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Melanija Bugarinović
Melanija Bugarinović ( sr-Cyrl, Меланија Бугариновић; 29 June 1905 – 8 May 1986) was a Serbian operatic mezzo-soprano. A prominent member of the Belgrade National Opera during the mid-twentienth century, Bugarinović is remembered for her rich, dark voice as well as being the first Serbian woman both to receive a permanent engagement with the Vienna State Opera and to perform at Germany's famous Bayreuth Festival. Early life and career Born in Bela Crkva, Bugarinović began singing at the age of six in her church and school choir. She studied voice and piano in Timișoara and there gave birth to her daughter, Mirjana Kalinović-Kalin, who would also become an opera singer. After supporting herself by performing in local choirs and operetta productions, Bugarinović moved to Belgrade in 1930 and, a month later, secured a position with the Belgrade National Opera. Only a year after her engagement with the National Theatre, she graduated to leading roles with t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serbs
The Serbs ( sr-Cyr, Срби, Srbi, ) are a South Slavs, South Slavic ethnic group native to Southeastern Europe who share a common Serbian Cultural heritage, ancestry, Culture of Serbia, culture, History of Serbia, history, and Serbian language, language. They primarily live in Serbia, Kosovo, Bosnia and Herzegovina, Croatia, Montenegro as well as in North Macedonia, Slovenia, Germany and Austria. They also constitute a significant diaspora with several communities across Europe, the Americas and Oceania. The Serbs share many cultural traits with the rest of the peoples of Southeast Europe. They are predominantly Eastern Orthodoxy, Eastern Orthodox Christians by religion. The Serbian language, Serbian language (a standardized version of Serbo-Croatian) is official in Serbia, co-official in Kosovo and Bosnia and Herzegovina, and is spoken by the plurality in Montenegro. Ethnology The identity of Serbs is rooted in Eastern Orthodoxy and traditions. In the 19th century, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salome (opera)
''Salome'', Op. 54, is an opera in one act by Richard Strauss. The libretto is Hedwig Lachmann's German translation of the 1891 French play '' Salomé'' by Oscar Wilde, edited by the composer. Strauss dedicated the opera to his friend Sir Edgar Speyer. The opera is famous (at the time of its premiere, infamous) for its " Dance of the Seven Veils". The final scene is frequently heard as a concert-piece for dramatic sopranos. Composition history Oscar Wilde originally wrote his ''Salomé'' in French. Strauss saw the Lachmann version of the play in Max Reinhardt's production at the Kleines Theater in Berlin on 15 November 1902, and immediately set to work on an opera. The play's formal structure was well-suited to musical adaptation. Wilde himself described ''Salomé'' as containing "refrains whose recurring ''motifs'' make it so like a piece of music and bind it together as a ballad". Strauss pared down Lachmann's German text to what he saw as its essentials, and in the proc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
EMI Records
EMI Records (formerly EMI Records Ltd.) is a British multinational record label owned by Universal Music Group. It was originally founded as a British flagship label by the music company EMI in 1972, and launched in January 1973 as the successor to its Columbia Graphophone Company, Columbia and Parlophone record labels. The label was later launched worldwide. It has a branch in India called EMI Records India, run by director Mohit Suri. In 2014, Universal Music Japan revived the label in Japan as the successor to EMI Records Japan. In June 2020, Universal revived the label as the successor to Virgin EMI, with Virgin Records now operating as an imprint of EMI Records. In February 2024, UMG Philippines relaunched EMI as a successor to PolyEast Records, the former EMI Philippines label after 22 years. History An EMI Records Ltd. legal entity was created in 1956 as the record manufacturing and distribution arm of EMI in the UK. It oversaw EMI's various labels, including Gramophon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Life For The Tsar
