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Meidias Painter
The Meidias Painter was an Athenian red-figure vase painter in Ancient Greece, active in the last quarter of the 5th century BCE (fl. c. 420 to c. 400 BCE). He is named after the potter whose signature is found on a large hydria of the Meidias Painter’s decoration (BM E 224), excavated from an Etruscan tomb. Eduard Gerhard first identified this inscription in 1839, and it was he who determined the scene on the vase was the rape of the daughters of Leukippos where previously it was thought to be the race of Hippomenes and Atalanta. Overview The Meidias Painter’s work bears a close similarity to his older contemporaries the Kodros Painter, the Eretria Painter and Aison; these last two have both been suggested for his teacher. Indeed, it has also been suggested that works ascribed to the Meidias Painter are in fact late works by Aison. John Beazley attributed 22 vases and fragments to the Meidias Painter with a further 2 possible ascriptions, certain attribution is complicated ...
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Meidias Painter ARV 1313 5 The Dioskuroi Raping The Leukippides - Herakles In The Garden Of The Hesperides - Athenian Tribal Heroes(02)
Meidias ( el, Mειδίας; lived during the 4th century BC), an Athenian of considerable wealth and influence, was a violent and bitter enemy of Demosthenes, the orator. He displayed his first act of hostility in 361 BC when he broke violently into the house of Demosthenes with his brother Thrasylochus in order to take possession of it. Thrasylochus offered, in the case of a trierarchy, to make an exchange of property with Demosthenes, under a private understanding with the guardians of the latter that, if the exchange were effected, the suit then pending against them should be dropped. This led Demosthenes to bring against him an accusation of ''kakegoria'' (i.e. verbal insult), and when Meidias after his condemnation did not fulfil his obligations, Demosthenes brought against him a ''dike exules'' (i.e. a trial for obtaining something already lawfully assigned to the plaintiff). Meidias found means to prevent any decision being given for a period of eight years, and at length, in ...
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Polygnotos
Polygnotus ( el, Πολύγνωτος ''Polygnotos'') was an ancient Greek painter from the middle of the 5th century BC. Life He was the son and pupil of Aglaophon. He was a native of Thasos, but was adopted by the Athenians, and admitted to their citizenship. During the time of Cimon, Polygnotus painted for the Athenians a picture of the taking of Troy on the walls of the Stoa Poikile, and another of the marriage of the daughters of Leucippus in the Anacaeum. Plutarch mentions that historians and the poet Melanthius attest that Polygnotus did not paint for the money but rather out of a charitable feeling towards the Athenian people. In the hall at the entrance to the Acropolis other works of his were preserved. The most important of his paintings were his frescoes in the Lesche of the Knidians, a building erected at Delphi by the people of Cnidus. The subjects of these were the visit to Hades by Odysseus and the taking of Troy. The traveller Pausanias recorded a ca ...
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Klismos
A klismos (Greek: κλισμός) or klismos chair is a type of ancient Greek chair, with curved backrest and tapering, outcurved legs. Ancient Greece Klismoi are familiar from depictions of ancient furniture on painted pottery and in bas-reliefs from the mid-fifth century BCE onwards. In epic, ''klismos'' signifies an armchair, but no specific description is given of its form; in ''Iliad'' xxiv, after Priam's appeal, Achilles rises from his ''thronos'', raises the elder man to his feet, goes out to prepare Hector's body for decent funeral and returns, to take his place on his ''klismos''. A vase-painting of a satyr carrying a klismos chair on his shoulder shows how light such chairs were. The curved, tapered legs of the klismos chair sweep forward and rearward, offering stability. The rear legs sweep continuously upward to support a wide concave backrest like a curved tablet, which supports the sitter's shoulders, or which may be low enough to lean an elbow on. The long and elega ...
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Jasperware
Jasperware, or jasper ware, is a type of pottery first developed by Josiah Wedgwood in the 1770s. Usually described as stoneware, it has an unglazed matte "biscuit" finish and is produced in a number of different colours, of which the most common and best known is a pale blue that has become known as Wedgwood Blue. Relief decorations in contrasting colours (typically in white but also in other colours) are characteristic of jasperware, giving a cameo effect. The reliefs are produced in moulds and applied to the ware as sprigs. After several years of experiments, Wedgwood began to sell jasperware in the late 1770s, at first as small objects, but from the 1780s adding large vases. It was extremely popular, and after a few years many other potters devised their own versions. Wedgwood continued to make it into the 21st century. The decoration was initially in the fashionable Neoclassical style, which was often used in the following centuries, but it could be made to suit oth ...
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Wedgwood
Wedgwood is an English fine china, porcelain and luxury accessories manufacturer that was founded on 1 May 1759 by the potter and entrepreneur Josiah Wedgwood and was first incorporated in 1895 as Josiah Wedgwood and Sons Ltd. It was rapidly successful and was soon one of the largest manufacturers of Staffordshire pottery, "a firm that has done more to spread the knowledge and enhance the reputation of British ceramic art than any other manufacturer", exporting across Europe as far as Russia, and to the Americas. It was especially successful at producing fine earthenware and stoneware that were accepted as equivalent in quality to porcelain (which Wedgwood only made later) but were considerably cheaper. Wedgwood is especially associated with the "dry-bodied" (unglazed) stoneware Jasperware in contrasting colours, and in particular that in "Wedgwood blue" and white, always much the most popular colours, though there are several others. Jasperware has been made continuously ...
