|
Michael Heinemann
Michael Heinemann (born 5 March 1959) is a German musicologist and university professor. Career Born in Bergisch Gladbach, Heinemann passed his Abitur at the Nicolaus-Cusanus-Gymnasium Bergisch Gladbach in 1977. From 1978 to 1985 he studied Catholic church music (A-exam 1982), music pedagogy (state music teacher examination 1983) and concert subject organ (class Wolfgang Stockmeier, university diploma 1985) at the Hochschule für Musik und Tanz Köln. From 1982 to 1988 he studied musicology, philosophy and art history at the universities of Cologne, Bonn and Berlin, graduating in 1988 with a Master's degree. From 1986 to 1989 he worked as a tutor at the Musicological Institute of the Technical University of Berlin with Carl Dahlhaus. From 1989 to 1991 he received a doctoral scholarship from the State of Berlin and was awarded a doctorate at the TU Berlin in 1991 with a dissertation on the reception of Bach with Franz Liszt. From 1991 to 1993 he worked as a freelance musicologist, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musicologist
Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some music research is scientific in focus (psychological, sociological, acoustical, neurological, computational). Some geographers and anthropologists have an interest in musicology so the social sciences also have an academic interest. A scholar who participates in musical research is a musicologist. Musicology traditionally is divided in three main branches: historical musicology, systematic musicology and ethnomusicology. Historical musicologists mostly study the history of the western classical music tradition, though the study of music history need not be limited to that. Ethnomusicologists draw from anthropology (particularly field research) to understand how and why people make music. Systematic musicology includes music theory, aesthe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Theory
Music theory is the study of the practices and possibilities of music. ''The Oxford Companion to Music'' describes three interrelated uses of the term "music theory". The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology that "seeks to define processes and general principles in music". The musicological approach to theory differs from music analysis "in that it takes as its starting-point not the individual work or performance but the fundamental materials from which it is built." Music theory is frequently concerned with describing how musicians and composers make music, including tuning systems and composition methods among other topics. Because of the ever-expanding conception of what constitutes music, a more inclusive definition could be the consideration of any sonic phenomena, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
21st-century German Musicologists
The 1st century was the century spanning AD 1 (Roman numerals, I) through AD 100 (Roman numerals, C) according to the Julian calendar. It is often written as the or to distinguish it from the 1st century BC (or BCE) which preceded it. The 1st century is considered part of the Classical era, epoch, or History by period, historical period. The 1st century also saw the Christianity in the 1st century, appearance of Christianity. During this period, Europe, North Africa and the Near East fell under increasing domination by the Roman Empire, which continued expanding, most notably conquering Britain under the emperor Claudius (AD 43). The reforms introduced by Augustus during his long reign stabilized the empire after the turmoil of the previous century's civil wars. Later in the century the Julio-Claudian dynasty, which had been founded by Augustus, came to an end with the suicide of Nero in AD 68. There followed the famous Year of Four Emperors, a brief period of civil war and inst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Holger Eichhorn
{{disambig ...
Holger may refer to: People * Holger (given name), includes name origin, plus people with the name * Hilde Holger, stage name of dancer, choreographer and dance teacher Hilde Boman-Behram (née Hilde Sofer, 1905–2001) Fictional characters * Holger Danske, a legendary Danish hero Other uses * Holger Danske (Resistance group) * Holger Danske (opera) * 9266 Holger, a main-belt asteroid * Radio Holger Radio Holger was a Danish radio station transmitting in Metropolitan Copenhagen The Copenhagen metropolitan area or Metropolitan Copenhagen ( da, Hovedstadsområdet, , literally "The Capital Area") is a large commuter belt (the area in which it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Rosenmüller
Johann Rosenmüller (1619 – 10 September 1684) was a German Baroque composer, who played a part in transmitting Italian musical styles to the north. Career Rosenmüller was born in Oelsnitz, near Plauen in Saxony. He studied at the University of Leipzig, graduating in 1640. He served as organist of the Nikolaikirche Leipzig from 1651, and had been assured of advancement to cantor. He became director of music in absentia to the Altenburg court in 1654. However, in 1655 he was involved in a scandal involving alleged homosexual activities. To avoid prison he fled to Italy, and by 1658 was employed at Saint Mark's in Venice. He composed many vocal works while teaching at an orphanage for girls ( Ospedale della Pietà), between 1678 and 1682. The works of Giovanni Legrenzi were among his Italian influences and his sacred compositions show the influence of Heinrich Schütz. In his last years, Rosenmüller returned to Germany with Duke Anton-Ulrich of Brunswick-Wolfenbüttel, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joachim Herz
