|
Maurice Grau
Abbey, Schoeffel and Grau was a US theatre management and production firm, active from 1880 until 1896. The partners were Henry E. Abbey, John B. Schoeffel and Maurice Grau. Abbey and Schoeffel had been in partnership since 1876, and joined forces with Grau in 1882. They managed and ran a number of theatres in New York and Boston, including the Metropolitan Opera House ("the old Met") in 1883-4 and from 1891 to 1896, when Abbey died. Schoeffel and Grau remained at the Met until 1903. Although individual biographies may individually credit them with bringing various singing, instrumental and acting stars to the US, the overall credit can be shared by all three, acting as a successful partnership for some sixteen years. Grau and Schoeffel had their own success from 1896 until 1903. History Henry Abbey and John Schoeffel became partners in the theatre business in 1876, Abbey dealing with the artiste management and Schoeffel looking after the business side. They began by hiring ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Eugene Abbey
Henry Eugene Abbey (June 27, 1846 – October 17, 1896) was an American theatre manager and producer. Early life Henry E. Abbey was born in Akron, Ohio on June 27, 1846, to clockmaker Henry Stephen Abbey and Elizabeth Smith Abbey."Death of Henry E. Abbey." ''The New York Times,'' Sunday, October 18, 1896 He engaged in business with his father, a , until 1869, when he leased the Akron opera house. Career During the 1870s - 1890s, he managed such prominent s as[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmen
''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the Carmen (novella), novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. ''Carmen'' has since become one of the most popular and frequently performed operas in the classical Western canon, canon; the "Habanera (aria), Habanera" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of ''opéra comique'' with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Preferred Stock
Preferred stock (also called preferred shares, preference shares, or simply preferreds) is a component of share capital that may have any combination of features not possessed by common stock, including properties of both an equity and a debt instrument, and is generally considered a hybrid instrument. Preferred stocks are senior (i.e., higher ranking) to common stock but subordinate to bonds in terms of claim (or rights to their share of the assets of the company, given that such assets are payable to the returnee stock bond) and may have priority over common stock (ordinary shares) in the payment of dividends and upon liquidation. Terms of the preferred stock are described in the issuing company's articles of association or articles of incorporation. Like bonds, preferred stocks are rated by major credit rating agencies. Their ratings are generally lower than those of bonds, because preferred dividends do not carry the same guarantees as interest payments from bonds, and becaus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Knickerbocker Theatre (Broadway)
The Knickerbocker Theatre, previously known as Abbey's Theatre and Henry Abbey's Theatre, was a Broadway theatre located at 1396 Broadway (West 38th Street) in New York City. It operated from 1893 to 1930. In 1906, the theatre introduced the first moving electrical sign on Broadway to advertise its productions. History The 1500-seat theatre was designed by the architectural firm of J. B. McElfatrick & Co. It opened as Abbey's Theatre, named after Broadway theatre manager and producer Henry Eugene Abbey, on November 8, 1893 with a production of the melodrama ''The Countess Valeska''. In the mid-1890s, Lillian Russell starred at the theatre, including in '' The Queen of Brilliants'', a flop. Following Abbey's death in 1896, Al Hayman and the Theatrical Syndicate group took control of the theatre and rechristened it the Knickerbocker. In its early years, the theatre hosted productions of Shakespeare's plays and Edwardian musical comedy. Several of Victor Herbert's operettas prem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auditorium Theatre
The Auditorium Theatre is a music and performance venue located inside the Auditorium Building at 50 Ida B. Wells Drive in Chicago, Illinois. Inspired by the Richardsonian Romanesque Style of architect Henry Hobson Richardson, the building was designed by Dankmar Adler and Louis Sullivan and completed in 1889. The Chicago Symphony Orchestra performed in the theatre until 1904 as well as the Chicago Grand Opera Company and its successors the Chicago Opera Association and Chicago Civic Opera until its relocation to the Civic Opera House in 1929. The theatre currently hosts performances by the Joffrey Ballet, in addition to a variety of concerts, musicals, performances, and events. Since the 1940s, it has been owned by Roosevelt University and since the 1960s it has been refurbished and managed by an independent non-profit arts organization. History Opening and early years In 1885, Chicago-based businessman and philanthropist Ferdinand Wythe Peck began ambitious plans for th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adelina Patti
Adelina Patti (19 February 184327 September 1919) was an Italian 19th-century opera singer, earning huge fees at the height of her career in the music capitals of Europe and America. She first sang in public as a child in 1851, and gave her last performance before an audience in 1914. Along with her near contemporaries Jenny Lind and Thérèse Tietjens, Patti remains one of the most famous sopranos in history, owing to the purity and beauty of her lyrical voice and the unmatched quality of her ''bel canto'' technique. The composer Giuseppe Verdi, writing in 1877, described her as being perhaps the finest singer who had ever lived and a "stupendous artist". Verdi's admiration for Patti's talent was shared by numerous music critics and social commentators of her era. Biography She was born Adela Juana Maria Patti, in Madrid, the youngest child of tenor Salvatore Patti (1800–1869) and soprano Caterina Barilli (died 1870). Her Italian parents were working in Spain, at the time ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tremont Theatre, Boston
The Tremont Theatre (1827–1843) on 88 Tremont Street was a playhouse in Boston. A group of wealthy Boston residents financed the building's construction. Architect Isaiah Rogers designed the original Theatre structure in 1827 in the Greek Revival style. The playhouse opened on 24 September 1827. History In the early part of the 19th Century, Boston was still a small town, not yet the bustling metropolis it is today. The town already had one playhouse, the Federal Street Theatre, and the city's small population made supporting a second theatre difficult.Banham 1122. The owners tried to bring in patrons by booking big-name performers. These included Junius Brutus Booth, Charlotte Cushman, George Washington Dixon, Fanny Elssler, Edwin Forrest, John Gilbert, Charles and Fanny Kemble, and Thomas D. Rice. Nevertheless, the Tremont never turned a profit during its 16-year life. Around 1829 Tom Comer served as musical director. In 1841 leading British actors John and Charlotte Vand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wallack's Theatre
Three New York City playhouses named Wallack's Theatre played an important part in the history of American theater, as the successive homes of the Repertory theatre, stock company managed by actors James William Wallack, James W. Wallack and his son, Lester Wallack. During its 35-year lifetime, from 1852 to 1887, that company developed and held a reputation as the best theater company in the country. Each theater operated under other names and managers after (and in one case before) the Wallack company's tenure. All three are demolished. 485 Broadway James William Wallack, James W. Wallack and Lester Wallack, father and son, were 19th century actors and theater managers; that is, Entrepreneurship, entrepreneurs whose business was a Repertory theatre, theatrical stock company, a troupe of actors and support personnel presenting a variety of plays in one theater. Actor-managers, such as the Wallacks, were members of their own company. Often, a manager leased a theater from it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ellen Terry
Dame Alice Ellen Terry, (27 February 184721 July 1928), was a leading English actress of the late 19th and early 20th centuries. Born into a family of actors, Terry began performing as a child, acting in Shakespeare plays in London, and toured throughout the British provinces in her teens. At 16, she married the 46-year-old artist George Frederic Watts, but they separated within a year. She soon returned to the stage but began a relationship with the architect Edward William Godwin and retired from the stage for six years. She resumed acting in 1874 and was immediately acclaimed for her portrayal of roles in Shakespeare and other classics. In 1878 she joined Henry Irving's company as his leading lady, and for more than the next two decades she was considered the leading Shakespearean and comic actress in Britain. Two of her most famous roles were Portia in ''The Merchant of Venice'' and Beatrice in ''Much Ado About Nothing''. She and Irving also toured with great success in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giroflé-Girofla
''Giroflé-Girofla'' is an opéra bouffe in three acts with music by Charles Lecocq. The French libretto was by Albert Vanloo and Eugène Leterrier. The story, set in 13th century Spain, concerns twin brides, one of whom is abducted by pirates. The other twin poses as both brides until the first is rescued. The composer chose an extravagantly far-fetched theme to contrast with his more realistic and romantic success ''La fille de Madame Angot'' premiered the previous year. The opera was first presented at the Théâtre des Fantaisies Parisiennes, Brussels, on 21 March 1874, and was given in London and Paris later the same year; it was soon played in theatres throughout Europe, in the Americas and Australia, and was given many revivals into the early 20th century. Background and first performances It took Lecocq many years to achieve recognition as a composer. He had a substantial success in 1868 with ''Fleur-de-Thé'', but it was not until he reached his forties that he gained i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Lecocq
Alexandre Charles Lecocq (3 June 183224 October 1918) was a French composer, known for his opérettes and opéra comique, opéras comiques. He became the most prominent successor to Jacques Offenbach in this sphere, and enjoyed considerable success in the 1870s and early 1880s, before the changing musical fashions of the late 19th century made his style of composition less popular. His few serious works include the opera ''Plutus (opera), Plutus'' (1886), which was not a success, and the ballet ''Le Cygne (ballet), Le cygne'' (1899). His only piece to survive in the regular modern operatic repertory is his 1872 opéra comique ''La fille de Madame Angot'' (Mme Angot's Daughter). Others of his more than forty stage works receive occasional revivals. After study at the Conservatoire de Paris, Paris Conservatoire, Lecocq shared the first prize with Georges Bizet in an operetta-writing contest organised in 1856 by Offenbach. Lecocq's next successful composition was an opéra-bouffe, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Périchole
''La Périchole'' () is an opéra bouffe in three acts by Jacques Offenbach. Henri Meilhac and Ludovic Halévy wrote the French libretto based on the 1829 one act play '' Le carrosse du Saint-Sacrement'' by Prosper Mérimée, which was revived on 13 March 1850 at the Théâtre-Français. Offenbach was probably aware of this production, as he conducted the orchestra of the Comédie-Française from around this time. Another theatrical creation that pre-dates Offenbach's opéra bouffe and may have influenced the piece is a farce by Desforges and Théaulon given on 21 October 1835 at the Théâtre du Palais-Royal. ''La Périchole''s title character is based on Micaela Villegas, a beloved 18th century Peruvian entertainer and the famous mistress of Manuel de Amat y Juniet, Viceroy of Peru from 1761 to 1776. The story concerns two impoverished Peruvian street-singers, too poor to afford a marriage license, and a lecherous viceroy, Don Andrès de Ribeira, who wishes to make La Péric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Henry Eugene Abbey")
_(cropped).jpg "Click for more on -> Adelina Patti")
.jpg "Click for more on -> La Périchole")