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Meliore Di Jacopo
Meliore di Jacopo ( fl. 1255-1285) was a Medieval Italian painter from Florence. Biography The first certain reference to him is from 1260, when he appears as "Megliore dipintore" in a list of Florentine citizens who participated in the Battle of Montaperti. His youthful works date from c.125o to 1260. They include a "Madonna and Child" from a church in Panzano (Greve in Chianti), the "Stoclet Madonna" in the Adolphe Stoclet collection and the "Madonna and Child" at the Art Institute of Chicago. Most of his works are influenced by the geometric stylization of the Master of the Bigallo Crucifix. His later works are grouped around a key work that was signed and dated in 1271; an altarpiece, preserved in the Uffizi, which depicts Christ, the Virgin, Saint Peter, Saint Paul and Saint John the Evangelist. It represents a stylistic departure that is reminiscent of Cimabue. Dated sometime between 1270 and 1275 is a "Madonna and Child with Two Angels"; originally at the church of San ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meliore Tavarnelle
Meliore di Jacopo (fl. 1255-1285) was a Medieval Italian painter from Florence. Biography The first certain reference to him is from 1260, when he appears as "Megliore dipintore" in a list of Florentine citizens who participated in the Battle of Montaperti. His youthful works date from c.125o to 1260. They include a "Madonna and Child" from a church in Panzano (Greve in Chianti), the "Stoclet Madonna" in the Adolphe Stoclet collection and the "Madonna and Child" at the Art Institute of Chicago. Most of his works are influenced by the geometric stylization of the Master of the Bigallo Crucifix. His later works are grouped around a key work that was signed and dated in 1271; an altarpiece, preserved in the Uffizi, which depicts Christ, the Virgin, Saint Peter, Saint Paul and Saint John the Evangelist. It represents a stylistic departure that is reminiscent of Cimabue. Dated sometime between 1270 and 1275 is a "Madonna and Child with Two Angels"; originally at the church of S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Certaldo
Certaldo is a town and ''comune'' of Tuscany, Italy, in the Metropolitan City of Florence, in the middle of Valdelsa. It is about southwest of the Florence Duomo. It is 50 minutes by rail and 35 minutes by car southwest of Florence, and it is 40 minutes by rail north of Siena. It was home to the family of Giovanni Boccaccio, author of the ''Decameron'', who died at his home in Certaldo and was buried there in 1375. The actor Ernesto Calindri was born in Certaldo. Geography The town of Certaldo is divided into upper and lower parts. The lower part is called Certaldo Basso, whilst the medieval upper part is called Certaldo Alto. Certaldo Alto has limited vehicular access, for use by residents only. Visitors can park outside the walls or in the lower part and go to Certaldo Alto by the Certaldo funicular. History Etruscan-Roman period Certaldo had Etruscan-Roman origins, as shown by the numerous archaeological finds that are scattered around the city's territory, including c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painters From Florence
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
13th-century Italian Painters
The 13th century was the century which lasted from January 1, 1201 ( MCCI) through December 31, 1300 ( MCCC) in accordance with the Julian calendar. The Mongol Empire was founded by Genghis Khan, which stretched from Eastern Asia to Eastern Europe. The conquests of Hulagu Khan and other Mongol invasions changed the course of the Muslim world, most notably the Siege of Baghdad (1258), the destruction of the House of Wisdom and the weakening of the Mamluks and Rums which, according to historians, caused the decline of the Islamic Golden Age. Other Muslim powers such as the Mali Empire and Delhi Sultanate conquered large parts of West Africa and the Indian subcontinent, while Buddhism witnessed a decline through the conquest led by Bakhtiyar Khilji. The Southern Song dynasty would begin the century as a prosperous kingdom but would eventually be invaded and annexed into the Yuan dynasty of the Mongols. The Kamakura Shogunate of Japan would be invaded by the Mongols. Goryeo resiste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roberto Longhi
Roberto Longhi (28 December 1890 – 3 June 1970) was an Italian academic, art historian, and curator. The main subjects of his studies were the painters Caravaggio and Piero della Francesca. Early life and career Longhi was born in December 1890 in Alba in Piedmont. His parents were from Emilia. He studied with Pietro Toesca, in Turin, and Adolfo Venturi in Rome. The latter made him book reviews editor of the journal ''L'Arte'' in 1914. Between 1913 and 1917, Longhi, primarily an essayist, published text in ''L'Arte'' and ''La Voce'' on Mattia Preti, Piero della Francesca, Orazio Borgianni and Orazio Gentileschi. Over the course of his career Longhi developed a fascination with Caravaggio and his followers. his book ''Quesiti caravaggeschi'' uestions on Caravaggio(1928–34), was followed by ''Ultimi studi caravaggeschi'' atest Caravaggio studies(1943). In 1951, Longhi curated a ground-breaking exhibition on Caravaggio at the Royal Palace in Milan, ''Mostra di Caravaggio e dei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Notname
In art history, a ''Notname'' (, "necessity-name" or "contingency-name") is an invented name given to an artist whose identity has been lost. The practice arose from the need to give such artists and their typically untitled, or generically titled works, an acceptable if unsatisfactory grouping, avoiding confusion when cataloging. The phrases provisional name, name of convenience and emergency names are sometimes used to describe anonymous masters; nonce name was at one time used. The practice of using generic names for unidentified artists is most common in the study of art of the antiquity, especially of the Roman era or with artists of the Northern Renaissance until about 1430. Typically a pseudonym is applied after commonality is established for a grouping of works, of which a similarity of theme, style, iconography, biblical source or physical location can probably be attributed to one individual or workshop, but because of lack of surviving documentary record, the name of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Maria Maggiore, Florence
