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Me And You (band)
Me and You are a Jamaican reggae trio. History Me and You come from a musical family, discovered by Dennis Brown, they began their career in 1974, he, Alton Ellis, Castro Brown and Granville Blake produced two albums, ''Natty Dread'' and ''Natty Dread Version'' which have recently been released for the first time. They then continued their career in 1979 signing with the DEB Music label run by Castro Brown and Dennis Brown.Larkin, Colin (1998) "The Virgin Encyclopedia of Reggae", Virgin Books, (DEB stands for Dennis Emmanuel Brown). Their debut "This Love" reached the top 10 of the reggae charts and was followed by "You Never Know What You Got (Til It’s Gone)" produced by Dennis Brown and Castro Brown and backed by the We The People Band, which topped the reggae chart and was also a crossover success reaching number 31 on the UK Singles Chart in July 1979. These two tracks were taken from the ''From Me To You'' album produced by Dennis Brown and Castro Brown and backed by the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jamaicans
Jamaicans are the citizens of Jamaica and their descendants in the Jamaican diaspora. The vast majority of Jamaicans are of Sub-Saharan African descent, with minorities of Europeans, East Indians, Chinese, Middle Eastern, and others of mixed ancestry. The bulk of the Jamaican diaspora resides in other Anglophone countries, namely Canada, the United States and the United Kingdom. Jamaican populations are also prominent in other Caribbean countries, territories and Commonwealth realms, where in the Cayman Islands, Jamaican born residents make up 24.8% of the population. Outside of Anglophone countries, the largest Jamaican diaspora community lives in Costa Rica, where Jamaicans make up a significant percentage of the population. History Census According to the official Jamaica Population Census of 1970, ethnic origins categories in Jamaica include: Black (Mixed); Chinese; East Indian; White; and 'Other' (e.g.: Syrian or Lebanese). Jamaicans of African descent made up 92% of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lee "Scratch" Perry
Lee "Scratch" Perry (born Rainford Hugh Perry; 20 March 1936 – 29 August 2021) was a Jamaican record producer, composer and singer noted for his innovative studio techniques and production style. Perry was a pioneer in the 1970s development of dub music with his early adoption of remixing and studio effects to create new instrumental or vocal versions of existing reggae tracks. He worked with and produced for a wide variety of artists, including Bob Marley and the Wailers, Junior Murvin, The Congos, Max Romeo, Adrian Sherwood, Beastie Boys, Ari Up, The Clash, The Orb, and many others. Early life Rainford Hugh Perry was born on 20 March 1936 in Kendal, Jamaica, in the parish of Hanover, the third child of Ina Davis and Henry Perry. His mother had strong African traditions originating from her Yoruba ancestry that she passed on to her son. His parents were both laborers, but his father later became a professional dancer. Lee left school at age 15 and lived in Hanover where h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soul Music
Soul music is a popular music genre that originated in the African American community throughout the United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues. Soul music became popular for dancing and listening, where U.S. record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music and the music of Africa. It also had a resurgence with artists like Erykah Badu under the genre neo-soul. Catchy rhythms, stressed by handclaps and extemporaneous body moves, are an important feature of soul music. Other characteristics are a call and response between the lead vocalist and the chorus and an especially tense vocal sound. The style also occasionally uses improvisational additions, twirls, and auxiliary sounds. Soul music reflects the African-American identity, and it stresses the importance of an African-Ameri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Steady
Rocksteady is a music genre that originated in Jamaica around 1966. A successor of ska and a precursor to reggae, rocksteady was the dominant style of music in Jamaica for nearly two years, performed by many of the artists who helped establish reggae, including harmony groups such as the Techniques, the Paragons, the Heptones and the Gaylads; soulful singers such as Alton Ellis, Delroy Wilson, Bob Andy, Ken Boothe and Phyllis Dillon; musicians such as Jackie Mittoo, Lynn Taitt and Tommy McCook. The term ''rocksteady'' comes from a popular (slower) dance style mentioned in the Alton Ellis song "Rocksteady", that matched the new sound. Some rocksteady songs became hits outside Jamaica, as with ska, helping to secure the international base reggae music has today. Characteristics The Jamaican musicians and producers who developed the rocksteady sound and ska were well-versed in jazz and influenced by other genres, most notably rhythm and blues, and by Caribbean music plus African m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dancehall
Dancehall is a genre of Jamaican popular music that originated in the late 1970s. Initially, dancehall was a more sparse version of reggae than the roots style, which had dominated much of the 1970s.Barrow, Steve & Dalton, Peter (2004) "The Rough Guide to Reggae, 3rd edn.", Rough Guides, In the mid-1980s, digital instrumentation became more prevalent, changing the sound considerably, with digital dancehall (or "ragga") becoming increasingly characterized by faster rhythms. Key elements of dancehall music include its extensive use of Jamaican Patois rather than Jamaican standard English and a focus on the track instrumentals (or "riddims"). Dancehall saw initial mainstream success in Jamaica in the 1980s, and by the 1990s, it became increasingly popular in Jamaican diaspora communities. In the 2000s, dancehall experienced worldwide mainstream success, and by the 2010s, it began to heavily influence the work of established Western artists and producers, which has helped to furth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dennis Bovell
Dennis Bovell (born 22 May 1953Huey, Steve"Dennis Bovell Biography" Allmusic. Retrieved 27 December 2014.) is a Barbados-born reggae guitarist, bass player and record producer, based in England. He was a member of the British reggae band Matumbi, and released dub-reggae records under his own name as well as the pseudonym Blackbeard.Thompson, Dave (2002), "Reggae & Caribbean Music", Backbeat Books, . He is most widely known for his decades-spanning collaborations with Linton Kwesi Johnson. Biography Born in Saint Peter, Barbados, in 1953, Bovell moved to South London in 1965 and became immersed in Jamaican culture, particularly dub music, setting up his own Jah Sufferer sound system.Larkin, Colin (1998), ''The Virgin Encyclopedia of Reggae'', Virgin Books, , pp. 35–36. Running the sound system brought trouble from the police and Bovell was imprisoned for six months on remand, but was later released on appeal. Bovell was friends at school with future rock musicians includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steely & Clevie
Steely & Clevie was a Jamaican dancehall reggae production duo that was composed of members Wycliffe Johnson and Cleveland Browne. The duo worked with artists such as the Specials, Gregory Peck ("Poco Man Jam," 1990), Bounty Killer, Elephant Man, and No Doubt. Steely debuted as a keyboardist with Sugar Minott's Youth Promotion collective in the 1970s, playing the keyboards on Minott's 1978 album, ''Ghetto-ology''. Clevie pioneered the use of drum machines in reggae. Steely and Clevie first played together at Lee "Scratch" Perry's Black Ark Studios during the late 1970s. In 1986, the duo was the house band at King Jammy's Studio, which became the center point of late-1980s reggae, by which time Steely & Clevie were established production leaders with an immense slew of 12-inch and dub singles. The duo formed the Steely & Clevie label in 1987, a year in which reggae riddims and dub-influenced hip-hop production by Ced Gee and KRS-One in the Bronx became prominent. In 1993, Steely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sly And Robbie
Sly and Robbie were a prolific Jamaican rhythm section and production duo, associated primarily with the reggae and dub genres. Drummer Sly Dunbar and bassist Robbie Shakespeare teamed up in the mid-1970s after establishing themselves separately in Jamaica as professional musicians. Shakespeare died in December 2021 following kidney surgery. Career 1970s: Beginnings in reggae Sly Dunbar, then drumming for Skin Flesh and Bones, and Robbie Shakespeare, playing bass and guitar with the Aggrovators, discovered they had the same ideas about music in general (both are fans of Motown, Stax Records, the Philly Sound, and country music, in addition to Jamaican record labels Studio One and Treasure Isle), and reggae production in particular. Speaking on his influences, Sly explains “My mentor was the drummer for The Skatalites, Lloyd Knibb. And I used to listen a lot to the drummer for Booker T. & the M.G.'s, Al Jackson Jr., and a lot of Philadelphia. And there are other drummer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Jammy
Lloyd James (born 26 October 1947),Barrow, Steve & Dalton, Peter: "Reggae: The Rough Guide", 1997, Rough Guides, better known as Prince Jammy or King Jammy, is a Jamaican dub mixer and record producer. He began his musical career as a dub master at King Tubby's recording studio. His dubs are known for their clear sound and use of effects. Biography After earning money from building amplifiers and repairing electrical equipment from his mother's house in Waterhouse in the late 1960s, he started his own sound system.Larkin, Colin: "The Virgin Encyclopedia of Reggae", 1998, Virgin Books, He also built equipment for other local systems. After leaving Jamaica to work in Canada for a few years in the early 1970s, he returned to Kingston in 1976 and set up his own studio at his in-laws' home in Waterhouse, and released a couple of Yabby You productions. When Phillip Smart left King Tubby's team to work in New York City, Jammy replaced him, getting to work with Bunny Lee and Yab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Tubby
Osbourne Ruddock (28 January 1941 – 6 February 1989), better known as King Tubby, was a Jamaican sound engineer who greatly influenced the development of dub in the 1960s and 1970s. Tubby's innovative studio work, which saw him elevate the role of the mixing engineer to a creative fame previously only reserved for composers and musicians, would prove to be influential across many genres of popular music. He is often cited as the inventor of the concept of the remix that later became ubiquitous in dance and electronic music production. Singer Mikey Dread stated, "King Tubby truly understood sound in a scientific sense. He knew how the circuits worked and what the electrons did. That's why he could do what he did". Career King Tubby's first interaction with the music industry came in the late 1950s with the rising popularity of Jamaican sound systems, which were to be found all over Kingston and which were developing into enterprising businesses. As a talented radio repairm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coxsone Dodd
Clement Seymour "Coxsone" Dodd (26 January 1932 – 4 May 2004) was a Jamaican record producer who was influential in the development of ska and reggae in the 1950s, 1960s and beyond. He was nicknamed "Coxsone" at school due to his talent as a cricketer (his friends compared him to Alec Coxon, a member of the 1940s Yorkshire County Cricket Club team). Biography The Kingston-born Dodd used to play records to the customers in his parents' shop. During a spell in the American South he became familiar with the rhythm and blues music popular there at the time. In 1954, back in Jamaica, he set up the Downbeat Sound System, being the owner of an amplifier, a turntable, and some US records, which he would import from New Orleans and Miami. With the success of his sound system, and in a competitive environment, Dodd would make trips through the US looking for new tunes to attract the Jamaican public. While he did, his mother Doris Darlington would run the sound system and play ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reggae
Reggae () is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, " Do the Reggay" was the first popular song to use the word "reggae", effectively naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term ''reggae'' more properly denotes a particular music style that was strongly influenced by traditional mento as well as American jazz and rhythm and blues, and evolved out of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument. Reggae is d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