''A Life for the Tsar'' ( ) is a "patriotic-heroic tragic" opera in four acts with an epilogue by Mikhail Glinka. During the Soviet era the opera was known under the name '' Ivan Susanin'' ( ), due to the anti-monarchist censorship. The original Russian libretto, based on historical events, was written by Nestor Kukolnik, Egor Fyodorovich (von) Rozen, Vladimir Sollogub and Vasily Zhukovsky. It premiered on 27 November 1836 OS (9 December NS) at the Bolshoi Kamenny Theatre in Saint Petersburg. The historical basis of the plot involves Ivan Susanin, a patriotic hero of the early 17th century who died in the expulsion of the invading Polish army for the newly elected Tsar Michael of Russia, the first of the Romanov dynasty, elected in 1613. History Composition history The plot of ''A Life for the Tsar'' had been used earlier in 1815, when Catterino Cavos, an Italian-Russian composer, had written a two-act singspiel with the same subject and title. The original title of the ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mikhail Glinka
Mikhail Ivanovich Glinka ( rus, links=no, Михаил Иванович Глинка, Mikhail Ivanovich Glinka, mʲɪxɐˈil ɨˈvanəvʲɪdʑ ˈɡlʲinkə, Ru-Mikhail-Ivanovich-Glinka.ogg; ) was the first Russian composer to gain wide recognition within his own country and is often regarded as the fountainhead of Russian classical music. His compositions were an important influence on other Russian composers, notably the members of The Five, who produced a distinctive Russian style of music. Early life and education Glinka was born in the village of Novospasskoye, not far from the Desna River in the Smolensk Governorate of the Russian Empire (now in the Yelninsky District of the Smolensk Oblast). His wealthy father had retired as an army captain, and the family had a strong tradition of loyalty and service to the tsars, and several members of his extended family had lively cultural interests. His great-great-grandfather was a Polish–Lithuanian Commonwealth nobleman, Wikt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugene Onegin (opera)
''Eugene Onegin'' (, ), Op. 24, is an opera (designated as "lyrical scenes") in 3 acts (7 scenes), composed by Pyotr Ilyich Tchaikovsky. The libretto, organised by the composer himself, very closely follows certain passages in Alexander Pushkin's 1825–1832 novel in verse, retaining much of his poetry. Tchaikovsky's friend Konstantin Shilovsky contributed M. Triquet's verses in Act 2, Scene 1, while Tchaikovsky himself arranged the text for Lensky's arioso in Act 1, Scene 1, and almost all of Prince Gremin's aria in Act 3, Scene 1. ''Eugene Onegin'' is a well-known example of lyric opera, to which Tchaikovsky added music of a dramatic nature. The story concerns a selfish hero who lives to regret his blasé rejection of a young woman's love and his careless incitement of a fatal duel with his best friend. The opera was first performed in Moscow in 1879. There are several recordings of it, and it is regularly performed. The work's title refers to the protagonist. Composition ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Queen Of Spades (opera)
''The Queen of Spades'' or ''Pique Dame'', Op. 68 (, ''Pikovaya dama'' , ) is an opera in three acts (seven scenes) by Pyotr Ilyich Tchaikovsky to a Russian libretto by the composer's brother Modest Tchaikovsky, based on the 1834 novella of the same name by Alexander Pushkin, but with a dramatically altered plot. The premiere took place in 1890 at the Mariinsky Theatre in Saint Petersburg, Russia. Composition history The Imperial Theatre offered Tchaikovsky a commission to write an opera based on the plot sketch by Ivan Vsevolozhsky in 1887/88. After first turning it down, Tchaikovsky accepted it in 1889. Toward the end of that year, he met the theatre's managers to discuss the material and sketch out some of the scenes. He completed the full score in Florence in only 44 days. Later, working with the tenor who was to perform the lead character, he created two versions of Herman's aria in the seventh scene, using different keys. The changes can be found in the proof sheets and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky ( ; 7 May 1840 – 6 November 1893) was a Russian composer during the Romantic period. He was the first Russian composer whose music made a lasting impression internationally. Tchaikovsky wrote some of the most popular concert and theatrical music in the classical repertoire, including the ballets '' Swan Lake'' and ''The Nutcracker'', the '' 1812 Overture'', his First Piano Concerto, Violin Concerto, the ''Romeo and Juliet'' Overture-Fantasy, several symphonies, and the opera ''Eugene Onegin''. Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no public music education system. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching Tchaikovsky received there set him apart from composers of the contemporary nationalist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prince Igor
''Prince Igor'' (, ) is an opera in four acts with a prologue, written and composed by Alexander Borodin. The composer adapted the libretto from the early Russian epic '' The Lay of Igor's Host'', which recounts the campaign of the 12th-century prince Igor Svyatoslavich against the invading Cuman ("Polovtsian") tribes in 1185. He also incorporated material drawn from two medieval Kievan chronicles. The opera was left unfinished upon the composer's death in 1887 and was edited and completed by Nikolai Rimsky-Korsakov and Alexander Glazunov. It was first performed in St. Petersburg, Russia, in 1890. Composition history Original composition: 1869–1887 After briefly considering Lev Mei's ''The Tsar's Bride'' as a subject (later taken up in 1898 by Nikolai Rimsky-Korsakov, his 9th opera), Borodin began looking for a new project for his first opera. Vladimir Stasov, critic and advisor to The Mighty Handful, suggested '' The Lay of Igor's Host'', a 12th century epic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Borodin
Alexander Porfiryevich Borodin (12 November 183327 February 1887) was a Russian Romantic composer and chemist of Georgian–Russian parentage. He was one of the prominent 19th-century composers known as " The Five", a group dedicated to producing a "uniquely Russian" kind of classical music. Abraham, Gerald. ''Borodin: the Composer and his Music''. London, 1927. Borodin is known best for his symphonies, his two string quartets, the symphonic poem '' In the Steppes of Central Asia'' and his opera '' Prince Igor''. A doctor and chemist by profession and training, Borodin made important early contributions to organic chemistry. Although he is presently known better as a composer, he regarded medicine and science as his primary occupations, only practising music and composition in his spare time or when he was ill. As a chemist, Borodin is known best for his work concerning organic synthesis, including being among the first chemists to demonstrate nucleophilic substitution, as w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khovanshchina
''Khovanshchina'' ( rus, Хованщина, , xɐˈvanʲɕːɪnə, Ru-Khovanshchina_version.ogg, sometimes rendered ''The Khovansky Affair'') is an opera (subtitled a 'national music drama') in five acts by Modest Mussorgsky. The work was written between 1872 and 1880 in St. Petersburg, Russia. The composer wrote the libretto based on historical sources. The opera was almost finished in piano score when the composer died in 1881, but the orchestration was almost entirely lacking. Like Mussorgsky's earlier ''Boris Godunov (opera), Boris Godunov'', ''Khovanshchina'' deals with an episode in Russian history, first brought to the composer's attention by his friend the critic Vladimir Stasov. It concerns the rebellion of Ivan Andreyevich Khovansky (Tararui), Prince Ivan Khovansky, the Old Believers, and the Muscovite Streltsy against the regent Sofia Alekseyevna of Russia, Sofia Alekseyevna and the two young Tsars Peter I of Russia, Peter the Great and Ivan V of Russia, Ivan V, who w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boris Godunov (opera)
''Boris Godunov'' ( ) is an opera by Modest Mussorgsky (1839–1881). The work was composed between 1868 and 1873 in Saint Petersburg, Russia. It is Mussorgsky's only completed opera and is considered his masterpiece. Its subjects are the List of Russian rulers, Russian ruler Boris Godunov, who reigned as Tsar (1598 to 1605) during the Time of Troubles, and his nemesis (mythology), nemesis, the False Dmitriy I, False Dmitriy (reigned 1605 to 1606). The Russian-language libretto was written by the composer, and is based on the 1825 drama ''Boris Godunov (play), Boris Godunov'' by Alexander Pushkin, Aleksandr Pushkin, and, in the Revised Version of 1872, on Nikolay Karamzin's ''History of the Russian State''. Among major operas, ''Boris Godunov'' shares with Giuseppe Verdi's ''Don Carlos'' (1867) the distinction of having an extremely complex creative history, as well as a great wealth of alternative material. The composer created two versions—the Original Version of 1869, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
