|
Milan Ristić (composer)
Milan Ristić ( sr-cyr, Милан Ристић; 31 August 1908, Belgrade – 20 December 1982, Belgrade) was a Serbian composer, and a member of the Serbian Academy of Sciences and Arts ((SANU) SASA). Biography Along with Mihovil Logar, Dragutin Čolić, Ljubica Marić, Vojislav Vučković, and Stanojlo Rajičić, Ristić belonged to the so-called "Prague group" of composers that entered musical life of the Serbian capital at the onset of the 1930s. Following World War II the members of this circle played leading roles in Serbian and Yugoslav music. Given his affiliation with the pursuits of European contemporary music he acquired during his education in Paris and prior to relocating to Prague, Milan Ristić occupies a special place among the Prague group. He received his first piano instruction in Belgrade from Ivan Brezovšek. In 1927 he moved to Paris with his school friend, the author Oskar Davičo, where he began study of composition (1927–29) with G. Pier ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Belgrade
Belgrade ( , ;, ; Names of European cities in different languages: B, names in other languages) is the Capital city, capital and List of cities in Serbia, largest city in Serbia. It is located at the confluence of the Sava and Danube rivers and the crossroads of the Pannonian Basin, Pannonian Plain and the Balkan Peninsula. Nearly 1,166,763 million people live within the administrative limits of the City of Belgrade. It is the third largest of all List of cities and towns on Danube river, cities on the Danube river. Belgrade is one of the List of oldest continuously inhabited cities, oldest continuously inhabited cities in Europe and the world. One of the most important prehistoric cultures of Europe, the Vinča culture, evolved within the Belgrade area in the 6th millennium BC. In antiquity, Thracians, Thraco-Dacians inhabited the region and, after 279 BC, Celts settled the city, naming it ''Singidunum, Singidūn''. It was Roman Serbia, conquered by the Romans under the reign ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trombones
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the pitch instead of the valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as non-transposing instruments, reading at concert pitch in bass clef, wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quarter-tone
A quarter tone is a pitch halfway between the usual notes of a chromatic scale or an interval about half as wide (aurally, or logarithmically) as a semitone, which itself is half a whole tone. Quarter tones divide the octave by 50 cents each, and have 24 different pitches. Quarter tone has its roots in the music of the Middle East and more specifically in Persian traditional music. However, the first evidenced proposal of quarter tones, or the quarter-tone scale (24 equal temperament), was made by 19th-century music theorists Heinrich Richter in 1823Julian Rushton, "Quarter-Tone", ''The New Grove Dictionary of Music and Musicians'', second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan, 2001). and Mikhail Mishaqa about 1840. Composers who have written music using this scale include: Pierre Boulez, Julián Carrillo, Mildred Couper, George Enescu, Alberto Ginastera, Gérard Grisey, Alois Hába, Ljubica Marić, Charles Ives, Tristan Murail, Krzysztof Pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin Concerto
A violin concerto is a concerto for solo violin (occasionally, two or more violins) and instrumental ensemble (customarily orchestra). Such works have been written since the Baroque period, when the solo concerto form was first developed, up through the present day. Many major composers have contributed to the violin concerto repertoire, with the best known works including those by Bach, Bartók, Beethoven, Brahms, Bruch, Dvořák, Khachaturian, Mendelssohn, Mozart, Paganini, Prokofiev, Sarasate, Shostakovich, Sibelius, Tchaikovsky, and Vivaldi. Traditionally a three-movement work, the violin concerto has been structured in four movements by a number of modern composers, including Dmitri Shostakovich, Igor Stravinsky, and Alban Berg. In some violin concertos, especially from the Baroque and modern eras, the violin (or group of violins) is accompanied by a chamber ensemble rather than an orchestra—for instance, in Vivaldi's ''L'estro armonico'', originally scored for four vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theme (music)
In music, a subject is the material, usually a recognizable melody, upon which part or all of a composition is based. In forms other than the fugue, this may be known as the theme. Characteristics A subject may be perceivable as a complete musical expression in itself, separate from the work in which it is found. In contrast to an idea or motif, a subject is usually a complete phrase or period. The ''Encyclopédie Fasquelle'' defines a theme (subject) as " y element, motif, or small musical piece that has given rise to some variation becomes thereby a theme". Thematic changes and processes are often structurally important, and theorists such as Rudolph Reti have created analysis from a purely thematic perspective. Fred Lerdahl describes thematic relations as "associational" and thus outside his cognitive-based generative theory's scope of analysis. In different types of music Music based on a single theme is called 'monothematic', while music based on several themes is ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Athematicism
In music, a subject is the material, usually a recognizable melody, upon which part or all of a composition is based. In forms other than the fugue, this may be known as the theme. Characteristics A subject may be perceivable as a complete musical expression in itself, separate from the work in which it is found. In contrast to an idea or motif, a subject is usually a complete phrase or period. The ''Encyclopédie Fasquelle'' defines a theme (subject) as " y element, motif, or small musical piece that has given rise to some variation becomes thereby a theme". Thematic changes and processes are often structurally important, and theorists such as Rudolph Reti have created analysis from a purely thematic perspective. Fred Lerdahl describes thematic relations as "associational" and thus outside his cognitive-based generative theory's scope of analysis. In different types of music Music based on a single theme is called 'monothematic', while music based on several themes is ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prague Conservatory
The Prague Conservatory or Prague Conservatoire ( cs, Pražská konzervatoř) is a music school in Prague, Czech Republic, founded in 1808. Currently, Prague Conservatory offers four or six year study courses, which can be compared to the level of high school diploma in other countries. Graduates of Prague Conservatory can continue their training by enrolling in an institution that offers undergraduate education. History The Prague Conservatory was founded in 1808 by local aristocrats and burghers following examples of Conservatoire de Paris (est. 1795) and Milan Conservatory (est. 1807). It belongs to the oldest modern existing Music school, music conservatories in the world. Classes started in 1811, after a delay caused by the Napoleonic Wars. Bedřich Diviš Weber was appointed the first director of the school. In 1891, Antonín Dvořák joined the faculty as the head of the composition department. He was the school's director between 1901 and 1904. Dvořák's students inc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alois Hába
Alois Hába (21 June 1893 – 18 November 1973) was a Czech composer, music theorist and teacher. He belongs to the important discoverers in modern classical music, and major composers of microtonal music, especially using the quarter-tone scale, though he used others such as sixth-tones (e.g., in the 5th, 10th and 11th String Quartets), fifth-tones (Sixteenth String Quartet), and twelfth-tones. From the other microtonal conceptions, he discussed a "three-quarter tone" system (see three-quarter tone flat and the neutral second) in his theoretical works but he used scales in this tuning in sections of some of his compositions. In his prolific career, Hába composed three operas, an enormous collection of chamber music including 16 string quartets, piano, organ and choral pieces, some orchestral works and songs. He also had special keyboard and woodwind instruments constructed that were capable of playing quarter-tone scales. Life Alois Hába was born in the small town of V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josip Slavenski
Josip () is a male given name found among Croats and Slovenes, a cognate of Joseph. In Croatia, the name Josip was the second most common masculine given name in the decades up to 1959, and has stayed among the top ten most common ones throughout 2011. Notable people named Josip include: * Ruđer Josip Bošković, Croatian physicist * Josip Bozanić, Croatian cardinal * Josip Broz Tito, Yugoslav president * Josip Frank, Croatian politician * Josip Globevnik, Slovenian mathematician * Josip Golubar, Croatian footballer * Josip Hatze, Croatian composer * Josip Jelačić, Croatian ban * Josip Katalinski, Bosnian footballer * Josip Kozarac, Croatian writer * Josip Manolić, Croatian politician * Josip Marohnić, Croatian emigrant activist * Josip Plemelj, Slovenian mathematician * Josip Račić, Croatian painter * Josip Skoblar, Croatian former player and football manager * Josip Skoko, Australian soccer player * Josip Juraj Strossmayer, Croatian bishop and politician * Josip Ši ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miloje Milojević
Miloje Milojević (Serbian Cyrillic: Милоје Милојевић; 27 October 1884, Belgrade – 16 June 1946, Belgrade) was a Serbian composer, musicologist, music critic, folklorist, music pedagogue, and music promoter. Biography The father of Miloje Milojević, Dimitrije, an apparel merchant, was born in the village Dedina near the town of Kruševac. His last name was in fact Đorđević, but according to the custom at the time, he adopted a surname based on his father's first name. Dimitrije Milojević was rather musically gifted, being self-taught in playing the flute. The mother of Miloje Milojević, Angelina, was born in Belgrade, in the Matić clerk's family. She was also musically gifted and took private piano lessons. Miloje Milojević had a sister Vladislava, and brothers Vojislav, Vladislav, Branko, Milorad, and Borivoje, a renowned biologist. Miloje Milojević began private violin lessons at the age of five, with Karlo Mertl, an orchestra member of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Belgrade")
