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Minoan Sealstone
Minoan seals are impression seals in the form of carved gemstones and similar pieces in metal, ivory and other materials produced in the Minoan civilization. They are an important part of Minoan art, and have been found in quantity at specific sites, for example in Knossos, Mallia and Phaistos. They were evidently used as a means of identifying documents and objects. Minoan seals are of a small size, 'pocket-size', in the manner of a personal amulet. Many of the images are a similar size to a human fingernail, with a high proportion that of the nail of a little finger. They might be thought of as equivalent to the pocket-sized, scaraboid seals of Ancient Egypt, which were sometimes imitated in Crete. However Minoan seals can be larger, with largest examples of many inches. Minoan seals are the most common surviving type of Minoan art after pottery, with several thousand known, from EM II onwards, in addition to over a thousand impressions, few of which match surviving seal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Engraved Gem
An engraved gem, frequently referred to as an intaglio, is a small and usually semi-precious gemstone that has been carved, in the Western tradition normally with images or inscriptions only on one face. The engraving of gemstones was a major luxury art form in the Ancient world, and an important one in some later periods. Strictly speaking, ''engraving'' means carving ''in intaglio'' (with the design cut ''into'' the flat background of the stone), but relief carvings (with the design projecting ''out of'' the background as in nearly all cameos) are also covered by the term. This article uses ''cameo'' in its strict sense, to denote a carving exploiting layers of differently coloured stone. The activity is also called ''gem carving'' and the artists ''gem-cutters''. References to antique gems and intaglios in a jewellery context will almost always mean carved gems; when referring to monumental sculpture, counter-relief, meaning the same as ''intaglio'', is more likely to be use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Confronted Animals
Confronted animals, or confronted-animal as an adjective, where two animals face each other in a symmetrical pose, is an ancient bilateral motif in art and artifacts studied in archaeology and art history. The "anti-confronted animals" is the opposing motif, with the animals back to back. Bilateral symmetry is a dominant aspect of our world and strong representation of it with matching figures often creates a balance that is appealing in artwork. In ancient art, confronted-animal motifs often involve the Master of Animals, a central human figure between two confronted animals, often grasping them, and are probably part of a unified socio-cultural motif. A related motif in ancient art is known as the Mistress of Animals. It is thought that the iconography sometimes has ritual and religious associations; for example, the Lion Gate of Mycenae has a column between the protective, surmounted and confronted lionesses standing with two feet on the ground and two on the same base on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bull-leaping
Bull-leaping ( grc, ταυροκαθάψια, ) is a term for various types of non-violent bull fighting. Some are based on an ancient ritual from the Minoan civilization involving an acrobat leaping over the back of a charging bull (or cow). As a sport it survives in modern France, usually with cows rather than bulls, as ; in Spain, with bulls, as and in Tamil Nadu, India with bulls as Jallikattu. Ritual leaping over bulls is a motif in Middle Bronze Age figurative art, especially in Minoan art, and what are probably Minoan objects found in Mycenaean Greece, but it is also sometimes found in Hittite Anatolia, the Levant, Bactria and the Indus Valley. It is often interpreted as a depiction of a rite performed in connection with bull worship. Iconography Younger (1995) classifies bull-leaping depictions in Bronze Age Aegean art as follows: * Type I: the acrobat approaches the bull from the front, grabs the horns, and somersaults backwards * Type II: the acrobat approaches ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconography
Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word ''iconography'' comes from the Greek ("image") and ("to write" or ''to draw''). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "icons", in the Byzantine and Orthodox Christian tradition (see Icon). This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. The term is also used in many academic fields other than art history, for example semiotics ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goddess
A goddess is a female deity. In many known cultures, goddesses are often linked with literal or metaphorical pregnancy or imagined feminine roles associated with how women and girls are perceived or expected to behave. This includes themes of spinning (textiles), spinning, weaving, beauty, love, sexuality, motherhood, domesticity, creativity, and List of fertility deities, fertility (exemplified by the ancient mother goddess cult). Many major goddesses are also associated with magic (supernatural), magic, war, strategy, hunting, farming, wisdom, fate, earth, sky, power (social and political), power, laws, justice, and more. Some themes, such as Discordianism, discord or disease, which are considered negative within their cultural contexts also are found associated with some goddesses. There are as many differently described and understood goddesses as there are male, shapeshifting, or neuter gods. In some faiths, a sacred female figure holds a central place in religious prayer a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minoan Genius
