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Mastos Painter
The Mastos Painter ('' fl.'' mid-6th century BC) was a painter of ancient Greek vases. He is named for a black-figure '' mastos'' used by the art historian John Boardman to illustrate the type, which is shaped like a woman's breast (Greek ''mastos''). Works The Mastos Painter belonged to the circle of the Lysippides Painter. The work for which he was named depicts Dionysus, two horse-legged satyrs or silens, and Hermes as they "gaze admiringly" at Ariadne holding the infant Oinopion, her child with Dionysus. This "gentle kind of narrative" is characteristic also of the Antimenes Painter, the mature work of the Andokides Painter, and Oltos and Epiktetos around 515 BC. Although the painter takes his name from his exemplary ''mastos'', he also produced work on other vase types. On a belly amphora executed around 525 BC, he depicts an ivy-bearing Dionysus bringing his mother Semele from the underworld; the god looks back at her as she climbs into a chariot drawn by the magnifi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dionysos Ariadne Staatliche Antikensammlungen 1562
In ancient Greek religion and Greek mythology, myth, Dionysus (; grc, wikt:Διόνυσος, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre, theatre. The Ancient Rome, Romans called him Bacchus ( or ; grc, wikt:Βάκχος, Βάκχος ) for a frenzy he is said to induce called ''bakkheia''. As Dionysus Eleutherios ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and Cult of Dionysus, his cults took many forms ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epiktetos
Epiktetos was an Attic vase painter in the early red-figure style. Besides Oltos, he was the most important painter of the Pioneer Group. He was active between 520 BC and 490 BC. His name translates as "newly acquired", which is most probably a reference to his slave status. Career At the beginning of his career, Epiktetos painted a chalice krater made by the potter Andokides, but later he turned to smaller vessels, such as cups and plates. Throughout his long career, he worked for a variety of potters, including Andokides, Hischylos and the Nikosthenes-Pamphaios workshop. Since he signed one plate as painter and potter, he may have carried out both functions at least for some of the time. That plate was a votive offering, dedicated on the Athenian Acropolis. On one kylix, he collaborated with the Euergides Painter. He appears to have been aware of his talent, as he signed more than half of the works ascribed to him. His first vases were bilingual eye-cups. The eight bi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pankration
Pankration (; el, παγκράτιον) was a sporting event introduced into the Greek Olympic Games in 648 BC, which was an empty-hand submission sport with few rules. The athletes used boxing and wrestling techniques but also others, such as kicking, holds, joint-locks, and chokes on the ground, making it similar to modern mixed martial arts. The term comes from the Greek , meaning 'all of power', from (''pan'') 'all' and (''kratos'') 'strength, might, power'. History In Greek mythology, it was said that the heroes Heracles and Theseus invented pankration as a result of using both wrestling and boxing in their confrontations with opponents. Theseus was said to have used pankration to defeat the Minotaur in the Labyrinth. Heracles too was often depicted in ancient artworks subduing the Nemean lion using pankration. In this context, pankration was also referred to as ''pammachon'' or ''pammachion'' (πάμμαχον or παμμάχιον), meaning "total combat," from π ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Beazley
Sir John Davidson Beazley, (; 13 September 1885 – 6 May 1970) was a British classical archaeologist and art historian, known for his classification of Attic vases by artistic style. He was Professor of Classical Archaeology and Art at the University of Oxford from 1925 to 1956. Early life Beazley was born in Glasgow, Scotland on 13 September 1885, to Mark John Murray Beazley (died 1940) and Mary Catherine Beazley née Davidson (died 1918). He was educated at King Edward VI School, Southampton and Christ's Hospital, Sussex. He then attended Balliol College, Oxford where he read Literae Humaniores: he received firsts in both Mods and Greats. He graduated with a Bachelor of Arts (BA) degree in 1907. While at Oxford he became a close friend of the poet James Elroy Flecker. Academic career After graduating, Beazley spent time at the British School at Athens. He then returned to University of Oxford as a student (equivalent to fellow) and tutor in Classics at Christ Church. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panathenaic Amphora
Panathenaic amphorae were the amphorae, large ceramic vessels, that contained the olive oil given as prizes in the Panathenaic Games. Some were and high. This oil came from the sacred grove of Athena at Akademia. The amphorae which held it had the distinctive form of tight handles, narrow neck and feet, and they were decorated with consistent symbols, in a standard form using the black figure technique, and continued to be so, long after the black figure style had fallen out of fashion. Some Panathenaic amphorae depicted Athena Promachos, goddess of war, advancing between columns brandishing a spear and wearing the ''aegis'', and next to her the inscription ''"(one) of the prizes from Athens"''. On the back of the vase was a representation of the event for which it was an award. Sometimes roosters are depicted perched on top of the columns. The significance of the roosters remains a mystery. Later amphorae also had that year's archon's name written on it making finds of those ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panathenaic Games
