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Milagro Vargas
Milagro Vargas (born June 11, 1955) is an American mezzo-soprano known for her distinctive voice and stage presence. She has appeared as an international soloist in operatic, orchestral, chamber music and recital settings. Family background and studies Milagro Vargas was born in New York, the daughter of immigrants from Central America. She had early vocal training on scholarship at the Third Street Music Settlement with Beatrice Rippy and Lucy Shelton. She studied with Helen Hodam at Oberlin Conservatory of Music, receiving a Bachelor of Music in 1977, and with Jan DeGaetani at the Eastman School of Music, receiving a Master of Music in 1981. She had additional vocal training with Paul Sperry, Benita Valente and Anna Renyolds. Vargas first met DeGaetani when she won a full scholarship to the Aspen Music Festival in 1973, and returned to the festival with opera fellowships in 1980-81. She was also a Marlboro Music Festival Fellow in 1982 and 1984. Career DeGaetani would ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milagro Vargas
Milagro Vargas (born June 11, 1955) is an American mezzo-soprano known for her distinctive voice and stage presence. She has appeared as an international soloist in operatic, orchestral, chamber music and recital settings. Family background and studies Milagro Vargas was born in New York, the daughter of immigrants from Central America. She had early vocal training on scholarship at the Third Street Music Settlement with Beatrice Rippy and Lucy Shelton. She studied with Helen Hodam at Oberlin Conservatory of Music, receiving a Bachelor of Music in 1977, and with Jan DeGaetani at the Eastman School of Music, receiving a Master of Music in 1981. She had additional vocal training with Paul Sperry, Benita Valente and Anna Renyolds. Vargas first met DeGaetani when she won a full scholarship to the Aspen Music Festival in 1973, and returned to the festival with opera fellowships in 1980-81. She was also a Marlboro Music Festival Fellow in 1982 and 1984. Career DeGaetani would ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Kupfer
Harry Alfred Robert Kupfer (12 August 1935 – 30 December 2019) was a German opera director and academic. A long-time director at the Komische Oper Berlin, he worked at major opera houses and at festivals internationally. Trained by Walter Felsenstein, he worked in the tradition of realistic directing. At the Bayreuth Festival, he staged Wagner's ''Der fliegende Holländer'' in 1978 and ''Der Ring des Nibelungen'' in 1988. At the Salzburg Festival, he directed the premiere of Penderecki's '' Die schwarze Maske'' in 1986 and ''Der Rosenkavalier'' by Richard Strauss in 2014. Career Born in Berlin, Kupfer studied theatre at the Theaterhochschule Leipzig from 1953 to 1957. He was the assistant director at the Landestheater Halle, where he directed his first opera, Dvořák's '' Rusalka'', in 1958. From 1958 to 1962, he worked at the Theater Stralsund, then at the Theater in Karl-Marx-Stadt, from 1966 as opera director at the Nationaltheater Weimar, also lecturing at the Hochschul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Bastille
The Opéra Bastille (, "Bastille Opera House") is a modern opera house in the 12th arrondissement of Paris, France. Inaugurated in 1989 as part of President François Mitterrand's '' Grands Travaux'', it became the main facility of the Paris National Opera, France's principal opera company, alongside the older Palais Garnier; most opera performances are shown at the Bastille along with some ballet performances and symphony concerts, while Palais Garnier presents a mix of opera and ballet performances. Designed by Uruguayan architect Carlos Ott, it is situated facing Place de la Bastille. It may seat 2,723 people in total, with a main theatre, concert hall and studio theatre. History Background and construction The idea of a new "popular and modern" opera house in Paris first arose in the 1880s, only years after the opening of the Palais Garnier. It would remain virtual for a century and reemerge periodically due to the recurrent "crisis at the Opera" and to the limita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Così Fan Tutte
(''All Women Do It, or The School for Lovers''), K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte who also wrote ''Le nozze di Figaro'' and ''Don Giovanni''. Although it is commonly held that was written and composed at the suggestion of the Emperor Joseph II, recent research does not support this idea. There is evidence that Mozart's contemporary Antonio Salieri tried to set the libretto but left it unfinished. In 1994, John Rice uncovered two terzetti by Salieri in the Austrian National Library. The short title, ''Così fan tutte'', literally means "So do they all", using the feminine plural (''tutte'') to indicate women. It is usually translated into English as "Women are like that". The words are sung by the three men in act 2, scene 3, just before the finale; this melodic phrase is also quoted in the overture to the opera. Da P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Komische Oper Berlin
The Komische Oper Berlin is a German opera company based in Berlin. The company produces opera, operetta and musicals. The opera house is located on Behrenstraße, just a few steps from Unter den Linden. Since 2004, the Komische Oper Berlin, along with the Berlin State Opera, the Deutsche Oper Berlin, the Berlin State Ballet, and the Bühnenservice Berlin (Stage and Costume Design), has been a member of the Berlin Opera Foundation. History of the building The theatre was built between 1891 and 1892 by architects Ferdinand Fellner and Hermann Helmer for a private society. It first opened on 24 September 1892 as ''"Theater Unter den Linden"'' with Adolf Ferron's operetta ''Daphne'' and Gaul and Haßreiter's ballet ''Die Welt in Bild und Tanz''. The theatre was primarily a vehicle for operetta, but was also used for various other events and balls. Around 800 people could be seated in the stalls, and the balconies and various en-suite dinner rooms housed about a further 1,70 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Soldaten
