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Epiktetos
Epiktetos was an Attic vase painter in the early red-figure style. Besides Oltos, he was the most important painter of the Pioneer Group. He was active between 520 BC and 490 BC. His name translates as "newly acquired", which is most probably a reference to his slave status. Career At the beginning of his career, Epiktetos painted a chalice krater made by the potter Andokides, but later he turned to smaller vessels, such as cups and plates. Throughout his long career, he worked for a variety of potters, including Andokides, Hischylos and the Nikosthenes-Pamphaios workshop. Since he signed one plate as painter and potter, he may have carried out both functions at least for some of the time. That plate was a votive offering, dedicated on the Athenian Acropolis. On one kylix, he collaborated with the Euergides Painter. He appears to have been aware of his talent, as he signed more than half of the works ascribed to him. His first vases were bilingual eye-cups. The eight bi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red-figure Vase Painting
Red-figure vase painting is one of the most important styles of figural Greek vase painting. It developed in Athens around 520 BCE and remained in use until the late 3rd century BCE. It replaced the previously dominant style of black-figure vase painting within a few decades. Its modern name is based on the figural depictions in red color on a black background, in contrast to the preceding black-figure style with black figures on a red background. The most important areas of production, apart from Attica, were in Southern Italy. The style was also adopted in other parts of Greece. Etruria became an important center of production outside the Greek World. Attic red-figure vases were exported throughout Greece and beyond. For a long time, they dominated the market for fine ceramics. Few centers of pottery production could compete with Athens in terms of innovation, quality and production capacity. Of the red-figure vases produced in Athens alone, more than 40,000 specimens an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black-figure Vase Painting
Black-figure pottery painting, also known as the black-figure style or black-figure ceramic ( grc, , }), is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BCE, although there are specimens dating as late as the 2nd century BCE. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style. Figures and ornaments were painted on the body of the vessel using shapes and colors reminiscent of silhouettes. Delicate contours were incised into the paint before firing, and details could be reinforced and highlighted with opaque colors, usually white and red. The principal centers for this style were initially the commercial hub Corinth, and later Athens. Other important production sites are known to have been in Laconia, Boeotia, eastern Greece, and Italy. Particularly in Italy individual styles developed which were at least in part intended for the Etruscan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black Figure Style
Black-figure pottery painting, also known as the black-figure style or black-figure ceramic ( grc, , }), is one of the styles of Ancient Greek vase painting, painting on pottery of ancient Greece, antique Greek vases. It was especially common between the 7th and 5th centuries BCE, although there are specimens dating as late as the 2nd century BCE. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style. Figures and ornaments were painted on the body of the vessel using shapes and colors reminiscent of silhouettes. Delicate contours were incised into the paint before firing, and details could be reinforced and highlighted with opaque colors, usually white and red. The principal centers for this style were initially the commercial hub Corinth, and later Athens. Other important production sites are known to have been in Laconia, Boeotia, eastern Greece, and Italy. Particularly in Italy individual styles developed w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red-figure Pottery
Red-figure vase painting is one of the most important styles of figural Greek vase painting. It developed in Athens around 520 BCE and remained in use until the late 3rd century BCE. It replaced the previously dominant style of black-figure vase painting within a few decades. Its modern name is based on the figural depictions in red color on a black background, in contrast to the preceding black-figure style with black figures on a red background. The most important areas of production, apart from Attica, were in Southern Italy. The style was also adopted in other parts of Greece. Etruria became an important center of production outside the Greek World. Attic red-figure vases were exported throughout Greece and beyond. For a long time, they dominated the market for fine ceramics. Few centers of pottery production could compete with Athens in terms of innovation, quality and production capacity. Of the red-figure vases produced in Athens alone, more than 40,000 specimens and fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scythians
The Scythians or Scyths, and sometimes also referred to as the Classical Scythians and the Pontic Scythians, were an Ancient Iranian peoples, ancient Eastern Iranian languages, Eastern * : "In modern scholarship the name 'Sakas' is reserved for the ancient tribes of northern and eastern Central Asia and Eastern Turkestan to distinguish them from the related Massagetae of the Aral region and the Scythians of the Pontic steppes. These tribes spoke Iranian languages, and their chief occupation was nomadic pastoralism." * : "Near the end of the 19th century V.F. Miller (1886, 1887) theorized that the Scythians and their kindred, the Sauromatians, were Iranian-speaking peoples. This has been a popular point of view and continues to be accepted in linguistics and historical science [...]" * : "From the end of the 7th century B.C. to the 4th century B.C. the Central- Eurasian steppes were inhabited by two large groups of kin Iranian-speaking tribes – the Scythians and Sarmatians [.. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eye-cup
Eye-cup is the term describing a specific cup type in ancient Greek pottery, distinguished by pairs of eyes painted on the external surface. Description Classified as '' kylikes'' in terms of shape, eye-cups were especially widespread in Athens and Chalkis in the second half of the sixth century BC. The bowl of the eye-cup rests on a short squat foot; both sides are dominated by large painted pairs of eyes under arched eyebrows. The eyeballs are painted in silhouette style, later often filled with white paint or painted white on black. Some eyes are “female”, i.e. almond-shaped and without tear-ducts. Often, a stylized nose is placed centrally between the eyes. While used as a drinking vessel, due to the necessary inclination of the vessel, the cup with its painted eyes, the handles looking like ears and the base of the foot like a mouth, would have resembled a mask. Many of the vases also bear dionysiac imagery. The eyes are assumed to have served an apotropaic (evil-a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pioneer Group
