|
Minority (Gigi Gryce Song)
"Minority" is a 16-bar jazz standard in a minor key by Gigi Gryce, first recorded with Clifford Brown in Paris on October 8, 1953. Gryce recorded it again with Art Blakey and on his '' The Hap'nin's'' album for Prestige (1960). The song has been recorded over 40 times. Selected recordings * Art Blakey: '' Blakey'' (EmArcy, 1954) * Cannonball Adderley: ''Portrait of Cannonball'' (Riverside, 1958) * Bill Evans: ''Everybody Digs Bill Evans'' (Riverside, 1958) * Art Pepper: ''The Return of Art Pepper'' * Bootsie Barnes: ''You Leave Me Breathless!'' * Pat Martino: '' Strings!'' (Prestige, 1967) * Ben Sidran: ''The Cat and the Hat'' (1980) * Bud Shank/Phil Woods Philip Wells Woods (November 2, 1931 – September 29, 2015) was an American jazz alto saxophonist, clarinetist, bandleader, and composer. Biography Woods was born in Springfield, Massachusetts. After inheriting a saxophone at age 12, he began ...: ''Bouncing with Bud and Phil: Live at Yoshi's'' (1995) Reference ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gigi Gryce
Gigi Gryce (born George General Grice Jr.; November 28, 1925 – March 14, 1983), later Basheer Qusim, was an American jazz saxophonist, flautist, clarinetist, composer, arranger, and educator. While his performing career was relatively short, much of his work as a player, composer, and arranger was quite influential and well-recognized during his time. However, Gryce abruptly ended his jazz career in the 1960s. This, in addition to his nature as a very private person, has resulted in very little knowledge of Gryce today. Several of his compositions have been covered extensively (" Minority", "Social Call", "Nica's Tempo") and have become minor jazz standards. Gryce's compositional bent includes harmonic choices similar to those of contemporaries Benny Golson, Tadd Dameron and Horace Silver. Gryce's playing, arranging, and composing are most associated with the classic hard bop era (roughly 1953–1965). He was a well-educated composer and musician, and wrote some classical work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Everybody Digs Bill Evans
''Everybody Digs Bill Evans'' is an album by jazz musician Bill Evans. It was released in early 1959 on the Riverside label. History ''Everybody Digs Bill Evans'' was Evans's second album, done two years after his first record as a leader. Though his producer (Orrin Keepnews) had wanted Evans to record a follow-up album to his debut sooner, the self-critical Evans felt he had "nothing new to say" before this album. The recording captures Evans at a time when he frequently played extended musical ideas using block chords, a technique also favored by Milt Buckner, George Shearing, Oscar Peterson, and other jazz pianists. That combined with his use of pedals gave him a sound considered by critics to be innovative. Though Evans had quit the Miles Davis band a month before the album was recorded, Davis was enamored of Evans's piano sound as it was developing through 1958, and decided to use him as the pianist for four of the five tracks on the 1959 recording ''Kind of Blue''. ''Every ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phil Woods
Philip Wells Woods (November 2, 1931 – September 29, 2015) was an American jazz alto saxophonist, clarinetist, bandleader, and composer. Biography Woods was born in Springfield, Massachusetts. After inheriting a saxophone at age 12, he began taking lessons at a local music shop. His heroes on the alto saxophone included Benny Carter and Johnny Hodges. He studied music with Lennie Tristano at the Manhattan School of Music and at the Juilliard School. His friend, Joe Lopes, coached him on clarinet as there was no saxophone major at Juilliard at the time and received a bachelor’s degree in 1952. Although he did not copy Charlie Parker, Woods was known as the New Bird, a nickname also given to other alto saxophone players such as Sonny Stitt and Cannonball Adderley. In the 1950s, Woods began to lead his own bands. Quincy Jones invited him to accompany Dizzy Gillespie on a world tour sponsored by the U.S. State Department. A few years later he toured Europe with Jones, and in 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bud Shank
Clifford Everett "Bud" Shank Jr. (May 27, 1926 – April 2, 2009) was an American alto saxophonist and flautist. He rose to prominence in the early 1950s playing lead alto and flute in Stan Kenton's Innovations in Modern Music Orchestra and throughout the decade worked in various small jazz combos. He spent the 1960s as a first-call studio musician in Hollywood. In the 1970s and 1980s, he performed regularly with the L. A. Four. Shank ultimately abandoned the flute to focus exclusively on playing jazz on the alto saxophone. He also recorded on tenor and baritone sax. His most famous recording is probably the version of "Harlem Nocturne" used as the theme song in ''Mickey Spillane's Mike Hammer''. He is also well known for the alto flute solo on the song "California Dreamin'" recorded by The Mamas & the Papas in 1965. Biography Bud Shank was born in Dayton, Ohio, United States. He began with clarinet in Vandalia, Ohio, but had switched to saxophone before attending the Universi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ben Sidran
Ben Hirsh Sidran (born August 14, 1943) is an American jazz and rock keyboardist, producer, label owner, and music writer. Early in his career he was a member of the Steve Miller Band and is the father of Grammy-nominated musician, composer and performer Leo Sidran. Life and career He was born in Chicago, Illinois, United States. Sidran was raised in Racine, Wisconsin, and attended the University of Wisconsin–Madison in 1961, where he became a member of The Ardells with Steve Miller and Boz Scaggs. When Miller and Scaggs left Wisconsin for the West Coast, Sidran stayed behind to earn a degree in English literature. After graduating in 1966, he enrolled in the University of Sussex, England, to pursue a PhD. While in England, he was a session musician for Eric Clapton, The Rolling Stones, Peter Frampton, and Charlie Watts. Sidran joined Steve Miller as keyboardist and songwriter on recording projects, appearing on the albums ''Brave New World'', '' Your Saving Grace'', '' Num ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Strings!
