|
Millefleur
Millefleur, millefleurs or mille-fleur (French mille-fleurs, literally "thousand flowers") refers to a background style of many different small flowers and plants, usually shown on a green ground, as though growing in grass. It is essentially restricted to European tapestry during the late Middle Ages and early Renaissance, from about 1400 to 1550, but mainly about 1480–1520. The style had a notable revival by Morris & Co. in 19th century England, being used on original tapestry designs, as well as illustrations from his Kelmscott Press publications. The millefleur style differs from many other styles of floral decoration, such as the arabesque, in that many different sorts of individual plants are shown, and there is no regular pattern. The plants fill the field without connecting or significantly overlapping. In that it also differs from the plant and floral decoration of Gothic page borders in illuminated manuscripts. There is also a rather different style known as millefle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tapestry
Tapestry is a form of textile art, traditionally woven by hand on a loom. Tapestry is weft-faced weaving, in which all the warp threads are hidden in the completed work, unlike most woven textiles, where both the warp and the weft threads may be visible. In tapestry weaving, weft yarns are typically discontinuous; the artisan interlaces each coloured weft back and forth in its own small pattern area. It is a plain weft-faced weave having weft threads of different colours worked over portions of the warp to form the design. Tapestry is relatively fragile, and difficult to make, so most historical pieces are intended to hang vertically on a wall (or sometimes in tents), or sometimes horizontally over a piece of furniture such as a table or bed. Some periods made smaller pieces, often long and narrow and used as borders for other textiles. European tapestries are normally made to be seen only from one side, and often have a plain lining added on the back. However, other tradit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Hunt Of The Unicorn
''The Hunt of the Unicorn'' or the ''Unicorn Tapestries'' (french: La Chasse à la licorne) is a series of seven tapestries made in the South Netherlands around 1495–1505, and now in The Cloisters in New York. They were possibly designed in Paris and show a group of noblemen and hunters in pursuit of a unicorn through an idealised French landscape. The tapestries were woven in wool, metallic threads, and silk. The vibrant colours, still evident today, were produced from dye plants: weld (yellow), madder (red), and woad (blue). First recorded in 1680 in the Paris home of the Rochefoucauld family, the tapestries were looted during the French Revolution. Rediscovered in a barn in the 1850s, they were hung at the family's Château de Verteuil. Since then they have been the subject of intense scholarly debate about the meaning of their iconography, the identity of the artists who designed them, and the sequence in which they were meant to be hung. Although various theories hav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Millefiori
Millefiori () is a glasswork technique which produces distinctive decorative patterns on glassware. The term millefiori is a combination of the Italian words "mille" (thousand) and "fiori" (flowers). Apsley Pellatt in his book ''Curiosities of Glass Making'' was the first to use the term "millefiori", which appeared in the ''Oxford English Dictionary'' in 1849; prior to that, the beads were called mosaic beads. While the use of this technique long precedes the term "millefiori", it is now most frequently associated with Venetian glassware. Since the late 1980s, the millefiori technique has been applied to polymer clay and other materials. As the polymer clay is quite pliable and does not need to be heated and reheated to fuse it, it is a much easier medium in which to produce millefiori patterns than glass. History The manufacture of mosaic beads can be traced to Ancient Roman, Phoenician and Alexandrian times. Canes, probably made in Italy, have been found as far away as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fates Tapestry -460755563
