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Midiman
M-Audio (formerly Midiman) is a business unit of inMusic Brands that designs and markets Audio interface, audio and Musical Instrument Digital Interface, MIDI interfaces, Electronic keyboard, keyboards and MIDI controllers, synthesizers, loudspeakers, studio monitors, Vinyl emulation software, digital DJ systems, microphones, and music software. The company has independent offices in the US, Canada, UK, Germany, France and Japan. History Midiman M-Audio was founded in the late 1990s by Tim Ryan (engineer), Tim Ryan, an engineer and graduate of the California Institute of Technology who had co-designed the Con Brio, Inc., Con Brio Advanced Digital Synthesizer and helped develop MIDI software for Commodore International, Commodore and Apple, Inc., Apple computers, including two of the best-selling MIDI software titles at that time, Studio One and Studio Two. After founding the company as Music Soft and changing the name to Midiman due to Yamaha Corporation already owning the right ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
M-Audio (logo)
M-Audio (formerly Midiman) is a business unit of inMusic Brands that designs and markets audio and MIDI interfaces, keyboards and MIDI controllers, synthesizers, loudspeakers, studio monitors, digital DJ systems, microphones, and music software. The company has independent offices in the US, Canada, UK, Germany, France and Japan. History Midiman M-Audio was founded in the late 1990s by Tim Ryan, an engineer and graduate of the California Institute of Technology who had co-designed the Con Brio Advanced Digital Synthesizer and helped develop MIDI software for Commodore and Apple computers, including two of the best-selling MIDI software titles at that time, Studio One and Studio Two. After founding the company as Music Soft and changing the name to Midiman due to Yamaha Corporation already owning the rights to the Music Soft name, Ryan began the company with hardware solutions designed to solve the challenges of connecting MIDI, audio, and computer equipment together for the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tim Ryan (engineer)
Tim Ryan is an American engineer, inventor and entrepreneur who is best known for founding Midiman (later renamed M-Audio). As of 2004 he works with Avid Technology. Early career Ryan grew up the son of a concert pianist and developed a love of music from an early age, but he did not become a musician himself. While working toward a Bachelor of Arts degree at the California Institute of Technology, he excelled at science, math, and engineering, and decided to apply those skills to his love of music. According to Ryan, in 1977 he and two fellow Caltech students Alan Danziger and Don Lieberman were looking at some of E-mu Systems products selling for about $400, and thought that, considering the wholesale cost of the electronic parts involved was about $15, they could produce a similar product and sell it for half the price. What the students ended up designing instead was one of the first digital synthesizers, the 800-chip Con Brio, Inc. Advanced Digital Synthesizer (ADS), which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Commodore International
Commodore International Corporation was a home computer and electronics manufacturer with its head office in The Bahamas and its executive office in the United States founded in 1976 by Jack Tramiel and Irving Gould. It was the successor company to Commodore Business Machines (Canada) Ltd., established in 1958 by Tramiel and Manfred Kapp. Commodore International (CI), along with its U.S. subsidiary Commodore Business Machines, Inc. (CBM), was a significant participant in the development of the home computer industry, and at one point in the 1980s was the world's largest in the industry. The company released its first home computer, the Commodore PET, in 1977; it was followed by the VIC-20, the first ever computer to reach one million units of sales. In 1982, the company developed and marketed the world's best selling computer, the Commodore 64; its success made Commodore one of the world's largest personal computer manufacturers, with sales peaking in the last quarter of 1983 at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ArKaos
ArKaos is an application for live visual performance, conceived as a visual sampler for video loops that can be triggered from the computer, or through a hardware interface. The application is available in two versions: ArKaos VJ MIDI, conceived as a live video performance instrument, often used in conjunction with a MIDI keyboard, and ArKaos VJ DMX (a "media server software"), which can be controlled with a DMX console (DMX512 is a communication standard used for stage lighting devices). ArKaos is also known for use in the Daftendirektour, a tour led by the band Daft Punk. Kling-Net In 2011, ArKaos introduced the Kling-Net protocol, used for lighting control and Remote Device Management (RDM). It aims to provide video professionals the ability to distribute real-time video data to LED strips, LED panels and other remote devices over ethernet. Together with Art-Net, it is one of the most commonly used lighting control and Remote Device Management (RDM) protocols. Functio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ableton
