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Meditation Among Us
''Meditation Among Us'' is an album by American percussionist Milford Graves, recorded in July 1977 and released later that year by Kitty Records. The album features Graves on drums, percussion, and piano, along with Kaoru Abe on alto and sopranino saxophones, Mototeru Takagi on tenor saxophone, Toshinori Kondo on trumpet and alto horn, and Toshiyuki Tsuchitori on drums and percussion. It was recorded while Graves was visiting Japan with dancer Min Tanaka. Reception In a review for AllMusic, Thom Jurek awarded the album 4 stars, and wrote: "The blowing intensity on any Graves' date is intense, but here it is over the top, as the Japanese players attempt to match his intensity." Writing for The Wire, Alan Licht commented: "Graves firmly establishes himself as the pivotal figure, driving the ensemble but also acting as its steady hub, enabling the music to flow without fraying. 'Together and Moving' bristles with the excitement of the occasion yet it remains taut and purposeful. On ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milford Graves
Milford Graves (August 20, 1941 – February 12, 2021) was an American jazz drummer, percussionist, Professor Emeritus of Music, researcher/inventor, visual artist/sculptor, gardener/herbalist, and martial artist. Graves was noteworthy for his early avant-garde contributions in the 1960s with Paul Bley, Albert Ayler, and the New York Art Quartet, and is considered to be a free jazz pioneer, liberating percussion from its timekeeping role. The composer and saxophonist John Zorn referred to Graves as "basically a 20th-century shaman." Early life Graves was born in Jamaica, Queens, New York City, on August 20, 1941. He began playing drums when he was three years old, and was introduced to the congas at age eight. He also studied timbales and African hand drumming at an early age. By the early 1960s, he was leading dance bands and playing in Latin/Afro Cuban ensembles in New York on bills alongside Cal Tjader and Herbie Mann. His group, the Milford Graves Latino Quintet, included s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Jazz
Free jazz is an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes. Musicians during this period believed that the bebop, hard bop, and modal jazz that had been played before them was too limiting. They became preoccupied with creating something new and exploring new directions. The term "free jazz" has often been combined with or substituted for the term "avant-garde jazz". Europeans tend to favor the term "free improvisation". Others have used "modern jazz", "creative music", and "art music". The ambiguity of free jazz presents problems of definition. Although it is usually played by small groups or individuals, free jazz big bands have existed. Although musicians and critics claim it is innovative and forward-looking, it draws on early styles of jazz and has been described as an attempt to return to primitive, often re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kitty Films
Kitty Films (キティフィルム ''Kiti Firumu'') was a production company established in 1972 in Japan. History The company was first established in 1972 as Kitty Music Corporation under Hidenori Taga. It was a subsidiary of Polydor and MCA Inc., producing TV drama soundtracks. Their first was for the 1972 film ''Hajimete no Tabi''. By 1979 the company began to branch off into live action with the films ''Kagirinaku toumei ni chikai buru'' and ''Lady Oscar'' (adaptation of the manga ''The Rose of Versailles'', Kitty had no association with the 1979 anime version of the latter, which was made by Tokyo Movie Shinsha). However, major success first came with their anime version of Rumiko Takahashi's ''Urusei Yatsura''. Starting in 1981, it marked Kitty's entry into anime production. Over the next two decades, Kitty Films would become noteworthy in and outside Japan as the producer of most of the animated versions of Takahashi's manga series, including ''Maison Ikkoku'' and ''R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bäbi (album)
''Bäbi'' is a live album by American percussionist Milford Graves, recorded in March 1976 and released in 1977 by the Institute of Percussive Studies, a label owned and run by Graves and Andrew Cyrille. The album features Graves on drums and percussion, along with reed players Arthur Doyle and Hugh Glover. The album was reissued in 2018 by Corbett vs. Dempsey. The original tapes of the concert had been lost, so the reissue was remastered directly from vinyl. In the meantime, Graves, while looking through his archives, discovered a tape of the trio dating from 1969. Four tracks from this tape were included in the reissue. Reception Writing for ''The Wire'', Alan Licht commented: "After four minutes of relentlessly incendiary fire music the New York audience reacts with a whoop that barely conceals a sharp intake of breath. A spell of incantatory glossolalia from Graves ushers in further strident eruptions from the horns of Hugh Glover and Arthur Doyle. As their wild screeches scorc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grand Unification (Milford Graves Album)
''Grand Unification'' is an album by American percussionist Milford Graves, recorded in October 1997 and released in 1998 by Tzadik Records. Reception In a review for AllMusic, Stacia Proefrock wrote: "the record is a tight, technical masterpiece played with passion. Combining a variety of African, Asian, and Western drums with rhythmic chanting, Graves provides all of the instrumentation on the album and creates something rare: unaccompanied jazz percussion that shows variety and consistent energy throughout a nearly hour-long album." The authors of ''The Penguin Guide to Jazz'' noted that, since being taken up by Tzadik Records, "for almost the first time in a long career, the drummer can be heard clearly and with definition." Writing for the Chicago Reader, Peter Margasak called the album "a dense, enthralling work that demands repeated immersion," praised Graves's "mind-boggling multilinearity," and stated that "the barrage of grooves and ideas distracts a listener from the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kaoru Abe