The Panathenaic Games ( grc, Παναθήναια) were held every four years in Athens in Ancient Greece from 566 BC to the 3rd century AD. These Games incorporated religious festival, ceremony (including prize-giving), athletic competitions, and cultural events hosted within a stadium. History The Panathenaic festival was formed in order to honor the goddess Athena who had become the patron of Athens after having a competition with the god Poseidon where they were to win the favor of the Athenian people by offering the people gifts. The festival would also bring unity among the people of Athens. The attempted assassination of the tyrants Hippias and Hipparchus during the Panathenaea in 514 BC by Harmodius and Aristogeiton was often regarded as the birth of Athenian democracy. Events The competitions for which the festival came to be known were part of the Great Panathenaia, a much larger religious occasion. These ritual observances consisted of numerous sacrifices to Ath ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phallus
A phallus is a penis (especially when erect), an object that resembles a penis, or a mimetic image of an erect penis. In art history a figure with an erect penis is described as ithyphallic. Any object that symbolically—or, more precisely, iconically—resembles a penis may also be referred to as a phallus; however, such objects are more often referred to as being phallic (as in "phallic symbol"). Such symbols often represent fertility and cultural implications that are associated with the male sexual organ, as well as the male orgasm. Etymology The term is a loanword from Latin ''phallus'', itself borrowed from Greek (''phallos''), which is ultimately a derivation from the Proto-Indo-European root *''bʰel''- "to inflate, swell". Compare with Old Norse (and modern Icelandic) ''boli'' "bull", Old English ''bulluc'' "bullock", Greek "whale". Archaeology The Hohle phallus, a 28,000-year-old siltstone phallus discovered in the Hohle Fels cave and reassembled in 2005, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aulos
An ''aulos'' ( grc, αὐλός, plural , ''auloi'') or ''tibia'' (Latin) was an ancient Greek wind instrument, depicted often in art and also attested by archaeology. Though ''aulos'' is often translated as "flute" or "double flute", it was usually a double-reeded instrument, and its sound—described as "penetrating, insisting and exciting"—was more akin to that of the bagpipes, with a chanter and (modulated) drone. An aulete (, ) was the musician who performed on an ''aulos''. The ancient Roman equivalent was the ''tibicen'' (plural ''tibicines''), from the Latin ''tibia,'' "pipe, ''aulos''." The neologism aulode is sometimes used by analogy with ''rhapsode'' and ''citharode'' ( citharede) to refer to an ''aulos'' player, who may also be called an aulist; however, aulode more commonly refers to a singer who sang the accompaniment to a piece played on the aulos. Background There were several kinds of ''aulos'', single or double. The most common variety was a reed instrumen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petasos
A ''petasos'' or petasus ( el, πέτασος) is a broad brimmed hat of Thessalian origin worn by ancient Greeks, Thracians and Etruscans, often in combination with the chlamys cape. It was made of wool felt, leather, straw or animal skin. Women's versions had a high crown while those for men featured a lower crown. It was worn primarily by farmers, travellers and hunters, and was considered characteristic of rural people. Elite Greek men generally chose not to wear hats. As a winged hat, it became the symbol of Hermes, the Greek mythological messenger god. Along with the pileus, the petasos was the most common hat worn in Greece between 1200 and 146 B.C.E. Its wide brim protected the wearer from the sun and rain while a lengthy strap allowed wearers to secure it under the chin. When not needed, the hat was often worn hanging behind the head. Its popularity later extended to the Etruscans, the Byzantine Empire and the Roman Empire, in slightly modified forms. A type of metal he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chariot
A chariot is a type of cart driven by a charioteer, usually using horses to provide rapid motive power. The oldest known chariots have been found in burials of the Sintashta culture in modern-day Chelyabinsk Oblast, Russia, dated to c. 2000 BCE. The critical invention that allowed the construction of light, horse-drawn chariots was the spoked wheel. The chariot was a fast, light, open, two-wheeled conveyance drawn by two or more horses that were hitched side by side, and was little more than a floor with a waist-high guard at the front and sides. It was initially used for ancient warfare during the Bronze and Iron Ages, but after its military capabilities had been superseded by light and heavy cavalries, chariots continued to be used for travel and transport, in processions, for games, and in races. Etymology The word "chariot" comes from the Latin term ''carrus'', a loanword from Gaulish. In ancient Rome and some other ancient Mediterranean civilizations, a ''biga'' re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Underworld
In mythology, the Greek underworld, or Hades, is a distinct realm (one of the three realms that makes up the cosmos) where an individual goes after death. The earliest idea of afterlife in Greek myth is that, at the moment of death, an individual's essence (''psyche'') is separated from the corpse and is transported to the underworld. In early mythology (e.g., Homer's ''Iliad'' and ''Odyssey'') the dead were indiscriminately grouped together and lead a shadowy post-existence; however, in later mythology (e.g., Platonic philosophy) elements of post-mortem judgment began to emerge with good and bad people being separated (both spatially and with regards to treatment). The underworld itself— commonly referred to as Hades, after its patron god, but also known by various metonyms—is described as being located at the periphery of the earth, either associated with the outer limits of the ocean (i.e., ''Oceanus'', again also a god) or beneath the earth. Darkness and a lack of sunlig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
