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Mise En Abyme (in Literature And Other Media)
''Mise en abyme'' (also mise-en-abîme, French "put in the abyss", iːz ɒn əˈbɪːm is a transgeneric and transmedial technique that can occur in any literary genre, in comics, film, painting or other media. It is a form of similarity and/or repetition, and hence a variant of self-reference. ''Mise en abyme'' presupposes at least two hierarchically different levels. A subordinate level 'mirrors' content or formal elements of a primary level. 'Mirroring' can mean repetition, similarity or even, to a certain extent, contrast. The elements thus ‘mirrored’ can refer to form (e.g. a painting within a painting) or content (e.g. a theme occurring on different levels). ''Mise en abyme'' can be differentiated according to its quantitative, qualitative and functional features. For instance, ‘mirroring’ can occur once, several times (on a lower and yet on a lower and so on level) or (theoretically) an infinite number of times (as in the reflection of an object between two mirro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Transmediale
Transmediale, stylised as transmediale is an annual festival for art and digital culture in Berlin, usually held over five days at the end of January and the beginning of February. Transmediale takes the form of a conference (sometimes called a festival), an exhibition, and a film and video program that often contain or support performances and workshops. Throughout the year, transmediale is also involved in a number of long- and short-term cooperative projects via transmediale/resource. From its initial focus on video culture, it came to cultivate an artistic and critical dialogue with television and multimedia, emerging as the leading international platform for media art. The CTM Festival, which began as a part of transmediale, has since become an independent event. History Transmediale began in 1988 at Berlinale under the name VideoFilmFest by Hartmut Horst and video artist Micky Kwella. Horst and Kwella wanted to create a platform for electronic media productions, whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Hogarth
William Hogarth (; 10 November 1697 – 26 October 1764) was an English painter, engraver, pictorial satirist, social critic, editorial cartoonist and occasional writer on art. His work ranges from realistic portraiture to comic strip-like series of pictures called "modern moral subjects", and he is perhaps best known for his series ''A Harlot's Progress'', ''A Rake's Progress'' and '' Marriage A-la-Mode''. Knowledge of his work is so pervasive that satirical political illustrations in this style are often referred to as "Hogarthian". Hogarth was born in London to a lower-middle-class family. In his youth he took up an apprenticeship with an engraver, but did not complete the apprenticeship. His father underwent periods of mixed fortune, and was at one time imprisoned in lieu of outstanding debts, an event that is thought to have informed William's paintings and prints with a hard edge. Influenced by French and Italian painting and engraving, Hogarth's works are mostly sat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paradox
A paradox is a logically self-contradictory statement or a statement that runs contrary to one's expectation. It is a statement that, despite apparently valid reasoning from true premises, leads to a seemingly self-contradictory or a logically unacceptable conclusion. A paradox usually involves contradictory-yet-interrelated elements that exist simultaneously and persist over time. They result in "persistent contradiction between interdependent elements" leading to a lasting "unity of opposites". In logic, many paradoxes exist that are known to be invalid arguments, yet are nevertheless valuable in promoting critical thinking, while other paradoxes have revealed errors in definitions that were assumed to be rigorous, and have caused axioms of mathematics and logic to be re-examined. One example is Russell's paradox, which questions whether a "list of all lists that do not contain themselves" would include itself, and showed that attempts to found set theory on the identification ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metalepsis
Metalepsis (from grc-gre, μετάληψις) is a figure of speech in which a word or a phrase from figurative speech is used in a new context. Examples *"I've got to catch the worm tomorrow." **"The early bird catches the worm" is a common maxim, advising an early start on the day to achieve success. The subject, by referring to this maxim, is compared to the bird; tomorrow, the speaker will awake early in order to achieve success. In Icelandic literature The word ''twikent'' (twice-kenned) is used for once-removed metalepsis involving kennings.Faulkes (1999), p. 5/12. If a kenning has more than three elements, it is said to be ''rekit'' ("extended"). Kennings of up to seven elements are recorded in skaldic verse. Snorri Sturluson characterises five-element kennings as an acceptable license but cautions against more extreme constructions: ''Níunda er þat at reka til hinnar fimtu kenningar, er ór ættum er ef lengra er rekit; en þótt þat finnisk í fornskálda verka, þ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meta-reference
Meta-reference is a special type of self-reference that can occur in all media or media artifacts, for instance literature, film, painting, TV series, comic strips, or video games. It includes all references to, or comments on, a specific medium, medial artifact, or the media in general. These references and comments originate from a logically higher level (a "meta-level") within any given artifact, and draw attention to—or invite reflection about—media-related issues (e.g. the production, performance, or reception) of said artifact, specific other artifacts (as in parody), or to parts, or the entirety, of the medial system. It is, therefore, the recipient's awareness of an artifact's medial quality that distinguishes meta-reference from more general forms of self-reference. Thus, meta-reference triggers media-awareness within the recipient, who, in turn "becomes conscious of both the medial (or "fictional" in the sense of artificial and, sometimes in addition, "invented") statu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Simpsons
