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Missa L'homme Armé (Carver)
Over 40 settings of the Ordinary of the Mass using the tune ''L'homme armé'' survive from the period between 1450 and the end of the 17th century, making the tune the most popular single source from the period on which to base an imitation mass. Some of the ''Missae L'homme armé'' are as follows: Probably dating from the 1450s: * ''Missa L'homme armé'' ( Antoine Busnois) * ''Missa L'homme armé'' ( Guillaume Dufay) * ''Missa L'homme armé'' (Johannes Regis) (two: one lost) * ''Missa L'homme armé'' ( Johannes Ockeghem) * ''Missa L'homme armé'' (Guillaume Faugues) (two) Probably written before 1475: * ''Missa L'homme armé'' ( Johannes Tinctoris) * ''Missa L'homme armé'' (Firminus Caron) * ''Missa L'homme armé'' (Cycle of six masses, from an anonymous manuscript from Naples) Probably written before 1500: * ''Missa L'homme armé'' (Mathurin Forestier) * ''Missa L'homme armé'' (Jacob Obrecht) * ''Missa L'homme armé super voces musicales'' (Josquin des Prez) * ''Missa L'h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ordinary Of The Mass
The ordinary, in Roman Catholic and other Western Christian liturgies, refers to the part of the Mass or of the canonical hours that is reasonably constant without regard to the date on which the service is performed. It is contrasted to the ''proper'', which is that part of these liturgies that varies according to the date, either representing an observance within the liturgical year, or of a particular saint or significant event, or to the ''common'' which contains those parts that are common to an entire category of saints such as apostles or martyrs. The ordinary of both the Eucharist and the canonical hours does, however, admit minor variations following the seasons (such as the omission of "Alleluia" in Lent and its addition in Eastertide). These two are the only liturgical celebrations in which a distinction is made between an ordinary and other parts. It is not made in the liturgy of the other sacraments or of blessings and other rites. In connection with liturgy, the te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Missa L'homme Armé (Anonymous)
Over 40 settings of the Ordinary of the Mass using the tune ''L'homme armé'' survive from the period between 1450 and the end of the 17th century, making the tune the most popular single source from the period on which to base an imitation mass. Some of the ''Missae L'homme armé'' are as follows: Probably dating from the 1450s: * ''Missa L'homme armé'' ( Antoine Busnois) * ''Missa L'homme armé'' ( Guillaume Dufay) * ''Missa L'homme armé'' (Johannes Regis) (two: one lost) * ''Missa L'homme armé'' ( Johannes Ockeghem) * ''Missa L'homme armé'' (Guillaume Faugues) (two) Probably written before 1475: * ''Missa L'homme armé'' ( Johannes Tinctoris) * ''Missa L'homme armé'' (Firminus Caron) * ''Missa L'homme armé'' (Cycle of six masses, from an anonymous manuscript from Naples) Probably written before 1500: * ''Missa L'homme armé'' (Mathurin Forestier) * ''Missa L'homme armé'' (Jacob Obrecht) * ''Missa L'homme armé super voces musicales'' (Josquin des Prez) * ''Missa L' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philippe Basiron
Philippe Basiron (Philippon de Bourges) (c. 1449just before 31 May 1491) was a French composer, singer, and organist of the Renaissance. He was an innovative and prominent composer of the late 15th century, and was praised by many of his contemporaries. Life He was probably born in Bourges, and received his early training there, becoming a choirboy at the attached to the royal palace (now the ) in October 1458, along with his brother Pierron. Between October 1458 and 31 March 1459 the brothers were assigned to the care of Jehan Gaudier, and in 1462 the composer Guillaume Faugues became briefly ''magister puerorum'' (master of the choirboys); he may have been a formative influence on the young Philippe. The boy's musical gifts were sufficiently distinguished that he had a clavichord purchased for him in 1462, an extremely rare occurrence for a choirboy of 12 or 13 years old. Ockeghem also visited Bourges that year, but if the boy made his acquaintance then is not known; ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Missa L'homme Armé (Basiron)