The Minoan Genius is a fantastic mythological creature that was common in the Minoan art of the Bronze Age Minoan civilization in ancient Crete. It is portrayed sometimes with the head of a lion, or of hippopotamus, or of other animals. It is mostly seen on Minoan seals, often in pairs as supporters of deities. It is also sometimes called a "demon", though it seems generally to be a benign figure in Minoan religion; the meaning is that of a daemon in later classical religions. It is often portrayed with water vessels, such as ewers, so it seems to play a role as libation bearer to deities. Mythological connections The connections of this mythological beast seem to be with the Egyptian hippopotamus and crocodile goddess Taweret, from which it is believed to have derived. The earliest forms of the Minoan Genius derived from the Egyptian prototypes between approximately 1800 and 1700 BC. In Egypt, Taweret was the goddess of fertility, childbirth and the protection of young chil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sphinx
A sphinx ( , grc, σφίγξ , Boeotian: , plural sphinxes or sphinges) is a mythical creature with the head of a human, the body of a lion, and the wings of a falcon. In Greek tradition, the sphinx has the head of a woman, the haunches of a lion, and the wings of a bird. She is mythicized as treacherous and merciless, and will kill and eat those who cannot answer her riddle. This deadly version of a sphinx appears in the myth and drama of Oedipus. Unlike the Greek sphinx, which was a woman, the Egyptian sphinx is typically shown as a man (an androsphinx ( grc, ανδρόσφιγξ)). In addition, the Egyptian sphinx was viewed as benevolent but having a ferocious strength similar to the malevolent Greek version. Both were thought of as guardians and often flank the entrances to temples. In European decorative art, the sphinx enjoyed a major revival during the Renaissance. Later, the sphinx image, initially very similar to the original Ancient Egyptian concept, was exported ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Griffin
The griffin, griffon, or gryphon (Ancient Greek: , ''gryps''; Classical Latin: ''grȳps'' or ''grȳpus''; Late Latin, Late and Medieval Latin: ''gryphes'', ''grypho'' etc.; Old French: ''griffon'') is a legendary creature with the body, tail, and Hindlimb, back legs of a lion; the head and wings of an eagle; and sometimes an eagle's talons as its front feet. Because the lion was traditionally considered the king of the beasts, and the eagle the king of the birds, by the Middle Ages, the griffin was thought to be an especially powerful and majestic creature. Since classical antiquity, griffins were known for guarding treasures and priceless possessions. In Greek and Roman texts, griffins and Arimaspians were associated with gold deposits of Central Asia. Indeed, as Pliny the Elder wrote, "griffins were said to lay eggs in burrows on the ground and these nests contained gold nuggets." In medieval heraldry, the griffin became a Christian symbol of Divinity, divine power and a g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cretan Hieroglyphs
Cretan hieroglyphs are a hieroglyphic writing system used in early Bronze Age Crete, during the Minoan era. They predate Linear A by about a century, but the two writing systems continued to be used in parallel for most of their history. , they are undeciphered. Corpus As of 1989, the corpus of Cretan hieroglyphic inscriptions included two parts: * Seals and sealings, 150 documents with 307 sign-groups, using 832 signs in all. * Other documents on clay, 120 documents with 274 sign-groups, using 723 signs. More documents, such as those from the Petras deposit, have been published since then. A four sided prism was found in 2011 at Vrysinas in western Crete. These inscriptions were mainly excavated at four locations: *"Quartier Mu" at Malia ( Middle Minoan II period = MM II) *Malia palace (MM III) *Knossos (MM II or III) *the Petras deposit (MM IIB), excavated starting in 1995 and published in 2010. The first corpus of signs was published by Evans in 1909. The current corpus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crete
Crete ( el, Κρήτη, translit=, Modern: , Ancient: ) is the largest and most populous of the Greek islands, the 88th largest island in the world and the fifth largest island in the Mediterranean Sea, after Sicily, Sardinia, Cyprus, and Corsica. Crete rests about south of the Greek mainland, and about southwest of Anatolia. Crete has an area of and a coastline of 1,046 km (650 mi). It bounds the southern border of the Aegean Sea, with the Sea of Crete (or North Cretan Sea) to the north and the Libyan Sea (or South Cretan Sea) to the south. Crete and a number of islands and islets that surround it constitute the Region of Crete ( el, Περιφέρεια Κρήτης, links=no), which is the southernmost of the 13 top-level administrative units of Greece, and the fifth most populous of Greece's regions. Its capital and largest city is Heraklion, on the north shore of the island. , the region had a population of 636,504. The Dodecanese are located to the no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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