Mikhail Ivanovich Mikhaylov
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Mikhail Ivanovich Mikhaylov
Mikhail Ivanovich Mikhaylov (russian: Михаил Иванович Михайлов) (27 October 1858 – 6 October 1929) was a well-known Russian opera singer ( tenor). He graduated from the Moscow Conservatory. At first, he sang in Kiev and Tiflis, and, between 1884 and 1896, on the Imperial operatic stage in Saint Petersburg. He possessed a sonorous and tender voice, and excelled at singing in his upper range. He sang the roles of Raul (''Les Huguenots''), Radames ('' Aida''), Roland ('' Esclarmonde''), Prince (''Rusalka In Slavic folklore, the rusalka (plural: rusalky/rusalki; ; pl, rusałka}) is a typically feminine entity, often malicious toward mankind and frequently associated with water, with counterparts in other parts of Europe, such as the French Melus ...''), title role in '' Faust'', and many other operas in the Russian repertoire. Russian composer Anton Rubinstein dedicated one of his many songs, "Autumn" (1891), to Mikhaylov. References External l ...
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Russians
, native_name_lang = ru , image = , caption = , population = , popplace = 118 million Russians in the Russian Federation (2002 ''Winkler Prins'' estimate) , region1 = , pop1 = approx. 7,500,000 (including Russian Jews and Russian Germans) , ref1 = , region2 = , pop2 = 7,170,000 (2018) ''including Crimea'' , ref2 = , region3 = , pop3 = 3,512,925 (2020) , ref3 = , region4 = , pop4 = 3,072,756 (2009)(including Russian Jews and Russian Germans) , ref4 = , region5 = , pop5 = 1,800,000 (2010)(Russian ancestry and Russian Germans and Jews) , ref5 = 35,000 (2018)(born in Russia) , region6 = , pop6 = 938,500 (2011)(including Russian Jews) , ref6 = , region7 = , pop7 = 809,530 (2019) , ref7 ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Moscow Conservatory
The Moscow Conservatory, also officially Moscow State Tchaikovsky Conservatory (russian: Московская государственная консерватория им. П. И. Чайковского, link=no) is a musical educational institution located in Moscow, Russia. It grants undergraduate and graduate degrees in musical performance and musical research. The conservatory offers various degrees including Bachelor of Music Performance, Master of Music and PhD in research. History It was co-founded in 1866 as the Moscow Imperial Conservatory by Nikolai Rubinstein and Prince Nikolai Troubetzkoy. It is the second oldest conservatory in Russia after the Saint Petersburg Conservatory. Pyotr Ilyich Tchaikovsky was appointed professor of theory and harmony at its opening. Since 1940, the conservatory has borne his name. Choral faculty Prior to the October Revolution, the choral faculty of the conservatory was second to the Moscow Synodal School and Moscow Synodal Choir, bu ...
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Kiev
Kyiv, also spelled Kiev, is the capital and most populous city of Ukraine. It is in north-central Ukraine along the Dnieper, Dnieper River. As of 1 January 2021, its population was 2,962,180, making Kyiv the List of European cities by population within city limits, seventh-most populous city in Europe. Kyiv is an important industrial, scientific, educational, and cultural center in Eastern Europe. It is home to many High tech, high-tech industries, higher education institutions, and historical landmarks. The city has an extensive system of Transport in Kyiv, public transport and infrastructure, including the Kyiv Metro. The city's name is said to derive from the name of Kyi, one of its four legendary founders. During History of Kyiv, its history, Kyiv, one of the oldest cities in Eastern Europe, passed through several stages of prominence and obscurity. The city probably existed as a commercial center as early as the 5th century. A Slavs, Slavic settlement on the great trade ...
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Tiflis
Tbilisi ( ; ka, თბილისი ), in some languages still known by its pre-1936 name Tiflis ( ), is the capital and the largest city of Georgia, lying on the banks of the Kura River with a population of approximately 1.5 million people. Tbilisi was founded in the 5th century AD by Vakhtang I of Iberia, and since then has served as the capital of various Georgian kingdoms and republics. Between 1801 and 1917, then part of the Russian Empire, Tiflis was the seat of the Caucasus Viceroyalty, governing both the northern and the southern parts of the Caucasus. Because of its location on the crossroads between Europe and Asia, and its proximity to the lucrative Silk Road, throughout history Tbilisi was a point of contention among various global powers. The city's location to this day ensures its position as an important transit route for energy and trade projects. Tbilisi's history is reflected in its architecture, which is a mix of medieval, neoclassical, Beaux Art ...