The Fates are a common motif in European polytheism, most frequently represented as a trio of goddesses. The Fates shape the destiny of each human, often expressed in textile metaphors such as spinning fibers into yarn, or weaving threads on a loom. This trio is composed of sisters who go by the names Clotho, Lachesis, and Atropos (also known as the daughters of Zeus and Themis). These divine figures are often artistically depicted as beautiful maidens with consideration to their serious responsibility: the life of mortals. Poets typically express the Fates as ugly and unwavering, representing the gravity of their role within the mythological and human worlds. Individual Roles The Moirai, meaning "allotted portion" or "share", separated each sister into a different role in order to handle the fates of humans. The Fates were expected to appear within three days of a mortal's birth. Clotho was the first of the three, known as "the spinner", due to the fact that she would weav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painters' Guild
The Guild of Saint Luke was the most common name for a city guild for painters and other artists in early modern Europe, especially in the Low Countries. They were named in honor of the Evangelist Luke, the patron saint of artists, who was identified by John of Damascus as having painted the Virgin's portrait. One of the most famous such organizations was founded in Antwerp. It continued to function until 1795, although by then it had lost its monopoly and therefore most of its power. In most cities, including Antwerp, the local government had given the Guild the power to regulate defined types of trade within the city. Guild membership, as a master, was therefore required for an artist to take on apprentices or to sell paintings to the public. Similar rules existed in Delft, where only members could sell paintings in the city or have a shop. The early guilds in Antwerp and Bruges, setting a model that would be followed in other cities, even had their own showroom or market s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bishop Of Salzburg
The Roman Catholic Archdiocese of Salzburg ( la, Archidioecesis Salisburgensis) is an archdiocese of the Latin Rite of the Roman Catholic Church in Austria. The archdiocese is one of two Austrian archdioceses, serving alongside the Archdiocese of Vienna. The Archbishopric of Salzburg was a prince-bishopric of the Holy Roman Empire until 1803, when it was secularized as the Electorate of Salzburg. The archdiocese was reestablished in 1818 without temporal power. Suffragan dioceses * Feldkirch * Graz–Seckau * Gurk * Innsbruck Episcopal Ordinaries Abbot-Bishops of Iuvavum c. 300s – c. 482 * St. Maximus of Salzburg, died 476. ''Abandoned after c. 482'' Bishops of Iuvavum (from 755, Salzburg) *St. Ruprecht, born c. 543 ''or'' c. 698 – c. 718. *Vitalis *Erkenfried *Ansologus *Ottokar *Flobrigis *Johann I * St. Virgil, c. 745 ''or'' c. 767 – c. 784 Archbishops of Salzburg, 798–1213 * Arno 784–821 * Adalram 821–836 * Leutram 836–859 * Adalwin 859–873 * Adalbe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adoration Of The Magi (tapestry)
''The Adoration of the Magi'' is a Morris & Co. tapestry depicting the story in Christianity of the Three Kings who were guided to the birthplace of Jesus by the star of Bethlehem. It is sometimes called ''The Star of Bethlehem'' or simply ''The Adoration.'' Commission The original tapestry was commissioned in 1886 by John Prideaux Lightfoot, rector of Exeter College, Oxford, for the Gothic revival chapel built for the college in the 1850s by George Gilbert Scott. Lightfoot approached William Morris and Edward Burne-Jones, both former students at Exeter, and suggested the subject matter for the tapestry, to which Morris agreed readily in a letter to Lightfoot dated 4 September 1886.Wildman, pp. 293–294Parry 1996, pp. 292–293 The overall composition and the figures were designed by Edward Burne-Jones, who completed a 26 × 38 inch modello or design in watercolour and bodycolour heightened with gold in 1887. Large-scale cartoons for the tapestry weav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Justice Of Trajan And Herkinbald
''The Justice of Trajan and Herkinbald'' was a set of four large panels painted by the Flemish painter Rogier van der Weyden that decorated one wall of a court-room in the Town Hall of Brussels. They represented the Justice of Trajan, a Roman emperor, and the Justice of Herkinbald, a legendary Duke of Brabant. The panels were intended as a reminder to judges to dispense impartial justice and were admired by generations of visitors, including Albrecht Dürer. They were destroyed when the city was bombarded by the French in 1695 and are now known only from descriptions and from a tapestry copy in the Historical Museum of Bern.Campbell (2004), p. 8Stechow, p. 9 The work is thought to have preoccupied van der Weyden for several years, and is believed to have been, in conception and execution, on a scale and breadth and skill to equal Jan van Eyck's ''Ghent Altarpiece''. The panels were recorded and described in a number of sources until the 17th century; especially detailed are t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devonshire Hunting Tapestries