Joachim Herz (15 June 1924 – 18 October 2010) was a German Opera director and manager. He learned at the Komische Oper Berlin as an assistant to Walter Felsenstein. His major stations were the Leipzig Opera where he opened the new house with Wagner's '' Die Meistersinger von Nürnberg'', Komische Oper and Semperoper in Dresden, where he opened the restored house with Weber's ''Der Freischütz'' in 1985. He staged many world premieres, and worked internationally. Herz was the first director to apply Felsenstein's concepts to Wagner's ''Der Ring des Nibelungen'', staged in Leipzig from 1973 to 1976. Life Born in Dresden, Herz attended the Kreuzschule there, completing with the Abitur in 1942. He then studied piano, clarinet and music pedagogy at the Hochschule für Musik Dresden. His studies were interrupted by military service in 1944 and 1945 but completed in 1948. He then studied opera direction there with Heinz Arnold, later also musicology at the Humboldt University of B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmen Ottner
Carmen Ottner (born in the 20th-century in Vienna) is an Austrian musicologist, Theatre studies and General Secretary of the Franz Schmidt association. Life Ottner was born as the daughter of trombonist Franz Bahner ( ienna Philharmonic. She studied musicology, theatre studies and philosophy at the University of Vienna. She wrote her dissertation on ''Das Wort-Toneproblem in den Klavierlieder Wilhelm Kienzl''s and received her doctorate in 1974. Since 1985 she has been Secretary General of the Franz Schmidt Society, has published a number of articles on Schmidt and his environment, and has organized conferences. Ottner is also managing director of the Austrian Society for Music and was a member of the editorial board of the ''Österreichische Musikzeitschrift''. She has also written numerous encyclopedia articles and essays on musicological issues. Ottner is also the editor of ''Studien zu Franz Schmidt'', a multi-volume musicological series. Publications * ''Das Wort-Tonp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans-Joachim Hinrichsen
Hans-Joachim Hinrichsen (born 21 August 1952) has been holding the chair for musicology at the University of Zurich since 1999. Career Born in Westerland on Sylt, Hinrichsen studied Germanistic and History at the Free University of Berlin. The completion of the Staatsexamen (1980) was followed by a teaching phase at Gymnasium. Subsequently, he studied musicology at the FU Berlin, which he completed with a PhD in 1992. From 1989 to 1994 he was a research assistant at the Musicological Institute of the F.U Berlin. In 1998, he gained his habilitation with a dissertation about '' Musikalische Interpretation als kulturelle Praxis. Hans von Bülow und die ästhetische Konstruktion der deutschen Musik''. Since 1999 Hinrichsen has been professor of musicology at the University of Zurich. In 2008 he was elected member of the Academia Europaea. Hinrichsen is co-editor of the Archiv für Musikwissenschaft and ''Schubert: Perspektiven'' at Franz Steiner Verlag. In addition, he was pres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermann Abert
Hermann Abert (; 25 March 1871 – 13 August 1927) was a German historian of music. Life Abert was born in Stuttgart, the son of Johann Josef Abert (1832–1915), the ''Hofkapellmeister'' of that city. From 1890 to 1896 he studied classical philology at the Universities of Tübingen, Berlin and Leipzig. While at Tübingen he joined the '' Akademische Gesellschaft Stuttgardia'', a student fraternity which shaped the political views of the liberalism in southern Germany. His philological studies ended in 1896 at Halle, where he had done work on Ancient Greek music. For the next three years he studied music theory at Berlin. In 1902 he qualified as lecturer by presenting his thesis on music of the Middle Ages at the University of Halle. Abert stayed on at Halle as a lecturer, becoming a senior lecturer (or associate professor) in 1910 and a full professor in 1918. In this capacity he moved the next year to the University of Heidelberg. But after just one year, Abert took up a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans John (musicologist)
Hans Karl Ferdinand John (born 7 September 1936) is a German musicologist and former university professor. Life John was born in Bad Freienwalde. His father was cantor and organist and enabled him to attend the Dresdner Kreuzschule. He was a member of the Dresdner Kreuzchores from 1946 until his Abitur in 1954. He studied music education and science and classical philology at the Martin Luther University of Halle-Wittenberg and at the Humboldt University of Berlin. In 1961 he was awarded his doctorate under Fritz Reuter at the Faculty of Philosophy in Berlin with the dissertation ''Music education in ancient Greece and its relevance for our time''. After his Staatsexamen he taught at the Humboldt University and at the Hochschule für Musik Franz Liszt, Weimar. He then worked for 25 years at the Hochschule für Musik Carl Maria von Weber Dresden as a lecturer and professor of musicology. In 1993 he was appointed director of the Institute for Musicology at the Dresden university. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Schütz
Heinrich Schütz (; 6 November 1672) was a German early Baroque composer and organist, generally regarded as the most important German composer before Johann Sebastian Bach, as well as one of the most important composers of the 17th century. He is credited with bringing the Italian style to Germany and continuing its evolution from the Renaissance into the Early Baroque. Most of his surviving music was written for the Lutheran church, primarily for the Electoral Chapel in Dresden. He wrote what is traditionally considered the first German opera, ''Dafne'', performed at Torgau in 1627, the music of which has since been lost, along with nearly all of his ceremonial and theatrical scores. Schütz was a prolific composer, with more than 500 surviving works. He is commemorated as a musician in the Calendar of Saints of some North American Lutheran churches on 28 July with Johann Sebastian Bach and George Frideric Handel. Early life Schütz was born in Köstritz, the eldest son of C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_(2).jpg "Click for more on -> Carmen Ottner")
_1927_©_Georg_Fayer_(1892–1950)_OeNB_10453403.jpg "Click for more on -> Hermann Abert")
