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ArKaos
ArKaos is an application for live visual performance, conceived as a visual sampler for video loops that can be triggered from the computer, or through a hardware interface. The application is available in two versions: ArKaos VJ MIDI, conceived as a live video performance instrument, often used in conjunction with a MIDI keyboard, and ArKaos VJ DMX (a "media server software"), which can be controlled with a DMX console (DMX512 is a communication standard used for stage lighting devices). Kling-Net In 2011, ArKaos introduced the Kling-Net protocol, used for lighting control and Remote Device Management (RDM). It aims to provide video professionals the ability to distribute real-time video data to LED strips, LED panels and other remote devices over ethernet. Together with Art-Net, it is one of the most commonly used lighting control and Remote Device Management (RDM) protocols. Functions and Advantages Kling-Net automatically configures and connects display devices to a com ...
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VJ (video Performance Artist)
VJing (pronounced: ''VEE-JAY-ing'') is a broad designation for realtime visual performance. Characteristics of VJing are the creation or manipulation of imagery in realtime through technological mediation and for an audience, in synchronization to music. VJing often takes place at events such as concerts, nightclubs, music festivals and sometimes in combination with other performative arts. This results in a live multimedia performance that can include music, actors and dancers. The term VJing became popular in its association with MTV's Video Jockey but its origins date back to the New York club scene of the 70s. In both situations VJing is the manipulation or selection of visuals, the same way DJing is a selection and manipulation of audio. One of the key elements in the practice of VJing is the realtime mix of content from a "library of media", on storage media such as VHS tapes or DVDs, video and still image files on computer hard drives, live camera input, or from computer ...
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Proprietary Software
Proprietary software is software that is deemed within the free and open-source software to be non-free because its creator, publisher, or other rightsholder or rightsholder partner exercises a legal monopoly afforded by modern copyright and intellectual property law to exclude the recipient from freely sharing the software or modifying it, and—in some cases, as is the case with some patent-encumbered and EULA-bound software—from making use of the software on their own, thereby restricting his or her freedoms. It is often contrasted with open-source or free software. For this reason, it is also known as non-free software or closed-source software. Types Origin Until the late 1960s computers—large and expensive mainframe computers, machines in specially air-conditioned computer rooms—were usually leased to customers rather than sold. Service and all software available were usually supplied by manufacturers without separate charge until 1969. Computer vendors ...
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MIDI Keyboard
A MIDI keyboard or controller keyboard is typically a piano-style electronic musical keyboard, often with other buttons, wheels and sliders, used for sending MIDI signals or commands over a USB or MIDI 5-pin cable to other musical devices or computers. MIDI keyboards lacking an onboard sound module cannot produce sounds themselves, however some models of MIDI keyboards contain both a MIDI controller and sound module, allowing them to operate independently. When used as a MIDI controller, MIDI information on keys or buttons the performer has pressed is sent to a receiving device capable of creating sound through modeling synthesis, sample playback, or an analog hardware instrument. The receiving device could be: *a computer running a digital audio workstation (DAW) or a standalone VST/AU instrument (alternatively, the computer could be used to re-route the MIDI signal to other devices) *a sound module *a digital (digital piano/stage piano) or analogue (synthesizer) hardw ...
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DMX512
DMX512 is a standard for digital communication networks that are commonly used to control lighting and effects. It was originally intended as a standardized method for controlling stage lighting dimmers, which, prior to DMX512, had employed various incompatible proprietary protocols. It quickly became the primary method for linking controllers (such as a lighting console) to dimmers and special effects devices such as fog machines and intelligent lights. DMX512 has also expanded to uses in non-theatrical interior and architectural lighting, at scales ranging from strings of Christmas lights to electronic billboards and stadium or arena concerts. It can now be used to control almost anything, reflecting its popularity in all types of venues. DMX512 uses a unidirectional EIA-485 (RS-485) differential signaling at its physical layer, in conjunction with a variable-size, packet-based communication protocol. DMX512 does not include automatic error checking and correctio ...