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Pierre-François Hugues D'Hancarville
Pierre-François Hugues, Baron d'Hancarville ( Nancy 1719 – Padua 1805) was an art historian and historian of ideas. Biography Pierre Francois Hugues was born in 1719 at Nancy, France, the son of a bankrupt cloth-merchant. He himself later added the title of ‘baron d'Hancarville’ to his name. An amateur art dealer, he introduced William Hamilton, British ambassador at Naples, to the Porcinari family, whose collection of antiquities Hamilton bought, and subsequently sold to the British Museum in London. With Hamilton Hugues compiled the ''Collection Of Etruscan, Greek And Roman Antiquities From The Cabinet Of The Honble. Wm. Hamilton ...'' = ''Antiquités Etrusques, Grecques Et Romains, Tirees Du Cabinet De M. Hamilton ...'' (4 volumes, Naples 1766-67 but possibly published 1767–76). The 'Antiquities' shown and discussed in these volumes are nearly all ancient Greek vases, collected from Herculaneum, Pompeii and other parts of south Italy and Greece. Hamilton and Hug ...
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Neoclassicism
Neoclassicism (also spelled Neo-classicism) was a Western cultural movement in the decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism was born in Rome largely thanks to the writings of Johann Joachim Winckelmann, at the time of the rediscovery of Pompeii and Herculaneum, but its popularity spread all over Europe as a generation of European art students finished their Grand Tour and returned from Italy to their home countries with newly rediscovered Greco-Roman ideals. The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th and up to the 21st century. European Neoclassicism in the visual arts began c. 1760 in opposition to the then-dominant Rococo style. Rococo architecture emphasizes grace, ornamentati ...
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Joshua Reynolds
Sir Joshua Reynolds (16 July 1723 – 23 February 1792) was an English painter, specialising in portraits. John Russell said he was one of the major European painters of the 18th century. He promoted the "Grand Style" in painting which depended on idealization of the imperfect. He was a founder and first president of the Royal Academy of Arts, and was knighted by George III in 1769. Early life Reynolds was born in Plympton, Devon, on 16 July 1723 the third son of the Rev. Samuel Reynolds, master of the Plympton Free Grammar School in the town. His father had been a fellow of Balliol College, Oxford, but did not send any of his sons to the university. One of his sisters was Mary Palmer (1716–1794), seven years his senior, author of ''Devonshire Dialogue'', whose fondness for drawing is said to have had much influence on him when a boy. In 1740 she provided £60, half of the premium paid to Thomas Hudson the portrait-painter, for Joshua's pupilage, and nine years later a ...
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William Hamilton (diplomat)
Sir William Hamilton, (13 December 1730 – 6 April 1803), was a British diplomat, antiquarian, archaeologist and vulcanologist. After a short period as a Member of Parliament, he served as British Ambassador to the Kingdom of Naples from 1764 to 1800. He studied the volcanoes Vesuvius and Etna, becoming a Fellow of the Royal Society and recipient of the Copley Medal. His second wife was Emma Hamilton, famed as Horatio Nelson's mistress. Early life and career Hamilton was born on 13 December 1730 (or 12 January 1731) in either London or at Park Place, Berkshire, the fourth son of Lord Archibald Hamilton, governor of Jamaica, seventh son of William Douglas-Hamilton, Earl of Selkirk, by the 3rd Duchess of Hamilton, and Lady Jane Hamilton, daughter of James Hamilton, 6th Earl of Abercorn.Constantine 2001: 1–2. His mother was a favourite, and possibly a mistress, of the Prince of Wales and William grew up with his son George III, who would call him his "foster brother". At age n ...
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Peloponnesian War
The Peloponnesian War (431–404 BC) was an ancient Greek war fought between Athens and Sparta and their respective allies for the hegemony of the Greek world. The war remained undecided for a long time until the decisive intervention of the Persian Empire in support of Sparta. Led by Lysander, the Spartan fleet built with Persian subsidies finally defeated Athens and started a period of Spartan hegemony over Greece. Historians have traditionally divided the war into three phases. The first phase (431–421 BC) was named the Ten Years War, or the Archidamian War, after the Spartan king Archidamus II, who launched several invasions of Attica with the full hoplite army of the Peloponnesian League, the alliance network dominated by Sparta. However, the Long Walls of Athens rendered this strategy ineffective, while the superior navy of the Delian League (Athens' alliance) raided the Peloponnesian coast to trigger rebellions within Sparta. The precarious Peace of Nicias was si ...
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Erichthonius Of Athens
In Greek mythology, King Erichthonius (; grc, , Erikhthónios) was a legendary early ruler of ancient Athens. According to some myths, he was autochthonous (born of the soil, or Earth) and adopted or raised by the goddess Athena. Early Greek texts do not distinguish between him and Erechtheus, his grandson, but by the fourth century BC, during Classical times, they are distinct figures. Etymology Erichthonius of uncertain etymology is possibly related to a pre-Greek form *''Erekteu-''. The connection of with ἐρέχθω, "shake" is a late folk-etymology; other folk-etymologies include , ''erion'', "wool" or ''eris'', "strife"+ ''chthôn or chthonos'', "earth". Mythology Birth According to the '' Bibliotheca'', Athena visited the smith-god Hephaestus to request some weapons, but Hephaestus was so overcome by desire that he tried to seduce her in his workshop. Determined to maintain her virginity, Athena fled, pursued by Hephaestus. He caught Athena and tried to rape h ...
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Peplos
A peplos ( el, ὁ πέπλος) is a body-length garment established as typical attire for women in ancient Greece by circa 500 BC, during the late Archaic and Classical period. It was a long, rectangular cloth with the top edge folded down about halfway, so that what was the top of the rectangle was now draped below the waist, and the bottom of the rectangle was at the ankle. One side of the peplos could be left open, or pinned or sewn together.Ancient Greek Dress
''Heilbrunn Timeline of Art History'', , 2000-2013. Retrieved 7 October 2013.
In Latin and in a Roman context, it could be called a ''
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