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Mateo Flecha El Viejo
Mateo Flecha (Catalan: Mateu Fletxa) (1481–1553) was a Catalan composer born in Kingdom of Aragon, in the region of Prades. He is sometimes known as "El Viejo" (the elder) to distinguish him from his nephew, Mateo Flecha "El Joven" (the younger), also a composer of madrigals. "El Viejo" is best known for his ensaladas, published in Prague in 1581 by the same nephew. Life and career Mateo Flecha directed the music at the cathedral of Lleida (September 1523 – October 1525). From there he moved to Guadalajara, in the service for six years of the Duke, Diego Hurtado de Mendoza. From there he went to Valencia where he assumed direction of the chapel choir of the Duke of Calabria. While thus employed, three of his works were included in songbooks associated with that chapel, including the Cancionero de Uppsala. In 1537 Flecha moved to Sigüenza where he served as maestro di cappella for two years. From 1544 to 1548 he lived in the castle at Arévalo as teacher of the Infantas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Composer
A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and Definition The term is descended from Latin, ''compōnō''; literally "one who puts together". The earliest use of the term in a musical context given by the ''Oxford English Dictionary'' is from Thomas Morley's 1597 ''A Plain and Easy Introduction to Practical Music'', where he says "Some wil be good descanters ..and yet wil be but bad composers". 'Composer' is a loose term that generally refers to any person who writes music. More specifically, it is often used to denote people who are composers by occupation, or those who in the tradition of Western classical music. Writers of exclusively or primarily songs may be called composers, but since the 20th century the terms 'songwriter' or ' singer-songwriter' are more often used, particularl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poblet
Poblet Abbey, otherwise the Royal Abbey of Santa Maria de Poblet ( ca, Reial Monestir de Santa Maria de Poblet), is a Cistercian monastery, founded in 1151, located at the foot of the Prades Mountains, in the comarca of Conca de Barberà, in Catalonia (Spain). It was founded by Cistercian monks from France. The main architect was Arnau Bargués. This monastery was the first of three sister monasteries, known as the Cistercian triangle, that helped consolidate power in Catalonia in the 12th century. (The other two are Vallbona de les Monges and Sant Creus.) Significance Poblet was one of the two royal pantheons of the kings of the Crown of Aragon since James I of Aragon (along with Monastery of San Juan de la Peña). Some of the most important royal sepulchres have alabaster statues that lie over the tomb. The kings have lion sculptures at their feet, while the queens have dogs. Peter IV of Aragon (1319 – 1387) made it a condition, under solemn oath at the moment of crown ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Grove
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vihuela
The vihuela () is a 15th-century fretted plucked Spanish string instrument, shaped like a guitar (figure-of-eight form offering strength and portability) but tuned like a lute. It was used in 15th- and 16th-century Spain as the equivalent of the lute in Italy and has a large resultant repertory. There were usually five or six doubled strings. A bowed version, the vihuela de arco (arco meaning bow), was conceived in Spain and made in Italy from 1480. One consequence was the phrase vihuela de mano being thereafter applied to the original plucked instrument. The term ''vihuela'' became "viola" in Italian ("viole" in Fr.; "viol" in Eng.), and the bowed vihuela de arco was to serve as a prototype in the hands of the Italian craftsmen for the " da gamba" family of fretted bowed string instruments, as developed starting in 1480. Their vihuela-inherited frets made these easier to play in tune than the rebec family (precursors of the " da braccio" family), and so they became popular for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miguel De Fuenllana
Miguel de Fuenllana (c.1500–1579) was a Spanish vihuelist and composer of the Renaissance. Biography Little is known of his life. It is assumed from his name that his roots lie in the municipality of Fuenllana, in the province of Ciudad Real, although he was born in Navalcarnero, Madrid. Blind from birth, he composed a ''Libro de música para vihuela intitulado Orphenica Lyra '' (Seville, 1554), dedicated to Philip II of Spain. At the arrival of Isabel de Valois, third wife of Philip II, she brought with her a group of French instrumental musicians who wished to stay in the Spanish court; Fuenllana alternated with this group and his musical works were performed together with those of foreign artists. At the death of the queen in 1568, he continued serving in the Spanish court. He later served Don Sebastian of Portugal in Lisbon starting in 1574. Works ''Orphénica Lyra'' comprises 182 pieces in six volumes. In the first three, the pieces are ordered ascending by the numb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diego Pisador
Diego Pisador (1509/10? – after 1557) was a Spanish vihuelist and composer of the Renaissance. Life Little is known of the details of Pisador's life, not even the exact dates of his birth and death. It is known that he was born in Salamanca around the years 1509 or 10. He was the oldest son of Alonso Pisador and Isabel Ortiz, who married in 1508. Ortiz's father, Alfonso III of Fonseca, Archbishop of Santiago, was a great patron of music. Alonso Pisador worked as a notary in the audience of the archbishop and, in 1524, he moved to Toledo, following his steps. There he entered the service of the count of Monterrey, possibly Alonso de Acevedo y Zúñiga, who was also a grandson of Alfonso III. In 1526 Pisador took minor orders, but did not continue in an ecclesiastical career. In 1532, his father moved to Galicia following Alonso de Acevedo y Zúñiga as the corregidor of Monterrey. He would not return to Salamanca until 1551, after his wife died in September 1550. He settled in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enríquez De Valderrábano
