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Mirza Shafi Vazeh
Mirza Shafi Vazeh ( az, Mirzə Şəfi Vazeh; ) was an Azerbaijani people, Azerbaijani poet and teacher. Under the pseudonym "Vazeh", which means "expressive, clear", he wrote in both Azerbaijani language, Azerbaijani and Persian language, Persian, developing the traditions of poetry in both languages. He compiled the first anthology of Azerbaijani literature, Azerbaijani poetry and a Tatar-Russian dictionary for the Tiflis gymnasium with Russian people, Russian teacher Ivan Grigoriev. He has written multiple ''ghazals'', ''mukhammas, mukhammases,'' ''Mathnawi (poetic form), mathnawis'' and ''Rubaʿi, rubais''. His poems were mostly intimate, lyrical and satirical. The main theme of Vazeh's works is the glorification of romantic love and the joy of life, but in some of his poems, he denounces the vices of Feudalism, feudal society and opposes slavery and religious fanaticism. The German poet Friedrich von Bodenstedt, who took oriental language lessons from Vazeh, published tra ...
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Friedrich Von Bodenstedt
Friedrich Martin von Bodenstedt (22 April 1819 – 19 April 1892) was a German author. Biography Bodenstedt was born at Peine, in the Kingdom of Hanover. He was trained as a merchant in Braunschweig and studied in Göttingen, Munich and Berlin. Russia His career was determined by his engagement in 1841 as tutor in the family of Prince Gallitzin at Moscow, where he gained a thorough knowledge of Russian. This led to his appointment in 1844 as the head of a public school at Tiflis, Governorate of Tiflis (present-day Georgia). Persian studies He took the opportunity of his proximity to Persia to study Persian literature, and translate and publish in 1851 a volume of poetry under the fanciful title, '' Die Lieder des Mirza Schaffy'' (English trans. by Elsa D'Esterre-Keeling 1880). The success of this work can only be compared with that of Edward FitzGerald's '' Omar Khayyám'', produced in somewhat similar circumstances, but differed from it in being immediate. It has gone throug ...
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Anthology
In book publishing, an anthology is a collection of literary works chosen by the compiler; it may be a collection of plays, poems, short stories, songs or excerpts by different authors. In genre fiction, the term ''anthology'' typically categorizes collections of shorter works, such as short stories and short novels, by different authors, each featuring unrelated casts of characters and settings, and usually collected into a single volume for publication. Alternatively, it can also be a collection of selected writings (short stories, poems etc.) by one author. Complete collections of works are often called "complete works" or "" (Latin equivalent). Etymology The word entered the English language in the 17th century, from the Greek word, ἀνθολογία (''anthologic'', literally "a collection of blossoms", from , ''ánthos'', flower), a reference to one of the earliest known anthologies, the ''Garland'' (, ''stéphanos''), the introduction to which compares each of its ...
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Willem Floor
Willem Marius Floor (born 1942) is a Dutch historian, writer, and Iranologist. He was born in 1942 in Utrecht, the Netherlands. After finishing high school, he attended the University of Utrecht where he studied economics, non-Western sociology, and Islamic studies. He also studied Arabic and eventually became interested in Persian. He received his PhD from the University of Leiden in 1971. The title of his PhD dissertation was "The Guilds In Qajar Persia." Ever since, he has been engaged in Iranian studies. Throughout this time, he has published extensively on the socio-economic history of Iran. As an independent scholar, Willem Floor has published numerous works of history as well as translations. Dr. Floor is also a winner of Farabi International Prize for Humanitarian Studies. Professional Background He started his professional career in 1968 at the Ministry of Development in the Netherlands. Between 1983-2002. Dr. Floor was employed by the World Bank as an energy specialist ...
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Concise Literary Encyclopedia
The ''Concise Literary Encyclopedia'' (russian: Краткая литературная энциклопедия) was a Soviet encyclopedia of literature published in nine volumes between 1962 and 1978. The main 8 volumes were published in 1962-1975, the additional 9th volume in 1978. In the encyclopaedia more than 12 thousand author articles (personalities of writers, reviews of periods, characteristics of literary terms, trends, literary groups, literary criticism and the press, etc.); The alphabetical index contains about 35,000 names, titles and terms. Edition - 100 000 copies. The editor-in-chief of the USSR SS was Alexey Surkov,; in fact, the publication was managed by deputy editor-in-chief Vladimir Zhdanov, and since 1969, by A.F. Yermakov. Russian scholar John Glad wrote, "For the specialist in Russian literature, this is undoubtedly the most basic an important reference tool to appear from the Soviet Union.Glad, John (1981). The ''Soviet Concise Literary Encyclopedia'': A ...