' (''The Soldiers'') is a four-act opera in German by Bernd Alois Zimmermann, based on the 1776 play by Jakob Michael Reinhold Lenz. In a letter accompanying his newly printed play (23 July 1776, aged 24) that he sent to his best friend, the German philosopher Johann Gottfried von Herder, Lenz described himself as "an enigma to even his most precious friends", while saying of the play, "Here, into your holy hands, the piece which carries half of my existence. he ideas it contains aretrue and will remain so, even if centuries may walk contemptuously across my skull". Zimmermann wrote and revised his opera in phases between 1957 and 1964; it was premiered in 1965 and dedicated to Hans Rosbaud.''Die Soldaten'' at |
König Hirsch
' (in English, ''The Stag King'') is an opera in three acts by Hans Werner Henze to a German libretto by after ''Il re cervo'', a theatrical fable (1762) by Carlo Gozzi. He revised it as ''Il re cervo'', premiered in 1963 at the Staatstheater Kassel. Performance history ' was first performed in a drastically shortened version by the Städtische Oper Berlin on 23 September 1956 in the Theater des Westens with staging by Jean-Pierre Ponnelle and conducted by Hermann Scherchen as a highlight of the Berliner Festwochen 1956. It was rewritten as '', '' (The Stag King or The Odysseys of Truth) and performed at the Staatstheater Kassel on 10 March 1963. This version was also produced at the Santa Fe Opera on 4 August 1965. The complete, original form of ''König Hirsch'' was given for the first time on 5 May 1985 at the Staatsoper Stuttgart. Roles Synopsis The king, who has been cast into the forest as a child by the governor, returns to his kingdom. However he is tricked by the gov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Cenerentola
' (''Cinderella, or Goodness Triumphant'') is an operatic ''dramma giocoso'' in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the libretti written by Charles-Guillaume Étienne for the opera '' Cendrillon'' with music by Nicolas Isouard (first performed Paris, 1810) and by Francesco Fiorini for ' with music by Stefano Pavesi (first performed Milan, 1814). All these operas are versions of the fairy tale '' Cendrillon'' by Charles Perrault. Rossini's opera was first performed in Rome's Teatro Valle on 25 January 1817. Rossini composed ''La Cenerentola'' when he was 25 years old, following the success of ''The Barber of Seville'' the year before. ''La Cenerentola'', which he completed in a period of three weeks, is considered to have some of his finest writing for solo voice and ensembles. Rossini saved some time by reusing an overture from '' La gazzetta'' and part of an aria from ''The Barber of Seville'' and by enlisting a collaborator, Luca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Herring
''Albert Herring'', Op. 39, is a chamber opera in three acts by Benjamin Britten. Composed in the winter of 1946 and the spring of 1947, this comic opera was a successor to his serious opera ''The Rape of Lucretia''. The libretto, by Eric Crozier, was based on Guy de Maupassant's novella '' Le Rosier de Madame Husson'', with the action transposed to an English setting. Composition history After having composed and staged ''The Rape of Lucretia'', Britten decided he should attempt a comedy, preferably set in England.Nigel Douglas. "Some personal memories of Benjamin Britten, the English Opera Group and ''Albert Herring''". Booklet note to Nimbus NI 5824/6 (2008). Crozier suggested adapting the Maupassant short story ''Le rosier de Madame Husson'' and transplanting it to the Suffolk landscape already familiar to Britten from his home in Snape. Britten composed ''Albert Herring'' at his home, The Old Mill at Snape, in the winter of 1946 and the spring of 1947. He scored the oper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Fledermaus
' (, ''The Flittermouse'' or ''The Bat'', sometimes called ''The Revenge of the Bat'') is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée, which premiered in 1874. Background The original literary source for ' was ' (''The Prison''), a farce by German playwright Julius Roderich Benedix that premiered in Berlin in 1851. On 10 September 1872, a three-act French vaudeville play by Henri Meilhac and Ludovic Halévy, ', loosely based on the Benedix farce, opened at the Théâtre du Palais-Royal. Meilhac and Halévy had provided several successful libretti for Offenbach and ''Le Réveillon'' later formed the basis for the 1926 silent film '' So This Is Paris'', directed by Ernst Lubitsch. Meilhac and Halévy's play was soon translated into German by Karl Haffner (1804–1876), at the instigation of Max Steiner, as a non-musical play for production in Vienna. The French custom of a New Year's Eve ''réveillon'', or supper party ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Falstaff (opera)
''Falstaff'' () is a comic opera in three acts by the Italian composer Giuseppe Verdi. The Italian-language libretto was adapted by Arrigo Boito from the play '' The Merry Wives of Windsor'' and scenes from '' Henry IV, Part 1'' and '' Part 2'', by William Shakespeare. The work premiered on 9 February 1893 at La Scala, Milan. Verdi wrote ''Falstaff'', the last of his 28 operas, as he approached the age of 80. It was his second comedy, and his third work based on a Shakespeare play, following '' Macbeth'' and '' Otello''. The plot revolves around the thwarted, sometimes farcical, efforts of the fat knight Sir John Falstaff to seduce two married women to gain access to their husbands' wealth. Verdi was concerned about working on a new opera at his advanced age, but he yearned to write a comic work and was pleased with Boito's draft libretto. It took the collaborators three years from mid-1889 to complete. Although the prospect of a new opera from Verdi aroused im ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Marriage Of Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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