Over 40 settings of the Ordinary of the Mass using the tune ''L'homme armé'' survive from the period between 1450 and the end of the 17th century, making the tune the most popular single source from the period on which to base an imitation mass. Some of the ''Missae L'homme armé'' are as follows: Probably dating from the 1450s: * ''Missa L'homme armé'' ( Antoine Busnois) * ''Missa L'homme armé'' ( Guillaume Dufay) * ''Missa L'homme armé'' (Johannes Regis) (two: one lost) * ''Missa L'homme armé'' ( Johannes Ockeghem) * ''Missa L'homme armé'' (Guillaume Faugues) (two) Probably written before 1475: * ''Missa L'homme armé'' ( Johannes Tinctoris) * ''Missa L'homme armé'' (Firminus Caron) * ''Missa L'homme armé'' (Cycle of six masses, from an anonymous manuscript from Naples) Probably written before 1500: * ''Missa L'homme armé'' (Mathurin Forestier) * ''Missa L'homme armé'' (Jacob Obrecht) * ''Missa L'homme armé super voces musicales'' (Josquin des Prez) * ''Missa L' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Missa L'homme Armé (Vaqueras)
Over 40 settings of the Ordinary of the Mass using the tune ''L'homme armé'' survive from the period between 1450 and the end of the 17th century, making the tune the most popular single source from the period on which to base an imitation mass. Some of the ''Missae L'homme armé'' are as follows: Probably dating from the 1450s: * ''Missa L'homme armé'' ( Antoine Busnois) * ''Missa L'homme armé'' ( Guillaume Dufay) * ''Missa L'homme armé'' (Johannes Regis) (two: one lost) * ''Missa L'homme armé'' ( Johannes Ockeghem) * ''Missa L'homme armé'' (Guillaume Faugues) (two) Probably written before 1475: * ''Missa L'homme armé'' ( Johannes Tinctoris) * ''Missa L'homme armé'' (Firminus Caron) * ''Missa L'homme armé'' (Cycle of six masses, from an anonymous manuscript from Naples) Probably written before 1500: * ''Missa L'homme armé'' (Mathurin Forestier) * ''Missa L'homme armé'' (Jacob Obrecht) * ''Missa L'homme armé super voces musicales'' (Josquin des Prez) * ''Missa L' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loyset Compère
Loyset Compère ( – 16 August 1518) was a Franco-Flemish composer of the Renaissance. Of the same generation as Josquin des Prez, he was one of the most significant composers of motets and chansons of that era, and one of the first musicians to bring the light Italianate Renaissance style to France. Life His exact place of birth is not known, but documents of the time assign him to a family from the province of Artois (in modern France), and suggest he may have been born in Hainaut (in modern Belgium). At least one source from Milan indicates he described himself as coming from Arras, also in Artois. Both the date and probable place of birth are extremely close to those of Josquin des Prez; indeed the area around the current French-Belgian border produced an astonishing number of excellent composers in the 15th and 16th centuries, composers whose fame spread throughout Europe. Often these composers are known as the Franco-Flemish or Netherlandish School). In the 1470s Com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Missa L'homme Armé (Compère)
Over 40 settings of the Ordinary of the Mass using the tune ''L'homme armé'' survive from the period between 1450 and the end of the 17th century, making the tune the most popular single source from the period on which to base an imitation mass. Some of the ''Missae L'homme armé'' are as follows: Probably dating from the 1450s: * ''Missa L'homme armé'' ( Antoine Busnois) * ''Missa L'homme armé'' ( Guillaume Dufay) * ''Missa L'homme armé'' (Johannes Regis) (two: one lost) * ''Missa L'homme armé'' ( Johannes Ockeghem) * ''Missa L'homme armé'' (Guillaume Faugues) (two) Probably written before 1475: * ''Missa L'homme armé'' ( Johannes Tinctoris) * ''Missa L'homme armé'' (Firminus Caron) * ''Missa L'homme armé'' (Cycle of six masses, from an anonymous manuscript from Naples) Probably written before 1500: * ''Missa L'homme armé'' (Mathurin Forestier) * ''Missa L'homme armé'' (Jacob Obrecht) * ''Missa L'homme armé super voces musicales'' (Josquin des Prez) * ''Missa L' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Missa L'homme Armé Sexti Toni
