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Mesdames De La Halle
''Mesdames de la Halle'' is an opérette bouffe in one act by Jacques Offenbach, with a libretto by Armand Lapointe. It was first performed at the Théâtre des Bouffes Parisiens, Paris on 3 March 1858. and was the first work of Offenbach's at the Bouffes with a chorus and a large cast.Yon, Jean-Claude. ''Jacques Offenbach.'' Editions Gallimard, Paris, 2000. Gänzl describes the piece as "a delicious piece of Parisian bouffonerie" Gänzl K. ''The Encyclopaedia of the Musical Theatre.'' Blackwell, Oxford, 1994. Performance history Bouffes on tour staged ''Mesdames de la Halle'' in Vienna with Lucille Tostée as Croûte-au-pot, then in Budapest, where a Hungarian version soon followed. It was performed in Berlin in 1858, Brussels in 1860, and Monte Carlo in 1908.Loewenberg A. ''Annals of Opera''. London, John Calder, 1978. It was also produced at the Théâtre des Arts on 3 April 1913, conducted by Gabriel Grovlez, with a cast including Lucy Vauthrin, Marcelle Devries and Mauric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Offenbach By Nadar
Ancient and noble French family names, Jacques, Jacq, or James are believed to originate from the Middle Ages in the historic northwest Brittany region in France, and have since spread around the world over the centuries. To date, there are over one hundred identified noble families related to the surname by the Nobility & Gentry of Great Britain & Ireland. Origins The origin of this surname ultimately originates from the Latin, Jacobus which belongs to an unknown progenitor. Jacobus comes from the Hebrew name, Yaakov, which translates as "one who follows" or "to follow after". Ancient history A French knight returning from the Crusades in the Holy Lands probably adopted the surname from "Saint Jacques" (or "James the Greater"). James the Greater was one of Jesus' Twelve Apostles, and is believed to be the first martyred apostle. Being endowed with this surname was an honor at the time and it is likely that the Church allowed it because of acts during the Crusades. Indeed, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One-act Operas
A one-act play is a play that has only one act, as distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, ''Cyclops'', a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon.Francis M. Dunn. ''Tragedy's End: Closure and Innovation in Euripidean Drama''. Oxford University Press (1996). One act plays became more common in the 19th century and are now a standa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Jacques Offenbach
Jacques Offenbach (, also , , ; 20 June 18195 October 1880) was a German-born French composer, cellist and impresario of the Romantic music, Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera ''The Tales of Hoffmann''. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss Jr. and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. ''The Tales of Hoffmann'' remains part of the standard opera repertory. Born in Cologne, the son of a synagogue hazzan, cantor, Offenbach showed early musical talent. At the age of 14, he was accepted as a student at the Paris Conservatoire but found academic study unfulfilling and left after a year. From 1835 to 1855 he earned his living as a cellist, achieving international fame, and as a conductor. His ambition, however, was to compose comic piec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fontaine Des Innocents
The Fontaine des Innocents is a monumental public fountain located on the place Joachim-du-Bellay in the Les Halles district in the 1st arrondissement of Paris, France. Originally called the ''Fountain of the Nymphs'', it was constructed between 1547 and 1550 by architect Pierre Lescot and sculptor Jean Goujon in the new style of the French Renaissance. It is the oldest monumental fountain in Paris. History The fountain was commissioned as part of the decoration of the city to commemorate the solemn royal entry of King Henry II into Paris in 1549. Artists were commissioned to construct elaborate monuments, mostly temporary, along his route, from the Port Saint-Denis to the Palais de la Cité, passing by le Châtelet, the Pont Notre-Dame and the Cathedral. The fountain was placed on the site of an earlier fountain dating to the reign of Philip II of France, against the wall of the Saints Innocents Cemetery, at the corner of rue Saint Denis (where the King's procession pas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lise Tautin