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Remote Device Management
{{manual, date=February 2016 Remote Device Management (RDM) is a protocol enhancement to USITT DMX512 that allows bi-directional communication between a lighting or system controller and attached RDM compliant devices over a standard DMX line. This protocol will allow configuration, status monitoring, and management of these devices in such a way that does not disturb the normal operation of standard DMX512 devices that do not recognize the RDM protocol. The standard was originally developed by the Entertainment Services and Technology Association - Technical Standards (ESTAand is officially known as "ANSI E1.20, Remote Device Management Over DMX512 Networks. Technical Details RDM Physical layer The RDM protocol and the RDM physical layer were designed to be compatible with legacy equipment. All compliant legacy DMX512 receivers should be usable in mixed systems with an RDM controller (console) and RDM responders (receivers). DMX receivers and RDM responders can be used with ...
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Art-Net
Art-Net is a royalty-free communications protocol for transmitting the DMX512-A lighting control protocol and Remote Device management (RDM) protocol over the User Datagram Protocol (UDP) of the Internet protocol suite. It is used to communicate between "nodes" (e.g., intelligent lighting instruments) and a "server" (a lighting desk or general purpose computer running lighting control software). Facilities Art-Net is a simple implementation of DMX512-A protocol over UDP in which lighting control information is conveyed in IP packets, typically on a private local area network such as Ethernet. Supported functions include transmitting and receiving lighting data (e.g., fader levels for individual lights, positions of movable lights); management functions such as detecting nodes, updating node control parameters, and transmitting timecodes; and functions that allow nodes to "subscribe" to "publisher" nodes so that, for example, nodes A and B can subscribe to node C (C will unica ...
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VJing
VJing (pronounced: ''VEE-JAY-ing'') is a broad designation for realtime visual performance. Characteristics of VJing are the creation or manipulation of imagery in realtime through technological mediation and for an audience, in synchronization to music. VJing often takes place at events such as concerts, nightclubs, music festivals and sometimes in combination with other performative arts. This results in a live multimedia performance that can include music, actors and dancers. The term VJing became popular in its association with MTV's Video Jockey but its origins date back to the New York club scene of the 70s. In both situations VJing is the manipulation or selection of visuals, the same way DJing is a selection and manipulation of audio. One of the key elements in the practice of VJing is the realtime mix of content from a "library of media", on storage media such as VHS tapes or DVDs, video and still image files on computer hard drives, live camera input, or from computer ...
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Live Video Software
Live may refer to: Arts, entertainment, and media Films * ''Live!'' (2007 film), 2007 American film * ''Live'' (2014 film), a 2014 Japanese film *'' ''Live'' (Apocalyptica DVD) Music *Live (band), American alternative rock band * List of albums titled ''Live'' Extended plays * ''Live EP'' (Anal Cunt album) * ''Live EP'' (Breaking Benjamin EP) * ''Live'' (Roxus EP) * ''Live'' (The Smithereens EP) *''CeCe Peniston (EP Live)'' *''Ozzy Osbourne Live E.P.'', 1980 *''Live EP (Live at Fashion Rocks)'', by David Bowie * ''Live EP'' (The Jam EP) Songs * "Live" (Russian song) * "Live" (Superfly song) * "Live" (The Merry-Go-Round song) Radio *BBC Radio 5 Live *CILV-FM, branded LiVE 88.5, a radio station in Ottawa, Canada Television * ''Live'' (South Korean TV series), a 2018 South Korean television series * ''Live'' (Danish TV series) *Live! (TV channel), Italy *''Live! with Kelly'', US TV talk show Types of media *Live action (cinematography), a motion picture not produced using anim ...
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Windows Multimedia Software
Windows is a group of several proprietary graphical operating system families developed and marketed by Microsoft. Each family caters to a certain sector of the computing industry. For example, Windows NT for consumers, Windows Server for servers, and Windows IoT for embedded systems. Defunct Windows families include Windows 9x, Windows Mobile, and Windows Phone. The first version of Windows was released on November 20, 1985, as a graphical operating system shell for MS-DOS in response to the growing interest in graphical user interfaces (GUIs). Windows is the most popular desktop operating system in the world, with 75% market share , according to StatCounter. However, Windows is not the most used operating system when including both mobile and desktop OSes, due to Android's massive growth. , the most recent version of Windows is Windows 11 for consumer PCs and tablets, Windows 11 Enterprise for corporations, and Windows Server 2022 for servers. Genealogy By marketing r ...
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