Millennium (Monstrosity Album)
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Millennium (Monstrosity Album)
''Millennium'' is the second studio album by death metal band Monstrosity, released in 1996 and produced by Scott Burns. This is the last album to feature George "Corpsegrinder" Fisher on vocals, as he went on to join the death metal band Cannibal Corpse. It was released on Conquest Music, Inc worldwide and licensed to Nuclear Blast for a European release. It was later licensed by Hammerheart Records (Netherlands) and re-released in the early 2000s for Europe. Musical style ''Millennium'' showcases a more technical approach to death metal than on their previous release, '' Imperial Doom''. The guitar work in particular is massively improved from their debut. It features many dynamic changes including quick jumps from tremolo picking to lightning fast playing of power chords, and is perceived by many to be a landmark in technical death metal. Track listing Personnel ;Monstrosity *George "Corpsegrinder" Fisher – vocals *Jason "Tux" Morgan – guitars *Kelly Conlon Kelly Con ...
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Monstrosity (band)
Monstrosity is an American death metal band which originated in Fort Lauderdale, Florida, during the Florida death metal scene of the early 1990s. History Vocalist George "Corpsegrinder" Fisher and drummer Lee Harrison and bass player Mark Van Erp were the founders of Monstrosity. Harrison had just left the band Malevolent Creation and George Fisher gave up a band in his hometown of Maryland and came to Florida in 1990. Jon Rubin who had played guitar in Malevolent Creation also joined to form Monstrosity. Mark Van Erp played bass in the band Cynic and he left Cynic to join Monstrosity. The four members of Monstrosity signed with Nuclear Blast (Germany). Jason Gobel who was a member of Cynic helped Monstrosity record '' Imperial Doom'' when they entered the recording studio. He was never a member of Monstrosity. The album was released in 1992 by Nuclear Blast. Monstrosity toured Europe in support of the band Pestilence for this album. After a number of problems with the lab ...
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Death Metal
Death metal is an extreme subgenre of heavy metal music. It typically employs heavily distorted and low-tuned guitars, played with techniques such as palm muting and tremolo picking; deep growling vocals; aggressive, powerful drumming, featuring double kick and blast beat techniques; minor keys or atonality; abrupt tempo, key, and time signature changes; and chromatic chord progressions. The lyrical themes of death metal may include slasher film-style violence,Moynihan, Michael, and Dirik Søderlind (1998). Lords of Chaos (2nd ed.). Feral House. , p. 27 political conflict, religion, nature, philosophy, true crime and science fiction. Building from the musical structure of thrash metal and early black metal, death metal emerged during the mid-1980s. Bands such as Venom, Celtic Frost, Slayer, and Kreator were important influences on the genre's creation. Possessed, Death, Necrophagia, Obituary, Autopsy, and Morbid Angel are often considered pioneers of the genre. In t ...
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Nuclear Blast
Nuclear Blast is a record label and mail order record distributor with subsidiaries in Germany, the United States and Brazil. The label was founded in 1987 by Markus Staiger in Germany. Originally releasing hardcore punk records, the label moved on to releasing albums by thrash metal, melodic death metal, grindcore, industrial metal, power metal and black metal bands, as well as tribute albums. It also distributes and promotes two post-hardcore/metalcore labels: SharpTone Records, focused on the American scene, and Arising Empire, focused more on European bands. In October 2018, French independent label Believe Digital acquired a majority stake in Nuclear Blast. History Nuclear Blast was formed in 1987 after founder Markus Staiger traveled throughout the United States for four weeks and saw a gig of his favorite band BL'AST!. The label's first release was a vinyl compilation called ''Senseless Death'' (NB 001) featuring US hardcore bands like Attitude, Sacred Denial, Impuls ...
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Scott Burns (record Producer)
Scott Burns is an American computer engineer and a former music producer of death metal records from late 1980s and 1990s. He was crucial to the emergence of the Florida death metal scene. He has produced many records for many famous death metal bands, including Death, Deicide, Cannibal Corpse, Sepultura, Obituary, Atheist, Transmetal, Suffocation, and Cynic. He has engineered some of the top genre-defining death metal albums such as Death's ''Human'', Massacre's '' From Beyond'', Obituary's ''Slowly We Rot'', and Assück's '' Misery Index''. He most recently worked on the album ''Frozen in Time'' (2005) by Obituary. Burns has since quit producing full-time to work in computer programming."Scott Burns Interview"
Voices From the Darkside. Retrieved January 9, 2013.


Albums produced/mixed/engineered

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Imperial Doom
''Imperial Doom'' is the debut album by American death metal band Monstrosity. It was released on May 26, 1992, through Nuclear Blast. The album sold 40,000 copies worldwide and received excellent ratings in the press. The album was supported by a European tour, but a little later, following disagreements regarding royalties, Monstrosity left Nuclear Blast. Track listing *All lyrics by Lee Harrison. All music as noted. Personnel ;Monstrosity *George "Corpsegrinder" Fisher – vocals *Jason Gobel – guitars *Jon Rubin – guitars *Mark Van Erp – bass *Lee Harrison – drums ;Production *Monstrosity – production *Jim Morris – recording, engineering, production *Dan Seagrave – artwork *Markus Staiger Nuclear Blast is a record label and mail order record distributor with subsidiaries in Germany, the United States and Brazil. The label was founded in 1987 by Markus Staiger in Germany. Originally releasing hardcore punk records, the label mov ... – executive produc ...
