary Buckfield is an Australian television producer, journalist and musician. Buckfield was the lead singer, songwriter and guitarist of the pop rock band Electric Pandas from 1983 to 1987. Buckfield's television work commenced in 1990, and she has since won five Walkley Awards. Biography Music Buckfield was the lead singer and guitarist for Electric Pandas through the mid-1980s. While a member of that band, she also released a duet with James Reyne in 1985 called "R.O.C.K.", which peaked at No. 44 on the charts. Note: Used for Australian Singles and Albums charting from 1970 until ARIA created their own charts in mid-1988. After the Electric Pandas disbanded, she formed another band called F.O.O.D. with Craig Karl Wacholz (guitar), Ray Spole (bass), Mike Spira (vocal rap) and Glen Patterson (drums). The group released a single called "Happy House" in 1990. Neil McKenzie (saxophone) and Dieter Pruggo (saxophone) were later added to the line-up, with the band's name being c ...
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Charles Fisher (producer)
Charles Fisher is an Australian record producer, often referred to as "The Song Doctor." He is widely known as the producer of Savage Garden's eponymous album which yielded 10 ARIAs (including Producer of the Year, Engineer of the Year and a Special Achievement Award for himself) in 1997. " I Want You", a single from the aforementioned album also won a Channel V award in India. He has also worked with Radio Birdman, Air Supply, Hoodoo Gurus, Olivia Newton-John, Gyan, Moving Pictures, 1927, Electric Pandas, Detective Red, Soul Decision, The Radiators, The Seekers, Deep Blue Something and Ace of Base. In the mid-1970s Fisher opened the famed Trafalgar Recording Studios in Sydney's inner south-western suburbs. The studio became one of Australia's premier independent recording facilities, recording & producing acts through the 1970s and 1980s such as Marcia Hines, Midnight Oil, INXS, Cold Chisel, Skyhooks, Sherbet, Radio Birdman, Moving Pictures, Martin Plaza, Hoodoo Gurus, as ...
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Big Girls
"Big Girls" is a song written by Lin Buckfield and recorded by the Australian band Electric Pandas. It was released in May 1984 as the band's debut single and it peaked at number 18 on the Australian Kent Music Report The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July .... Track listing ; 7" Single (RRSP 732) * Side A "Big Girls" - 3:09 * Side B "T.V. Dogs" - 2:11 Charts References 1984 songs 1984 debut singles {{1980s-pop-song-stub ...
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Single (music)
In music, a single is a type of release, typically a song recording of fewer tracks than an LP record or an album. One can be released for sale to the public in a variety of formats. In most cases, a single is a song that is released separately from an album, although it usually also appears on an album. In other cases a recording released as a single may not appear on an album. Despite being referred to as a single, in the era of music downloads, singles can include up to as many as three tracks. The biggest digital music distributor, the iTunes Store, accepts as many as three tracks that are less than ten minutes each as a single. Any more than three tracks on a musical release or thirty minutes in total running time is an extended play (EP) or, if over six tracks long, an album. Historically, when mainstream music was purchased via vinyl records, singles would be released double-sided, i.e. there was an A-side and a B-side, on which two songs would appear, one on each si ...
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Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top-40 Singles from 1966, and Album charts from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first release ...
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Oz For Africa
Oz for Africa was an Australian concert held on 13 July 1985 at the Sydney Entertainment Centre. It was organised by Bill Gordon who also organised the EAT Concert held at the Myer Music Bowl in Melbourne at the end of January 1985. That event was televised nationally on Channel Nine. Over $1million was raised in the accompanying telethon. Gordon organised for all proceeds to go to the Red Cross. During the 10 hour event live satellite hook ups between Melbourne London and Los Angeles included interviews with Geldof and many of the stars of the hit songs "We Are the World" & "Feed the World". The Oz for Africa concert was broadcast locally and internationally as part of the worldwide Live Aid performances to raise money for famine relief in Africa. The concert featured 17 bands performing some of their best-known songs. All groups donated their services and the concert helped raise $10 million throughout Australia. Background The original concert for famine relief in Ethiopia, c ...
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Live Aid
Live Aid was a multi-venue benefit concert held on Saturday 13 July 1985, as well as a music-based fundraising initiative. The original event was organised by Bob Geldof and Midge Ure to raise further funds for relief of the 1983–1985 famine in Ethiopia, a movement that started with the release of the successful charity single "Do They Know It's Christmas?" in December 1984. Billed as the "global jukebox", Live Aid was held simultaneously at Wembley Stadium in London, attended by about 72,000 people, and John F. Kennedy Stadium in Philadelphia, attended by 89,484 people. On the same day, concerts inspired by the initiative were held in other countries, such as the Soviet Union, Canada, Japan, Yugoslavia, Austria, Australia and West Germany. It was one of the largest satellite link-ups and television broadcasts of all time; an estimated audience of 1.9 billion, in 150 nations, watched the live broadcast, nearly 40 percent of the world population. The impact of Live Aid ...
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