|
Miss Esmeralda
''Miss Esmeralda'' is a Victorian burlesque, in two acts, with music by Meyer Lutz and Robert Martin and a libretto by Fred Leslie, under his pseudonym "A. C. Torr", and Horace Mills. It is based on Victor Hugo's ''Notre Dame de Paris''. The piece premiered in 1887 at the Gaiety Theatre in London, starring Marion Hood in the title role, with Frank Thornton as Quasimodo and featuring E. J. Lonnen and Letty Lind. Background and production John Hollingshead had managed the Gaiety Theatre from 1868 to 1886 as a venue for variety, continental operetta, light comedy, and musical burlesques. In 1886, Hollingshead ceded the management of the theatre to George Edwardes, whom he had hired in 1885. Fred Leslie wrote many of the theatre's pieces under his pseudonym, "A. C. Torr". Beginning with ''Little Jack Sheppard'' (1885), Edwardes expanded the format of the burlesques to full-length pieces with original music by Meyer Lutz, instead of scores compiled from popular tunes. These inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victorian Burlesque
Victorian burlesque, sometimes known as travesty or extravaganza, is a genre of theatrical entertainment that was popular in Victorian era, Victorian England and in the New York theatre of the mid-19th century. It is a form of parody music, parody in which a well-known opera or piece of classical theatre or ballet is adapted into a broad comic play, usually a musical play, usually risqué in style, mocking the theatrical and musical conventions and styles of the original work, and often quoting or pastiche, pastiching text or music from the original work. Victorian burlesque is one of several forms of burlesque. Like ballad opera, burlesques featured musical scores drawing on a wide range of music, from popular contemporary songs to operatic arias, although later burlesques, from the 1880s, sometimes featured original scores. Dance played an important part, and great attention was paid to the staging, costumes and other spectacular elements of stagecraft, as many of the pieces we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monte Cristo Jr
Monte may refer to: Places Argentina * Argentine Monte, an ecoregion * Monte Desert * Monte Partido, a ''partido'' in Buenos Aires Province Italy * Monte Bregagno * Monte Cassino * Montecorvino (other) * Montefalcione Portugal * Monte (Funchal), a civil parish in the municipality of Funchal * Monte, a civil parish in the municipality of Fafe * Monte, a civil parish in the municipality of Murtosa * Monte, a civil parish in the municipality of Terras de Bouro Elsewhere * Monte, Haute-Corse, a commune in Corsica, France * Monte, Switzerland, a village in the municipality Castel San Pietro, Ticino, Switzerland * Monte, U.S. Virgin Islands, a neighborhood * Monte Lake, British Columbia, Canada Arts, entertainment, and media * ''Monte'' (film), a 2016 drama film by Amir Naderi * Three-card Monte * Monte Bank or Monte, a card game Other uses * Monte (dessert) a milk cream dessert produced by the German dairy company Zott * Monte (mascot), the mascot of the University ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ada Blanche
Ada Blanche (born Ada Cecilia Blanche Adams; 16 July 1862 – 1 January 1953) was an English actress and singer known early in her career for vivacious performances in Victorian burlesque and pantomime and later in character roles in Edwardian musical comedy. Born into a theatrical family, Blanche made her stage debut at the age of fourteen and had a forty-five year career, almost exclusively on the British stage, in the West End and on tour. In the 1890s she was a leading principal boy in London's most lavishly staged pantomimes. In the 20th century her career changed to playing comic, formidable older women. Her most celebrated role of this kind was in the hit musical '' The Arcadians'' (1909), staged by her brother-in-law Robert Courtneidge. Beyond musical comedy, Blanche appeared in farces and other comedies in non-singing roles between 1906 and her retirement in 1921. Among her co-stars during her long career were George Grossmith Jr., Dan Leno, Marie Lloyd, Walter Passm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nellie Farren
Ellen "Nellie" Farren (16 April 1848 – 29 April 1904) was an English actress and singer best known for her roles as the "principal boy" in musical burlesques at the Gaiety Theatre. Born into a theatrical family, Farren began acting as a child. She made her professional adult debut in 1864 and joined the company at London's Olympic Theatre, performing in Shakespeare, contemporary comedies, dramas and musical burlesques. From 1868 to 1892, she performed at the Gaiety Theatre, which specialised in musical burlesque, becoming famous in the male and principal boy roles, which permitted an actress in the Victorian era theatre to show her legs in tights. Farren gained a large following among the theatre's mostly male audience. Farren created the role of Mercury in Gilbert and Sullivan's first collaboration, ''Thespis'' and created or played roles in works by Dion Boucicault, Anthony Trollope, Charles Dickens, William Congreve and Henry James Byron, among many others. In the 1880 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percy Anderson (designer)
Percy Anderson (22 March 185130 October 1928) was an English stage designer and painter, best known for his work for the D'Oyly Carte Opera Company, Sir Herbert Beerbohm Tree's company at His Majesty’s Theatre and Edwardian musical comedies. Life and career Anderson was born on 22 March 1851 at Willesden, North West London. His first significant production was the comic opera ''Lady of the Locket'', composed by William Fullerton Jr. with a libretto by Henry Hamilton. Beginning with ''The Yeomen of the Guard'' (1888), Anderson designed the costumes for all the original productions of the Savoy Operas. He continued to design costumes for D'Oyly Carte revivals in the early twentieth century, including for ''Trial by Jury, H.M.S. Pinafore, The Pirates of Penzance, Patience, Iolanthe, Princess Ida, Ruddigore, The Yeomen of the Guard,'' and ''The Gondoliers.'' For Herbert Beerbohm Tree at His Majesty's Theatre, Anderson designed ''Twelfth Night, The Merry Wives of Windsor, Rich ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edwardian Musical Comedy