(May 5, 1949 – September 9, 1978) was a Japanese avant-garde alto saxophonist. Self-taught at a young age, Abe performed with notables such as Motoharu Yoshizawa, Takehisa Kosugi, Yosuke Yamashita, Derek Bailey, and Milford Graves, although he generally performed solo. He was married to the author Izumi Suzuki, and was a cousin to singer Kyu Sakamoto. He was portrayed in Kōji Wakamatsu's film ''Endless Waltz'' by novelist and punk rock singer Kō Machida. Personal life Abe dropped out of highschool in 1967, at 17 years of age, to focus on perfecting his playing, and in 1968, he did his first performance, at a jazz spot named Oreo. In 1970, he met Masayuki Takayanagi. in 1971, he met Izumi Suzuki, and in 1973, they married. In 1976, they had a daughter. However, in 1977, they divorced. Career Abe was prolific, appearing almost every day to jazz spots and concerts. His library consists almost entirely of archival and live recordings, however he has recorded in a studio. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mototeru Takagi
(28 December 1941 – December 2002) was a Japanese tenor saxophone player, known for playing in a distinctive and powerful free jazz style. He played with many of the most important Japanese free groups and musicians during the seventies, such as ESSG and those of Masahiko Togashi, Motoharu Yoshizawa and Masayuki Takayanagi. History Takagi was born in Osaka in 1941, but grew up in Yokohama. During his younger years, he spent time in the bands of players like Charlie Ishiguro and Hisashi Sakurai, but only really began developing his distinctive free style when he joined the Motoharu Yoshizawa Trio in 1968. The following year he joined Togashi's Quartet and ESSG. After Togashi's accident, Takagi played briefly with Masayuki Takayangi's New Direction Unit and in a duo with percussionist Sabu Toyozumi. From November 1973 he spent one year playing in France, returning to Japan in November 1974. Takagi recorded very few albums as a leader over the course of his career, but he was h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toshinori Kondo
was a Japanese avant-garde jazz and jazz fusion trumpeter. Career Kondo was born in Ehime Prefecture. He attended Kyoto university in 1967, and became close friends with percussionist Tsuchitori Toshiyuki. In 1972 the pair left university, and Toshiyuki went on to work with Peter Brook, while Kondo joined Yosuke Yamashita. In 1978 he moved to New York, and began performing with Bill Laswell, John Zorn, Fred Frith, and Eraldo Bernocchi. A year later he released his first recording, toured Europe with Eugene Chadbourne, and collaborated with European musicians such as Peter Brotzman. Returning to Japan, he worked with Ryuichi Sakamoto, Kazumi Watanabe, and Herbie Hancock. In the mid-1980s he began focusing on his own career, blending his avant-garde origins with electronic music. In the 1990s he was part of the collective called Die Like a Dog whose first album "Fragments Of Music, Life And Death of Albert Ayler" was released in 1994. In 2002, he worked on an international pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Min Tanaka
is a Japanese dancer and actor. Biography Tanaka was trained in ballet and modern dance, but in 1974, turned his back on these forms. He began his solo career with a series of nearly-naked primarily outdoor improvisational dances that took place throughout Japan, often dancing up to five times a day. For a time in the 1980s, he was associated with Hijikata Tatsumi and butoh, a loose genre of Japanese dance, but now has broken from that framework as well, and no longer uses that term to describe his dances. From 1986 to 2010, Tanaka hosted dance workshops based in Body Weather, a movement ideology which "conceives of the body as a force of nature: omni-centered, anti-hierarchic, and acutely sensitive to external stimuli." In 1985, Tanaka and his colleagues founded Body Weather Farm, located four hours west of Tokyo, where he taught summer sessions lasting four to five weeks in Japanese and English. Much of the training workshop students received was centered on the labor of work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Penguin Guide To Jazz
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Wire (magazine)
''The Wire'' (or simply ''Wire'') is a British music magazine publishing out of London, which has been issued monthly in print since 1982. Its website launched in 1997, and an online archive of its entire back catalog became available to subscribers in 2013. Since 1985, the magazine's annual year-in-review issue, Rewind, has named an album or release of the year based on critics' ballots. Originally, ''The Wire'' covered the British jazz scene with an emphasis on avant-garde and free jazz. It was marketed as a more adventurous alternative to its conservative competitor ''Jazz Journal'', and targeted younger readers at a time when ''Melody Maker'' had abandoned jazz coverage. In the late 1980s and 1990s, the magazine expanded its scope until it included a broad range of musical genres under the umbrella of non-mainstream or experimental music. Since then, ''The Wire''s coverage has included experimental rock, electronica, alternative hip hop, modern classical, free improvisat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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