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Michael Cross (painter)
Michael Cross () was a Spanish painter and copyist active mainly in England.Bracken 2004, n.p. Life The painter Michael Cross, of unknown parentage, place of birth, and training, obtained great renown as a copyist in the reign of Charles I of England, Charles I. He is doubtless identical with Miguel de la Cruz, a painter at Madrid, who in 1633 executed copies for Charles I of the principal pictures in the royal galleries at Madrid, in memory of Charles's visit to Spain. According to some authorities he died early, but he was employed by Charles I to copy pictures in Italy, and a story has been handed down that while at Venice he copied a Madonna (art), Madonna by Raphael in San Marco so accurately that he was able to substitute his copy for the original picture and bring the original back to England as his own handiwork. There does not seem, however, to be any record of any such picture by Raphael at Venice, and it is not likely that Charles I would be so easily duped. This ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miguel De La Cruz (active 1623-1660) - Venus And A Satyr With A Hunting Party, 'The Venus Del Pardo' (after Titian) - 1139666 - National Trust
Michael Cross () was a Spanish painter and copyist active mainly in England.Bracken 2004, n.p. Life The painter Michael Cross, of unknown parentage, place of birth, and training, obtained great renown as a copyist in the reign of Charles I of England, Charles I. He is doubtless identical with Miguel de la Cruz, a painter at Madrid, who in 1633 executed copies for Charles I of the principal pictures in the royal galleries at Madrid, in memory of Charles's visit to Spain. According to some authorities he died early, but he was employed by Charles I to copy pictures in Italy, and a story has been handed down that while at Venice he copied a Madonna (art), Madonna by Raphael in San Marco so accurately that he was able to substitute his copy for the original picture and bring the original back to England as his own handiwork. There does not seem, however, to be any record of any such picture by Raphael at Venice, and it is not likely that Charles I would be so easily duped. This ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Equestrian Portrait Of Charles I
The ''Equestrian Portrait of Charles I'' (also known as ''Charles I on Horseback'') is a large oil painting on canvas by Anthony van Dyck, showing Charles I on horseback. Charles I had become King of England, Scotland and Ireland in 1625 on the death of his father James I, and Van Dyck became Charles's Principal Painter in Ordinary in 1632. The portrait is thought to have been painted in about 1637–38, only a few years before the English Civil War broke out in 1642. It is one of many portraits of Charles by Van Dyck, including several equestrian portraits. It is held by the National Gallery, London.''Equestrian Portrait of Charles I'' National Gallery Background This is the second |
£sd
£sd (occasionally written Lsd, spoken as "pounds, shillings and pence" or pronounced ) is the popular name for the pre-decimal currencies once common throughout Europe, especially in the British Isles and hence in several countries of the British Empire and subsequently the Commonwealth. The abbreviation originates from the Latin currency denominations '' librae'', ''solidi'', and ''denarii''. In the United Kingdom, these were referred to as '' pounds'', ''shillings'', and '' pence'' (''pence'' being the plural of ''penny''). Although the names originated from popular coins in the classical Roman Empire, their definitions and the ratios between them were introduced and imposed across Western Europe by the Emperor Charlemagne. The £sd system was the standard across much of the European continent (France, Italy, Germany, etc.) for nearly a thousand years, until the decimalisations of the 18th and 19th centuries. As the United Kingdom remained one of the few countries reta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles II Of England
Charles II (29 May 1630 – 6 February 1685) was King of Scotland from 1649 until 1651, and King of England, Scotland and Ireland from the 1660 Restoration of the monarchy until his death in 1685. Charles II was the eldest surviving child of Charles I of England, Scotland and Ireland and Henrietta Maria of France. After Charles I's execution at Whitehall on 30 January 1649, at the climax of the English Civil War, the Parliament of Scotland proclaimed Charles II king on 5 February 1649. But England entered the period known as the English Interregnum or the English Commonwealth, and the country was a de facto republic led by Oliver Cromwell. Cromwell defeated Charles II at the Battle of Worcester on 3 September 1651, and Charles fled to mainland Europe. Cromwell became virtual dictator of England, Scotland and Ireland. Charles spent the next nine years in exile in France, the Dutch Republic and the Spanish Netherlands. The political crisis that followed Cromwell's death in 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stuart Restoration
The Restoration of the Stuart monarchy in the kingdoms of England, Scotland and Ireland took place in 1660 when King Charles II returned from exile in continental Europe. The preceding period of the Protectorate and the civil wars came to be known as the Interregnum (1649–1660). The term ''Restoration'' is also used to describe the period of several years after, in which a new political settlement was established. It is very often used to cover the whole reign of King Charles II (1660–1685) and often the brief reign of his younger brother King James II (1685–1688). In certain contexts it may be used to cover the whole period of the later Stuart monarchs as far as the death of Queen Anne and the accession of the Hanoverian King George I in 1714. For example, Restoration comedy typically encompasses works written as late as 1710. The Protectorate After Richard Cromwell, Lord Protector from 1658 to 1659, ceded power to the Rump Parliament, Charles Fleetwood and J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venus And Adonis (Titian)