Enríquez de Valderrábano (c. 1500 – after 1557) was a Spanish Vihuela, vihuelist and composer. There is little biographical data on this composer of early music, but his ''Libro de música de vihuela intitulado Silva de Sirenas'', published in Valladolid, Spain, in 1547, states he is a citizen of Peñaranda de Duero, and the book is dedicated to Francisco de Zúñiga, the Fourth Count of Miranda. This dedication is probably the source of Juan Bermudo's unconfirmed assertion in his ''Declaración de instrumentos musicales'' of 1555 that Valderrábano was employed by the count.Griffiths, John. 2001. "Valderrábano, Enríquez de". ''The New Grove Dictionary of Music and Musicians'', second edition, edited by Stanley Sadie and John Tyrrell (musicologist), John Tyrrell. London: Macmillan. Valderrábano's book of music has seven parts containing ''fugue, fugas'', ''counterpoint, contrapuntos'', ''sonetos'', ''bajas'', ''vacas'', ''discantes'', ''pavane, pavanas'', ''proverbios'', ''c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villancicos
The ''villancico'' (Spanish, ) or vilancete (Portuguese, ) was a common poetic and musical form of the Iberian Peninsula and Latin America popular from the late 15th to 18th centuries. Important composers of villancicos were Juan del Encina, Pedro de Escobar, Francisco Guerrero, Manuel de Zumaya, Juana Inés de la Cruz, Gaspar Fernandes, and Juan Gutiérrez de Padilla.Pope, "Villancico." Spain and the New World Derived from medieval dance forms, the 15th century Spanish villancico was a type of popular song sung in the vernacular and frequently associated with rustic themes. The poetic form of the Spanish villancico was that of an estribillo (or refrain) and coplas (stanzas), with or without an introduction. While the exact order and number of repetitions of the estribillo and coplas varied, the most typical form was a loose ABA framework, often in triple meter, ABA framework. The villancico developed as a secular polyphonic genre until religious villancicos gained popularity in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin
Latin (, or , ) is a classical language belonging to the Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through the power of the Roman Republic it became the dominant language in the Italian region and subsequently throughout the Roman Empire. Even after the fall of Western Rome, Latin remained the common language of international communication, science, scholarship and academia in Europe until well into the 18th century, when other regional vernaculars (including its own descendants, the Romance languages) supplanted it in common academic and political usage, and it eventually became a dead language in the modern linguistic definition. Latin is a highly inflected language, with three distinct genders (masculine, feminine, and neuter), six or seven noun cases (nominative, accusative, genitive, dative, ablative, and vocative), five declensions, four verb conjuga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Language
French ( or ) is a Romance language of the Indo-European family. It descended from the Vulgar Latin of the Roman Empire, as did all Romance languages. French evolved from Gallo-Romance, the Latin spoken in Gaul, and more specifically in Northern Gaul. Its closest relatives are the other langues d'oïl—languages historically spoken in northern France and in southern Belgium, which French ( Francien) largely supplanted. French was also influenced by native Celtic languages of Northern Roman Gaul like Gallia Belgica and by the ( Germanic) Frankish language of the post-Roman Frankish invaders. Today, owing to France's past overseas expansion, there are numerous French-based creole languages, most notably Haitian Creole. A French-speaking person or nation may be referred to as Francophone in both English and French. French is an official language in 29 countries across multiple continents, most of which are members of the ''Organisation internationale de la Francophonie'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Language
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy) – Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version Itali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catalan Language
Catalan (; autonym: , ), known in the Valencian Community and Carche as ''Valencian'' (autonym: ), is a Western Romance language. It is the official language of Andorra, and an official language of three autonomous communities in eastern Spain: Catalonia, the Valencian Community, and the Balearic Islands. It also has semi-official status in the Italian comune of Alghero. It is also spoken in the Pyrénées-Orientales department of France and in two further areas in eastern Spain: the eastern strip of Aragon and the Carche area in the Region of Murcia. The Catalan-speaking territories are often called the or "Catalan Countries". The language evolved from Vulgar Latin in the Middle Ages around the eastern Pyrenees. Nineteenth-century Spain saw a Catalan literary revival, culminating in the early 1900s. Etymology and pronunciation The word ''Catalan'' is derived from the territorial name of Catalonia, itself of disputed etymology. The main theory suggests that (Latin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
