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May Stevens
May Stevens (June 9, 1924 – December 9, 2019) was an American feminist artist, political activist, educator, and writer. Early life and education May Stevens was born in Boston to working-class parents, Alice Dick Stevens and Ralph Stanley Stevens, and grew up in Quincy, Massachusetts. She had one brother, Stacey Dick Stevens, who died of pneumonia at the age of fifteen. By Stevens's account, her father expressed his racism at home but "never said these things publicly, nor did he act on them—to my knowledge. But he said them over and over." Stevens earned a B.F.A. at the Massachusetts College of Art (1946), and studied at the Académie Julian in Paris (1948) and Art Students League in New York City (1948). She was granted an MFA equivalency by the New York City Board of Education in 1960 and was a postdoctoral fellow at the Bunting Institute of Radcliffe College in 1988–89. In 1948 she married Rudolf Baranik (1920-1998), with whom she had one child. Activism Steve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boston
Boston (), officially the City of Boston, is the state capital and most populous city of the Commonwealth of Massachusetts, as well as the cultural and financial center of the New England region of the United States. It is the 24th- most populous city in the country. The city boundaries encompass an area of about and a population of 675,647 as of 2020. It is the seat of Suffolk County (although the county government was disbanded on July 1, 1999). The city is the economic and cultural anchor of a substantially larger metropolitan area known as Greater Boston, a metropolitan statistical area (MSA) home to a census-estimated 4.8 million people in 2016 and ranking as the tenth-largest MSA in the country. A broader combined statistical area (CSA), generally corresponding to the commuting area and including Providence, Rhode Island, is home to approximately 8.2 million people, making it the sixth most populous in the United States. Boston is one of the oldest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Civil Rights Movement
The civil rights movement was a nonviolent social and political movement and campaign from 1954 to 1968 in the United States to abolish legalized institutional Racial segregation in the United States, racial segregation, Racial discrimination in the United States, discrimination, and disenfranchisement in the United States, disenfranchisement throughout the United States. The movement had its origins in the Reconstruction era during the late 19th century, although it made its largest legislative gains in the 1960s after years of direct actions and grassroots protests. The social movement's major nonviolent resistance and civil disobedience campaigns eventually secured new protections in federal law for the civil rights of all Americans. After the American Civil War and the subsequent Abolitionism in the United States, abolition of slavery in the 1860s, the Reconstruction Amendments to the United States Constitution granted emancipation and constitutional rights of citizenship ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joyce Kozloff
Joyce Kozloff (born 1942) is an American artist whose politically engaged work has been based on cartography since the early 1990s. Kozloff was one of the original members of the Pattern and Decoration movement and was an early artist in the 1970s feminist art movements. She has been active in the women's and peace movements throughout her life. She was also a founding member of the ''Heresies'' collective. Personal life and education Joyce Blumberg was born to Adele Rosenberg and Leonard Blumberg on December 14, 1942 in Somerville, New Jersey. Leonard, born in New Jersey, was an attorney. Adele was active in community organizations. Both of her parents' families had emigrated from Lithuania. She had two younger brothers, Bruce and Allen. During the summer of 1959, Joyce studied art at New York's Art Students League. In the summer of 1962 she attended Rutgers University and the following summer she attended the Università di Firenze. In 1964 she earned a Bachelor of Fine Arts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miriam Schapiro
Miriam Schapiro (also known as Mimi) (November 15, 1923 – June 20, 2015) was a Canadian-born artist based in the United States. She was a painter, sculptor, printmaker, and a pioneer of feminist art. She was also considered a leader of the Pattern and Decoration art movement. Schapiro's artwork blurs the line between fine art and craft. She incorporated craft elements into her paintings due to their association with women and femininity. Schapiro's work touches on the issue of feminism and art: especially in the aspect of feminism in relation to abstract art. Schapiro honed in her domesticated craft work and was able to create work that stood amongst the rest of the high art. These works represent Schapiro's identity as an artist working in the center of contemporary abstraction and simultaneously as a feminist being challenged to represent women's "consciousness" through imagery. She often used icons that are associated with women, such as hearts, floral decorations, geometric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucy R
Lucy is an English feminine given name derived from the Latin masculine given name Lucius with the meaning ''as of light'' (''born at dawn or daylight'', maybe also ''shiny'', or ''of light complexion''). Alternative spellings are Luci, Luce, Lucie, Lucia, and Luzia. The English Lucy surname is taken from the Norman language that was Latin-based and derives from place names in Normandy based on Latin male personal name Lucius. It was transmitted to England after the Norman Conquest in the 11th century (see also De Lucy). Feminine name variants *Luiseach (Irish) *Lusine, Լուսինե, Լուսինէ (Armenian) *Lučija, Лучија ( Serbian) *Lucy, Люси (Bulgarian) *Lutsi, Луци ( Macedonian) *Lutsija, Луција ( Macedonian) *Liùsaidh (Scottish Gaelic) *Liucija ( Lithuanian) *Liucilė ( Lithuanian) *Lūcija, Lūsija ( Latvian) *Lleucu (Welsh) *Llúcia (Catalan) *Loukia, Λουκία (Greek) *Luca ( Hungarian) *Luce ( French, Italian) *Lucetta (English) *Lucett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Painter's Studio
''The Painter's Studio: A real allegory summing up seven years of my artistic and moral life'' (''L'Atelier du peintre'') is an 1855 oil on canvas painting by Gustave Courbet. It is located in the Musée d'Orsay in Paris, France. Courbet painted ''The Painter's Studio'' in Ornans, France in 1855. "The world comes to be painted at my studio," said Courbet of the Realist work. The figures in the painting are allegorical representations of various influences on Courbet's artistic life. On the left are human figures from all levels of society. In the center, Courbet works on a landscape, while turned away from a nude model who is a symbol of Academic art. On the right are friends and associates of Courbet, mainly elite Parisian society figures, including Charles Baudelaire, Champfleury, Pierre-Joseph Proudhon, and Courbet's most prominent patron, Alfred Bruyas. The 1855 Paris World Fair's jury accepted eleven of Courbet's works for the Exposition Universelle, but ''The Painter's S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Courbet
Jean Désiré Gustave Courbet ( , , ; 10 June 1819 – 31 December 1877) was a French painter who led the Realism movement in 19th-century French painting. Committed to painting only what he could see, he rejected academic convention and the Romanticism of the previous generation of visual artists. His independence set an example that was important to later artists, such as the Impressionists and the Cubists. Courbet occupies an important place in 19th-century French painting as an innovator and as an artist willing to make bold social statements through his work. Courbet's paintings of the late 1840s and early 1850s brought him his first recognition. They challenged convention by depicting unidealized peasants and workers, often on a grand scale traditionally reserved for paintings of religious or historical subjects. Courbet's subsequent paintings were mostly of a less overtly political character: landscapes, seascapes, hunting scenes, nudes, and still lifes. Courbet, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Painting
History painting is a genre in painting defined by its subject matter rather than any artistic style or specific period. History paintings depict a moment in a narrative story, most often (but not exclusively) Greek and Roman mythology and Bible stories, opposed to a specific and static subject, as in portrait, still life, and landscape painting. The term is derived from the wider senses of the word ''historia'' in Latin and ''histoire'' in French, meaning "story" or "narrative", and essentially means "story painting". Most history paintings are not of scenes from history, especially paintings from before about 1850. In modern English, "historical painting" is sometimes used to describe the painting of scenes from history in its narrower sense, especially for 19th-century art, excluding religious, mythological, and allegorical subjects, which are included in the broader term "history painting", and before the 19th century were the most common subjects for history paintings. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sister Chapel
''The Sister Chapel'' (1974–78) is a visual arts installation, conceived by Ilise Greenstein and created as a collaboration by thirteen women artists during the feminist art movement. Before its completion, the critic and curator Lawrence Alloway recognized its potential to be "a notable contribution to the long-awaited legible iconography of women in political terms." ''The Sister Chapel'' is on permanent display at the Center for Art and Social Engagement, an initiative of the Rowan University Art Gallery in Glassboro, New Jersey. Origin and name In 1973, the abstract painter Ilise Greenstein moved from Great Neck, New York, to Miami, Florida, where she experienced "frustration, anxiety and isolation" at being separated from the art scene in New York. This led to an "intense period of self-exploration" that resulted in the concept for ''The Sister Chapel''. Originally planned as a hall of fame for women, ''The Sister Chapel'' evolved from a written concept in early 1974 to be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artemisia Gentileschi
Artemisia Lomi or Artemisia Gentileschi (, ; 8 July 1593) was an Italian Baroque painter. Gentileschi is considered among the most accomplished seventeenth-century artists, initially working in the style of Caravaggio. She was producing professional work by the age of 15. In an era when women had few opportunities to pursue artistic training or work as professional artists, Gentileschi was the first woman to become a member of the Accademia di Arte del Disegno in Florence and she had an international clientele. Many of Gentileschi's paintings feature women from myths, allegories, and the Bible, including victims, suicides, and warriors. Some of her best known subjects are ''Susanna and the Elders'' (particularly the 1610 version in Pommersfelden), ''Judith Slaying Holofernes'' (her 1614–1620 version is in the Uffizi gallery), and '' Judith and Her Maidservant'' (her version of 1625 is in the Detroit Institute of Arts). Gentileschi was known for being able to depict the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Why Have There Been No Great Women Artists?
"Why Have There Been No Great Women Artists?" is a 1971 essay by American art historian Linda Nochlin. It was praised for its new slant on feminist art history and theory, and examining the institutional obstacles that prevent women from succeeding in the arts. Content In this essay, Nochlin explores the institutional – as opposed to the individual – obstacles that have prevented women in the West from succeeding in the arts. She divides her argument into several sections, the first of which takes on the assumptions implicit in the essay's title, followed by "The Question of the Nude," "The Lady's Accomplishment," "Successes," and "Rosa Bonheur." In her introduction, she acknowledges "the recent upsurge of feminist activity" in America as a condition for her interrogation of the ideological foundations of art history, while also invoking John Stuart Mill's suggestion that "we tend to accept whatever ''is'' as natural". In her conclusion, she states: "I have tried to deal with on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linda Nochlin
Linda Nochlin (''née'' Weinberg; January 30, 1931 – October 29, 2017) was an American art historian, Lila Acheson Wallace Professor Emerita of Modern Art at New York University Institute of Fine Arts, and writer. As a prominent feminist art historian, she became well known for her pioneering 1971 article "Why Have There Been No Great Women Artists?" published by ''ARTnews''.Nochlin, Linda. "Why Have There Been No Great Women Artists?" ''ARTnews'' January 1971: 22-39, 67-71. Early life and education Linda Natalie Weinberg was born the daughter of Jules Weinberg and Elka Heller (Weinberg) in Brooklyn, New York and raised in the borough's Crown Heights neighborhood. She attended Brooklyn Ethical Cultural School, a progressive grammar school. She received her B.A. in Philosophy from Vassar College in 1951, her M.A. in English from Columbia University in 1952, and her Ph.D in the history of art from the Institute of Fine Arts at New York University in 1963. Academic career After ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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