Milhaud - Saudades Do Brazil Polytonality
Darius Milhaud (; 4 September 1892 – 22 June 1974) was a French composer, conductor, and teacher. He was a member of Les Six—also known as ''The Group of Six''—and one of the most prolific composers of the 20th century. His compositions are influenced by jazz and Brazilian music and make extensive use of polytonality. Milhaud is considered one of the key modernist composers.Reinhold Brinkmann & Christoph Wolff, ''Driven into Paradise: The Musical Migr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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WikiProject Composers
A WikiProject, or Wikiproject, is a Wikimedia movement affinity group for contributors with shared goals. WikiProjects are prevalent within the largest wiki, Wikipedia, and exist to varying degrees within Wikimedia project, sister projects such as Wiktionary, Wikiquote, Wikidata, and Wikisource. They also exist in different languages, and translation of articles is a form of their collaboration. During the COVID-19 pandemic, CBS News noted the role of Wikipedia's WikiProject Medicine in maintaining the accuracy of articles related to the disease. Another WikiProject that has drawn attention is WikiProject Women Scientists, which was profiled by ''Smithsonian Magazine, Smithsonian'' for its efforts to improve coverage of women scientists which the profile noted had "helped increase the number of female scientists on Wikipedia from around 1,600 to over 5,000". On Wikipedia Some Wikipedia WikiProjects are substantial enough to engage in cooperative activities with outside organization ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Milken Archive Of Jewish Music
The Milken Archive of Jewish Music is a collection of material about the history of Jewish Music in the United States. It contains roughly 700 recorded musical works, 800 hours of oral histories, 50,000 photographs and historical documents, an extensive collection of program notes and essays, and thousands of hours of video footage documenting recording sessions, interviews, and live performances. History The Archive was founded in 1990 by businessman Lowell Milken, with the stated mission to "document, preserve, and disseminate the vast body of music that pertains to the American Jewish experience." It was originally established as the Milken Family Archive of 20th Century American Jewish Music, with composer Michael Isaacson as its Artistic Director In 1993, Neil W. Levin of the Jewish Theological Seminary became the Artistic Director and the Archive became known as the Milken Archive of American Jewish music. Between 2003 and 2006, it released a series of 50 CDs on the Na ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ernesto Nazareth
Ernesto Júlio de Nazareth (March 20, 1863 – February 1, 1934) was a Brazilian composer and pianist, especially noted for his creative Maxixe and Choro compositions. Influenced by a diverse set of rhythms like the polka, the habanera, and the lundu, he combined this elements with his classical formation to create compositions that he called “Brazilian tangos". These would be the precursors for what is known today as Choro. His piano repertoire is now part of the teaching programs of both classical and popular styles, as Nazareth once served at the boundary between these two worlds. Biography Ernesto Nazareth was born in Rio de Janeiro, one of five children. His mother, Carolina da Cunha gave him his first piano lessons. At the age of ten, after his mother's death, he continued his piano studies with Eduardo Madeira and Charles Lucien Lambert. Strongly influenced by Chopin, Nazareth published his first composition ''Você Bem Sabe'' (which means "You know it well") in 1877, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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L'Homme Et Son Désir
''L'Homme et son désir'', Op. 48, is a ballet composed by Darius Milhaud from 1917–18, based on a scenario of Paul Claudel. It was written in Brazil, where Milhaud had accompanied Claudel as a secretary when the latter was appointed ambassador to Rio de Janeiro. It was the passage of the Ballets Russes with Vaslav Nijinsky in Rio de Janeiro that triggered it. This was Claudel's first musical collaboration and he then repeated the experience several times with some major works (including Honegger's ''Jeanne d'Arc au bûcher''). The work is also one of Milhaud's first ballets. The score is written for four voices (wordless) and a small orchestra and a large number of percussion instruments (including a whip and a whistle). The Premiere took place on 6 June 1921, with a choreography by the Ballets suédois under the orchestral direction of Jean Börlin. Désiré-Émile Inghelbrecht Désiré-Émile Inghelbrecht (17 September 188014 February 1965) was a French composer, conduc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Paul Claudel
Paul Claudel (; 6 August 1868 – 23 February 1955) was a French poet, dramatist and diplomat, and the younger brother of the sculptor Camille Claudel. He was most famous for his verse dramas, which often convey his devout Catholicism. Early life He was born in Villeneuve-sur-Fère (Aisne), into a family of farmers and government officials. His father, Louis-Prosper, dealt in mortgages and bank transactions. His mother, the former Louise Cerveaux, came from a Champagne family of Catholic farmers and priests. Having spent his first years in Champagne, he studied at the ''lycée'' of Bar-le-Duc and at the Lycée Louis-le-Grand in 1881, when his parents moved to Paris. An unbeliever in his teenage years, Claudel experienced a conversion at age 18 on Christmas Day 1886 while listening to a choir sing Vespers in the cathedral of Notre Dame de Paris: "In an instant, my heart was touched, and I believed." He remained an active Catholic for the rest of his life. In addition, he discovere ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Vincent D'Indy