The Devonshire Hunting Tapestries are a group of four magnificent "Flemish tapestries", in fact probably made in Arras in Artois, France, dating from around 1430 to 1450. These enormous works, each over 3 metres wide, depict men and women in fashionable dress of the early fifteenth century hunting in a forest. The tapestries formerly belonged to the Dukes of Devonshire, but in 1957 were accepted by HM Government in lieu of tax payable on the estate of the 10th Duke of Devonshire and allocated to the Victoria and Albert Museum, where they remain. The 6th Duke described using his 'spare' tapestry to insulate the Long Gallery at Hardwick Hall in the 1840s, a practice which saved these rare Gothic hangings from being discarded. The tapestries depict a ''Deer Hunt'', ''Falconry'', a ''Swan and Otter Hunt'' and a ''Boar and Bear Hunt''. The hunt was a particularly powerful theme and would have been a familiar pastime to many of the high-born individuals and families who owned tape ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apocalypse Tapestry
The ''Apocalypse Tapestry'' is a large medieval set of tapestries commissioned by Louis I, the Duke of Anjou, and woven in Paris between 1377 and 1382. It depicts the story of the Apocalypse from the Book of Revelation by Saint John the Divine in colourful images, spread over six tapestries that originally totalled 90 scenes, and were about six metres high, and 140 metres long in total.Campbell and Ainsworth, 15 It is the most significant, and almost the only, survival from the first decades of the great period of tapestry, when the industry developed large workshops and represented the most effective art form for exhibiting the magnificence of royal patrons, not least because large tapestries were hugely expensive. The period began in about 1350, and then lasted until at least the 17th century, as tapestry was gradually overtaken in importance by paintings. At this early point relatively few tapestries were made to designs specified by the patron, which seems clearly to have been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bern Historical Museum
The Bern Historical Museum (german: Bernisches Historisches Museum, french: Musée d’Histoire de Berne) is the second largest historical museum in Switzerland. It was designed by the Neuchâtel architect André Lambert and built in 1894. Since it was initially conceived as the Swiss National Museum (which the city of Zurich was later chosen to host), the architect took as his model various historic castles from the 15th and 16th centuries. An extension to the original museum building was completed in 2009. The museum contains collections related to the history of Bern from prehistoric times to the present and other artefacts on permanent display from Asia, Oceania, America and Egypt. One of the most remarkable items in the collection is the Muri statuette group, a group of six Gallo-Roman bronze figurines. The Bern Historical Museum is a heritage site of national significance. Over the museum's entrance is a glass mosaic, "The Age of History", featuring the figures of Poet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles The Bold
Charles I (Charles Martin; german: Karl Martin; nl, Karel Maarten; 10 November 1433 – 5 January 1477), nicknamed the Bold (German: ''der Kühne''; Dutch: ''de Stoute''; french: le Téméraire), was Duke of Burgundy from 1467 to 1477. Charles's main objective was to be crowned king by turning the growing Burgundian State into a territorially continuous kingdom. He declared himself and his lands independent, bought Alsace, Upper Alsace and conquered County of Zutphen, Zutphen, Duchy of Guelders, Guelders and Duchy of Lorraine, Lorraine, uniting at last Burgundian northern and southern possessions. This caused the enmity of several European powers and triggered the Burgundian Wars. Charles's early death at the Battle of Nancy at the hands of Swiss mercenaries fighting for René II, Duke of Lorraine, was of great consequence in European history. The Burgundian domains, long wedged between the Kingdom of France and the Habsburg Empire, were divided, but the precise disposi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Apocalypse Tapestry")