A composition of ''Venus and Adonis'' by the Venetian Renaissance artist Titian has been painted a number of times, by Titian himself, by his studio assistants and by others. In all there are some thirty versions that may date from the 16th century, the nudity of Venus undoubtedly accounting for this popularity. It is unclear which of the surviving versions, if any, is the original or prime version, and a matter of debate how much involvement Titian himself had with surviving versions. There is a precise date for only one version, that in the Prado in Madrid, which is documented in correspondence between Titian and Philip II of Spain in 1554. However, this appears to be a later repetition of a composition first painted a considerable time earlier, possibly as early as the 1520s. The Prado version is set at dawn and shows the young Adonis pulling himself away from Venus, his lover. He carries a feathered spear or "dart", a weapon often used in hunting in the 16th century. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rape Of Europa (Titian)
''The Rape of Europa'' is a painting by the Venetian artist Titian, painted ca. 1560–1562. It is in the permanent collection of the Isabella Stewart Gardner Museum of Boston, Massachusetts. The oil-on-canvas painting measures . Subject The title of the painting refers to the mythological story of the abduction of Europa by Zeus (Jupiter to the Romans). In the myth, the god assumed the form of a bull and enticed Europa to climb onto his back. Once there, the bull rode into the sea and carried her to Crete, where he revealed his real identity. Europa became the first Queen of Crete, and had three children with Zeus. Although the source of Titian's inspiration is thought to have been based on the scene from Book II in Ovid's ''Metamorphoses,'' a more direct influence might be a description of a painting of the rape of Europa found in Achilles Tatius's novel, ''Leucippe and Clitophon''. Achilles Tatius's novel was translated into Italian and printed in 1546 in Venice, only a few ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vandyck
Sir Anthony van Dyck (, many variant spellings; 22 March 1599 – 9 December 1641) was a Brabantian Flemish Baroque artist who became the leading court painter in England after success in the Southern Netherlands and Italy. The seventh child of Frans van Dyck, a wealthy Antwerp silk merchant, Anthony painted from an early age. He was successful as an independent painter in his late teens, and became a master in the Antwerp guild in 1618. By this time he was working in the studio of the leading northern painter of the day, Peter Paul Rubens, who became a major influence on his work. Van Dyck worked in London for some months in 1621, then returned to Flanders for a brief time, before travelling to Italy, where he stayed until 1627, mostly in Genoa. In the late 1620s he completed his greatly admired ''Iconography'' series of portrait etchings, mostly of other artists. He spent five years in Flanders after his return from Italy, and from 1630 was court painter for the arch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Copyist
A copyist is a person that makes duplications of the same thing. The term is sometimes used for artists who make copies of other artists' paintings. However, the modern use of the term is almost entirely confined to music copyists, who are employed by the music industry to produce neat copies from a composer or arranger's manuscript. Music copyists Until the 1990s, most copyists worked by hand to write out scores and individual instrumental parts neatly, using a calligraphy pen, manuscript paper, and often a ruler. Producing parts for an entire orchestra from a full score was a huge task. In the 1990s, copyists began using scorewriters - computer programs which are the music notation equivalent of a word processor. (Such programs include ''Sibelius'', '' Finale'', '' MuseScore'' or ''GNU LilyPond''). Scorewriters allow the composer or songwriter to "enter" the melodies, rhythms and lyrics to their compositions into the computer using a mouse or by playing the notes on a MIDI-equi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Marco
San Marco is one of the six sestiere (Venice), sestieri of Venice, lying in the heart of the city as the main place of Venice. San Marco also includes the island of San Giorgio Maggiore. Although the district includes Piazza San Marco, Saint Mark's Square, that was never administered as part of the sestiere. Overview The small district includes many of Venice's most famous sights, including Piazza San Marco, St Mark's Square, Saint Mark's Basilica, the Doge's Palace, Venice, Doge's Palace, Harry's Bar (Venice), Harry's Bar, the Palazzo Dandolo, Palazzo Corner Contarini dei Cavalli, Palazzo Corner Valmarana, Palazzo D'Anna Viaro Martinengo Volpi di Misurata, Palazzo Cavalli, San Moisè, the La Fenice theatre, the Palazzo Grassi and Palazzo Bellavite, and the Church (building), churches of San Beneto, San Fantin, Santa Maria Zobenigo, Santa Maria del Giglio, San Maurizio (Venice), San Maurizio, San Moisè, Santo Stefano di Venezia, Santo Stefano, San Salvador di Venezia, San Sal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raphael
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. List of works by Raphael, His work is admired for its clarity of form, ease of composition, and visual achievement of the Renaissance Neoplatonism, Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He trained in the workshop of Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of the pope, to work on the Vatican Palace. He was given a series of important commissions there and elsewhere in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
