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Michel Masson
Auguste-Michel-Benoît Gaudichot pseudonym: Michel Masson (31 July 1800 – 12 thermidor an VIII- – 23 April 1883) was a French playwright, journalist and novelist of the 19th century. Biography A worker's son, he began acting at age 10 and played the roles of children in several plays. He was danser at the Théâtre Monthabor, but he had only little success. So he stopped as a danser, and took a job as an apprentice in a bookshop. There he saw other starting authors like M.Champfleury. Masson liked reading books, and he started writing too. But he did not like the commercial side of his job. He worked a time as a café waiter. Masson started writing articles for newspapers, the quality of his work was recognized, and articles of his hand were published in newspapers like ''Les Nouveautés'', the ''Mercure de France'' and ''La Lorgnette''. (journal des théâtres, de la littérature, des arts, des moeurs, des modes et de la librairie, pour Paris, les départemens et l'étrange ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nadar
Gaspard-Félix Tournachon (5 April 1820 – 20 March 1910), known by the pseudonym Nadar, was a French photographer, caricaturist, journalist, novelist, balloon (aircraft), balloonist, and proponent of Aircraft#Heavier-than-air – aerodynes, heavier-than-air flight. In 1858, he became the first person to take aerial photographs. Photographic portraits by Nadar are held by many of the great national collections of photographs. His son, Paul Nadar (1856–1939), continued the studio after his death. Life Gaspard-Félix Tournachon (also known as Nadar) was born in early April 1820 in Paris, though some sources state he was born in Lyon. His father, Victor Tournachon, was a printer and bookseller. Nadar began to study medicine but quit for economic reasons after his father's death. Nadar started working as a caricaturist and novelist for various newspapers. He fell in with the Parisian bohemian group of Gérard de Nerval, Charles Baudelaire, and Théodore de Banville. His friends ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comédie En Vaudevilles
The ''comédie en vaudevilles'' () was a theatrical entertainment which began in Paris towards the end of the 17th century, in which comedy was enlivened through lyrics using the melody of popular vaudeville (song), vaudeville songs.Barnes 2001. Evolution The annual fairs of Paris at St. Germain and St. Laurent had developed theatrical variety entertainments, with mixed plays, acrobatics, acrobatic displays, and pantomimes, typically featuring vaudevilles (see Théâtre de la foire). Gradually these features began to invade established theatres. The ''Querelle des Bouffons'' (War of the Clowns), a dispute amongst theatrical factions in Paris in the 1750s, in part reflects the rivalry of this form, as it evolved into ''opéra comique'', with the Italian ''opera buffa''. ''Comédie en vaudevilles'' also seems to have influenced the English ballad opera and the German Singspiel. Vaudeville final One feature of the ''comédie en vaudevilles'' which later found its way into opera w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugène Sue
Marie-Joseph "Eugène" Sue (; 26 January 18043 August 1857) was a French novelist. He was one of several authors who popularized the genre of the serial novel in France with his very popular and widely imitated ''The Mysteries of Paris'', which was published in a newspaper from 1842 to 1843. Francis Amery. "Sue, "Eugène", in Pringle, David. 1998. ''St. James Guide to Horror, Ghost & Gothic Writers''. Detroit, MI: St. James Press (pp. 680–681). . Early life Sue was born in Paris, France. He was the son of a distinguished surgeon in Napoleon's army, Jean-Joseph Sue, and had Empress Joséphine as his godmother. Sue himself acted as surgeon both in the 1823 French campaign in Spain and at the Battle of Navarino in 1827. In 1829 his father's death put him in possession of a considerable fortune, and he settled in Paris. Literary career Sue's naval experiences supplied much of the material for his first novels, ''Kernock le pirate'' (1830), ''Atar-Gull'' (1831), ''La Salamand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodrama
A modern melodrama is a dramatic work in which the plot, typically sensationalized and for a strong emotional appeal, takes precedence over detailed characterization. Melodramas typically concentrate on dialogue that is often bombastic or excessively sentimental, rather than action. Characters are often flat, and written to fulfill stereotypes. Melodramas are typically set in the private sphere of the home, focusing on morality and family issues, love, and marriage, often with challenges from an outside source, such as a "temptress", a scoundrel, or an aristocratic villain. A melodrama on stage, filmed, or on television is usually accompanied by dramatic and suggestive music that offers cues to the audience of the drama being presented. In scholarly and historical musical contexts, ''melodramas'' are Victorian dramas in which orchestral music or song was used to accompany the action. The term is now also applied to stage performances without incidental music, novels, films, tel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vaudeville (song)
A vaudeville is a French satire, satirical poem or song born of the 17th and 18th centuries. Its name is lent to the French theatre, theatrical entertainment ''comédie en vaudeville'' of the 19th and 20th century. From these vaudeville took its name. The earliest vaudeville was the ''vau de vire'', a Normandy, Norman song of the 15th century, named after the valley of Vire. During the 16th century emerged a style in urban France called the ''voix de ville'' (city voice), whose name may have been a pun on ''vau de vire'', and which was also satirical. The two styles converged and in the 17th and 18th century the term "vaudeville" came to be used for songs satirizing political and court events. In 1717 a collection was published in Paris of over 300 vaudevilles, entitled ''La clef des chansonniers, ou recueil des vaudevilles depuis 100 ans et plus [The singers' key, or collection of Vaudevilles from over 100 years]'', and in 1733 in the same city a club, "Le Caveau", was founded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Patrat
