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Max Raoul
Max Raoul or Vandière, real name Raoul François Chapais, (c.1770 – Paris 5 March 1839) was a 19th-century French playwright. A former employee at the customs in Rouen, his plays were presented on several Parisian stages of the 19th century, including the Théâtre du Palais-Royal, the Théâtre du Gymnase-Dramatique, and the Théâtre du Vaudeville. Works *1804: ''La Voix du parterre'' *1817: ''L'Original et la copie'', tales *1821: ''L'Amant bossu'', comédie-vaudeville in 1 act, with Eugène Scribe and Mélesville *1827: ''Recette pour marier sa fille'', comédie-vaudeville in 1 act, with Mélesville *1832: ''Une Affaire d'honneur'', comédie-vaudeville in 1 act *1832: ''La Prise de voile'', drama in 2 acts, mingled with songs *1834: ''Le Château d'Urtuby'', opéra comique in 1 act, with Gabriel de Lurieu and Henri-Montan Berton *1835: ''Dolly ou Le cœur d'une femme'', drama in 3 acts, with Thomas Sauvage Thomas-Marie-François Sauvage (1794 - May 1877) was a Fre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economist Intelli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne),M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" '' Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, ''opéra comique'' is not necessarily comical or shallow in nature; '' Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs ('' vaudevilles''), with new words set to already existing music. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-century French Dramatists And Playwrights
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Marie Quérard
Joseph is a common male given name, derived from the Hebrew Yosef (יוֹסֵף). "Joseph" is used, along with "Josef", mostly in English, French and partially German languages. This spelling is also found as a variant in the languages of the modern-day Nordic countries. In Portuguese and Spanish, the name is "José". In Arabic, including in the Quran, the name is spelled ''Yūsuf''. In Persian, the name is "Yousef". The name has enjoyed significant popularity in its many forms in numerous countries, and ''Joseph'' was one of the two names, along with ''Robert'', to have remained in the top 10 boys' names list in the US from 1925 to 1972. It is especially common in contemporary Israel, as either "Yossi" or "Yossef", and in Italy, where the name "Giuseppe" was the most common male name in the 20th century. In the first century CE, Joseph was the second most popular male name for Palestine Jews. In the Book of Genesis Joseph is Jacob's eleventh son and Rachel's first son, and kn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint-Yves (1808–1871)
Saint-Yves (9 November 1808 – 23 July 1871) was the pen name of Édouard Déaddé, a 19th-century French playwright. Short biography He was born Ernest-Antoine-Edmond-Édouard Déaddé in Paris. An employee at the Interior ministry, he became known as vaudevilliste under the pen name Saint-Yves and published numerous articles in the ''Revue et gazette musicale'' under the pseudonym D.A.D. His numerous plays were presented on the most important Parisian stages of his time, including the Théâtre du Panthéon, the Théâtre des Variétés, the Théâtre du Palais-Royal, the Théâtre de l'Ambigu, the Théâtre des Folies-Dramatiques, and the Théâtre de la Gaîté. Several collaborative projects were discussed with Honoré de Balzac but none were realized. He was the managing director of the Théâtre de la Porte-Saint-Antoine from 31 December 1839 to January 1841.Wild 1989, p. 364. Works * ''Odette, ou la Petite reine'', chronique-vaudeville du temps de Charles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Sauvage
Thomas-Marie-François Sauvage (1794 - May 1877) was a French dramatist, theatre director and critic. He collaborated with Adolphe Adam (an ''opéra comique'' in two acts '' Le Toréador'', 1849), Albert Grisar (''Gilles ravisseur'', 1838 ; ''L'Eau merveilleuse'', 1839 ; ''Les Porcherons'', 1850), François Bazin (''Madelon'', 1852), Napoléon Henri Reber (''Le Père Gaillard'', 1852) and Ambroise Thomas (''Angélique et Médor'', 1843 ; an opéra bouffon or opéra bouffe '' Le Caïd'', 1849 ; ''La Tonelli'', 1853 ; ''Le Carnaval de Venise'', 1857 ; ''Gilles et Gillotin'', 1874). He was managing director of the Théâtre de l'Odéon from 1827 to 1828. Bibliography *Christian Goubault, « Thomas-Marie-François Sauvage » in Joël-Marie Fauquet Joël-Marie Fauquet (born 27 April 1942 at Nogent-le-Rotrou) is a French musicologist. Life Fauquet studied applied arts before devoting himself to musicology and the social history of music. Director of research at the Centre n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri-Montan Berton
Henri-Montan Berton (17 September 1767 – 22 April 1844) was a French composer, teacher, and writer, mostly known as a composer of operas for the Opéra-Comique. Career Henri-Montan Berton was born the son of Pierre Montan Berton.Charlton 2001."Henri-Montan Berton" in Sadie 1992, vol. 1, pp. 453–455. He is principally remembered as a composer of operas, most of which were first performed at the Opéra-Comique. Riding a wave of anti-clericalism which arose at the time of the French Revolution, his first real success was with ''Les rigueurs du cloître'' (23 August 1790), "in which a young nun is saved from entombment at the hands of a corrupt mother superior." The work has been described as the first rescue opera. Later more notable operas include ''Montano et Stéphanie'' (15 April 1799), ''Le délire'' (7 December 1799), and ''La Romance'' (26 January 1804). One of his greatest early successes was ''Aline, reine de Golconde'' (3 September 1803), which was performed in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabriel De Lurieu
Gabriel de Lurieu (real name Gabriel-Zéphirin Gonyn de Lurieu; Paris, 28 October 1799 (7 brumaire year VIII) – Paris, 5 February 1889 ) was a French author and playwright. His brother Jules-Joseph-Gabriel de Lurieu (1792–1869), with whom he is sometimes mistaken, was also a playwright, who used the pseudonym "J. Gabriel", under which he cowrote the libretto for the opera '' La perle du Brésil'' by Félicien David, and the collective pseudonym "Monsieur Sapajou" (with Armand d'Artois and Francis d'Allarde). Biography The son of a captain of Dragons from a family of the minor nobility (squire) of the former Forez province, parallel to its inspector general career in the watch of Benevolent Institutions of the City of Paris, he started writing theatre plays. He authored numerous plays and libretti for opéras comiques, most of them written in collaboration, in particular with Théophile Marion Dumersan, Francis baron d'Allarde, Armand d'Artois, Nicolas Brazier, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mélesville
Baron Anne-Honoré-Joseph Duveyrier, pen-name Mélesville (13 December 1787 in Paris – 7 November 1865 in Marly-le-Roi) was a French dramatist. The playwright Mélesville fils was his son. Life The son of Honoré-Nicolas-Marie Duveyrier, Mélesville initially had success at the bar and as a magistrate. He left the legal profession in 1814 to dedicate himself to the theatre, though he had first gained praise in that area in 1811 for his comedy ''l'Oncle rival''. Out of consideration for his father's position, he wrote under the pseudonym Mélesville, by which he is still known. He wrote in all genres - dramas, melodramas, comedies, vaudevilles, opera librettos - and is the sole or collaborative author of more than 340 plays. His collaborators included Eugène Scribe and Delestre-Poirson, with the collective pseudonym of Amédée de Saint-Marc. He collaborated with the more famous authors Brazier, Carmouche, Bayard, Scribe, Léon Laya on over 500 plays, some of which enjoy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Playwright
A playwright or dramatist is a person who writes plays. Etymology The word "play" is from Middle English pleye, from Old English plæġ, pleġa, plæġa ("play, exercise; sport, game; drama, applause"). The word "wright" is an archaic English term for a craftsman or builder (as in a wheelwright or cartwright). The words combine to indicate a person who has "wrought" words, themes, and other elements into a dramatic form—a play. (The homophone with "write" is coincidental.) The first recorded use of the term "playwright" is from 1605, 73 years before the first written record of the term "dramatist". It appears to have been first used in a pejorative sense by Ben Jonson to suggest a mere tradesman fashioning works for the theatre. Jonson uses the word in his Epigram 49, which is thought to refer to John Marston: :''Epigram XLIX — On Playwright'' :PLAYWRIGHT me reads, and still my verses damns, :He says I want the tongue of epigrams ; :I have no salt, no bawdry he doth mea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugène Scribe
Augustin Eugène Scribe (; 24 December 179120 February 1861) was a French dramatist and librettist. He is known for writing "well-made plays" ("pièces bien faites"), a mainstay of popular theatre for over 100 years, and as the librettist of many of the most successful grand operas and opéras-comiques. Born to a middle-class Parisian family, Scribe was intended for a legal career, but was drawn to the theatre, and began writing plays while still in his teens. His early years as a playwright were unsuccessful, but from 1815 onwards he prospered. Writing, usually with one or more collaborators, he produced several hundred stage works. He wrote to entertain the public rather than educate it. Many of his plays were written in a formulaic manner which aimed at neatness of plot and focus on dramatic incident rather than naturalism, depth of characterisation or intellectual substance. For this he was much criticised by intellectuals, but the "well-made play" remained established in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