Paul Marie Théodore Vincent d'Indy (; 27 March 18512 December 1931) was a French composer and teacher. His influence as a teacher, in particular, was considerable. He was a co-founder of the Schola Cantorum de Paris and also taught at the Paris Conservatoire. His students included Albéric Magnard, Albert Roussel, Arthur Honegger, Darius Milhaud, and Erik Satie, as well as Cole Porter. D'Indy studied under composer César Franck, and was strongly influenced by Franck's admiration for German music. At a time when nationalist feelings were high in both countries (circa the Franco-Prussian War of 1871), this brought Franck into conflict with other musicians who wished to separate French music from German influence. Life Paul Marie Théodore Vincent d'Indy was born in Paris into an aristocratic family of royalist and Catholic persuasion. He had piano lessons from an early age from his paternal grandmother, who passed him on to Antoine François Marmontel and Louis Diémer."Indy, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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André Gedalge
André Gedalge (27 December 1856 – 5 February 1926) was a French composer and teacher. Biography André Gedalge was born at 75 rue des Saints-Pères in Paris where he first worked as a bookseller and editor, specialising in ''livres de prix'' for public schools. During this time his father and him published books by Marie Laubot and Edmond About for the Librairie Gedalge. In 1886, at the age of 28, he entered the Conservatoire de Paris. In that same year he won the Second Prix de Rome. He studied under Ernest Guiraud, professor of counterpoint and fugue, who had also been Jules Massenet's teacher. In 1891, Gedalge composed the score for ''Le Petit Savoyard'', a pantomime in four acts performed at the Théâtre des Nouveautés. In 1895, ''Pris au Piège'' was awarded the Prix Cressant. In June 1900, his one act ballet ''Phoebé'' debuted at the Opéra-Comique. He composed ''Quatuor d'archet'', ''Les Vaux de Vire'' (a collection of ''mélodies''), children's songs, and three ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Counterpoint
In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and chords, chromaticism and dissonance. General principles The term "counterpoint" has been us ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Harmony
In music, harmony is the process by which individual sounds are joined together or composed into whole units or compositions. Often, the term harmony refers to simultaneously occurring frequencies, pitches ( tones, notes), or chords. However, harmony is generally understood to involve both vertical harmony (chords) and horizontal harmony ( melody). Harmony is a perceptual property of music, and, along with melody, one of the building blocks of Western music. Its perception is based on consonance, a concept whose definition has changed various times throughout Western music. In a physiological approach, consonance is a continuous variable. Consonant pitch relationships are described as sounding more pleasant, euphonious, and beautiful than dissonant relationships which sound unpleasant, discordant, or rough. The study of harmony involves chords and their construction and chord progressions and the principles of connection that govern them. Counterpoint, which refers to ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Charles Widor
Charles-Marie-Jean-Albert Widor (21 February 1844 – 12 March 1937) was a French organist, composer and teacher of the mid-Romantic era, most notable for his ten organ symphonies. His Toccata from the fifth organ symphony has become one of the best known and most often performed works for organ. As of 2022, he is the longest-serving organist of Saint-Sulpice in Paris, a role he held for 63 years (January 1870 – 31 December 1933). He also was organ professor at the Paris Conservatory from 1890 to 1896 (following César Franck) and then he became professor of composition at the same institution, following Théodore Dubois. Widor was a prolific composer, writing music for organ, piano, voice and ensembles. Apart from his ten organ symphonies, he also wrote three symphonies for orchestra and organ, several songs for piano and voice, four operas and a ballet. He was one of the first composers to use the term "symphony" for some of his organ compositions, helped in this by the or ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Musical Composition
Musical composition can refer to an original piece or work of music, either vocal or instrumental, the structure of a musical piece or to the process of creating or writing a new piece of music. People who create new compositions are called composers. Composers of primarily songs are usually called songwriters; with songs, the person who writes lyrics for a song is the lyricist. In many cultures, including Western classical music, the act of composing typically includes the creation of music notation, such as a sheet music "score," which is then performed by the composer or by other musicians. In popular music and traditional music, songwriting may involve the creation of a basic outline of the song, called the lead sheet, which sets out the melody, lyrics and chord progression. In classical music, orchestration (choosing the instruments of a large music ensemble such as an orchestra which will play the different parts of music, such as the melody, accompaniment, counte ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |