|
Megan Marie Hart
Megan Marie Hart (born 1983) is an American operatic soprano from Eugene, Oregon, performing in leading operatic roles and concerts in America and Europe. Education Hart was born in Santa Monica, California, and grew up in Eugene, Oregon, after the age of six. Hart has been interested in playing the piano since she was three, and began taking lessons at age nine. In addition, she played the violin for five years, and then started choral singing. In 1999, Hart attended the Oregon Bach Festival's Youth Choral Academy for the first time, led by Anton Armstrong and Helmuth Rilling. Inspired by Rilling, Hart decided to become a professional singer instead of a pianist. Starting in 2001, Hart took professional singing lessons with voice teacher Beverly Park, who encouraged her to study with Richard Miller at the Oberlin Conservatory of Music. In 2005, Hart received her Bachelor of Music degree from Oberlin Conservatory. In the summer of 2005, Hart was in the Gerdine Young Artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bourbon Baroque
Bourbon Baroque is a period instrument ensemble from Louisville, Kentucky. It specialises in historical informed performance of the music of the 17th and 18th centuries. History Bourbon Baroque was founded by harpsichordist John Austin Clark and baroque violinist Nicolas Fortin in the summer of 2007 in Louisville, Kentucky. Since 2017, the ensemble is led by Clark and violinist Alice Culin-Ellison. Overview The ensemble varies in size based on the program and produces performances ranging from chamber music concerts to full opera productions. The 2010 production of George Frideric Handel's opera ''Alcina'' has been recorded for TV and aired first on April 12, 2011. Bourbon Baroque has been performing Handel's ''Messiah'' in the holiday season every year since 2013. Bourbon Baroque performs regularly throughout the year in a variety of venues, often collaborating with performing arts organizations such as Squallis Puppeteers (Louisville, KY) and Empire City Men's Chorus ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Professional Studies
"Professional studies" is a term used to classify academic programs which are applied or interdisciplinary in focus. The term can also be used for non-academic training for a specific profession. Research on professionals can be seen as a multidisciplinary field of research with a multiple of perspectives in theory and by methods. Professional studies usually combine theory and practice-based professional learning, focusing on a body of knowledge that is more strictly delineated and canonical than non-professional studies. Students are trained to ensure expected standards and adequate service delivery in the best practice of a profession. One aspect of professional action that has been widely studied in professional studies is tacit knowledge (cf. Polyani 1967), including professional judgment, discretion or fronesis, a term from the Greek philosopher Aristotle, also called practical intelligence or knowledge (see Dunne 1997; McGuirk 2013). Professional studies may lead to ac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spinto Soprano
A spinto soprano (also lirico-spinto, spinto lyric soprano, or pushed lyric) is a type of operatic soprano voice that has the limpidity and easy high notes of a lyric soprano, yet can be "pushed" on to achieve dramatic climaxes without strain. This type of voice may possess a somewhat darker timbre, too, than the average lyric soprano. It generally uses ''squillo'' to "slice" through the sound of a full orchestra, rather than singing over the orchestra like a true dramatic soprano. Spinto sopranos are also expected to handle dynamic changes in the music that they are performing with skill and poise. They command a vocal range extending from approximately middle C (C4) to in alt D (D6). The spinto repertoire includes many roles written by Verdi, by the various verismo composers, and by Puccini. Some of these roles are extremely popular with opera audiences. Certain Wagnerian heroines such as Elsa, Elisabeth and Sieglinde are also sung by spinto sopranos. The fact that spi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dialogues Of The Carmelites
' (''Dialogues of the Carmelites''), FP 159, is an opera in three acts, divided into twelve scenes with linking orchestral interludes, with music and libretto by Francis Poulenc, completed in 1956. The composer's second opera, Poulenc wrote the libretto after the work of the same name by Georges Bernanos. The opera tells a fictionalised version of the story of the Martyrs of Compiègne, Carmelite nuns who, in 1794 during the closing days of the Reign of Terror during the French Revolution, were guillotined in Paris for refusing to renounce their vocation. The world première of the opera occurred (in Italian translation) on 26 January 1957 at La Scala in Milan. The première of the French-language version took place in Paris on 21 June 1957. The United States première, in English, followed in San Francisco in September 1957. Development Bernanos had been hired in 1947 to write the dialogue for a film screenplay, through Raymond-Léopold Bruckberger and the scenario writer Ph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Voix Humaine
' (English: ''The Human Voice'') is a forty-minute, one-act opera for soprano and orchestra composed by Francis Poulenc in 1958. The work is based on the play The Human Voice, of the same name by Jean Cocteau, who, along with French soprano Denise Duval, worked closely with Poulenc in preparation for the opera's premiere. Poulenc's ' was first performed at the Opéra-Comique, Théâtre National de l'Opéra-Comique in Paris on 6 February 1959, with Duval as the solo singer and Georges Prêtre conducting; the scenery, costumes and direction were by Cocteau. The libretto consists of a woman's last phone conversation with her lover, who now loves someone else. During the call, the woman reveals that she has attempted suicide because her lover has abandoned her. History Cocteau's play Cocteau finished writing ''The Human Voice, La voix humaine'' in 1928, and the monodrama was premiered two years later. Having been previously criticized for using mechanical effects in his plays, Cocte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Herring