Lise Tautin (born Louise Vaissière,Yon, Jean-Claude. ''Jacques Offenbach.'' Editions Gallimard, Paris, 2000. Yvetot in 1834, died Bologna, May 1874), was a French soprano, associated with the opéra-bouffe in Paris in the middle of the 19th century, particularly the works of Offenbach.Gänzl K. ''The Encyclopaedia of the Musical Theatre.'' Blackwell, Oxford, 1994. Life and career Having been spotted by Offenbach at the Grand Théâtre de Lyon, Tautin made her debut with the Bouffes-Parisiens as Aspasie in '' Une demoiselle en loterie'' in July 1857 and was a big success with critics and the audiences. She also sang Fanchette in '' Le mariage aux lanternes'' (1857), Crout-ou-pôt in ''Mesdames de la Halle'' (1858), Minette in ''La chatte métamorphosée en femme'' 1858 - her incarnation of both girl and cat was praised, and Eurydice in ''Orphée aux Enfers'' (1858 and 1860 revival), where her ‘Hymne a Bacchus’ was encored, or often sung three times at each performance. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edmond Duvernoy
Charles-Henri Edmond Duvernoy (16 June 184412 January 1927) was a French pianist, baritone and vocal teacher, from a family of musicians.Fétis F-J. ''Biographie universelle des musiciens.'' Paris, 1878. Life and career Edmond Duvernoy was born in Paris. He was taught initially by his father, Charles-François Duvernoy, then studied at the Paris Conservatoire. A fine pianist, he began to teach, then studied singing, joining the Opéra-Comique company. He made his stage debut as Mercutio in the first performance at the Opéra-Comique of Gounod's '' Roméo et Juliette'' on 20 January 1873. He also sang Moralès in the premiere of Bizet's ''Carmen'' in 1875; Bizet composed three versions of the ''mélodrame'' in Act 1 for Duvernoy. According to Malherbe, he had a relatively soft voice, but he used it with good taste, and with sufficient talent to enable him to become later one of the most esteemed vocal teachers.Soubies A, Malherbe C. ''Histoire de l'opéra comique — La seconde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Désiré (baritone)
Amable Courtecuisse (29 December 1823 – 7 September 1873), whose stage name was Désiré, was a French baritone, who is particularly remembered for creating many comic roles in the works of the French operetta composer Jacques Offenbach.Kutsch, K. J.; Riemens, Leo. ''Großes Sängerlexikon'' (fourth edition, in German), p. 1130. K. G. Saur, Munich, 2003. .Gänzl K. ''The Encyclopedia of the Musical Theatre.'' Blackwell, Oxford, 1994. . Life and career He was born in Lille or a nearby village of it, and studied the bassoon, singing, and declamation at the Lille Conservatory. His first appearances were at small theatres in Belgium and northern France beginning in 1845. In 1847, he arrived at the Théâtre Montmartre in Paris where he met Hervé. He asked Hervé to provide him with a musical sketch (drawn from Cervantes' novel ''Don Quixote''), in which the tall and thin Hervé as the Don was pitted against the short and plump Désiré as Sancho Pança. The sketch inspired wha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Léonce (actor)
Édouard-Théodore Nicole (1823 – 19 February 1900), known as Léonce, was a 19th-century French actor and singer. Biography Léonce was born in Paris. After studying law, he made his stage debut at the Théâtre de Belleville. He also played the cello. In the 1850s, he was engaged at the Théâtre des Bouffes-Parisiens by Jacques Offenbach and sang many roles in the works of Offenbach and Hervé. After some time at the Théâtre de l'Athenée, he played in the premieres of '' Tromb-al-ca-zar'', '' Croquefer'', ''Orphée aux Enfers'', ''Mesdames de la Halle'' and '' Monsieur Choufleuri''. For several years, he appeared at the Théâtre des Variétés including in ''Les brigands'', ''Le docteur Ox'', '' La Vie parisienne'' and ''La Périchole''. After an unwise investment in a café, he ended his life in poverty. He died at Raincy on 19 February 1900. Theatre ; Comedian-singer *1858: ''Mesdames de la Halle'', une opérette bouffe de Jacques Offenbach - created on 3 M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