''Strings!'' is the second album by guitarist Pat Martino recorded in 1967 and released on the Prestige label. accessed May 2, 2013 Reception awarded the album 4 stars stating "Guitarist Pat Martino's second recording as a leader finds him essentially playing advanced bop. His quintet really roars on an uptempo version of "Minority" and is diverse enough to come up with meaningful statements on four of Martino's originals".Yanow, SAllmusic Review accessed May 2, 2013 The authors of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pat Martino
Pat Martino (born Patrick Carmen Azzara; August 25, 1944 – November 1, 2021) was an American jazz guitarist and composer. Biography Martino was born Patrick Carmen Azzara in Philadelphia, Pennsylvania, United States, to father Carmen "Mickey" Azzara (d. 1990) and mother Jean (née Orlando, d. 1989). He was first exposed to jazz by his father, who sang in local clubs and briefly studied guitar. Martino began playing professionally at the age of 15 after moving to New York City. He lived for a period with Les Paul and began playing at jazz clubs such as Smalls Paradise. He later moved into a suite in the President Hotel on 48th Street. He played at Smalls for six months of the year, and played summers at the Club Harlem in Atlantic City, New Jersey. Martino played and recorded early in his career with Lloyd Price, Willis Jackson, and Eric Kloss. He also worked with jazz organists Charles Earland, Richard "Groove" Holmes, Jack McDuff, Don Patterson, Trudy Pitts, Jimmy Smith ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bootsie Barnes
Robert "Bootsie" Barnes (November 27, 1937 – April 22, 2020) was an American jazz tenor saxophonist from Philadelphia. Early life and education Barnes was raised in a housing project in North Philadelphia. His father was a trumpet player who performed with Bill Doggett and Frank Fairfax. His mother worked as a housekeeper. Barnes had three older brothers. His uncle, Jimmy Hamilton, was a jazz clarinetist and saxophonist. Barns initially intended to become a drummer after being given a pair of drumsticks by Sonny Greer during a visit to the Earle Theatre. He played drums at Benjamin Franklin High School before switching to saxophone. Career In the 1950s, Barnes played with various musicians in Philadelphia, including Lee Morgan, Philly Joe Jones and Bill Cosby (then a drummer). During the 1960s, he performed with various organists including Jimmy Smith and Don Patterson, with whom he recorded in 1978. In the 1980s, he toured with Sonny Stitt. He continued to play in his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Pepper
Arthur Edward Pepper Jr. (September 1, 1925 – June 15, 1982) was an American alto saxophonist and very occasional tenor saxophonist and clarinetist. Active in West Coast jazz, Pepper came to prominence in Stan Kenton's big band. He was known for his emotionally charged performances and several stylistic shifts throughout his career, and was described by critic Scott Yanow as having "attained his goal of becoming the world's great altoist" at the time of his death. Early life Art Pepper was born in Gardena, California, United States.Dupuis, Robert. "Art Pepper." ''Contemporary Musicians: Profiles of the People in Music.'' Vol. 18. Detroit, MI: Gale Research, 1997. 164-67. Print. His mother was a 14-year-old runaway; his father, a merchant seaman. Both were violent alcoholics, and when Pepper was still quite young, he was sent to live with his paternal grandmother. He expressed early musical interest and talent, and he was given lessons. He began playing clarinet at nine, switc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Evans
William John Evans (August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who worked primarily as the leader of his trio. His use of impressionist harmony, interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continues to influence jazz pianists today. Born in Plainfield, New Jersey, United States, he was classically trained at Southeastern Louisiana University and the Mannes School of Music, in New York City, where he majored in composition and received the Artist Diploma. In 1955, he moved to New York City, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, which in 1959, then immersed in modal jazz, recorded '' Kind of Blue'', the best-selling jazz album ever. In late 1959, Evans left the Miles Davis band and began his career as a leader, with bassist Scott LaFaro and drummer Paul Motian, a group now regarded as a se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clifford Brown
Clifford Benjamin Brown (October 30, 1930 – June 26, 1956) was an American jazz trumpeter and composer. He died at the age of 25 in a car accident, leaving behind four years' worth of recordings. His compositions "Sandu", "Joy Spring", and "Daahoud" have become jazz standards. Brown won the '' DownBeat'' magazine Critics' Poll for New Star of the Year in 1954; he was inducted into the ''DownBeat'' Hall of Fame in 1972. Early career Brown was born into a musical family in Wilmington, Delaware. His father organized his four sons, including Clifford, into a vocal quartet. Around age ten, Brown started playing trumpet at school after becoming fascinated with the shiny trumpet his father owned. At age thirteen, his father bought him a trumpet and provided him with private lessons. In high school, Brown received lessons from Robert Boysie Lowery and played in "a jazz group that Lowery organized", making trips to Philadelphia. Brown briefly attended Delaware State University as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of Cannonball
''Portrait of Cannonball'' (1958) is the ninth album by jazz saxophonist Cannonball Adderley, and his first release on the Riverside label, featuring performances by Blue Mitchell, Bill Evans, Sam Jones, and Philly Joe Jones.Cannonball Adderley discography accessed 14 October 2009. Reception The review by Stephen Cook awarded the album 4 stars and states: "Everyone is in top form on a varied set.... One of the highlights from Adderley's hard bop prime".Cook, S. accessed 14 October 2009 ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