The Pioneer Group is a term used by scholars for a number of vase painters working in potters' quarter of Kerameikos in ancient Athens around the beginning of the 5th century BC, around the time of the emergence of red-figure vase painting, which soon displaced the previously dominant black-figure style. Described by the British art historian John Boardman as perhaps the first conscious art movement in the western tradition, historians had included a number of artists in the group, including Epiktetos, Euphronios, Euthymides, Oltos, Phintias, Smikros, Hypsis, and the Dikaios Painter. Archaeologist John Beazley was the first to identify these artists as a coherent group in his works published in the 1940s, in which he developed a taxonomy of ancient Greek pottery by style. No documentary evidence remains of the artists, and everything we know about them was deduced from their surviving work. The Pioneer Group were not innovators of the red-figure technique but rather late adopt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bilingual Vase
Bilingual vase painting is a special form of ancient Greek vase painting. The term, derived from linguistics, is essentially a metaphorical one; it describes vases that are painted both in the black-figure and in the red-figure techniques. It also describes the transitional period when black-figure was being gradually replaced in dominance by red-figure, basically the last quarter of the 6th and the very beginning of the 5th century BC. Their appearance may be due to the initial uncertainty of the market for the new red-figure style, although that style subsequently became dominant rather fast. History Bilingual vase painting was almost entirely restricted to belly amphorae of type B and to eye-cups. In some cases, either side of an amphora bore a depiction of the same motif, one in black-figure, the other in red-figure (e.g. on the belly amphora by the Andokides Painter, Munich 2301). Eye-cups usually feature a black-figure image on the interior, and red-figure motifs on the ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palaestra Scene Louvre G7
A palaestra ( or ; also (chiefly British) palestra; grc-gre, παλαίστρα) was any site of an ancient Greek wrestling school. Events requiring little space, such as boxing and wrestling, took place there. Palaestrae functioned both independently and as a part of public gymnasia; a palaestra could exist without a gymnasium, but no gymnasium existed without a palaestra. Etymology Compare Ancient Greek ''palaiein'' - "to wrestle" and ''palē'' - "wrestling". Palaestrophylax or palaistrophylax ( el, παλαιστροφύλαξ), meaning “palaestra guard”, was the guardian or the director of a Palaestra. Architecture Greek The architecture of the palaestra, although allowing for some variation, followed a distinct, standard plan. The palaestra essentially consisted of a rectangular court surrounded by colonnades with adjoining rooms. These rooms might house a variety of functions: bathing, ball playing, undressing and storage of clothes, seating for socializing, o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
509–500 BC
{{Decadebox BC, 50 Events and trends * 509 BC—Overthrow of Roman monarchy, and beginning of Republican period. First pair of consuls elected. Tarquinian conspiracy formed, but discovered and the conspirators executed. Forces of Veii and Tarquinii, led by the deposed king Lucius Tarquinius Superbus defeated in the Battle of Silva Arsia by the Roman army. Consul Publius Valerius Publicola celebrates the first republican triumph on 1 March. * September 13, 509 BC—The Temple of Jupiter Optimus Maximus on Rome's Capitoline Hill is dedicated on the ides of September. * 508 BC— War between Rome and Clusium * 508 BC—War between Clusium and Aricia * 508 BC—Office of '' Pontifex Maximus'' created in Rome. * 508 BC—Cleisthenes reorganizes Athens. He creates the deme, a local unit to serve as the basis of his political system. Citizenship is tightly linked to the deme, for each deme keeps the roll of those within its jurisdiction, who are admitted to citizenship. He groups all ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vulci
Vulci or Volci (Etruscan language, Etruscan: ''Velch'' or ''Velx'', depending on the romanization used) was a rich Etruscan civilization, Etruscan city in what is now northern Lazio, central Italy. As George Dennis (explorer), George Dennis wrote, "Vulci is a city whose very name... was scarcely remembered, but which now, for the enormous treasures of antiquity it has yielded, is exalted above every other city of the ancient world." Vulci was located near the coast of the Tyrrhenian Sea about 80 km northwest of Rome, on the Fiora River, between Montalto di Castro and Canino. Remains of the city can be seen today. The Vulci, like other Etruscans, became master sculptors in bronze as acknowledged by ancient writers. Although most large bronzes have been lost, there remain some magnificent examples of Etruscan bronze work such as the Chimera of Arezzo and the Monteleone chariot, possibly made in Vulci. In the 19th century thousands of the ancient tombs of Vulci were discovere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cabinet Des Médailles
The BnF Museum or Museum of the Bibliothèque nationale de France, formerly known as the Cabinet des Médailles, is a significant art and history museum in Paris. It displays collections of the ''Département des Monnaies, Médailles et Antiques de la Bibliothèque nationale de France'' as well as manuscripts and books from the Library's collections. The BnF Museum is located in the Richelieu site, the former main building of the library bordering rue de Richelieu. Overview The Cabinet des Médailles is a museum containing internationally important collections of coins, engraved gems, and antiquities, with its distant origins in the treasuries of the French kings of the Middle Ages. The disruptions of the Wars of Religion inspired Charles IX (1560-1574) to create the position of a ("Special guardian of the King's medals and antiques"). Thus the collection, which has been augmented and never again dispersed - unlike the first royal library, assembled at the Palais du Louvre by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
