Philippe Basiron
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Philippe Basiron
Philippe Basiron (Philippon de Bourges) (c. 1449just before 31 May 1491) was a French composer, singer, and organist of the Renaissance. He was an innovative and prominent composer of the late 15th century, and was praised by many of his contemporaries. Life He was probably born in Bourges, and received his early training there, becoming a choirboy at the attached to the royal palace (now the ) in October 1458, along with his brother Pierron. Between October 1458 and 31 March 1459 the brothers were assigned to the care of Jehan Gaudier, and in 1462 the composer Guillaume Faugues became briefly ''magister puerorum'' (master of the choirboys); he may have been a formative influence on the young Philippe. The boy's musical gifts were sufficiently distinguished that he had a clavichord purchased for him in 1462, an extremely rare occurrence for a choirboy of 12 or 13 years old. Ockeghem also visited Bourges that year, but if the boy made his acquaintance then is not known; ho ...
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Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the ' ''contenance angloise'' ' style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (c. 1397–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410's or 20's – 1497) and Josquin des Prez (late 1450's – 1521), and culminating during the Counter-Reformation in the florid counterpoint of Palest ...
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