''The Simpsons'' is an American animated sitcom created by Matt Groening for the Fox Broadcasting Company. The series is a satirical depiction of American life, epitomized by the Simpson family, which consists of Homer, Marge, Bart, Lisa, and Maggie. The show is set in the fictional town of Springfield and parodies American culture and society, television, and the human condition. The family was conceived by Groening shortly before a solicitation for a series of animated shorts with producer James L. Brooks. He created a dysfunctional family and named the characters after his own family members, substituting Bart for his own name; he thought Simpson was a funny name in that it sounded similar to " simpleton". The shorts became a part of '' The Tracey Ullman Show'' on April 19, 1987. After three seasons, the sketch was developed into a half-hour prime time show and became Fox's first series to land in the Top 30 ratings in a season (1989–1990). Since its debut on Dece ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Embedded Story
A story within a story, also referred to as an embedded narrative, is a literary device in which a character within a story becomes the narrator of a second story (within the first one). Multiple layers of stories within stories are sometimes called nested stories. A play may have a brief play within it, such as Shakespeare's play ''Hamlet''; a film may show the characters watching a short film; or a novel may contain a short story within the novel. A story within a story can be used in all types of narration: novels, short stories, plays, television programs, films, poems, songs, video games, and philosophical essays. The inner stories are told either simply to add entertainment or more usually to act as an example to the other characters. In either case, the inner story often has a symbolic and psychological significance for the characters in the outer story. There is often some parallel between the two stories, and the fiction of the inner story is used to reveal the truth i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edgar Allan Poe
Edgar Allan Poe (; Edgar Poe; January 19, 1809 – October 7, 1849) was an American writer, poet, editor, and literary critic. Poe is best known for his poetry and short stories, particularly his tales of mystery and the macabre. He is widely regarded as a central figure of Romanticism in the United States, and of American literature. Poe was one of the country's earliest practitioners of the short story, and considered to be the inventor of the detective fiction genre, as well as a significant contributor to the emerging genre of science fiction. Poe is the first well-known American writer to earn a living through writing alone, resulting in a financially difficult life and career. Poe was born in Boston, the second child of actors David and Elizabeth "Eliza" Poe. His father abandoned the family in 1810, and when his mother died the following year, Poe was taken in by John and Frances Allan of Richmond, Virginia. They never formally adopted him, but he was with them well ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Fall Of The House Of Usher
"The Fall of the House of Usher" is a short story by American writer Edgar Allan Poe, first published in 1839 in ''Burton's Gentleman's Magazine'', then included in the collection ''Tales of the Grotesque and Arabesque'' in 1840. The short story, a work of Gothic horror, Gothic fiction, includes themes of madness, family, isolation, and metaphysical identities. Plot The story begins with the unnamed narrator arriving at the house of his friend, Roderick Usher, having received a letter from him in a distant part of the country, complaining of an illness and asking for his help. As he arrives, the narrator notices a thin crack extending from the roof, down the front of the house and into the adjacent Tarn (lake), tarn, or lake. It is revealed that Roderick's sister, Madeline, is also ill and falls into catalepsy, cataleptic, deathlike trances. Roderick and Madeline are the only remaining members of the Usher family. The narrator is impressed with Roderick's paintings and attempts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theme (arts)
In contemporary literary studies, a theme is a central topic, subject, or message within a narrative. Themes can be divided into two categories: a work's ''thematic concept'' is what readers "think the work is about" and its ''thematic statement'' being "what the work says about the subject". Themes are often distinguished from premises. The most common contemporary understanding of theme is an idea or point that is central to a story, which can often be summed in a single word (for example, love, death, betrayal). Typical examples of themes of this type are conflict between the individual and society; coming of age; humans in conflict with technology; nostalgia; and the dangers of unchecked ambition. A theme may be exemplified by the actions, utterances, or thoughts of a character in a novel. An example of this would be the thematic idea of loneliness in John Steinbeck's ''Of Mice and Men'', wherein many of the characters seem to be lonely. It may differ from the thesis—the text ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghost
A ghost is the soul or spirit of a dead person or animal that is believed to be able to appear to the living. In ghostlore, descriptions of ghosts vary widely from an invisible presence to translucent or barely visible wispy shapes, to realistic, lifelike forms. The deliberate attempt to contact the spirit of a deceased person is known as necromancy, or in spiritism as a ''séance''. Other terms associated with it are apparition, haunt, phantom, poltergeist, shade, specter or spectre, spirit, spook, wraith, demon, and ghoul. The belief in the existence of an afterlife, as well as manifestations of the spirits of the dead, is widespread, dating back to animism or ancestor worship in pre-literate cultures. Certain religious practices—funeral rites, exorcisms, and some practices of spiritualism and ritual magic—are specifically designed to rest the spirits of the dead. Ghosts are generally described as solitary, human-like essences, though stories of ghostly armies and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Murder Of Gonzago
''The Tragedy of Hamlet, Prince of Denmark'', often shortened to ''Hamlet'' (), is a tragedy written by William Shakespeare sometime between 1599 and 1601. It is Shakespeare's longest play, with 29,551 words. Set in Denmark, the play depicts Prince Hamlet and his attempts to exact revenge against his uncle, Claudius, who has murdered Hamlet's father in order to seize his throne and marry Hamlet's mother. ''Hamlet'' is considered among the "most powerful and influential tragedies in the English language", with a story capable of "seemingly endless retelling and adaptation by others". There are many works that have been pointed to as possible sources for Shakespeare's play—from ancient Greek tragedies to Elizabethan plays. The editors of the Arden Shakespeare question the idea of "source hunting", pointing out that it presupposes that authors always require ideas from other works for their own, and suggests that no author can have an original idea or be an originator. When ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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