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Alois Hába
Alois Hába (21 June 1893 – 18 November 1973) was a Czech composer, music theorist and teacher. He belongs to the important discoverers in modern classical music, and major composers of microtonal music, especially using the quarter-tone scale, though he used others such as sixth-tones (e.g., in the 5th, 10th and 11th String Quartets), fifth-tones (Sixteenth String Quartet), and twelfth-tones. From the other microtonal conceptions, he discussed a "three-quarter tone" system (see three-quarter tone flat and the neutral second) in his theoretical works but he used scales in this tuning in sections of some of his compositions. In his prolific career, Hába composed three operas, an enormous collection of chamber music including 16 string quartets, piano, organ and choral pieces, some orchestral works and songs. He also had special keyboard and woodwind instruments constructed that were capable of playing quarter-tone scales. Life Alois Hába was born in the small town of V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodwind Instrument
Woodwind instruments are a family of musical instruments within the greater category of wind instruments. Common examples include flute, clarinet, oboe, bassoon, and saxophone. There are two main types of woodwind instruments: flutes and Reed aerophones, reed instruments (otherwise called reed pipes). The main distinction between these instruments and other wind instruments is the way in which they produce sound. All woodwinds produce sound by splitting the air blown into them on a sharp edge, such as a reed (mouthpiece), reed or a fipple. Despite the name, a woodwind may be made of any material, not just wood. Common examples include brass, silver, cane, as well as other metals such as gold and platinum. The saxophone, for example, though made of brass, is considered a woodwind because it requires a reed to produce sound. Occasionally, woodwinds are made of earthen materials, especially ocarinas. Flutes Flutes produce sound by directing a focused stream of air below the edge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hungary
Hungary ( hu, Magyarország ) is a landlocked country in Central Europe. Spanning of the Carpathian Basin, it is bordered by Slovakia to the north, Ukraine to the northeast, Romania to the east and southeast, Serbia to the south, Croatia and Slovenia to the southwest, and Austria to the west. Hungary has a population of nearly 9 million, mostly ethnic Hungarians and a significant Romani minority. Hungarian, the official language, is the world's most widely spoken Uralic language and among the few non-Indo-European languages widely spoken in Europe. Budapest is the country's capital and largest city; other major urban areas include Debrecen, Szeged, Miskolc, Pécs, and Győr. The territory of present-day Hungary has for centuries been a crossroads for various peoples, including Celts, Romans, Germanic tribes, Huns, West Slavs and the Avars. The foundation of the Hungarian state was established in the late 9th century AD with the conquest of the Carpathian Basin by Hungar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bedřich Smetana
Bedřich Smetana ( , ; 2 March 1824 – 12 May 1884) was a Czech composer who pioneered the development of a musical style that became closely identified with his people's aspirations to a cultural and political "revival." He has been regarded in his homeland as the father of Czech music. Internationally he is best known for his 1866 opera ''The Bartered Bride'' and for the symphonic cycle ''Má vlast'' ("My Fatherland"), which portrays the history, legends and landscape of the composer's native Bohemia. It contains the famous symphonic poem "Vltava", also popularly known by its German name "Die Moldau" (in English, "The Moldau"). Smetana was naturally gifted as a composer, and gave his first public performance at the age of 6. After conventional schooling, he studied music under Josef Proksch in Prague. His first nationalistic music was written during the 1848 Prague uprising, in which he briefly participated. After failing to establish his career in Prague, he left for Sweden ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kroměříž
Kroměříž (; german: Kremsier) is a town in the Zlín Region of the Czech Republic. It has about 28,000 inhabitants. It is known for the Kroměříž Castle with castle gardens, which are a UNESCO World Heritage Site. The town centre with the castle complex is well preserved and is protected by law as an urban monument reservation. Administrative parts Villages of Bílany, Drahlov, Hradisko, Kotojedy, Postoupky, Těšnovice, Trávník, Vážany and Zlámanka are administrative parts of Kroměříž. Geography Kroměříž is located about northwest of Zlín. About two thirds of the municipal territory lies in the Litenčice Hills, eastern part lies in the Upper Morava Valley. A small southern part extends into the Chřiby mountain range. The highest point of the territory is the hill Obora with an elevation of . The town is situated on both banks of the Morava River. History The first written mention of Kroměříž (under its Latin name ''Cromezir'') is in a document wr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timbre (music)
In music, timbre ( ), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or tone. Timbre distinguishes different types of sound production, such as choir voices and musical instruments. It also enables listeners to distinguish different instruments in the same category (e.g., an oboe and a clarinet, both woodwind instruments). In simple terms, timbre is what makes a particular musical instrument or human voice have a different sound from another, even when they play or sing the same note. For instance, it is the difference in sound between a guitar and a piano playing the same note at the same volume. Both instruments can sound equally tuned in relation to each other as they play the same note, and while playing at the same amplitude level each instrument will still sound distinctively with its own unique tone color. Experienced musicians are able to distinguish between different instruments of the same ty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dynamics (music)
In music, the dynamics of a piece is the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings still require interpretation by the performer depending on the musical context: for instance, the ''forte'' marking (meaning loud) in one part of a piece might have quite different objective loudness in another piece or even a different section of the same piece. The execution of dynamics also extends beyond loudness to include changes in timbre and sometimes tempo rubato. Purpose and interpretation Dynamics are one of the expressive elements of music. Used effectively, dynamics help musicians sustain variety and interest in a musical performance, and communicate a particular emotional state or feeling. Dynamic markings are always relative. never indicates a precise level of loudness; it merely indicates that music in a passage so marked should be considerably quieter than . There are ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accent (music)
In music, an accent is an emphasis, stress, or stronger attack placed on a particular note or set of notes, or chord, either as a result of its context or specifically indicated by an accent mark. Accents contribute to the articulation and prosody of a performance of a musical phrase. Accents may be written into a score or part by a composer or added by the performer as part of his or her interpretation of a musical piece. Compared to surrounding notes: * A ''dynamic accent'' or ''stress accent'' is an emphasis using louder sound or a stronger sound, typically most pronounced on the attack of the sound. * A ''tonic accent'' is an emphasis on notes by virtue of being higher in pitch as opposed to higher in volume. * An ''agogic accent'' is an emphasis by virtue of being longer in duration. Accents which do not correspond to the stressed beats of the prevailing meter are said to be syncopated. For example, in common time, also called 4/4, the most common metre in popular music, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm
Rhythm (from Greek , ''rhythmos'', "any regular recurring motion, symmetry") generally means a " movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions". This general meaning of regular recurrence or pattern in time can apply to a wide variety of cyclical natural phenomena having a periodicity or frequency of anything from microseconds to several seconds (as with the riff in a rock music song); to several minutes or hours, or, at the most extreme, even over many years. Rhythm is related to and distinguished from pulse, meter, and beats: In the performance arts, rhythm is the timing of events on a human scale; of musical sounds and silences that occur over time, of the steps of a dance, or the meter of spoken language and poetry. In some performing arts, such as hip hop music, the rhythmic delivery of the lyrics is one of the most important elements of the style. Rhythm may also refer to visual presentation, as "timed mov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitch (music)
Pitch is a perceptual property of sounds that allows their ordering on a frequency-related scale, or more commonly, pitch is the quality that makes it possible to judge sounds as "higher" and "lower" in the sense associated with musical melodies. Pitch is a major auditory attribute of musical tones, along with duration, loudness, and timbre. Pitch may be quantified as a frequency, but pitch is not a purely objective physical property; it is a subjective psychoacoustical attribute of sound. Historically, the study of pitch and pitch perception has been a central problem in psychoacoustics, and has been instrumental in forming and testing theories of sound representation, processing, and perception in the auditory system. Perception Pitch and frequency Pitch is an auditory sensation in which a listener assigns musical tones to relative positions on a musical scale based primarily on their perception of the frequency of vibration. Pitch is closely related to frequency, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Absolute Pitch
Absolute pitch (AP), often called perfect pitch, is a rare ability of a person to identify or re-create a given musical note without the benefit of a reference tone. AP may be demonstrated using linguistic labeling ("naming" a note), associating mental imagery with the note, or sensorimotor responses. For example, an AP possessor can accurately reproduce a heard tone on a musical instrument without "hunting" for the correct pitch. The frequency of AP in the general population is not known. A proportion of 1 in 10,000 is widely reported, but not supported by evidence; a 2019 review indicated a prevalence of at least 4% amongst music students. Generally, absolute pitch implies some or all of these abilities, achieved without a reference tone: * Identify by name individual pitches played on various instruments. * Name the key of a given piece of tonal music. * Identify and name all the tones of a given chord or other tonal mass. * Name the pitches of common everyday sounds such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moravian Wallachia
Moravian Wallachia ( cs, Moravské Valašsko, or simply ''Valašsko''; ro, Valahia Moravă) is a mountainous ethnoregion located in the easternmost part of Moravia in the Czech Republic, near the Slovak border, roughly centered on the cities Vsetín, Valašské Meziříčí and Rožnov pod Radhoštěm. The name Wallachia used to be applied to all the highlands of Moravia and the neighboring Silesia, although in the 19th century a smaller area came to be defined as ethno-cultural Moravian Wallachia. The traditional dialect represents a mixture of elements from the Czech and Slovak languages, and has a distinct lexicon of Romanian origin relating to the pastoral economy of the highlands. The name originated from the term "Vlach", the exonym of Romance speaking people's, who migrated to the northern Carpathians in the Middle Ages and Early Modern times. Geography and anthropology Moravian Wallachia is a mountainous region located in the easternmost part of Moravia in the Czech ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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