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Great Soviet Encyclopedia
The ''Great Soviet Encyclopedia'' (GSE; ) is one of the largest Russian-language encyclopedias, published in the Soviet Union from 1926 to 1990. After 2002, the encyclopedia's data was partially included into the later ''Bolshaya rossiyskaya entsiklopediya'' (or '' Great Russian Encyclopedia'') in an updated and revised form. The GSE claimed to be "the first Marxist–Leninist general-purpose encyclopedia". Origins The idea of the ''Great Soviet Encyclopedia'' emerged in 1923 on the initiative of Otto Schmidt, a member of the Russian Academy of Sciences. In early 1924 Schmidt worked with a group which included Mikhail Pokrovsky, (rector of the Institute of Red Professors), Nikolai Meshcheryakov (Former head of the Glavit, the State Administration of Publishing Affairs), Valery Bryusov (poet), Veniamin Kagan (mathematician) and Konstantin Kuzminsky to draw up a proposal which was agreed to in April 1924. Also involved was Anatoly Lunacharsky, People's Commissar of Education ...
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Religious Fanaticism
Religious fanaticism, or religious extremism, is a pejorative designation used to indicate uncritical zeal or obsessive enthusiasm which is related to one's own, or one's group's, devotion to a religion – a form of human fanaticism which could otherwise be expressed in one's other involvements and participation, including employment, role, and partisan affinities. Historically, the term was applied in Christian antiquity to denigrate non-Christian religions, and subsequently acquired its current usage with the Age of Enlightenment. Features Steffen gives several features which are associated with religious fanaticism or extremism: * Spiritual needs: Human beings have a spiritual longing for understanding and meaning, and given the mystery of existence, that spiritual quest can only be fulfilled through some kind of relationship with ultimacy, whether or not that takes the form as a "transcendent other". Religion has power to meet this need for meaning and transcendent relat ...
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Feudalism
Feudalism, also known as the feudal system, was the combination of the legal, economic, military, cultural and political customs that flourished in medieval Europe between the 9th and 15th centuries. Broadly defined, it was a way of structuring society around relationships that were derived from the holding of land in exchange for service or labour. Although it is derived from the Latin word ''feodum'' or ''feudum'' (fief), which was used during the Medieval period, the term ''feudalism'' and the system which it describes were not conceived of as a formal political system by the people who lived during the Middle Ages. The classic definition, by François Louis Ganshof (1944), François Louis Ganshof (1944). ''Qu'est-ce que la féodalité''. Translated into English by Philip Grierson as ''Feudalism'', with a foreword by F. M. Stenton, 1st ed.: New York and London, 1952; 2nd ed: 1961; 3rd ed.: 1976. describes a set of reciprocal legal and military obligations which existed am ...
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Mukhammas
Mukhammas (Arabic مخمس 'fivefold') refers to a type of Persian or Urdu cinquain or pentastich with Sufi connections based on a pentameter. And have five lines in each paragraph. It is one of the more popular verse forms in Tajik Badakhshan, occurring both in madoh and in other performance-genres. Details of the form The ''mukhammas'' represents a stanza of two distichs and a hemistich in monorhyme, the fifth line being the "bob" or burden: each succeeding stanza affects a new rhyme, except in the fifth line, e.g., a rhyme scheme of AAAAB CCCCB DDDDB and so forth. Every stanza of a ''mukhammas'' includes five lines. *In the first stanza, all five lines rhyme. *In the later stanzas, the first four lines rhyme, but the fifth line breaks the rhyme. It can be repeated, or else its rhyme can be that of the first stanza. Themes A recurrent theme of the ''mukhammas'' is praise of Imam Ali and his companions but other themes also occur. Poets Many Urdu poets have contributed to ...
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