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Messiaen 1937 4
Olivier Eugène Prosper Charles Messiaen (, ; ; 10 December 1908 – 27 April 1992) was a French composer, organist, and ornithology, ornithologist who was one of the major composers of the 20th-century classical music, 20th century. His music is rhythmically complex; Harmony, harmonically and melody, melodically he employs a system he called ''modes of limited transposition'', which he abstracted from the systems of material generated by his early compositions and improvisations. He wrote music for chamber ensembles and orchestra, vocal music, as well as for solo organ and piano, and also experimented with the use of novel electronic instruments developed in Europe during his lifetime. Messiaen entered the Conservatoire de Paris, Paris Conservatoire at the age of 11 and studied with Paul Dukas, Maurice Emmanuel, Charles-Marie Widor and Marcel Dupré, among others. He was appointed organist at the Église de la Sainte-Trinité, Paris, in 1931, a post held for 61 years until ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
WikiProject Composers
A WikiProject, or Wikiproject, is a Wikimedia movement affinity group for contributors with shared goals. WikiProjects are prevalent within the largest wiki, Wikipedia, and exist to varying degrees within Wikimedia project, sister projects such as Wiktionary, Wikiquote, Wikidata, and Wikisource. They also exist in different languages, and translation of articles is a form of their collaboration. During the COVID-19 pandemic, CBS News noted the role of Wikipedia's WikiProject Medicine in maintaining the accuracy of articles related to the disease. Another WikiProject that has drawn attention is WikiProject Women Scientists, which was profiled by ''Smithsonian Magazine, Smithsonian'' for its efforts to improve coverage of women scientists which the profile noted had "helped increase the number of female scientists on Wikipedia from around 1,600 to over 5,000". On Wikipedia Some Wikipedia WikiProjects are substantial enough to engage in cooperative activities with outside organization ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yvonne Loriod
Yvonne Louise Georgette Loriod-Messiaen (; 20 January 1924 – 17 May 2010) was a French pianist, teacher, and composer, and the second wife of composer Olivier Messiaen. Her sister was the Ondes Martenot player Jeanne Loriod. Biography Loriod was born in Houilles, Yvelines to Gaston and Simone Loriod. Initially receiving piano lessons from her godmother, she later studied at the Paris Conservatoire and became one of Olivier Messiaen's most avid pupils. She also studied with Isidor Philipp, Lazare Lévy then Marcel Ciampi. She went on to become a nationally acclaimed recording artist and concert pianist and premiered most of Messiaen's works for the piano, starting in the 1940s. Messiaen said that he was able to indulge in "the greatest eccentricities" when writing for piano, knowing that they would be mastered by Loriod. Both she and her sister Jeanne often performed as the soloists in his ''Turangalîla-Symphonie''. Loriod also orchestrated part of Messiaen's final orchestra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karlheinz Stockhausen
Karlheinz Stockhausen (; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is known for his groundbreaking work in electronic music, for introducing controlled chance ( aleatory techniques) into serial composition, and for musical spatialization. He was educated at the Hochschule für Musik Köln and the University of Cologne, later studying with Olivier Messiaen in Paris and with Werner Meyer-Eppler at the University of Bonn. One of the leading figures of the Darmstadt School, his compositions and theories were and remain widely influential, not only on composers of art music, but also on jazz and popular music. His works, composed over a period of nearly sixty years, eschew traditional forms. In addition to electronic music—both with and without live performers—they range from miniatures for musical boxes through works for s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tristan Murail
Tristan Murail (born 11 March 1947) is a French composer associated with the "spectral" technique of composition. Among his compositions is the large orchestral work ''Gondwana''. Early life and studies Murail was born in Le Havre, France. His father, Gérard Murail, is a poet and his mother, Marie-Thérèse Barrois, a journalist. One of his brothers, Lorris Murail, and his younger sister Elvire Murail, a.k.a. Moka, are also writers, and his younger sister Marie-Aude Murail is a French children's writer. Following his university studies in Arabic and economics, Murail attended the Paris Conservatory, where he studied composition with Olivier Messiaen Kennedy, Michael (2006), ''The Oxford Dictionary of Music'', from 1967 to 1972. He taught computer music and composition at IRCAM in Paris from 1991 to 1997. While there, he assisted in the development of Patchwork composition software. In 1973 he was a founding member of the ''Ensemble l'Itinéraire''. From 1997 until 2010, he was a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Boulez
Pierre Louis Joseph Boulez (; 26 March 1925 – 5 January 2016) was a French composer, conductor and writer, and the founder of several musical institutions. He was one of the dominant figures of post-war Western classical music. Born in Montbrison, Loire, Montbrison in the Loire department of France, the son of an engineer, Boulez studied at the Conservatoire de Paris with Olivier Messiaen, and privately with Andrée Vaurabourg and René Leibowitz. He began his professional career in the late 1940s as music director of the Renaud-Barrault theatre company in Paris. He was a leading figure in avant-garde music, playing an important role in the development of integral serialism (in the 1950s), Aleatoric music, controlled chance music (in the 1960s) and the electronic transformation of instrumental music in real time (from the 1970s onwards). His tendency to revise earlier compositions meant that his body of work was relatively small, but it included pieces regarded by many as lan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Goehr