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In Dark Purity
''In Dark Purity'' is the third studio album by American death metal band Monstrosity. The first version of this album was released by German Metal Age Recordings (Turbo Rec. follow-up label). However, the label was a rip-off label and therefore Monstrosity later re-released it through The Plague Rec. as LP and CD. This album was recorded at Morrisound Recording Studio in Tampa, Florida. This is also the first album to not feature George “Corpsegrinder” Fisher on lead vocals. Track listing Personnel ;Monstrosity *Jason Avery – vocals *Tony Norman – guitars *Jason Morgan – guitars (not credited) *Kelly Conlon – bass *Lee Harrison – drums ;Production *Tim Hubbard – photography *Eric Johnson – cover art *Monstrosity – producer *Jim Ward Morris – engineer, digital editing *Jose Perez – logo References 1999 albums Monstrosity (band) albums {{1990s-metal-album-stub ...
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Death Metal
Death metal is an extreme subgenre of heavy metal music. It typically employs heavily distorted and low-tuned guitars, played with techniques such as palm muting and tremolo picking; deep growling vocals; aggressive, powerful drumming, featuring double kick and blast beat techniques; minor keys or atonality; abrupt tempo, key, and time signature changes; and chromatic chord progressions. The lyrical themes of death metal may include slasher film-style violence,Moynihan, Michael, and Dirik Søderlind (1998). Lords of Chaos (2nd ed.). Feral House. , p. 27 political conflict, religion, nature, philosophy, true crime and science fiction. Building from the musical structure of thrash metal and early black metal, death metal emerged during the mid-1980s. Bands such as Venom, Celtic Frost, Slayer, and Kreator were important influences on the genre's creation. Possessed, Death, Necrophagia, Obituary, Autopsy, and Morbid Angel are often considered pioneers of the genre. In t ...
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George Fisher (musician)
George Fisher (born July 8, 1970), better known by his stage name Corpsegrinder, is an American death metal vocalist who is the lead singer of Cannibal Corpse, Paths of Possession and the supergroup Serpentine Dominion. He recorded two albums with Florida's Monstrosity before leaving and joining Cannibal Corpse in late 1995, replacing vocalist Chris Barnes, who is now the vocalist for Six Feet Under. Fisher released his debut solo album ''Corpsegrinder'' on February 25, 2022. Fisher has also provided guest vocals for New York technical death metal band Suffocation on the songs "Reincremation" and "Mass Obliteration" from their debut album, '' Effigy of the Forgotten'' (1991), as well as guest vocals for California deathcore band Suicide Silence on the song "Control" from their fourth album, ''You Can't Stop Me''. Fisher also performed guest vocals on Job for a Cowboy's 2014 album '' Sun Eater'' on the song "The Synthetic Sea." In 2021, Fisher performed guest vocals fo ...
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Cannibal Corpse
Cannibal Corpse is an American death metal band formed in Buffalo, New York in 1988, now based out of Tampa, Florida. The band has released fifteen studio albums, two box sets, four video albums, and two live albums. The band has had little radio or television exposure throughout its existence, although a cult following began to build with the releases of their early albums, including ''Butchered at Birth'' (1991) and ''Tomb of the Mutilated'' (1992). As of 2015, they achieved worldwide sales of two million units for combined sales of all their albums. In April 2021, Cannibal Corpse received their best 'first week' sales of all-time and first Top 10 on the ''Billboard'' Top Album Sales Chart as ''Violence Unimagined'' entered at No. 6 with 14,000 copies sold. Bassist Alex Webster came up with the name Cannibal Corpse. They have had several lineup changes since their inception, with Webster and drummer Paul Mazurkiewicz as the only constant members. The members of Cannibal Corpse ...
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Technical Death Metal
Technical death metal (also referred to as tech-death) is a musical subgenre of death metal that began and developed in the early- to mid-1990s, with particular focus on challenging, demanding instrumental skill and complex songwriting. Technical experimentation in death metal began in the late 1980s and early 1990s by four bands that are often grouped together as "technical death metal's Big Four" – Death, Pestilence, Atheist, and Cynic – as well as Nocturnus; all but Pestilence being part of the Florida death metal scene. Some of the distinct features of this genre include dynamic song structures, complex and atypical rhythmic structures, abundant use of diminished chords and arpeggios, frequent employment of odd time chord progressions, and constant use of string skipping on the guitars. Bass lines are usually complex, and the drums are extremely fast-paced with abundant use of blast beats and other extreme drumming techniques. The technical death metal genre has al ...
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Kelly Conlon
Kelly Conlon (born 20 March 1969) is an American bass guitarist. He has been a hired musician with Death and Monstrosity. Conlon currently performs with Pessimist. Career Conlon was part of the Florida underground metal scene until 1994 when Orlando-based Chuck Schuldiner hired him to play with the American death metal band Death. He recorded the album '' Symbolic'' and went on the subsequent international "Full of Hate Festivals" tour. Conlon joined Monstrosity, another Florida death metal band, in 1995 and played on the albums ''Millennium'' (1996) and ''In Dark Purity'' (1999). Conlon also played bass in extreme metal band Pessimist. It was announced in August 2011 at Blabbermouth.net Blabbermouth.net is a website dedicated to heavy metal and hard rock news, as well as album and music DVD reviews. Blabbermouth.net was founded and is run by Borivoj Krgin. The first version of the website was launched in March 2001; in Octob ... that Conlon was recruited to join "Arizona ...
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Monstrosity (band) Albums
Monstrosity may refer to: *Monstrosity (band), a death metal band from Florida * ''Monstrosity'' (film), a 1963 science fiction film *''Monstrosity!'', a 1988 album by the California State University, Los Angeles Jazz Ensemble See also *Monster *Monstrous birth A monstrous birth, variously defined in history, is a birth in which a defect renders the animal or human child malformed to such a degree as to be considered "monstrous". Such births were often taken as omens, signs of God, or moral warnings to ...
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