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Matthias Brzoska
Matthias Brzoska (born 24 June 1955) is a German musicologist. He leads his research and teaches at the Folkwang University of the Arts in Essen. Career Brzoska studied musicology in Marburg and Berlin with Reinhold Brinkmann, Sieghart Döhring and Carl Dahlhaus and French philology with Hermann Hofer. From 1981 to 1986 he was an assistant lecturer at the Berlin University of the Arts, and received his doctorate in 1986 at the Technical University Berlin with a dissertation on Franz Schreker. From 1987 to 1990 he worked in Paris on a research project financed by the Deutsche Forschungsgemeinschaft. In 1992 he was habilitated at the University of Bayreuth with a study on the idea of a Gesamtkunstwerk. He then became professor of musicology at the Folkwang University of the Arts in Essen. His research focuses on opera, music and intertextual relations between music and other arts. He undertook various research projects together with his wife, the musicologist Elisabeth Schmierer. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musicologist
Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some music research is scientific in focus (psychological, sociological, acoustical, neurological, computational). Some geographers and anthropologists have an interest in musicology so the social sciences also have an academic interest. A scholar who participates in musical research is a musicologist. Musicology traditionally is divided in three main branches: historical musicology, systematic musicology and ethnomusicology. Historical musicologists mostly study the history of the western classical music tradition, though the study of music history need not be limited to that. Ethnomusicologists draw from anthropology (particularly field research) to understand how and why people make music. Systematic musicology includes music theory, aesthe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Habilitation
Habilitation is the highest university degree, or the procedure by which it is achieved, in many European countries. The candidate fulfills a university's set criteria of excellence in research, teaching and further education, usually including a dissertation. The degree, abbreviated "Dr. habil." (Doctor habilitatus) or "PD" (for "Privatdozent"), is a qualification for professorship in those countries. The conferral is usually accompanied by a lecture to a colloquium as well as a public inaugural lecture. History and etymology The term ''habilitation'' is derived from the Medieval Latin , meaning "to make suitable, to fit", from Classical Latin "fit, proper, skillful". The degree developed in Germany in the seventeenth century (). Initially, habilitation was synonymous with "doctoral qualification". The term became synonymous with "post-doctoral qualification" in Germany in the 19th century "when holding a doctorate seemed no longer sufficient to guarantee a proficient transfer o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academic Staff Of The Folkwang University Of The Arts
An academy (Attic Greek: Ἀκαδήμεια; Koine Greek Ἀκαδημία) is an institution of secondary or tertiary higher learning (and generally also research or honorary membership). The name traces back to Plato's school of philosophy, founded approximately 385 BC at Akademia, a sanctuary of Athena, the goddess of wisdom and skill, north of Athens, Greece. Etymology The word comes from the ''Academy'' in ancient Greece, which derives from the Athenian hero, ''Akademos''. Outside the city walls of Athens, the gymnasium was made famous by Plato as a center of learning. The sacred space, dedicated to the goddess of wisdom, Athena, had formerly been an olive grove, hence the expression "the groves of Academe". In these gardens, the philosopher Plato conversed with followers. Plato developed his sessions into a method of teaching philosophy and in 387 BC, established what is known today as the Old Academy. By extension, ''academia'' has come to mean the accumulation, dev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
21st-century German Musicologists
The 1st century was the century spanning AD 1 (Roman numerals, I) through AD 100 (Roman numerals, C) according to the Julian calendar. It is often written as the or to distinguish it from the 1st century BC (or BCE) which preceded it. The 1st century is considered part of the Classical era, epoch, or History by period, historical period. The 1st century also saw the Christianity in the 1st century, appearance of Christianity. During this period, Europe, North Africa and the Near East fell under increasing domination by the Roman Empire, which continued expanding, most notably conquering Britain under the emperor Claudius (AD 43). The reforms introduced by Augustus during his long reign stabilized the empire after the turmoil of the previous century's civil wars. Later in the century the Julio-Claudian dynasty, which had been founded by Augustus, came to an end with the suicide of Nero in AD 68. There followed the famous Year of Four Emperors, a brief period of civil war and inst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Prophète
''Le prophète'' (''The Prophet'') is a grand opera in five acts by Giacomo Meyerbeer, which was premiered in Paris on 16 April 1849. The French-language libretto was by Eugène Scribe and Émile Deschamps, after passages from the ''Essay on the Manners and Spirit of Nations'' by Voltaire. The plot is based on the life of John of Leiden, Anabaptist leader and self-proclaimed "King of Münster" in the 16th century. Performance history After the brilliant success of their grand opera ''Les Huguenots'' (1836), Meyerbeer and his librettist Scribe decided to collaborate again on a piece based on a historical religious conflict. Meyerbeer's great personal wealth and his duties as official court composer to King Frederick William IV of Prussia meant that there was no hurry to complete the opera, and it was more than a decade in the composition and planning. ''Le prophète'' was first performed by the Paris Opera at the Salle Le Peletier on 16 April 1849 in music#Opera, 1849. In the audie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Heinemann