Peter Alexander Goehr (; born 10 August 1932) is an English composer and academic. Goehr was born in Berlin in 1932, the son of the conductor and composer Walter Goehr, a pupil of Arnold Schoenberg. In his early twenties he emerged as a central figure in the Manchester School of post-war British composers. In 1955–56 he joined Olivier Messiaen's masterclass in Paris. Although in the early sixties Goehr was considered a leader of the avant-garde, his oblique attitude to modernism—and to any movement or school whatsoever—soon became evident. In a sequence of works including the Piano Trio (1966), the opera ''Arden Must Die'' (1966), the music-theatre piece ''Triptych'' (1968–70), the orchestral ''Metamorphosis/Dance'' (1974), and the String Quartet No. 3 (1975–76), Goehr's personal voice was revealed, arising from a highly individual use of the serial method and a fusion of elements from his double heritage of Schoenberg and Messiaen. Since the luminous 'white-note' '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Benjamin (composer)
Sir George William John Benjamin, CBE (born 31 January 1960) is an English composer of contemporary classical music. He is also a conductor, pianist and teacher. He is well known for operas '' Into the Little Hill'' (2006), '' Written on Skin'' (2009–2012) and '' Lessons in Love and Violence'' (2015–2017)—all with librettos by Martin Crimp. In 2019, critics at ''The Guardian'' ranked ''Written on Skin'' as the second best work of the 21st-century. Biography Benjamin was born in London and attended Westminster School. He began composing from the age of seven, and took piano and composition lessons with Peter Gellhorn until the age of 15, after which Gellhorn arranged for Benjamin to continue his lessons in Paris with Olivier Messiaen, whom he had known for many years. Messiaen was reported to have described Benjamin as his favourite pupil. He then read music at King's College, Cambridge, studying under Alexander Goehr and Robin Holloway. His orchestral piece ''Ringed by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iannis Xenakis
Giannis Klearchou Xenakis (also spelled for professional purposes as Yannis or Iannis Xenakis; el, Γιάννης "Ιωάννης" Κλέαρχου Ξενάκης, ; 29 May 1922 – 4 February 2001) was a Romanian-born Greek-French avant-garde composer, music theorist, architect, performance director and engineer. After 1947, he fled Greece, becoming a naturalised citizen of France eighteen years later. Xenakis pioneered the use of mathematical models in music such as applications of set theory, stochastic processes and game theory and was also an important influence on the development of electronic and computer music. He integrated music with architecture, designing music for pre-existing spaces, and designing spaces to be integrated with specific music compositions and performances. Among his most important works are '' Metastaseis'' (1953–54) for orchestra, which introduced independent parts for every musician of the orchestra; percussion works such as '' Psappha'' (197 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Students Of Olivier Messiaen
This is part of a list of students of music, organized by teacher. K Dmitry Kabalevsky * Mauricio Kagel * * * * * * Robert Kahn * * * * * * Jouni Kaipainen * * Friedrich Kalkbrenner * * * *Mason (1917), p.174. *Mason (1917), p.200. Hedwig Kanner-Rosenthal *Jones (2014), p.362. M. William Karlins * * * Richard Karpen *Hinkle-Turner (2006), p.201. Leokadiya Kashperova * Eli Kassner * * * * * * * * Apolinary Kątski * * * Nikolai Kazanli *Greene (1985), p.1094. Donald Keats *Steven Gates * * Milko Kelemen *Sadie & Samuel (1994), p.160. Reginald Kell *Greene (1985), p.1538. * * * Homer Keller University of Michigan * * * University of Oregon * * * * * * * * * Edgar Stillman Kelley * * * * * * * Johann Peter Kellner * * Wilhelm Kempff * * * * * * Anne Gamble Kennedy * * Matthew Kennedy * * * * Johann Caspar Kerll * Patricia Kern * * * * Aaron Jay Kernis * [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmony
In music, harmony is the process by which individual sounds are joined together or composed into whole units or compositions. Often, the term harmony refers to simultaneously occurring frequencies, pitches ( tones, notes), or chords. However, harmony is generally understood to involve both vertical harmony (chords) and horizontal harmony ( melody). Harmony is a perceptual property of music, and, along with melody, one of the building blocks of Western music. Its perception is based on consonance, a concept whose definition has changed various times throughout Western music. In a physiological approach, consonance is a continuous variable. Consonant pitch relationships are described as sounding more pleasant, euphonious, and beautiful than dissonant relationships which sound unpleasant, discordant, or rough. The study of harmony involves chords and their construction and chord progressions and the principles of connection that govern them. Counterpoint, which refers to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quatuor Pour La Fin Du Temps
''Quatuor pour la fin du temps'' (), originally ''Quatuor de la fin du temps'' ("''Quartet of the End of Time''"), also known by its English title ''Quartet for the End of Time'', is an eight-movement piece of chamber music by the French composer Olivier Messiaen. It was premiered in 1941. The work is scored for clarinet (in B-flat), violin, cello, and piano; a typical performance of the complete work lasts about 50 minutes. Messiaen wrote the piece while a prisoner of war in German captivity and it was first performed by his fellow prisoners. It is generally considered one of his most important works. Composition and first performance Messiaen was 31 years old when France entered World War II. He was captured by the German army in June 1940 and imprisoned in Stalag VIII-A, a prisoner-of-war camp in Görlitz, Germany (now Zgorzelec, Poland). While in transit to the camp, Messiaen showed the clarinetist Henri Akoka, also a prisoner, the sketches for what would become ''Abîme des o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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