Joseph Patrat or Patras (7 May 1733, Arles - 4 June 1801, Paris) was a French actor and playwright. The son of a stagehand, he began his stage career in Berlin in 1755 and then acted in the Austrian Netherlands from 1756 to 1763, notably in Brussels in the company of the Théâtre de la Monnaie. He then acted in Marseille and Geneva, where he also began to write plays. Author of 40 plays, Patrat was also part of the company of Mademoiselle Montansier before establishing himself in Paris and writing several pieces for the Comédie-Française, the Théâtre des Variétés-Amusantes, the Théâtre Montansier, the Théâtre de l'Ambigu-Comique, and above all for the Comédie-Italienne, the Théâtre du Palais-Royal, the Théâtre Feydeau and the Odéon. Patrat's play "L'Heureuse Erreur" was published in 1783, and was then translated into English and adapted by Elizabeth Inchbald Elizabeth Inchbald (née Simpson, 15 October 1753 – 1 August 1821) was an English novelist, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
August Von Kotzebue
August Friedrich Ferdinand von Kotzebue (; – ) was a German dramatist and writer who also worked as a consul in Russia and Germany. In 1817, one of Kotzebue's books was burned during the Wartburg festival. He was murdered in 1819 by Karl Ludwig Sand, a militant member of the ''Burschenschaften''. This murder gave Metternich the pretext to issue the Carlsbad Decrees of 1819, which dissolved the ''Burschenschaften'', cracked down on the liberal press, and seriously restricted academic freedom in the states of the German Confederation. Life Kotzebue was born in Weimar to the respected merchant Kotzebue family and was educated at Wilhelm-Ernst- Gymnasium in Weimar, where his uncle, the writer and critic Johann Karl August Musäus was among his teachers. In 1776 the young Kotzebue acted alongside Goethe in the latter's play ''Die Geschwister'' when it premiered in Weimar. In 1777, aged sixteen, he enrolled at the University of Jena to study legal science. He continued his stud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolphe Adam
Adolphe Charles Adam (; 24 July 1803 – 3 May 1856) was a French composer, teacher and music critic. A prolific composer for the theatre, he is best known today for his ballets ''Giselle'' (1841) and '' Le corsaire'' (1856), his operas ''Le postillon de Lonjumeau'' (1836) and ''Si j'étais roi'' (1852) and his Christmas carol "Minuit, chrétiens!" (Midnight, Christians, 1844, known in English as "O Holy Night"). Adam was the son of a well-known composer and pianist, but his father did not wish him to pursue a musical career. Adam defied his father, and his many operas and ballets earned him a good living until he lost all his money in 1848 in a disastrous bid to open a new opera house in Paris in competition with the Opéra and Opéra-Comique. He recovered, and extended his activities to journalism and teaching. He was appointed as a professor at the Paris Conservatoire, France's principal music academy. Together with his older contemporary Daniel Auber and his teacher Adrien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne),M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" '' Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, ''opéra comique'' is not necessarily comical or shallow in nature; '' Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs ('' vaudevilles''), with new words set to already existing music. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philippe Dumanoir
Philippe François Pinel, known as Dumanoir (31 July 1806 – 16 November 1865), was a French playwright and librettist. Biography Dumanoir was born in Capesterre-Belle-Eau, Guadeloupe. He was the son of Mrs. Pinel-Dumanoir, whose family planted the palm trees lining the ''Allée Dumanoir'' in Guadeloupe. He left Guadeloupe in 1816. Dumanoir wrote in the theatrical genre of Comédie en vaudevilles. He was director of the Théâtre des Variétés from 1837 to 1839. In 1844, he wrote in collaboration with Adolphe d'Ennery, an eponymous drama about Don César de Bazan, one of the characters in ''Ruy Blas'' by Victor Hugo. He died in Pau. List of major works Plays * 1842: ''Le Chevalier d'Éon'', comedy in 3 acts, (with Jean-François Bayard), Théâtre des Variétés * 1839: ''Les Premières Armes de Richelieu'' (with Jean-François Bayard), Théâtre du Palais Royal * 1840: ''Indiana et Charlemagne'' (with Jean-François Bayard), Théâtre du Palais Royal * 1842: ''Ma maà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mélesville
Baron Anne-Honoré-Joseph Duveyrier, pen-name Mélesville (13 December 1787 in Paris – 7 November 1865 in Marly-le-Roi) was a French dramatist. The playwright Mélesville fils was his son. Life The son of Honoré-Nicolas-Marie Duveyrier, Mélesville initially had success at the bar and as a magistrate. He left the legal profession in 1814 to dedicate himself to the theatre, though he had first gained praise in that area in 1811 for his comedy ''l'Oncle rival''. Out of consideration for his father's position, he wrote under the pseudonym Mélesville, by which he is still known. He wrote in all genres - dramas, melodramas, comedies, vaudevilles, opera librettos - and is the sole or collaborative author of more than 340 plays. His collaborators included Eugène Scribe and Delestre-Poirson, with the collective pseudonym of Amédée de Saint-Marc. He collaborated with the more famous authors Brazier, Carmouche, Bayard, Scribe, Léon Laya on over 500 plays, some of which enjoy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