Santa Maria Maggiore di Firenze is a Romanesque and Gothic-style, Roman Catholic church in Florence, region of Tuscany, Italy. This is among the oldest extant churches in Florence. History The church was originally constructed in the 11th century and underwent extensive renovations to the facade and sides in the 13th century. The original church existed as early as the 8th century, and is first documented in 931. The legend assigning its foundation to Pope Pelagius II in 580 A.D. is not reliable. In 1176 it obtained the status of collegiate church and was one of Florence's priories. The church subsequently expanded its possessions and in 1183 it was put under papal direct protection by Lucius III in 1186, which it kept in the following century. Acquired by the Cistercians, in the 13th century the church was rebuilt (with the exception of the original external walls and the vaults) in Gothic style. Giorgio Vasari mentions one "Master Buono" as the designer of the new edifice; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coppo Di Marcovaldo
Coppo di Marcovaldo (c. 1225 – c. 1276) was a Florentine painter in the Italo-Byzantine style, active in the middle of the thirteenth century, whose fusion of both the Italian and Byzantine art, Byzantine styles had great influence on generations of Italian artists. Biography Coppo di Marcovaldo is one of the better-known Duecento artists and is the first Florence, Florentine artist whose name and works are well documented. One of the earliest references to Coppo is found in the Book of Montaperti where his name is listed amongst Florentines soldiers for the war with Siena, which ended at the Battle of Montaperti on September 4, 1260. It is speculated by many historians that Coppo was taken prisoner by the Sienese where he was then held at the church of Santa Maria dei Servi (Siena), Santa Maria dei Servi. It was here in 1261 that he painted his most famous work The ''Madonna del Bordone'' for the order of the Servites. Assumed to be a prisoner of war, the question is r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tavarnelle Val Di Pesa
Tavarnelle Val di Pesa is a former ''comune'' (municipality) and since 2019 a ''frazione'' of Barberino Tavarnelle in the Metropolitan City of Florence in the Italian region Tuscany. It is located about south of Florence. Sights The main attraction of the territory of Tavarnelle is the Badia di Passignano (Abbey of Passignano), a monastery existing from the High Middle Ages. Other sights include: *Church of ''Santa Lucia al Borghetto'', part of a Franciscan monastery known from 1260. The church is an example of Gothic architecture. *Gothic church of ''Madonna della Neve'', with 14th-15th-century frescoes. *Church of ''Santa Maria del Carmine al Morrocco'' (15th century) *Sanctuary of ''Santa Maria delle Grazie a Pietracupa'', founded in 1596, with a Madonna image frescoed by Paolo Schiavo. *''Pieve'' of ''San Pietro in Bossolo'', a Romanesque church known from 990, housing works from Roman, Byzantine and Florentine schools. *Villa di Spoiano, renaissance villa between Tavarnel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museum Of Religious Art (Tavarnelle Val Di Pesa)
A museum ( ; plural museums or, rarely, musea) is a building or institution that cares for and displays a collection of artifacts and other objects of artistic, cultural, historical, or scientific importance. Many public museums make these items available for public viewing through exhibits that may be permanent or temporary. The largest museums are located in major cities throughout the world, while thousands of local museums exist in smaller cities, towns, and rural areas. Museums have varying aims, ranging from the conservation and documentation of their collection, serving researchers and specialists, to catering to the general public. The goal of serving researchers is not only scientific, but intended to serve the general public. There are many types of museums, including art museums, natural history museums, science museums, war museums, and children's museums. According to the International Council of Museums (ICOM), there are more than 55,000 museums in 202 countr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giotto
Giotto di Bondone (; – January 8, 1337), known mononymously as Giotto ( , ) and Latinised as Giottus, was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic/Proto-Renaissance period. Giotto's contemporary, the banker and chronicler Giovanni Villani, wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature" and of his publicly recognized "talent and excellence".Bartlett, Kenneth R. (1992). ''The Civilization of the Italian Renaissance''. Toronto: D.C. Heath and Company. (Paperback). p. 37. Giorgio Vasari described Giotto as making a decisive break with the prevalent Byzantine style and as initiating "the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years".Giorgio Vasari, ''Lives of the Artists'', trans. George Bull, Penguin Classics, (196 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museum Of Religious Art (Certaldo)
The Museum of Religious Art' (''Museo di Arte Sacra'') is an art gallery and museum in Certaldo, opened in 2001 and (with the Palazzo Pretorio and the House of Giovanni Boccaccio) one of the town's three museums. It is based on the site of a former Augustinian monastery in the medieval upper town its entrance is the next-door cloister of the church of Santi Jacopo e Filippo. History Nelle sette sale del museo sono raccolte le opere provenienti dalle chiese comprese nel territorio del vicariato ecclesiastico di Certaldo. Il museo di arte sacra era in origine un convento agostiniano del quattrocento. Accuratamente restaurato per adibito a museo, è stato inaugurato nel giugno del 2001, parte di un circuito di centri espositivi della Valdelsa e di musei vicariali sorti nell'area fiorentina con il fine di aggregare beni culturali religiosi sparsi nel territorio che, per ragioni di sicurezza e custodia, non possono essere conservati nelle sedi di origine e che trovano perciò asset ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