''Missa L'homme armé sexti toni'' is probably the latter of two '' L'homme arme'' masses by Josquin des Prez, both published in 1502. " sexti toni" refers to the use of the sixth Gregorian mode A Gregorian mode (or church mode) is one of the eight systems of pitch organization used in Gregorian chant. History The name of Pope Gregory I was attached to the variety of chant that was to become the dominant variety in medieval western an .... It uses Paraphrase technique in which the ''L'homme armé'' tune is shared between all voices rather than being confined to a single one, as in Josquin's tenor mass ('' Missa L'homme armé super voces musicales''). The five sections of the mass contain several examples of compositional virtuosity, including strict canons in the Sanctus/Osanna and simultaneous statements of the theme both forwards and in retrograde in the final Agnus Dei. References *Noble, Jeremy (1972), sleeve notes to his recording with The Josquin Choir Masses ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Missa L'homme Armé Super Voces Musicales
The ''Missa L'homme armé super voces musicales'' is the first of two settings of the Ordinary of the Mass by Josquin des Prez using the famous '' L'homme armé'' tune as their cantus firmus source material (for the other, presumed later, setting see Missa ''L'homme armé'' sexti toni). The setting is for four voices. It was the most famous mass Josquin composed, surviving in numerous manuscripts and print editions. The earliest printed collection of music devoted to a single composer, the ''Misse Josquin'' published by Ottaviano Petrucci in 1502, begins with this famous work. Background Dating of the mass has been controversial, with some scholars proposing a mid-career date, for example during Josquin's Roman period (roughly 1489 to 1495), and other scholars, such as Gustave Reese, arguing for an earlier date, claiming that the contrapuntal complexity the mass shows is more typical of Josquin's early style, and that he simplified his method as he aged. The earliest source con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacob Obrecht
Jacob Obrecht (also Hobrecht; 1457/8 – late July 1505) was a Flemish composer of masses, motets and songs. He was the most famous composer of mass (music), masses">Rob C. Wegman. "Obrecht, Jacob." In Grove Music Online. Oxford Music Online, (accessed 24 September 2020). – late July 1505) was a Flemish composer of masses, motets and songs. He was the most famous composer of mass (music), masses in Europe of the late 15th century and was only eclipsed after his death by Josquin des Prez. Life What little is known of Obrecht's origins and early childhood comes mostly from his motet ''Mille quingentis''. He was the only son of Ghent city trumpeter Willem Obrecht and Lij ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Missa L'homme Armé (Obrecht)
Over 40 settings of the Ordinary of the Mass using the tune ''L'homme armé'' survive from the period between 1450 and the end of the 17th century, making the tune the most popular single source from the period on which to base an imitation mass. Some of the ''Missae L'homme armé'' are as follows: Probably dating from the 1450s: * ''Missa L'homme armé'' ( Antoine Busnois) * ''Missa L'homme armé'' ( Guillaume Dufay) * ''Missa L'homme armé'' (Johannes Regis) (two: one lost) * ''Missa L'homme armé'' ( Johannes Ockeghem) * ''Missa L'homme armé'' (Guillaume Faugues) (two) Probably written before 1475: * ''Missa L'homme armé'' ( Johannes Tinctoris) * ''Missa L'homme armé'' (Firminus Caron) * ''Missa L'homme armé'' (Cycle of six masses, from an anonymous manuscript from Naples) Probably written before 1500: * ''Missa L'homme armé'' (Mathurin Forestier) * ''Missa L'homme armé'' (Jacob Obrecht) * ''Missa L'homme armé super voces musicales'' (Josquin des Prez) * ''Missa L' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