''Albert Herring'', Op. 39, is a chamber opera in three acts by Benjamin Britten. Composed in the winter of 1946 and the spring of 1947, this comic opera was a successor to his serious opera ''The Rape of Lucretia''. The libretto, by Eric Crozier, was based on Guy de Maupassant's novella '' Le Rosier de Madame Husson'', with the action transposed to an English setting. Composition history After having composed and staged ''The Rape of Lucretia'', Britten decided he should attempt a comedy, preferably set in England.Nigel Douglas. "Some personal memories of Benjamin Britten, the English Opera Group and ''Albert Herring''". Booklet note to Nimbus NI 5824/6 (2008). Crozier suggested adapting the Maupassant short story ''Le rosier de Madame Husson'' and transplanting it to the Suffolk landscape already familiar to Britten from his home in Snape. Britten composed ''Albert Herring'' at his home, The Old Mill at Snape, in the winter of 1946 and the spring of 1947. He scored the oper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Così Fan Tutte
(''All Women Do It, or The School for Lovers''), K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte who also wrote ''Le nozze di Figaro'' and ''Don Giovanni''. Although it is commonly held that was written and composed at the suggestion of the Emperor Joseph II, recent research does not support this idea. There is evidence that Mozart's contemporary Antonio Salieri tried to set the libretto but left it unfinished. In 1994, John Rice uncovered two terzetti by Salieri in the Austrian National Library. The short title, ''Così fan tutte'', literally means "So do they all", using the feminine plural (''tutte'') to indicate women. It is usually translated into English as "Women are like that". The words are sung by the three men in act 2, scene 3, just before the finale; this melodic phrase is also quoted in the overture to the opera. Da P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Giovanni
''Don Giovanni'' (; K. 527; Vienna (1788) title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play '' El burlador de Sevilla y convidado de piedra''. It is a ''dramma giocoso'' blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as ''opera buffa''). It was premiered by the Prague Italian opera at the National Theater (of Bohemia), now called the Estates Theatre, on 29 October 1787. ''Don Giovanni'' is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte". Composition and premiere The opera was commissioned after the succes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Marriage Of Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rinaldo (opera)
''Rinaldo'' ( HWV 7) is an opera by George Frideric Handel, composed in 1711, and was the first Italian language opera written specifically for the London stage. The libretto was prepared by Giacomo Rossi from a scenario provided by Aaron Hill, and the work was first performed at the Queen's Theatre in London's Haymarket on 24 February 1711. The story of love, war and redemption, set at the time of the First Crusade, is loosely based on Torquato Tasso's epic poem ''Gerusalemme liberata'' ("Jerusalem Delivered"), and its staging involved many original and vivid effects. It was a great success with the public, despite negative reactions from literary critics hostile to the contemporary trend towards Italian entertainment in English theatres. Handel composed ''Rinaldo'' quickly, borrowing and adapting music from operas and other works that he had composed during a long stay in Italy in the years 1706–10, during which he established a considerable reputation. In the years followi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alcina
''Alcina'' ( HWV 34) is a 1735 opera seria by George Frideric Handel. Handel used the libretto of ''L'isola di Alcina'', an opera that was set in 1728 in Rome by Riccardo Broschi, which he acquired the year after during his travels in Italy. Partly altered for better conformity, the story was originally taken from Ludovico Ariosto's ''Orlando furioso'' (like those of the Handel operas ''Orlando'' and ''Ariodante''), an epic poem. The opera contains several musical sequences with opportunity for dance: these were composed for dancer Marie Sallé. Performance history ''Alcina'' was composed for Handel's first season at the Theatre Royal, Covent Garden in London. It premiered on 16 April 1735. Like the composer's other works in the opera seria genre, ''Alcina'' fell into obscurity; after a revival in Brunswick in 1738 it was not performed again until a production in Leipzig in 1928. The Australian soprano Joan Sutherland sang the role in a production by Franco Zeffirelli in wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marilyn Horne Song Competition
The Marilyn Horne Song Competition is an annual competition for participants of the voice and piano programs at the Music Academy of The West. Name The Competition was launched in 1997 as the ''Marilyn Horne Foundation Vocal Competition'' and held by the Marilyn Horne Foundation. In 2010 the foundation’s programs became part of the Weill Music Institute at Carnegie Hall. The Competition is since being held by the Music Academy of the West under its current name. Overview The competition is held in front of a jury and a public audience. Singers perform three songs, one of which has to be in English. The pianists accompany at least one of the singers. Winning singers and pianists can, but don't have to have performed together. The winners receive a monetary prize and the opportunity to perform in a prestigious venue, among other things. The competition commemorates Gwendolyn Koldofsky, who established the first Department of Accompanying at the University of Southern Califo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
