Mick Travis
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Mick Travis
Michael Arnold "Mick" Travis is a fictional character played by Malcolm McDowell in three films directed by British film director Lindsay Anderson and written by David Sherwin. Travis features not so much as a single character with a character arc, but as an everyman character whose role changes according to the needs of the storyteller. In '' if....'' (1968), his first appearance (and McDowell's film debut), Travis first appears as a disaffected public school boy whose anti-establishment attitude and experiences lead to armed insurrection at the school. The film was made at Cheltenham College, Lindsay Anderson's old school, and many of the scenes drew heavily on his experience in the Officers Training Corps at Cheltenham, which he had joined in May 1937. It also draws heavily upon Tonbridge School, where the two screenwriters both went, and several characters, including the abusive chaplain, are based on real people who taught at Tonbridge. In ''O Lucky Man!'' (1973), cowritten ...
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Malcolm McDowell
Malcolm McDowell (born Malcolm John Taylor; 13 June 1943) is a British actor, producer, and television presenter. He is best known for portraying Alex DeLarge in ''A Clockwork Orange.'' He was born in the Horsforth suburb of Leeds and raised in Liverpool. He later trained at the London Academy of Music and Dramatic Art before embarking on an acting career that has spanned over 50 years. He is also known for playing the title character in ''Caligula'' (1979), and Mick Travis in the trilogy of '' if....'' (1968), ''O Lucky Man!'' (1973), and ''Britannia Hospital'' (1982). He has also appeared in films such as '' Time After Time'' (1979), '' Cat People'' (1982), ''Blue Thunder'' (1983), ''Star Trek Generations'' (1994), ''Tank Girl'' (1995), ''Gangster No. 1'' (2000), ''Easy A'' (2010), '' The Artist'' (2011) and '' Bombshell'' (2019). He also appeared as Dr. Samuel Loomis in the 2007 remake ''Halloween'' and its 2009 sequel, '' Halloween II''. McDowell has also had a string of ...
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Candide
( , ) is a French satire written by Voltaire, a philosopher of the Age of Enlightenment, first published in 1759. The novella has been widely translated, with English versions titled ''Candide: or, All for the Best'' (1759); ''Candide: or, The Optimist'' (1762); and ''Candide: Optimism'' (1947). It begins with a young man, Candide, who is living a sheltered life in an Garden of Eden, Edenic paradise and being indoctrinated with Gottfried Leibniz#Theodicy and optimism, Leibnizian optimism by his mentor, Professor Pangloss. The work describes the abrupt cessation of this lifestyle, followed by Candide's slow and painful disillusionment as he witnesses and experiences great hardships in the world. Voltaire concludes Candide with, if not rejecting Leibnizian optimism outright, advocating a deeply practical precept, "we must cultivate our garden", in lieu of the Leibnizian mantra of Pangloss, "all is for the best" in the "best of all possible worlds". ''Candide'' is characterized by ...
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Fictional Mass Murderers
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and conte ...
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Fictional Salespeople
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and context of ...
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Fictional Reporters
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and context of ...
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Fictional English People
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and conte ...
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Film Characters Introduced In 1968
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ...
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Teenage Characters In Film
Adolescence () is a transitional stage of Developmental biology, physical and psychological Human development (biology), development that generally occurs during the period from puberty to adulthood (typically corresponding to the age of majority). Adolescence is usually associated with the teenage years, but its physical, psychological or cultural expressions may begin earlier and end later. Puberty now typically begins during preadolescence, particularly in females. Physical growth (particularly in males) and cognitive development can extend past the teens. Age provides only a rough marker of adolescence, and scholars have not agreed upon a precise definition. Some definitions start as early as 10 and end as late as 25 or 26. The World Health Organization definition officially designates an adolescent as someone between the ages of 10 and 19. Biological development Puberty in general Puberty is a period of several years in which rapid physical growth and psychological chan ...
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British Film Series
British may refer to: Peoples, culture, and language * British people, nationals or natives of the United Kingdom, British Overseas Territories, and Crown Dependencies. ** Britishness, the British identity and common culture * British English, the English language as spoken and written in the United Kingdom or, more broadly, throughout the British Isles * Celtic Britons, an ancient ethno-linguistic group * Brittonic languages, a branch of the Insular Celtic language family (formerly called British) ** Common Brittonic, an ancient language Other uses *''Brit(ish)'', a 2018 memoir by Afua Hirsch *People or things associated with: ** Great Britain, an island ** United Kingdom, a sovereign state ** Kingdom of Great Britain (1707–1800) ** United Kingdom of Great Britain and Ireland (1801–1922) See also * Terminology of the British Isles * Alternative names for the British * English (other) * Britannic (other) * British Isles * Brit (other) * B ...
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Britannia Hospital
''Britannia Hospital'' is a 1982 British black comedy film, directed by Lindsay Anderson, which targets the National Health Service and contemporary British society. It was entered into the 1982 Cannes Film Festival and Fantasporto. ''Britannia Hospital'' is the final part of Anderson's trilogy of films, written by David Sherwin, that follow the adventures of Mick Travis (portrayed by Malcolm McDowell) as he travels through a strange and sometimes surreal Britain. From his days at boarding school in '' if....'' (1968) to his journey from coffee salesman to film star in ''O Lucky Man!'' (1973), Travis's adventures finally come to an end in ''Britannia Hospital'', which sees him as a muckraking reporter investigating the bizarre activities of Professor Millar, played by Graham Crowden, whom he had had a run-in with in ''O Lucky Man''. All three films have characters in common. Some of the characters from ''if....'' that did not turn up in ''O Lucky Man!'' return for ''Britannia Hos ...
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Christine Noonan
Christine Noonan (born Christine Elizabeth Wright; 8 March 1945 – 6 August 2003) was a British actress. She is best remembered for her role as the anarchist love interest of Malcolm McDowell's character in the film '' if....'' (1968). In one scene, which gained particular notice in British cinema of the period, she impersonated a tiger and had sexual intercourse with McDowell's character Mick Travis on the floor of a cafe, which with the later violence in the film led to an X rating, leading Paramount to later cut the sexual content from the film. Noonan said of the scene in the film: "He was stark naked and I was stark naked, but we were both so busy fighting that I can't remember what he looked like in the nude". Her husband initially protested when he learned of the nature of the role, but he agreed to her acting in it once she explained the point of the film and the context. Noonan also appeared opposite McDowell in two minor roles in the film ''O Lucky Man!'' (1973), and al ...
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Cameo Appearance
A cameo role, also called a cameo appearance and often shortened to just cameo (), is a brief appearance of a well-known person in a work of the performing arts. These roles are generally small, many of them non-speaking ones, and are commonly either appearances in a work in which they hold some special significance (such as actors from an original movie appearing in its remake) or renowned people making uncredited appearances. Short appearances by celebrities, film directors, politicians, athletes or musicians are common. A crew member of the movie or show playing a minor role can be referred to as a cameo role as well, such as Alfred Hitchcock's frequent cameos. Concept Originally, in the 1920s, a "cameo role" meant "a small character part that stands out from the other minor parts". The ''Oxford English Dictionary'' connects this with the meaning "a short literary sketch or portrait", which is based on the literal meaning of " cameo", a miniature carving on a gemstone. More re ...
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