Melodic Major Scale
The Hindu scale (also known as the Aeolian dominant scale, Olympian Scale, Mixolydian 6 r 13 Aeolian major, and melodic major) is the fifth mode of the melodic minor scale. It is named such because its sound derives from having a dominant seventh chord on the tonic in the context of what is otherwise the Aeolian mode. It corresponds to Raga Charukeshi in Indian Classical music. This scale can also be obtained by raising the third degree of the natural minor scale or lowering the sixth degree of the mixolydian scale Mixolydian mode may refer to one of three things: the name applied to one of the ancient Greek ''harmoniai'' or ''tonoi'', based on a particular octave species or musical scale, scale; one of the medieval musical mode, church modes; or a modern m .... : The name ''melodic major'' also refers to the combined scale that proceeds as natural major ascending and as Aeolian dominant descending. : '' The Mask of Zorro'' song " I Want to Spend My Lifetime Lovi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Unison (music)
In music, unison is two or more musical parts that sound either the same pitch or pitches separated by intervals of one or more octaves, usually at the same time. ''Rhythmic unison'' is another term for homorhythm. Definition Unison or perfect unison (also called a prime, or perfect prime)Benward & Saker (2003), p. 53. may refer to the (pseudo-) interval formed by a tone and its duplication (in German, ''Unisono'', ''Einklang'', or ''Prime''), for example C–C, as differentiated from the second, C–D, etc. In the unison the two pitches have the ratio of 1:1 or 0 half steps and zero cents. Although two tones in unison are considered to be the same pitch, they are still perceivable as coming from separate sources, whether played on instruments of a different type: ; or of the same type: . This is because a pair of tones in unison come from different locations or can have different "colors" (timbres), i.e. come from different musical instruments or human voices. Voices with ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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YouTube
YouTube is a global online video platform, online video sharing and social media, social media platform headquartered in San Bruno, California. It was launched on February 14, 2005, by Steve Chen, Chad Hurley, and Jawed Karim. It is owned by Google, and is the List of most visited websites, second most visited website, after Google Search. YouTube has more than 2.5 billion monthly users who collectively watch more than one billion hours of videos each day. , videos were being uploaded at a rate of more than 500 hours of content per minute. In October 2006, YouTube was bought by Google for $1.65 billion. Google's ownership of YouTube expanded the site's business model, expanding from generating revenue from advertisements alone, to offering paid content such as movies and exclusive content produced by YouTube. It also offers YouTube Premium, a paid subscription option for watching content without ads. YouTube also approved creators to participate in Google's Google AdSens ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ramin Djawadi
Ramin Djawadi (, fa, رامین جوادی; born 19 July 1974) is an Iran, Iranian and Germans, German film score, score composer. He is known for his scores for the 2008 Marvel film ''Iron Man (2008 film), Iron Man'' and the HBO series ''Game of Thrones'', for which he was nominated for Grammy Awards in 2009, 2018 and 2020. He is also the composer for the HBO ''Game of Thrones'' prequel series, ''House of the Dragon'' (2022—present). He has scored films such as ''Clash of the Titans (2010 film), Clash of the Titans'', ''Pacific Rim (film), Pacific Rim'', ''Warcraft (film), Warcraft'', ''A Wrinkle in Time (2018 film), A Wrinkle in Time'' and ''Eternals (film), Eternals'', television series including ''Prison Break'', ''Person of Interest (TV series), Person of Interest'', ''Jack Ryan (TV series), Jack Ryan'', and ''Westworld (TV series), Westworld'', and video games such as ''Medal of Honor (2010 video game), Medal of Honor'', ''Gears of War 4'', and ''Gears 5''. He won two cons ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Season 2
Season 2 may refer to: * ''Season 2'' (Infinite album) * ''2econd Season ''2econd Season'' is the second and most recent album by Atlanta-based rapper Unk. Release It was released on November 4, 2008. Guest Performers The album features guest appearances by Sean Kingston, Ray J, Three 6 Mafia Three 6 Mafia is ...'' See also * {{disambig ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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James Horner
James Roy Horner (August 14, 1953 – June 22, 2015) was an American composer. He was known for the integration of choral and electronic elements, and for his frequent use of motifs associated with Celtic music. Horner's first film score was in 1979 for '' The Lady in Red'', but he did not establish himself as an eminent film composer until his work on the 1982 film '' Star Trek II: The Wrath of Khan''. His score for James Cameron's ''Titanic'' is the best-selling orchestral film soundtrack of all time. He also wrote the score for the highest-grossing film of all time, Cameron's ''Avatar''. Horner also scored other notable films including '' Star Trek III: The Search for Spock'' (1984), ''The Name of the Rose'' (1986), ''Aliens'' (1986), Willow (1988), ''Field of Dreams'' (1989), ''Honey, I Shrunk the Kids'' (1989), ''The Rocketeer'' (1991), '' Braveheart'' (1995), ''The Mask of Zorro'' (1998), '' Deep Impact'' (1998), '' A Beautiful Mind'' (2001) and ''The Amazing Spider-Man ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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I Want To Spend My Lifetime Loving You
"I Want to Spend My Lifetime Loving You" is a 1998 song written by James Horner and lyricist Will Jennings for the 1998 film ''The Mask of Zorro'', of which it is the main theme. For the film, the song was recorded by American singer Marc Anthony and Australian singer Tina Arena. Released as a single in Europe, the duet reached number three in France, number four in the Netherlands, number nine in Wallonia, and number 34 in Switzerland. At the 1999 ALMA Awards, it won Outstanding Performance of a Song for a Feature Film. Critical reception Larry Flick from ''Billboard'' wrote, "James Horner and Will Jennings, the writing team behind Celine Dion's "My Heart Will Go On", try to make a little more cinematic pop magic with the theme to ''"The Mask Of Zorro"''. Will it meet with similarly manic consumer response? Probably not. But it's a fine showcase for the lovely voices of Anthony and Arena (the latter is practically channeling Dion in her performance). The song has a grand Spanish ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Mask Of Zorro