Ableton AG is a German music software company that produces and distributes the production and performance program Ableton Live and a collection of related instruments and sample libraries, as well as their own hardware controller Ableton Push. Ableton's office is located in the Prenzlauer Berg district of Berlin, Germany, with a second office in Pasadena, California. History Ableton was founded in 1999 by Gerhard Behles and Robert Henke, who together formed the group Monolake, and software engineer Bernd Roggendorf. After Behles' work on granular synthesis for Native Instruments' Reaktor, as well as earlier software using a Silicon Graphics workstation at Technische Universität Berlin, Live was first released as commercial software in 2001. Behles remains the chief executive officer of Ableton. In March 2007, Ableton announced it was beginning a collaboration with Cycling '74, producers of Max/MSP. This collaboration is not directly based on Live or Max/MSP, but rat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Propellerhead Software
Reason Studios (formerly known as Propellerhead Software) is a music software company, based in Stockholm, Sweden. Founded in 1994, it develops the studio emulation digital audio workstation and audio plug-in Reason (software), Reason. History Propellerhead Software was founded in 1994 by Ernst Nathorst-Böös, Marcus Zetterquist and Peter Jubel. Their first release was ReCycle (program), ReCycle, a sample loop editor that could change the tempo of a loop without affecting the pitch. The export medium was Propellerhead's own REX format. ReCycle was launched in conjunction with Steinberg, who marketed it as a companion to Cubase, as it brought a simple way of gaining control over tempo and timing of audio loops. In 1997, Propellerhead released ReBirth RB-338, a step based, programmable sequencer which emulated classic Roland Corporation, Roland instruments commonly associated with techno: two TB-303 Bass Line synthesizers and a TR-808. A TR-909 drum machine was added in versio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital-to-analog Converter
In electronics, a digital-to-analog converter (DAC, D/A, D2A, or D-to-A) is a system that converts a digital signal into an analog signal. An analog-to-digital converter (ADC) performs the reverse function. DACs are commonly used in music players to convert digital data streams into analog audio signals. They are also used in televisions and mobile phones to convert digital video data into analog video signals. These two applications use DACs at opposite ends of the frequency/resolution trade-off. The audio DAC is a low-frequency, high-resolution type while the video DAC is a high-frequency low- to medium-resolution type. There are several DAC architectures; the suitability of a DAC for a particular application is determined by figures of merit including: resolution, maximum sampling frequency and others. Digital-to-analog conversion can degrade a signal, so a DAC should be specified that has insignificant errors in terms of the application. Due to the complexity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Analog-to-digital Converter
In electronics, an analog-to-digital converter (ADC, A/D, or A-to-D) is a system that converts an analog signal, such as a sound picked up by a microphone or light entering a digital camera, into a Digital signal (signal processing), digital signal. An ADC may also provide an isolated measurement such as an electronic device that converts an analog input voltage or Electric current, current to a digital number representing the magnitude of the voltage or current. Typically the digital output is a two's complement binary number that is proportional to the input, but there are other possibilities. There are several ADC hardware architecture, architectures. Due to the complexity and the need for precisely matched electronic component, components, all but the most specialized ADCs are implemented as integrated circuits (ICs). These typically take the form of metal–oxide–semiconductor (MOS) mixed-signal integrated circuit chips that integrate both Analogue electronics, anal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MIDI Timecode
MIDI time code (MTC) embeds the same timing information as standard SMPTE timecode as a series of small 'quarter-frame' MIDI messages. There is no provision for the user bits in the standard MIDI time code messages, and SysEx messages are used to carry this information instead. The quarter-frame messages are transmitted in a sequence of eight messages, thus a complete timecode value is specified every two frames. If the MIDI data stream is running close to capacity, the MTC data may arrive a little behind schedule which has the effect of introducing a small amount of jitter. In order to avoid this it is ideal to use a completely separate MIDI port for MTC data. Larger full-frame messages, which encapsulate a frame worth of timecode in a single message, are used to locate to a time while timecode is not running. Unlike standard SMPTE timecode, MIDI timecode's quarter-frame, and full-frame messages carry a two-bit flag value that identifies the rate of the timecode, specifying ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linear Timecode
Linear (or Longitudinal) Timecode (LTC) is an encoding of SMPTE timecode data in an audio signal, as defined in SMPTE 12M specification. The audio signal is commonly recorded on a VTR track or other storage media. The bits are encoded using the biphase mark code (also known as ''FM''): a 0 bit has a single transition at the start of the bit period. A 1 bit has two transitions, at the beginning and middle of the period. This encoding is self-clocking. Each frame is terminated by a 'sync word' which has a special predefined sync relationship with any video or film content. A special bit in the linear timecode frame, the ''biphase mark correction'' bit, ensures that there are an even number of AC transitions in each timecode frame. The sound of linear timecode is a jarring and distinctive noise and has been used as a sound-effects shorthand to imply ''telemetry'' or ''computers''. Generation and Distribution In broadcast video situations, the LTC generator should be tied into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