Edwardian musical comedy was a form of British musical theatre that extended beyond the reign of King Edward VII in both directions, beginning in the early 1890s, when the Gilbert and Sullivan operas' dominance had ended, until the rise of the American musicals by Jerome Kern, Rodgers and Hart, George Gershwin and Cole Porter following the First World War. Between '' In Town'' in 1892 and ''The Maid of the Mountains'', premiering in 1917, this new style of musical theatre became dominant on the musical stage in Britain and the rest of the English-speaking world. The popularity of ''In Town'' and ''A Gaiety Girl'' (1893), led to an astonishing number of hits over the next three decades, the most successful of which included '' The Shop Girl'' (1894), '' The Geisha'' (1896), ''Florodora'' (1899), '' A Chinese Honeymoon'' (1901), '' The Earl and the Girl'' (1903), '' The Arcadians'' (1909), ''Our Miss Gibbs'' (1909), ''The Quaker Girl'' (1910), ''Betty'' (1914), ''Chu Chin Chow'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adrian Ross
Arthur Reed Ropes (23 December 1859 – 11 September 1933), better known under the pseudonym Adrian Ross, was a prolific writer of lyrics, contributing songs to more than sixty British musical comedies in the late 19th and early 20th centuries. He was the most important lyricist of the British stage during a career that spanned five decades. At a time when few shows had long runs, nineteen of his West End shows ran for over 400 performances. Starting out in the late 1880s, Ross wrote the lyrics for the earliest British musical theatre hits, including '' In Town'' (1892), ''The Shop Girl'' (1894) and '' The Circus Girl'' (1896). Ross next wrote the lyrics for a string of hit musicals, beginning with '' A Greek Slave'' (1898), ''San Toy'' (1899), '' The Messenger Boy'' (1900) and '' The Toreador'' (1901) and continuing without a break through World War I. He also wrote the English lyrics for a series of hit adaptations of European operettas beginning with ''The Merry Widow'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinder Ellen Up Too Late
''Cinder Ellen up too Late'' is a musical Victorian burlesque, burlesque written by Frederick Hobson Leslie (writing under the pseudonym A. C. Torr) and W. T. Vincent, with music arranged by Meyer Lutz from compositions by Lionel Monckton, Sidney Jones (composer), Sidney Jones, Walter Slaughter, Osmond Carr, Scott Gatti, Jacobi, Robertson, and Leopold Wenzel. Additional lyrics were written by Basil Hood. The show was a burlesque of the well-known pantomime and fairy tale, ''Cinderella''. The piece was first produced in Melbourne, Australia at the Princess's Theatre on 22 August 1891 and then in Sydney, on 5 October at the Theatre Royal. It then debuted in London at the Gaiety Theatre, London, Gaiety Theatre in London and ran from 24 December 1891 until 9 July 1892, a total of 181 performances. It was revised and revived later in 1892. The production was directed by Walter Raynham, with choreography by Katti Lanner and Willie Warde and costumes by William Charles John Pitcher, W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmen Up To Data
''Carmen up to Data'' is a musical burlesque with a score written by Meyer Lutz. The piece was a spoof of Bizet's 1875 opera ''Carmen''. The libretto was written by G. R. Sims and Henry Pettitt. After a tryout in Liverpool in September 1890, the piece premiered at the Gaiety Theatre, London, on 4 October 1890, produced by George Edwardes. It starred Florence St. John in the title role, Letty Lind as Mercedes, Jenny Dawson as Escamillo, Maria Jones as Michaela, Blanche Massey as Morales, Horace Mills as Remendado, E. J. Lonnen as José and Arthur Williams as Captain Zuniga.Programme for ''Carmen up to Data'' The piece was a success and toured throughout the English-speaking world, reaching Australia by 1892. Background Bizet's ''Carmen'' had first been produced in English in L ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruy Blas And The Blase Roue , a chess opening named after the Spanish chess player
{{disamb, geo ...
Ruy may refer to: Arts and Entertainment *Ruy, the Little Cid, Spanish animated television series *Ruy Blas, a character in the eponymous tragic drama by Victor Hugo People *another form of Rui, a Portuguese male given name *another form of the Spanish male given name Rodrigo *Ruy López de Segura (1530-1580), Spanish chess player *Ruy Ramos (born 1957), Japanese footballer *Ruy (footballer) (born 1989), Brazilian footballer Places *Ruy, Isère, a commune in France *Ruy, Iran, a city in Iran *Ruy Special Town, a village in Iran *Ruy Mountain, a mountain on the border of Bulgaria and Serbia Other uses *Ruy Lopez The Ruy Lopez (; ), also called the Spanish Opening or Spanish Game, is a chess opening characterised by the moves: :1. e4 e5 :2. Nf3 Nc6 :3. Bb5 The Ruy Lopez is named after 16th-century Spanish priest Ruy López de Segura. It is one o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faust Up To Date
''Faust up to Date'' is a musical burlesque with a score written by Meyer Lutz (a few songs by others were interpolated into the show). The libretto was written by G. R. Sims and Henry Pettitt. It is a spoof of Gounod's opera, ''Faust'', which had first been performed in London in 1864, and followed on from an earlier Lutz musical, '' Mephistopheles, or Faust and Marguerite''. The piece was first performed at the Gaiety Theatre, London on 30 October 1888, produced by George Edwardes, and ran until August 1889. It starred Florence St. John as Margaret, E. J. Lonnen as Mephistopheles and Mabel Love as Totchen. It was revived in July 1892, with Florence St. John again playing the role of Margaret, Edmund Payne as Mephistopheles and Arthur Williams as Valentine. The piece enjoyed subsequent productions in New York, Australia (with Robert Courtneidge as Valentine) and elsewhere. Background This type of burlesque, or travesty was popular in Britain at the time. Other example ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