Michael Heinemann (born 5 March 1959) is a German musicologist and university professor. Career Born in Bergisch Gladbach, Heinemann passed his Abitur at the Nicolaus-Cusanus-Gymnasium Bergisch Gladbach in 1977. From 1978 to 1985 he studied Catholic church music (A-exam 1982), music pedagogy (state music teacher examination 1983) and concert subject organ (class Wolfgang Stockmeier, university diploma 1985) at the Hochschule für Musik und Tanz Köln. From 1982 to 1988 he studied musicology, philosophy and art history at the universities of Cologne, Bonn and Berlin, graduating in 1988 with a Master's degree. From 1986 to 1989 he worked as a tutor at the Musicological Institute of the Technical University of Berlin with Carl Dahlhaus. From 1989 to 1991 he received a doctoral scholarship from the State of Berlin and was awarded a doctorate at the TU Berlin in 1991 with a dissertation on the reception of Bach with Franz Liszt. From 1991 to 1993 he worked as a freelance musicologist, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hector Berlioz
In Greek mythology, Hector (; grc, Ἕκτωρ, Hektōr, label=none, ) is a character in Homer's Iliad. He was a Trojan prince and the greatest warrior for Troy during the Trojan War. Hector led the Trojans and their allies in the defense of Troy, killing countless Greek warriors. He was ultimately killed in single combat by Achilles, who later dragged his dead body around the city of Troy behind his chariot. Etymology In Greek, is a derivative of the verb ἔχειν ''ékhein'', archaic form * grc, ἕχειν, hékhein, label=none ('to have' or 'to hold'), from Proto-Indo-European *'' seɡ́ʰ-'' ('to hold'). , or as found in Aeolic poetry, is also an epithet of Zeus in his capacity as 'he who holds verything together. Hector's name could thus be taken to mean 'holding fast'. Description Hector was described by the chronicler Malalas in his account of the ''Chronography'' as "dark-skinned, tall, very stoutly built, strong, good nose, wooly-haired, good beard, sq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Werner Grünzweig
Werner Grünzweig (born 1959) is an Austrian musicologist and archivist. Life Born in Graz, Grünzweig first studied piano at the University of Music and Performing Arts Graz, and from 1984 musicology and American studies at the Freie Universität Berlin. He graduated with an M.A. in 1989. In 1995 he was awarded the M.A. with the work ''Ahnung und Wissen, Geist und Form : Alban Berg als Musikschriftsteller und Analytiker der Musik Arnold Schönbergs'' on WorldCat (published 2000 at the |
Susanne Fontaine
Susanne Fontaine (born 31 January 1961) is a German musicologist and university teacher. Life Born in Merzig/Saarland, Fontaine studied musicology, Germanistic and philosophy from 1980 until 1986 at the Universität des Saarlandes in Saarbrücken, School music at the Universität der Künste Berlin as well as musicology and Germanistic at the Technische Universität Berlin and the Freie Universität Berlin. From 1992 to 1998 Fontaine was a research assistant at the Hochschule der Künste; in 1999 she received a habilitation scholarship from the Deutsche Forschungsgemeinschaft on the topic ''The figure of Maria Magdalena in the music of the 17th and 18th century''. In 2000 and 2001 she held the professorship for musicology at the State University of Music and Performing Arts Stuttgart. In the winter semester 2002/03 Fontaine was a lecturer at the musicology department of the Ruprecht-Karls-University Heidelberg. In 2003 she was appointed professor at the University of Potsdam an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
WorldCat
WorldCat is a union catalog that itemizes the collections of tens of thousands of institutions (mostly libraries), in many countries, that are current or past members of the OCLC global cooperative. It is operated by OCLC, Inc. Many of the OCLC member libraries collectively maintain WorldCat's database, the world's largest bibliographic database. The database includes other information sources in addition to member library collections. OCLC makes WorldCat itself available free to libraries, but the catalog is the foundation for other subscription OCLC services (such as resource sharing and collection management). WorldCat is used by librarians for cataloging and research and by the general public. , WorldCat contained over 540 million bibliographic records in 483 languages, representing over 3 billion physical and digital library assets, and the WorldCat persons dataset (Data mining, mined from WorldCat) included over 100 million people. History OCLC OCLC, Inc., doing bus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archiv Für Musikwissenschaft
The ''Archiv für Musikwissenschaft'' is a quarterly German-English-speaking trade magazine devoted to music history and historical musicology, which publishes articles by well-known academics and young scholars. It was founded in 1918 as the successor of the ''Sammelbände der Internationalen Musikgesellschaft'' by Max Seiffert, Johannes Wolf and Max Schneider, who were also the first editors. It was under the patronage of the Fürstliches Institut für musikwissenschaftliche Forschung zu Bückeburg. The first two volumes 1918/1919 and 1919/1920 were published by Breitkopf & Härtel, then the volumes 1921 to 1926 by . With the 8th volume the publication of the journal was stopped in 1927, but resumed in 1952 with the 9th volume. Publisher of the quarterly was Wilibald Gurlitt (in connection with Heinrich Besseler, Walter Gerstenberg and Arnold Schmitz), who assigned the editorship to Hans Heinrich Eggebrecht. With the 19th/20th volume 1962/1963 the Archive for Musicology was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