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Saint Petersburg
Saint Petersburg ( rus, links=no, Санкт-Петербург, a=Ru-Sankt Peterburg Leningrad Petrograd Piter.ogg, r=Sankt-Peterburg, p=ˈsankt pʲɪtʲɪrˈburk), formerly known as Petrograd (1914–1924) and later Leningrad (1924–1991), is the second-largest city in Russia. It is situated on the Neva River, at the head of the Gulf of Finland on the Baltic Sea, with a population of roughly 5.4 million residents. Saint Petersburg is the fourth-most populous city in Europe after Istanbul, Moscow and London, the most populous city on the Baltic Sea, and the world's northernmost city of more than 1 million residents. As Russia's Imperial capital, and a historically strategic port, it is governed as a federal city. The city was founded by Tsar Peter the Great on 27 May 1703 on the site of a captured Swedish fortress, and was named after apostle Saint Peter. In Russia, Saint Petersburg is historically and culturally associated with t ...
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Les Huguenots
() is an opera by Giacomo Meyerbeer and is one of the most popular and spectacular examples of grand opera. In five acts, to a libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ... by Eugène Scribe and Émile Deschamps, it premiered in Paris on 29 February 1836. Composition history ''Les Huguenots'' was some five years in creation. Meyerbeer prepared carefully for this opera after the sensational success of ''Robert le diable'', recognising the need to continue to present lavish staging, a highly dramatic storyline, impressive orchestration and virtuoso parts for the soloists – the essential elements of the new genre of Grand Opera. Meyerbeer and his librettist for ''Robert le Diable'', Eugène Scribe, had agreed to collaborate on an epic work concerning the French War ...
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Aida
''Aida'' (or ''Aïda'', ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini. Today the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, ''Aida'' has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera. Elements of the opera's genesis and sources Isma'il Pasha, Khedive of Egypt, commissioned Verdi to write an opera to celebrate the opening of the Suez Canal, but Verdi declined. However, Auguste Mariette, a French Egyptologist, proposed to Khedive Pasha a plot for a celebratory ...
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Esclarmonde
''Esclarmonde'' () is an opéra (french: opéra romanesque) in four acts and eight tableaux, with prologue and epilogue, by Jules Massenet, to a French libretto by Alfred Blau and Louis Ferdinand de Gramont. It was first performed at the Exposition Universelle on 15 May 1889 by the Opéra-Comique at the Théâtre Lyrique on the Place du Châtelet in Paris. ''Esclarmonde'' is perhaps Massenet's most ambitious work for the stage and is his most ''Wagnerian'' in style and scope. In orchestral coloring and structure of melody, however, it follows French traditions. The opera has been revived sporadically in the modern era, most notably during the 1970s with Joan Sutherland, conducted by Massenet champion Richard Bonynge. The role of Esclarmonde is notoriously difficult to sing, with stratospheric coloratura passages that are possible for only the most gifted of performers. Background The story of the opera is based on the medieval chivalric tale '' Parthénopéus de Blois'', wh ...
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Rusalka (opera)
''Rusalka'' (), Op. 114, is an opera ('lyric fairy tale') by Antonín Dvořák. The Czech libretto was written by the poet Jaroslav Kvapil (1868–1950) based on the fairy tales of Karel Jaromír Erben and Božena Němcová. A rusalka is a water sprite from Slavic mythology, usually inhabiting a lake or river. ''Rusalka'' was the ninth opera Dvořák composed. It is one of the most successful Czech operas, and represents a cornerstone of the repertoire of Czech opera houses. Dvořák had played viola for pit orchestras in Prague (the Estates Theatre from 1857 until 1859 while a student, then from 1862 until 1871 at the Provisional Theatre). He thus had direct experience of a wide range of operas by Mozart, Weber, Rossini, Lortzing, Wagner, Verdi and Smetana. For many years unfamiliarity with Dvořák's operas outside the Czech lands helped reinforce a perception that composition of operas was a marginal activity, and that despite the beauty of its melodies and orchestra ...
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Faust (opera)
''Faust'' is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play ''Faust et Marguerite'', in turn loosely based on Johann Wolfgang von Goethe's ''Faust, Part One''. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon. Performance history The original version of Faust employed spoken dialogue, and it was in this form that the work was first performed. The manager of the Théâtre Lyrique, Léon Carvalho cast his wife Caroline Miolan-Carvalho as Marguerite and there were various changes during production, including the removal and contraction of several numbers. The tenor Hector Gruyer was originally cast as Faust but was found to be inadequate during rehearsals, being eventually replaced by a principal of the Opéra-Comique, Joseph-Théodore ...
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