''The Mask of Zorro'' is a 1998 American swashbuckler film based on the character of the masked vigilante Zorro created by Johnston McCulley. It was directed by Martin Campbell and stars Antonio Banderas, Anthony Hopkins, Catherine Zeta-Jones, and Stuart Wilson (actor), Stuart Wilson. The film features the original Zorro, Don Diego de la Vega (Hopkins), escaping from prison to find his long-lost daughter (Zeta-Jones) and avenge the death of his wife at the hands of the corrupt governor Rafael Montero (Wilson). He is aided by his successor (Banderas), who is pursuing his own vendetta against the governor's right-hand man while falling in love with de la Vega's daughter. Executive producer Steven Spielberg had initially developed the film for TriStar Pictures with directors Mikael Salomon and Robert Rodriguez, before Campbell signed on in 1996. Salomon cast Sean Connery as Don Diego de la Vega, while Rodriguez brought Banderas in the lead role. Connery dropped out and was repl ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Natural Minor Scale
In music theory, the minor scale is three scale patterns – the natural minor scale (or Aeolian mode), the harmonic minor scale, and the melodic minor scale (ascending or descending) – rather than just two as with the major scale, which also has a harmonic form but lacks a melodic form. In each of these scales, the first, third, and fifth scale degrees form a minor triad (rather than a major triad, as in a major scale). In some contexts, ''minor scale'' is used to refer to any heptatonic scale with this property (see Related modes below). Natural minor scale Relationship to relative major A natural minor scale (or Aeolian mode) is a diatonic scale that is built by starting on the sixth degree of its relative major scale. For instance, the A natural minor scale can be built by starting on the 6th degree of the C major scale: : Because of this, the key of A minor is called the ''relative minor'' of C major. Every major key has a relative minor, which starts on ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Charukesi
Charukesi (pronounced chārukēśi) is a rāga in Carnatic music (musical scale of South Indian classical music). It is the 26th ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Tarangini in Muthuswami Dikshitar school of Carnatic music. ''Charukesi'' is known to incite feelings of pathos and devotion in the listener. Structure and Lakshana It is the 2nd rāgam in the 5th ''chakra Bana''. The mnemonic name is ''Bana-Sri''. The mnemonic phrase is ''sa ri gu ma pa dha ni''.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications Its structure (ascending and descending scale) is as follows (see '' swaras in Carnatic music'' for details on below notation and terms): * : * : (''chathusruthi rishabham, anthara gandharam, shuddha madhyamam, shuddha dhaivatham, kaisiki nishadham'') It is a ''sampoorna'' rāgam - a rāgam that has all seven ''swaras'' (notes). It is the ''shuddha madhyamam'' equivalent of ''Rish ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Aeolian Mode
The Aeolian mode is a musical mode or, in modern usage, a diatonic scale also called the natural minor scale. On the white piano keys, it is the scale that starts with A. Its ascending interval form consists of a ''key note, whole step, half step, whole step, whole step, half step, whole step, whole step.'' That means that, in A aeolian (or A minor), you would play A, move up a whole step (two piano keys) to B, move up a half step (one piano key) to C, then up a whole step to D, a whole step to E, a half step to F, a whole step to G, and a final whole step to a high A. : History The word ''Aeolian'', like the names for the other ancient Greek ''tonoi'' and ''harmoniai'', is an ethnic designation: in this case, for the inhabitants of Aeolis (Αἰολίς)—the Aeolian Islands and adjacent coastal district of Asia Minor. In the music theory of ancient Greece, it was an alternative name (used by some later writers, such as Cleonides) for what Aristoxenus called the Low Lydian '' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dominant Seventh Chord
In music theory, a dominant seventh chord, or major minor seventh chord, is a seventh chord, usually built on the fifth degree of the major scale, and composed of a root, major third, perfect fifth, and minor seventh. Thus it is a major triad together with a minor seventh, denoted by the letter name of the chord root and a superscript "7". An example is the dominant seventh chord built on G, written as G7, having pitches G–B–D–F: : Dominant seventh chords contain a strong dissonance – a tritone between the chord's third and seventh. Dominant seventh chords are often built on the fifth scale degree (or dominant) of a key. For instance, in the C major scale, G is the fifth note of the scale, and the seventh chord built on G is the dominant seventh chord, G7 (shown above). In this chord, F is a minor seventh above G. In Roman numeral analysis, G7 would be represented as V7 in the key of C major. Similarly, this chord also occurs on the seventh degree of any natural ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Melodic Minor Scale
In music theory, the minor scale is three scale patterns – the natural minor scale (or Aeolian mode), the harmonic minor scale, and the melodic minor scale (ascending or descending) – rather than just two as with the major scale, which also has a harmonic form but lacks a melodic form. In each of these scales, the first, third, and fifth scale degrees form a minor triad (rather than a major triad, as in a major scale). In some contexts, ''minor scale'' is used to refer to any heptatonic scale with this property (see Related modes below). Natural minor scale Relationship to relative major A natural minor scale (or Aeolian mode) is a diatonic scale that is built by starting on the sixth degree of its relative major scale. For instance, the A natural minor scale can be built by starting on the 6th degree of the C major scale: : Because of this, the key of A minor is called the ''relative minor'' of C major. Every major key has a relative minor, which starts on ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |