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Mel Zabarsky
Melvin Joel Zabarsky (1932–2019) was an American figurative painter who created representational work in the narrative tradition. Known for a bright, bold palette, his work often explores political, historical and cultural themes to surreal and realist effect. In a six-decade career marked by several distinct phases, Zabarsky's imaginative use of color, formal experimentation and commitment to narrative organization in both traditional and avant garde styles are hallmarks of his work. In an interview with the British philosophers Donald and Monica Skilling, he said, "I'm discovering history, or a narrative, within a painting, as I go along." That sensibility is in keeping with what ''Boston Globe'' critic Robert Taylor defined as "urban, Jewish, introverted and lyrical," which he credits to the artists championed by art dealer Boris Mirski, Boston's leading gallerist from 1944 to 1979, and his NYC counterpart, Edith Halpert of the Downtown Gallery. This group included Zabars ...
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Joyce Reopel
Joyce Reopel (1933–2019) was an American painter, draughtswoman and sculptor who worked in pencil, aquatint, silver- and goldpoint, and an array of old master media. A Boris Mirski Gallery veteran, from 1959–1966, she was known for her refined skills and virtuosity. She was also one of very few women in the early group of Boston artists that included fellow artist and husband Mel Zabarsky, Hyman Bloom, Barbara Swan, Jack Levine, Marianna Pineda, Harold Tovish and others who helped overcome Boston's conservative distaste for the avant-garde, occasionally female, and often Jewish artists later classified as Boston expressionists. Unique to New England, Boston Expressionism has had lasting national and local influence, and is now in its third generation. Work Known for her finely wrought detail and lush sensuality, ''New York'' Magazine called Reopel "an artisan as well as an artist," while praising her renderings of the figure because " e artist seems consistently to searc ...
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Ruskin School Of Drawing And Fine Art
The Ruskin School of Art, known as the Ruskin, is an art school at the University of Oxford, England. It is part of Oxford's Humanities Division. History The Ruskin grew out the Oxford School of Art, which was founded in 1865 and later became Oxford Brookes University. It was headed by Alexander Macdonald and housed in the University Galleries (subsequently the Ashmolean Museum of Art and Archaeology).Bodleian LibraryRuskin School of Drawing and Fine Art In 1869 John Ruskin was appointed Slade Professor of Fine Art at Oxford. Critical of the teaching methods at the Oxford School of Art, he set out to found the Ruskin School of Drawing in 1871 in the same, but restructured, premises. Macdonald was also retained as its head and became, therefore, the first ''Ruskin Master'' until his death in 1921. It was renamed to Ruskin School of Drawing and Fine Art in 1945, and to Ruskin School of Art in 2014. The Ruskin remained at the Ashmolean until 1975 when it moved to 74 High Stree ...
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Ernest Hemingway
Ernest Miller Hemingway (July 21, 1899 – July 2, 1961) was an American novelist, short-story writer, and journalist. His economical and understated style—which he termed the iceberg theory—had a strong influence on 20th-century fiction, while his adventurous lifestyle and public image brought him admiration from later generations. Hemingway produced most of his work between the mid-1920s and the mid-1950s, and he was awarded the 1954 Nobel Prize in Literature. He published seven novels, six short-story collections, and two nonfiction works. Three of his novels, four short-story collections, and three nonfiction works were published posthumously. Many of his works are considered classics of American literature. Hemingway was raised in Oak Park, Illinois. After high school, he was a reporter for a few months for ''The Kansas City Star'' before leaving for the Italian Front (World War I), Italian Front to enlist as an ambulance driver in World War I. In 1918, he was se ...
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Collage
Collage (, from the french: coller, "to glue" or "to stick together";) is a technique of art creation, primarily used in the visual arts, but in music too, by which art results from an assemblage of different forms, thus creating a new whole. (Compare with pastiche, which is a "pasting" together.) A collage may sometimes include magazine and newspaper clippings, ribbons, paint, bits of colored or handmade papers, portions of other artwork or texts, photographs and other found objects, glued to a piece of paper or canvas. The origins of collage can be traced back hundreds of years, but this technique made a dramatic reappearance in the early 20th century as an art form of novelty. The term ''Papier collé'' was coined by both Georges Braque and Pablo Picasso in the beginning of the 20th century when collage became a distinctive part of modern art. History Early precedents Techniques of collage were first used at the time of the invention of paper in China, around 20 ...
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Absurdism
Absurdism is the philosophical theory that existence in general is absurd. This implies that the world lacks Meaning of life, meaning or a higher purpose and is not fully intelligible by reason. The term "absurd" also has a more specific sense in the context of absurdism: it refers to a conflict or a discrepancy between two things but there are several disagreements about their exact nature. These disagreements have various consequences for whether absurdism is true and for the arguments cited in favor and against it. Popular accounts characterize the conflict as a collision between Rationality, rational man and an irrational universe, between intention and outcome, or between subjective assessment and objective worth. An important aspect of absurdism is its claim that the world ''as a whole'' is absurd. It differs in this regard from the uncontroversial and less global thesis that some ''particular'' situations, persons, or phases in life are absurd. Various components of the ...
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Dada
Dada () or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in Zürich, Switzerland, at the Cabaret Voltaire (Zurich), Cabaret Voltaire (in 1916). New York Dada began c. 1915, and after 1920 Dada flourished in Paris. Dadaist activities lasted until the mid 1920s. Developed in reaction to World War I, the Dada movement consisted of artists who rejected the logic, reason, and aestheticism of modern capitalist society, instead expressing nonsense, irrationality, and anti-bourgeois protest in their works. The art of the movement spanned visual, literary, and sound media, including collage, sound poetry, cut-up technique, cut-up writing, and sculpture. Dadaist artists expressed their discontent toward violence, war, and nationalism, and maintained political affinities with Radical politics, radical left-wing and far-left politics. There is no consensus on the origin of the movement's name; a common story is that the German artis ...
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Still Life
A still life (plural: still lifes) is a work of art depicting mostly wikt:inanimate, inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or artificiality, man-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.). With origins in the Middle Ages and Ancient Greco-Roman art, still-life painting emerged as a distinct genre and professional specialization in Western painting by the late 16th century, and has remained significant since then. One advantage of the still-life artform is that it allows an artist much freedom to experiment with the arrangement of elements within a composition of a painting. Still life, as a particular genre, began with Netherlandish art, Netherlandish painting of the 16th and 17th centuries, and the English term ''still life'' derives from the Dutch word ''stilleven''. Early still-life paintings, particularly before 1700, often contained religious and al ...
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Young Hare
''Young Hare'' (german: Feldhase) is a 1502 watercolor painting, watercolour and gouache, bodycolour painting by German artist Albrecht Dürer. Painted in 1502 in his workshop, it is acknowledged as a masterpiece of observational art alongside his ''Great Piece of Turf'' from the following year. The subject is rendered with almost photographic accuracy, and although the piece is normally given the title ''Young Hare'', the portrait is sufficiently detailed for the hare to be identified as a mature specimen — the German title translates as "Field Hare" and the work is often referred to in English as the ''Hare'' or ''Wild Hare''. The subject was particularly challenging: the hare's fur lay in different directions and the animal was mottled with lighter and darker patches all over, Dürer had to adapt the standard conventions of shading to indicate the outline of the subject by the fall of light across the figure. Despite the technical challenges presented in rendering the appe ...
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Jimmy Hoffa
James Riddle Hoffa (born February 14, 1913 – disappeared July 30, 1975; declared dead July 30, 1982) was an American labor union leader who served as the president of the International Brotherhood of Teamsters (IBT) from 1957 until 1971. From an early age, Hoffa was a union activist, and he became an important regional figure with the IBT by his mid-twenties. By 1952, he was the national vice-president of the IBT and between 1957 and 1971 he was its general president. He secured the first national agreement for teamsters' rates in 1964 with the National Master Freight Agreement. He played a major role in the growth and the development of the union, which eventually became the largest by membership in the United States, with over 2.3 million members at its peak, during his terms as its leader. Hoffa became involved with organized crime from the early years of his Teamsters work, a connection that continued until his disappearance in 1975. He was convicted of jury tampering, ...
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Paul Robeson
Paul Leroy Robeson ( ; April 9, 1898 – January 23, 1976) was an American bass-baritone concert artist, stage and film actor, professional football player, and activist who became famous both for his cultural accomplishments and for his political stances. In 1915, Robeson won an academic scholarship to Rutgers College. While at Rutgers, he was twice named a consensus All-American in football and was the class valedictorian. He received his LL.B. from Columbia Law School while playing in the National Football League (NFL). After graduation, he became a figure in the Harlem Renaissance with performances in ''The Emperor Jones'' and '' All God's Chillun Got Wings''. Robeson performed in Britain in a touring melodrama, ''Voodoo'', in 1922, and in ''Emperor Jones'' in 1925. In 1928, he scored a major success in the London premiere of ''Show Boat''. Living in London for several years with his wife Eslanda, Robeson continued to establish himself as a concert artist and starred ...
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Che Guevara
Ernesto Che Guevara (; 14 June 1928The date of birth recorded on /upload.wikimedia.org/wikipedia/commons/7/78/Ernesto_Guevara_Acta_de_Nacimiento.jpg his birth certificatewas 14 June 1928, although one tertiary source, (Julia Constenla, quoted by Jon Lee Anderson), asserts that he was actually born on 14 May of that year. Constenla alleges that she was told by Che's mother, Celia de la Serna, that she was already pregnant when she and Ernesto Guevara Lynch were married and that the date on the birth certificate of their son was forged to make it appear that he was born a month later than the actual date to avoid scandal. ( Anderson 1997, pp. 3, 769.) – 9 October 1967) was an Argentine Marxist revolutionary. A major figure of the Cuban Revolution, his stylized visage has become a ubiquitous countercultural symbol of rebellion and global insignia in popular culture. As a young medical student, Guevara traveled throughout South America and was radicalized by the poverty, hunger, ...
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Trompe-l'œil
''Trompe-l'œil'' ( , ; ) is an artistic term for the highly realistic optical illusion of three-dimensional space and objects on a two-dimensional surface. ''Trompe l'oeil'', which is most often associated with painting, tricks the viewer into perceiving painted objects or spaces as real. Forced perspective is a related illusion in architecture. History in painting The phrase, which can also be spelled without the hyphen and ligature in English as ''trompe l'oeil'', originates with the artist Louis-Léopold Boilly, who used it as the title of a painting he exhibited in the Paris Salon of 1800. Although the term gained currency only in the early 19th century, the illusionistic technique associated with ''trompe-l'œil'' dates much further back. It was (and is) often employed in murals. Instances from Greek and Roman times are known, for instance in Pompeii. A typical ''trompe-l'œil'' mural might depict a window, door, or hallway, intended to suggest a larger room. A version o ...
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